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Ferguson Norman: The Second World War

The Second World War

A Miscellany

The Death of Stalin

Peleliu

A history of Southern segregationists' long war against interracial relationships, and the century-long fight to restore the freedom to love, marry, and inherit Interracial marriage was already illegal in some of the American colonies as early as the 1690s. But long before the Supreme Court declared that interracial couples had the right to marry in 1967, these families were far from rare. It took decades of hard work by Southern lawmakers and judges to create the illusion that they were, as Tangled Fortunes reveals in this new history of the rise and fall of the domestic color line. In Tangled Fortunes, historian Kathryn Schumaker narrates how the prohibition of interracial marriage became a priority for white supremacist lawmakers. To prevent white wealth falling into Black hands, they papered over the reality of interracial relationships, steered inheritances away from those who did not pass as white, and hardened the lines of racist exclusion. But they could neither erase the region's longer history of interracial relationships nor suppress the inheritance claims of biracial descendants dating back to the era of slavery. Tangled Fortunes sheds new light on the ways that interracial families overcame racist laws, uncovered closely kept Southern secrets, and battled to reclaim Black wealth-a fight that continues to this day.

The Hidden History of Interracial Marriage in the Segregated South

Tangled Fortunes

Eastern Europe since 1939 is a detailed exploration of the region's history from the outbreak of the Second World War until now. Focusing on social history, the book examines life under the socialist dictatorships which dominated the region and how the legacy of these regimes has and, in some cases, has not shaped Eastern European societies in more recent times.

The book takes a comparative approach in its analysis of key topics, such as the legacy of the Second World War, Stalinism, the 1989 revolutions and the post-socialist experience. It then masterfully places the turbulent political events in a wider social context so significant social subjects like gender, class, minorities, popular religion, culture and leisure can be discussed in depth.

This updated and expanded 2nd edition includes:

* A brand new chapter covering the period from 2000 to the present day
* More local case studies, biographies, sketches of individuals and detail on individual countries
* Historiographical updates throughout, as well as new passages and chapter subheadings for easier navigation
* 30 images, several maps and a glossary

Of immense value to students and scholars alike, this is an essential text for anyone wanting to understand the human history of Eastern Europe in the last 70 years.

Eastern Europe since 1939 is a detailed exploration of the region’s history from the outbreak of the Second World War until now. Focusing on social history, the book examines life under the socialist dictatorships which dominated the region and how the legacy of these regimes has and, in some cases, has not shaped Eastern European societies in more recent times.

The book takes a comparative approach in its analysis of key topics, such as the legacy of the Second World War, Stalinism, the 1989 revolutions and the post-socialist experience. It then masterfully places the turbulent political events in a wider social context so significant social subjects like gender, class, minorities, popular religion, culture and leisure can be discussed in depth.

This updated and expanded 2nd edition includes:

* A brand new chapter covering the period from 2000 to the present day
* More local case studies, biographies, sketches of individuals and detail on individual countries
* Historiographical updates throughout, as well as new passages and chapter subheadings for easier navigation
* 30 images, several maps and a glossary

Of immense value to students and scholars alike, this is an essential text for anyone wanting to understand the human history of Eastern Europe in the last 70 years.

Eastern Europe since 1939

A Poem for Every Summer Day

In the aftermath of WWII Australia undertook a number of war crime trials, and yet despite detailed records about Japanese military sexual slavery during the New Guinea Campaign, 'enforced prostitution' was not among the crimes prosecuted. This book asks why, when enforced prostitution was listed as a war crime, and both Australian and civilian authorities had reported the Japanese 'comfort women' scheme of military sexual slavery, its perpetrators were never called to justice. Bringing unpublished evidence to light, and employing both English and Japanese archival sources, this book describes the nature and extent of the trafficking and sexual slavery of women in the Pacific theatre of war, and connects it to sexual exploitation and violence in post-war Japan, Korea, Vietnam, Afghanistan and Australia. Highlighting the ways in which cultural assumptions about Asian women influenced the perception and treatment of the so-called 'comfort women' by Australians, it argues that this prevented the prosecution of perpetrators for war crimes, and contends that these cultural assumptions have continued to influence the business, and tolerance, of sexual slavery in Australia today.

