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Traditionally attributed to King Solomon and called by Rabbi Aqiva the "Holy of Holies" among sacred Scriptures (Mishnah, Yadayim 3:5), the Song of Songs is one of the most fascinating and controversial biblical books, and played an essential role in the shaping of European spirituality and culture.

Traditionally attributed to King Solomon and called by Rabbi Aqiva the “Holy of Holies” among sacred Scriptures (Mishnah, Yadayim 3:5), the Song of Songs is one of the most fascinating and controversial biblical books, and played an essential role in the shaping of European spirituality and culture.

Caporicci C: The Song of Songs and Its
Tradition in Renaissance Love Lyric

The Song of Songs and Its Tradition in Renaissance Love Lyric

<ul><li>Acknowledgements</li> <li>Note</li> <li>Introduction</li> <li>1: A long journey: The Song of Songs and the rise of medieval love lyric</li> <li>2: The transition to modern poetry: Petrarch's Canzoniere </li> <li>3: Still central: The Song of Songs in the Renaissance</li> <li>4: Engaging with the Petrarchan code: The Song of Songs in Italian Renaissance poetry</li> <li>5: Echoing and rewriting the Cantique des Cantiques: The Song of Songs in sixteenth-century French poetry</li> <li>6: The English Spouse: The Song of Songs in sixteenth-century England</li> <li>7: Blooming again: The Song of Songs in the Elizabethan love lyric</li> <li>8: Awaking the turtle dove: Edmund Spenser's Amoretti and Epithalamion</li> <li>Conclusion: The hidden archetype</li> <li>Index</li> <li>Bibliography</li> <li>Appendix 1</li> <li>Appendix 2</li> </ul>

Oxford World's Classics

'How many fond fools serve mad jealousy!' The Comedy of Errors is one of Shakespeare's most farcical plays, with not one but two sets of twins sliding past each other into mistakes, violence, and madness. An early romantic comedy, it's often considered an immature play but also a piece of dramatic experimentation. This New Oxford Shakespeare edition examines links between Shakespeare's play and its literary sources and analogues, but also situates it within performance traditions. Illuminating points of comparison between The Comedy of Errors and Shakespeare's other comedies, as well as it's consonances with Shakespeare's later plays of estrangement and loss, this edition provides readers with a nuanced exploration of Shakespeare's shortest play. The New Oxford Shakespeare offers authoritative editions of Shakespeare's works with introductory materials designed to encourage new interpretations of the plays and poems. Using the text from the landmark The New Oxford Shakespeare Complete Works: Modern Critical Edition, these volumes offer readers the latest thinking on the authentic texts (collated from all surviving original versions of Shakespeare's work) alongside innovative introductions from leading scholars. The texts are accompanied by a comprehensive set of critical apparatus to give readers the best resources to help understand and enjoy Shakespeare's work. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

'How many fond fools serve mad jealousy!'

The Comedy of Errors is one of Shakespeare's most farcical plays, with not one but two sets of twins sliding past each other into mistakes, violence, and madness. An early romantic comedy, it's often considered an immature play but also a piece of dramatic experimentation. This New Oxford Shakespeare edition examines links between Shakespeare's play and its literary sources and analogues, but also situates it within performance traditions. Illuminating points of comparison between The Comedy of Errors and Shakespeare's other comedies, as well as it's consonances with Shakespeare's later plays of estrangement and loss, this edition provides readers with a nuanced exploration of Shakespeare's shortest play.

The New Oxford Shakespeare offers authoritative editions of Shakespeare's works with introductory materials designed to encourage new interpretations of the plays and poems. Using the text from the landmark The New Oxford Shakespeare Complete Works: Modern Critical Edition, these volumes offer readers the latest thinking on the authentic texts (collated from all surviving original versions of Shakespeare's work) alongside innovative introductions from leading scholars. The texts are accompanied by a comprehensive set of critical apparatus to give readers the best resources to help understand and enjoy Shakespeare's work.

ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

The New Oxford Shakespeare

The Comedy of Errors

The Destruction and Survival of Medieval Manuscripts

History in Flames

A delightful, thoughtful and original new way to understand England's history A Times Best Book of the Year 2025 A History Extra History Book of the Year 2025 'This is a marvellous idea, quite brilliantly realised. Catherine Clarke takes 25 poems [...] and uses them as windows into the English past, from politics and plagues to nature and nostalgia. Her book is a winning blend of jolly ballads and melancholy reflections, alive to the ways in which the meanings of England and Englishness are never fixed, always changing' - Dominic Sandbrook, The Times This is the history of England told in a new way: glimpsed through twenty-five remarkable poems written down between the eighth century and today, which connect us directly with the nation's past, and the experiences, emotions and imaginations of those who lived it. These poems open windows onto wildly different worlds - from the public to the intimate, from the witty to the savage, from the playful to the wistful. They take us onto battlefields, inside royal courts, down coal mines and below stairs in great houses. Their creators, witnesses to events from the Great Fire of London to the Miners' Strike, range from the famous to the forgotten, yet each invites us into an immersive encounter with their own time. A History of England in 25 Poems is a portal to the past; a constant companion, filled with vivid voices and surprising stories alongside familiar landmarks, and language that speaks in new ways on each reading. Catherine Clarke's knowledge and passion take us inside the words and the moments they capture, with thoughtful insights, humour and new perspectives on how the nation has dreamed itself into existence - and who gets to tell England's story.

A History of England in 25 Poems

Very Short Introductions

"When I wrote the following pages, or rather the bulk of them, I lived alone, in the woods, a mile from any neighbor, in a house which I had built myself, on the shore of Walden Pond..." Henry David Thoreau (1817-1862) was a leading figure in the American Transcendentalist movement and the era of U. S. literary emergence, an intellectual with worldwide influence as essayist, social thinker, naturalist-environmentalist, and sage. Thoreau's Walden, an autobiographical narrative of his two-year sojourn in a self-built lakeside cabin, is one of the most widely studied works of American literature. It has generated scores of literary imitations and thousands of neo-Walden experiments in back-to-basics living, both rural and urban. Thoreau's great essay, "Civil Disobedience," is a classic of American political activism and a model for nonviolent reform movements around the world. Thoreau also stands as an icon of modern American environmentalism, the father of American nature writing, a forerunner of modern ecology, and a harbinger of freelance spirituality combining the wisdom of west and east. Thoreau is also a controversial figure. From his day to ours, he has provoked sharply opposite reactions ranging from reverence to dismissal. Scholars have regularly offered conflicting assessments of the significance of his work, the evolution of his thought, even the facts of his life. Some disagreements are in the eye of the beholder, but many follow from challenges posed by his own cross-grained idiosyncrasies. He was an advocate for individual self-sufficiency who never broke away from home, a self-professed mystic now also acclaimed as a pioneer natural and applied scientist, and a seminal theorist of nonviolent protest who defended the most notorious guerrilla fighter of his day. All told, he remains a rather enigmatic figure both despite and because we know so much about him, beginning with the two-million-word journal he kept throughout his adult life. The esteemed Thoreau scholar Lawrence Buell gives due consideration to all these aspects of Thoreau's art and thought, framing key issues and complexities in historical and literary context.

"When I wrote the following pages, or rather the bulk of them, I lived alone, in the woods, a mile from any neighbor, in a house which I had built myself, on the shore of Walden Pond..."

Henry David Thoreau (1817-1862) was a leading figure in the American Transcendentalist movement and the era of U. S. literary emergence, an intellectual with worldwide influence as essayist, social thinker, naturalist-environmentalist, and sage. Thoreau's Walden, an autobiographical narrative of his two-year sojourn in a self-built lakeside cabin, is one of the most widely studied works of American literature. It has generated scores of literary imitations and thousands of neo-Walden experiments in back-to-basics living, both rural and urban. Thoreau's great essay, "Civil Disobedience," is a classic of American political activism and a model for nonviolent reform movements around the world. Thoreau also stands as an icon of modern American environmentalism, the father of American nature writing, a forerunner of modern ecology, and a harbinger of freelance spirituality combining the wisdom of west and east.

Thoreau is also a controversial figure. From his day to ours, he has provoked sharply opposite reactions ranging from reverence to dismissal. Scholars have regularly offered conflicting assessments of the significance of his work, the evolution of his thought, even the facts of his life. Some disagreements are in the eye of the beholder, but many follow from challenges posed by his own cross-grained idiosyncrasies. He was an advocate for individual self-sufficiency who never broke away from home, a self-professed mystic now also acclaimed as a pioneer natural and applied scientist, and a seminal theorist of nonviolent protest who defended the most notorious guerrilla fighter of his day. All told, he remains a rather enigmatic figure both despite and because we know so much about him, beginning with the two-million-word journal he kept throughout his adult life. The esteemed Thoreau scholar Lawrence Buell gives due consideration to all these aspects of Thoreau's art and thought, framing key issues and complexities in historical and literary context.

