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Lemaitre P: The Silence and the Rage /
LF

The Silence and the Rage

The epic and compelling second novel in 'The Glorious Years' series

Mother, Ghost, Mango Seed

Bloomsbury Adaptation Histories

Noted scholar Imelda Whelehan looks at key adaptations released during this period and considers the impact of social change, film consumption and film tastes, as well as noting the most popular genres at this time. The latter part of the 20th century saw cinema becoming increasingly significant as an art-form, even while its status as 'art' was still openly contested. This installment in the Bloomsbury Adaptation Histories series discusses a rich and exciting period of cinema history: Hollywood in the latter stages of its golden age, releasing masterpiece adaptations such as It's A Wonderful Life (1946), The Treasure of the Sierra Madre (1948), The Third Man (1949), All About Eve (1950), Rear Window (1954), The Night of the Hunter (1955) and Vertigo (1958).

The latter part of the 20th century saw cinema becoming increasingly significant as an art-form, even while its status as 'art' was still openly contested. This installment in the Bloomsbury Adaptation Histories series discusses a rich and exciting period of cinema history: Hollywood in the latter stages of its golden age, releasing masterpiece adaptations such as It's A Wonderful Life (1946), The Treasure of the Sierra Madre (1948), The Third Man (1949), All About Eve (1950), Rear Window (1954), The Night of the Hunter (1955) and Vertigo (1958). Noted scholar Imelda Whelehan looks at key adaptations released during this period and considers the impact of social change, film consumption and film tastes, as well as noting the most popular genres at this time.

1946-59

Post-war Adaptations

From the author of Whips, one of the most talked-about debuts of recent years, comes a wry, touching and beautifully observed city-to-country tale for Summer 2025.

The Ploughman's Lunch

Society

The new action-packed political/espionage thriller from the New York Times bestselling author of the James Reece series.&nbsp;

Untitled James Reece 8

The Retreat

The Spanner in the Works

&nbsp;Three best friends. One five-star hotel. Will it be the holiday of a lifetime?

<div>Imogen is going on an expenses-paid holiday with her best friends. What could possibly go wrong? Imogen isn’t used to five-star hotels.&nbsp;&nbsp;She’s used to juggling the pressures of her job with raising a four-year-old single-handedly and trying to keep smiling throughout. &nbsp; So, when her friend wins a VIP trip to Barcelona’s most fashionable new hotel, it’s her chance to finally relax.&nbsp; &nbsp; But Imogen knows better than most that life doesn’t always go according to plan and things start to go awry before they’ve even set foot on the plane. &nbsp; The big question is: what is really motivating the mysterious, handsome man who’s always in the right place at the wrong time? 'Funny, sexy and moving - a hilarious holiday romp with a heart. I loved it' SOPHIE KINSELLA</div>

'Funny, sexy and moving - a hilarious holiday romp with a heart. I loved it' SOPHIE KINSELLA

The Time of Our Lives

Penguin European Writers

A House in Sicily

Poirot

The Graphic Novel

Murder on the Orient Express

You know your neighbours are plotting a crime but no one believes you . . . DON'T MISS THE SPINE-TINGLING NEW THRILLER FROM THE SUNDAY TIMES NO.1 BESTSELLING AUTHOR CLAIRE DOUGLAS, AVAILABLE FOR PRE-ORDER NOW'Douglas is a master storyteller' JANICE HALLETT'Douglas is the queen of the unexpected twist' GILLIAN MCALLISTER'Claire Douglas is the Queen of Gripping Pageturners' CL TAYLOR---When Lena helps her teenage son gather sounds for her media studies project, she doesn't expect her boom-microphone to pick up a conversation between her neighbours, the Morgans. And she's certain they are planning a crime. Her family and friends tell her that she must have misheard. After all, the Morgans are a well-respected, upstanding couple in their early sixties. They've never been in trouble with the law. Yet Lena can't stop thinking about it. Because what if she hasn't misheard? What if she can prevent something awful happening?After all, stopping it could help ease her conscience about her own dark past . . . ---Praise for Claire Douglas'Few people do psychological thrillers as claustrophobic and as creepy as Claire Douglas' Tim Weaver, bestselling author of No One Home'Thrillingly tense and twisty' B. A. Paris, bestselling author of Behind Closed Doors'Stunning . . . with a killer twist' Closer'Perfect for fans of The Girl on the Train' Marie Claire'Twisty, exciting yet so very real' Gillian McAllister, bestselling author of Anything You Do Say

The New Neighbours

Bloomsbury Studies in Modern Architecture

Robin Boyd was Australia's foremost architectural writer and critic from the late 1940s until his death in 1971. He was also a talented architect, designing houses, apartments, commercial and university buildings, as well as exhibits to represent Australia overseas. This book situates his architecture and writings within the context of post-WWII global architectural discourse and production. A voice from the margins, yet one intimately engaged with contemporary US and European architecture, Boyd's geographic impartiality also drew architectures from Australia and Japan into global dialogue. He also had a local mission: to build an architecture culture and discourse for his own country. But his acuity in design criticism, widely admired at the time, has been overlooked by subsequent historiography. This book will fill that gap - placing Boyd's work and writing into an international context for the first time. The book is structured into three parts: Dwelling; Discourse and Australia. The first, Dwelling, focuses on Boyd's development of his theoretical ideas based on the laboratory of the single-family house. The second, Discourse, outlines Boyd's fight to find a voice for Australian architecture and create a local pedigree for modernism and finally the third, Australia, focuses on Boyd's commitment to a broader national project and the shaping of Australian identity.

Robin Boyd was Australia’s foremost architectural writer and critic from the late 1940s until his death in 1971. He was also a talented architect, designing houses, apartments, commercial and university buildings, as well as exhibits to represent Australia overseas. 

This book situates his architecture and writings within the context of post-WWII global architectural discourse and production. A voice from the margins, yet one intimately engaged with contemporary US and European architecture, Boyd’s geographic impartiality also drew architectures from Australia and Japan into global dialogue. He also had a local mission: to build an architecture culture and discourse for his own country. But his acuity in design criticism, widely admired at the time, has been overlooked by subsequent historiography. This book will fill that gap - placing Boyd's work and writing into an international context for the first time.
     
The book is structured into three parts: Dwelling; Discourse and Australia. The first, Dwelling, focuses on Boyd’s development of his theoretical ideas based on the laboratory of the single-family house. The second, Discourse, outlines Boyd’s fight to find a voice for Australian architecture and create a local pedigree for modernism and finally the third, Australia, focuses on Boyd’s commitment to a broader national project and the shaping of Australian identity.

Australian Architect, International Critic

Robin Boyd

The Silence and the Rage

Bibliografische Angaben

Schlagworte

Bibliografische Angaben

Schlagworte

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