In the aftermath of WWII Australia undertook a number of war crime trials, and yet despite detailed records about Japanese military sexual slavery during the New Guinea Campaign, ‘enforced prostitution’ was not among the crimes prosecuted. This book asks why, when enforced prostitution was listed as a war crime, and both Australian and civilian authorities had reported the Japanese ‘comfort women’ scheme of military sexual slavery, its perpetrators were never called to justice. Bringing unpublished evidence to light, and employing both English and Japanese archival sources, this book describes the nature and extent of the trafficking and sexual slavery of women in the Pacific theatre of war, and connects it to sexual exploitation and violence in post-war Japan, Korea, Vietnam, Afghanistan and Australia. Highlighting the ways in which cultural assumptions about Asian women influenced the perception and treatment of the so-called ‘comfort women’ by Australians, it argues that this prevented the prosecution of perpetrators for war crimes, and contends that these cultural assumptions have continued to influence the business, and tolerance, of sexual slavery in Australia today.

Enforced Prostitution in the New Guinea Campaign, 1942-1945

Australia and the Comfort Women

Small Boats and Sea Spray

Afloat

The Life of Isabella Stewart Gardner

Chasing Beauty

Campaign

The first part of a detailed study of one of the longest, and most brutal, tactical operations of World War II.

The first part of a detailed study of one of the longest, and most brutal, tactical operations of World War II. 

In September 1944, the Allied High Command continued to press eastwards with both the First and Ninth US Armies under Courtney Hodges and William Simpson. The proposed advance by Hodges' US First Army was a thrust through a wooded area known locally as the Hürtgenwald - or Hürtgen Forest - with Simpson's US Ninth Army making a parallel movement. On the opposing side, the German forces under the overall command of Walter Model would do all they could to defend the Reich, but also maintain a staging post for the forthcoming Battle of the Bulge. 

Fought in brutal terrain - heavily wooded, riven with razor sharp ridgelines and precipitous cliffs, and with a woefully inadequate road network - and in all elements, the Battle of Hürtgen Forest was a grinding and protracted encounter where gains were measured in feet and yards and not miles. This study explores the first phase of this bloody battle, including the 'Aachen Question' facing the Allies. Featuring stunning artwork, detailed maps and diagrams, and period images, this book provides a gripping narrative of the infamous clash in the Hürtgen Forest, concluding with an assessment of the situation in November 1944, and the preparations for the next phase of operations.

The US First Army's Route to the Rhine

Hürtgen Forest 1944 (1)

The long-awaited, bracingly candid, and utterly unpredictable personal story of movie legend Donald Sutherland, sharing his deep passion for acting, his intense journey through success and loss, and every wild story in between As one of the most enduring actors in Hollywood, Donald Sutherland has made an indelible mark on the industry since his life-changing role in M*A*S*H catapulted him into the public eye nearly sixty years ago. With his raw honesty and wicked sense of humour, the renowned actor chronicles his life in this generation-defining book, cataloging with powerful detail his far too many brushes with death, his loving relationship with his parents, and behind-the-scenes stories of the movies he's starred in, including M*A*S*H, Klute, Kelly's Heroes, Don't Look Now, Ordinary People, JFK, The Eye Of the Needle, Fellini's Casanova, 1900, The Hunger Games, and more. In Made Up, But Still True, Sutherland offers an unfiltered account of his memories of his life that is deeply insightful, emotional, and often very funny. In 1937 he was treated for infantile paralysis, followed a couple of years later by a bacterial infection that required a hammer and chisel to clean up his mastoiditis. Later in life, a rheumatic fever could have killed him, and after that, a bout with spinal meningitis did kill him, but only for a few seconds, then left him in a coma that took him a good while to come out of. As a 16-year-old he experienced his first sexual relationship, his first love, his first lessons in love. She was twice his age and they had a wonderful time. He also reveals the onstage triumphs that began his career; the pitfalls that threatened it and the movies that burnished it; and the on and off-set hijinks that gave it all colour. With surprising candor and powerful, lyrical prose, these unforgettable reminiscences offer an unprecedented look at the remarkable life of a legendary-and legendarily private-Hollywood icon.