A Very Short Introduction

Henry David Thoreau

'These contributors are some of the best, and best-known poets writing today ... The result is a slimly elegant book of new poetry, some of it very fine indeed ... It really is extraordinary that these sonnets, first published in 1609, can still be engendering such a range of new ideas and ways of expressing them.' - The Independent On Shakespeare's Sonnets: A Poets' Celebration brings together thirty of the world's foremost contemporary poets writing in response to Shakespeare's Sonnets. In the years since Shakespeare's death, the Sonnets have invited imitation, homage, critique, parody and pastiche. These poems probe our relationship to the Sonnets' intricate form and ambitious scope, their investigation of sexuality, wit, memory and poetic survival. These sonnets and longer lyrics explore what it means to write 'on Shakespeare's Sonnets' in the 21st century. This new paperback edition also includes an updated preface. Published in association with the Royal Society of Literature, contributing poets include: Andrew Motion, Carol Ann Duffy, Gillian Clarke, Paul Muldoon, Ruth Padel, Simon Armitage, Roger McGough, Wendy Cope, Jackie Kay, Mimi Khalvati, Imtiaz Dharker and Jo Shapcott, among many others.

On Shakespeare's Sonnets: A Poets' Celebration brings together thirty of the world's foremost contemporary poets writing in response to Shakespeare's Sonnets.

A Poets' Celebration

On Shakespeare's Sonnets

An accessible introduction to the range, value, and diversity of Byron's poetry. Fifty short essays are each devoted to a single poetic work. The essays provide the background and context for the poem, as well as demonstrating the life of the poetry in terms of genre, form, style, and literary tradition.

A Guide to Byron's Verse in Fifty Poems

Chaucer's Ethical Philosophy argues that Chaucer's fictions engage with the most urgent questions of modern political and moral philosophy. Close analysis of Troilus and Criseyde, the Canterbury Tales, and the Book of the Duchess reveals the ways in which Chaucer anticipates modern philosophical debates, using his fictions to explore the ethics of subjectivity and recognition, agency and moral responsibility; concerns that Chaucer experimentally formulated and discomposed across his works are amongst those that most animate and trouble contemporary ethical philosophy. This book places Chaucer in close dialogue not only with medieval philosophy and theology, and his great European literary sources (Boccaccio, Dante, Guillaume de Machaut), but with major figures and concepts of modern philosophical thought (Hegel, Levinas, Wittgenstein, Butler; recognition, subjectivity, gender). It illuminates his use of distinctively medieval forms of narrative to explore ideas and develop philosophies that we have been conditioned to think of as exclusively modern. In this he reveals both the essential nature of the questions, and the contingent, socially--and culturally--conditioned nature of our answers; and he shows us that medieval structures of thought remain central to our understandings of the world. In response to the fundamental ethical question-how should I treat another person?--Chaucer's fictional experiments are shown to be as philosophically complex and ethically powerful as anything in current thought.

Chaucer's Ethical Philosophy argues that Chaucer's fictions engage with the most urgent questions of modern political and moral philosophy. Close analysis of Troilus and Criseyde, the Canterbury Tales, and the Book of the Duchess reveals the ways in which Chaucer anticipates modern philosophical debates.

Chaucer’s Ethical Philosophy

'Cry "havoc!" and let slip the dogs of war' Set against the backdrop of a nation breaking out into civil war, Julius Caesar raises questions of governance, power, tyranny, and enslavement. This New Oxford Shakespeare edition situates these questions within the historical framework of the play's early history in theatre and print, as well as within its long performance history up to and including in the 21st century. The introduction examines the ways in which Roman history is deployed to justify and question political structures, both by Shakespeare and other writers, as well as the transition from historical sources to stage. The New Oxford Shakespeare offers authoritative editions of Shakespeare's works with introductory materials designed to encourage new interpretations of the plays and poems. Using the text from the landmark The New Oxford Shakespeare Complete Works: Modern Critical Edition, these volumes offer readers the latest thinking on the authentic texts (collated from all surviving original versions of Shakespeare's work) alongside innovative introductions from leading scholars. The texts are accompanied by a comprehensive set of critical apparatus to give readers the best resources to help understand and enjoy Shakespeare's work. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

'Cry "havoc!" and let slip the dogs of war'

Set against the backdrop of a nation breaking out into civil war, Julius Caesar raises questions of governance, power, tyranny, and enslavement. This New Oxford Shakespeare edition situates these questions within the historical framework of the play's early history in theatre and print, as well as within its long performance history up to and including in the 21st century. The introduction examines the ways in which Roman history is deployed to justify and question political structures, both by Shakespeare and other writers, as well as the transition from historical sources to stage. 