The long-awaited, bracingly candid, and utterly unpredictable personal story of movie legend Donald Sutherland, sharing his deep passion for acting, his intense journey through success and loss, and every wild story in between As one of the most enduring actors in Hollywood, Donald Sutherland has made an indelible mark on the industry since his life-changing role in M*A*S*H catapulted him into the public eye nearly sixty years ago. With his raw honesty and wicked sense of humour, the renowned actor chronicles his life in this generation-defining book, cataloging with powerful detail his far too many brushes with death, his loving relationship with his parents, and behind-the-scenes stories of the movies he’s starred in, including M*A*S*H, Klute, Kelly’s Heroes, Don't Look Now, Ordinary People, JFK, The Eye Of the Needle, Fellini’s Casanova, 1900, The Hunger Games, and more. In Made Up, But Still True, Sutherland offers an unfiltered account of his memories of his life that is deeply insightful, emotional, and often very funny. In 1937 he was treated for infantile paralysis, followed a couple of years later by a bacterial infection that required a hammer and chisel to clean up his mastoiditis. Later in life, a rheumatic fever could have killed him, and after that, a bout with spinal meningitis did kill him, but only for a few seconds, then left him in a coma that took him a good while to come out of. As a 16-year-old he experienced his first sexual relationship, his first love, his first lessons in love. She was twice his age and they had a wonderful time. He also reveals the onstage triumphs that began his career; the pitfalls that threatened it and the movies that burnished it; and the on and off-set hijinks that gave it all colour. With surprising candor and powerful, lyrical prose, these unforgettable reminiscences offer an unprecedented look at the remarkable life of a legendary—and legendarily private—Hollywood icon.

Made Up, But Still True

IMAGINES – Classical Receptions in the Visual and Performing Arts

This book examines the reception of Graeco-Roman sculptures of Venus and their role in the construction of the body aesthetics of the "fit" American woman in the decades around the turn of the 20th century. In this historical moment, 19th-century anthropometric methods, the anti-corset dress reform movement and early fitness culture were united in their goal of identifying and producing healthy, procreative female bodies. These discourses presented ancient statues of Venus - most frequently, the Venus de Milo - as the supreme visual model of a superior, fit, feminine physique. An America of such Venuses would herald the future prosperity of the "American race" by reviving the robust health and moral righteousness of the ancient Greeks.
 
 Venuses had long been symbols of beauty, but the new situation of Venus statues as an aesthetic and moral destination for women set up a slippage between ideal sculpture and living bodies: what did it mean for a woman to embody - or to try to embody - the perfect health and beauty of an ancient statue? How were women expected to translate this model into flesh? What were the political stakes to which this vision of a nation of American Venuses was bound? Who was believed to conform to this ideal, and who was excluded from it? In taking on these questions, Franks engages with physical culture and dress-reform media, modern artwork that adapts Graeco-Roman traditions, anthropological texts, art histories of ancient Greece, film, advertising and medical reporting on women's health.

This book examines the reception of Graeco-Roman sculptures of Venus and their role in the construction of the body aesthetics of the “fit” American woman in the decades around the turn of the 20th century. In this historical moment, 19th-century anthropometric methods, the anti-corset dress reform movement and early fitness culture were united in their goal of identifying and producing healthy, procreative female bodies. These discourses presented ancient statues of Venus – most frequently, the Venus de Milo – as the supreme visual model of a superior, fit, feminine physique. An America of such Venuses would herald the future prosperity of the “American race” by reviving the robust health and moral righteousness of the ancient Greeks.
 
 Venuses had long been symbols of beauty, but the new situation of Venus statues as an aesthetic and moral destination for women set up a slippage between ideal sculpture and living bodies: what did it mean for a woman to embody – or to try to embody – the perfect health and beauty of an ancient statue? How were women expected to translate this model into flesh? What were the political stakes to which this vision of a nation of American Venuses was bound? Who was believed to conform to this ideal, and who was excluded from it? In taking on these questions, Franks engages with physical culture and dress-reform media, modern artwork that adapts Graeco-Roman traditions, anthropological texts, art histories of ancient Greece, film, advertising and medical reporting on women’s health.

Venus Envy

Ancient Sculpture and Twentieth-Century American Womanhood

The Second World War

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