The New Oxford Shakespeare offers authoritative editions of Shakespeare's works with introductory materials designed to encourage new interpretations of the plays and poems. Using the text from the landmark The New Oxford Shakespeare Complete Works: Modern Critical Edition, these volumes offer readers the latest thinking on the authentic texts (collated from all surviving original versions of Shakespeare's work) alongside innovative introductions from leading scholars. The texts are accompanied by a comprehensive set of critical apparatus to give readers the best resources to help understand and enjoy Shakespeare's work.

ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

Julius Caesar

This unique collection of essays and images explores a series of objects in the Royal Collection as a means of assessing the interrelated histories of the British royal family and the Shakespearean afterlife across four centuries. Between the beginning of the eighteenth century and the late twentieth, Shakespeare became entrenched as the English national poet. Over the same period, the monarchy sought repeatedly to demonstrate its centrality to British nationhood. By way of close analysis of a selection of objects from the Royal Collection, this volume argues that the royal family and the Shakespearean afterlife were far more closely interwoven than has previously been realized. The chapters map the mutual development over time of the relationship between members of the British royal family and Shakespeare, demonstrating the extent to which each has gained sustained value from association with the other and showing how members of the royal family have individually and collectively constructed their identities and performed their roles by way of Shakespearean models. Each chapter is inspired by an object in (or formerly in) the Royal Collection and explores two interconnected questions: what has Shakespeare done for the royal family, and what has the royal family done for Shakespeare? The chapters range across the fields of art, theatre history, literary criticism, literary history, court studies and cultural history, showing how the shared history of Shakespeare and the royal family has been cultivated across media and across disciplines.

Explores the extent to which members of the royal family have appropriated the creative legacy of Shakespeare, from the mid-eighteenth century to the mid-twentieth century, in order to shore up royal and national ideologies and to assert the legitimacy of the monarchy.

Dynasty, Ideology, and National Culture

Shakespeare's Afterlife in the Royal Collection

Dante's epic story of a man's journey from darkness to the revelation of divine light is one of the greatest works of Western literature. Because of its length and its language, it is viewed as forbidding. Undergraduate courses often cherry-pick from the Inferno and barely glance at Purgatorio and Paradiso.
In The Essential Commedia, Prue Shaw fillets the epic to create an absorbing tour of all three realms of the afterlife. Extensive passages, astutely excerpted, are offered in translation alongside the original, making it easy to read Dante in English, Italian or both. The translation into modern, idiomatic English avoids archaisms, padding and syntactic contortions. With no loss of rigour, a complex text is rendered accessible by a teacher whose decades of experience enable her to highlight those aspects of the poem readers will appreciate.
Prue Shaw's, Reading Dante, was praised as: 
<ul>
<li>"[an] experience of a lifetime[...]"-The Spectator</li>
</ul>
<ul>
<li>"Writing an introduction [to The Divine Comedy] for the general reader is not an easy task. Prue Shaw has done this in a way that manages to be at the same time scholarly, compelling and original."-The Times Literary Supplement</li>
</ul>
<ul>
<li>[Shaw] keeps us so enthralled with her compelling and fast-paced prose that the only reason one would want to put down this book is to open the one she is talking about."-Times Higher Education</li>
</ul>

Dante: The Essential Commedia

This Very Short Introduction introduces the life, work, and influence of one of the greatest dramatists of all time, Sophocles the Athenian, placing his plays within their historical context, and explaining the conventions of ancient Greek tragic theatre.

Sophocles

Anthem Studies in Global English Literatures

Byron concealed himself in various literary disguises, a process he called "mobility." In this study of influences on Byron's verse and Byron's European impact, I explore these borrowings and transformations as they manifested themselves in his reading. At issue is the very concept of romantic poetic voice. Framing himself in the tradition of the Irish yet cosmopolitan Thomas Moore, Byron adopted continental guises, imitating both Italian writers and political heroes, such as Dante, Machiavelli, and Tasso. In establishing an Italian identity, Byron relied upon the Italian writers he translated (Pulci, Dante), Thomas Moore's "Fudge Family in Paris," and Shelley's "Julian and Maddalo," as well as Goethe's Faust. This Europeanization of Byron should not conceal the fact that Byron adopted poses from his predecessors, such as Walter Scott, in order to fashion himself as a Scottish poet who also happened to be English. Byron became the writers he read: Moore, Shelley, Wordsworth, Scott, Foscolo, Lady Morgan, and Madame de Staël. Those who imitated Byron, particularly Alexander Pushkin and Adam Mickiewicz, became the best interpreters of his literary example while transforming it, and explained what it meant to be a Harold in Muscovite Cloak, or a Polish Byron, to be both delimited and emancipated by Byron's example.

Mobility, Cosmopolitanism, and Chameleon Poetry

The European Byron

The Song of Songs and Its Tradition in Renaissance Love Lyric

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