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Zucker B: The Second Oldest Profession

The Second Oldest Profession

The Wet Nurse, Revered and Reviled

Where slaves became drag queens - and changed the world

The House of Swann

A Portrait of John Singer Sargent

Beyond Beauty

Routledge Advances in Art and Visual Studies

This volume explores the effect of Darwinian theory on visual culture through analysis of popular graphics, scientific illustration, natural history diorama, as well as the more traditional art historical material such as painting and sculpture. It extends the discussion to examine the lasting impact the theory of evolution has had on the development of art history as an academic discipline.

Charles Darwin’s theory of evolution bore a decisive influence on aesthetic thought that was nothing if not diverse. From biological models to European paintings, Darwinian theory offered art historians and artists a rich, evocative lens through which to view the world anew. This volume explores the effect of Darwinian theory on visual culture through analysis of popular graphics, scientific illustration, natural history diorama, as well as the more traditional art historical material such as painting and sculpture. It extends the discussion to examine the lasting impact the theory of evolution has had on the development of art history as an academic discipline.

The Darwin Effect

Evolutionary Theory and Visual Culture

Routledge Studies in Archaeology

This book is the first to investigate early Roman religion on the basis of archaeological evidence. Author Elizabeth Colantoni uses the archaeological data to construct a new narrative about early Roman religious practices, examining the role and nature of sacred space; the religious calendar; gods, priests and worshippers; ritual and sacrifice; and death rites and ancestor cult in early Rome. The result is a fuller and more accurate picture of changing early Roman religious practices that also provides the basis for a better understanding of the more widely attested religion of the Romans who lived during the period of the Roman republic and after.

The religion of the people of Rome in the first centuries of the city’s history has long been a topic of interest for scholars, but it has been investigated primarily through literary evidence recorded in the first century BC and later, many centuries after an urban community first began to develop in Rome in the eighth century BC. The contemporary archaeological data from the eighth, seventh, and sixth centuries BC have been taken into account only sporadically, with the result that most scholarship supposedly focused on early Roman religion instead reproduces later Roman ideas about the origins and development of Roman religion—ideas that were often colored by the standards and principles of later Romans, supported by their own conjecture rather than by factual evidence. A standard scholarly method of dealing with the later written evidence about early Roman religious practices is to attempt to strip away any later or false information in order to isolate the genuine characteristics of early Roman religion. This teleological approach, however, causes early Roman religion to seem destined from the beginning to result in the later version of Roman religion. The only changes over time that can then be identified are those that show early Roman religion moving toward the model of the better known Roman religion of the first century BC and after. This book is the first to investigate early Roman religion on the basis of archaeological evidence.The earliest archaeological levels of Rome have been excavated in a number of areas around the city but, because of disciplinary divides between Classical studies, ancient history, religious studies, and archaeology, the archaeological evidence has not been incorporated in any significant way into discussions about the religion of the first Romans. And yet archaeological data can provide us with the baseline of factual evidence that is lacking in the later written sources and, in particular, the archaeological record allows the study of change through time in the characteristics of Roman religion in the earliest centuries of its existence. This book uses the archaeological data to construct a new narrative about early Roman religious practices, examining the role and nature of sacred space; the religious calendar; gods, priests and worshippers; ritual and sacrifice; and death rites and ancestor cult in early Rome as they can be understood through the archaeological evidence. The result is a fuller and more accurate picture of changing early Roman religious practices that also provides the basis for a better understanding of the more widely attested religion of the Romans who lived during the period of the Roman republic and after.

The Archaeology of Early Roman Religion

World Cinema

Departing from standard histories, this book draws on the theory of excess in film to provide a re-examination of Polish cinema history, following emancipatory impulses that emerged in Polish culture between the great crisis of 1968-marked by the expulsion of Polish Jews and persecution of students-and the conservative revolution of the Solidarity movement in the 1980s. Employing a transnational and decolonial lens, Sebastian Jagielski argues that beyond the binary of state-endorsed and official 'opposition' media, there exists a range of subversive and radical films. He provides close readings of key examples such as The Devil (Diabel)(1972), A Story of Sin (Dzieje grzechu)(1975) and The Palace (Palac)(1980), considering their depiction and transformation of emancipatory ideals born out of Western countercultural movements. He also explores the filmmaking practices of directors like Andrzej Wajda to Andrzej Zulawski, examining their use of subtext, seemingly lurid narratives and subversive embedded gestures, produced against the backdrop of Communist Poland's censorship practices. In doing so he proposes a critical revision of the normative cinema of moral anxiety. He goes on to consider how on screen depictions of sexuality intersect with various modes of difference, highlighting the impact of racism, homophobia, misogyny, and classism. Rejecting a linear narrative in favour of a fragmented history, Jagielski uncovers the untold stories of Polish cinema's subversive influences.

The Politics of Excess in Polish Cinema

'Exceptionally rich, inspiring, challenging' Bernardine Evaristo | 'Something on every page that you didn't know before' Sathnam Sanghera | 'Celebrates women how they are, as they are' | Gillian AndersonOur bodies tell our story. This powerful global history of beauty by Sunday Times bestselling Brit(tish) author Afua Hirsch dismantles the colonial falsehoods that shape our sense of belonging and celebrates the pioneering stories and ideas of women from marginalised groups. 'A remarkable journey to unlearn western beauty standards and explore ancestral skin, hair and body modification rituals' Funmi Fetto, Observer'A vital, challenging account of reassessing body image beyond the colonial, patriarchal gaze' I newspaper'A generous offering, and a joy filled testimony' Nana Darkoa Sekyiamah, author of The Sex Lives of African Women

On Ancestry, Tradition and Cultural Reinvention

Decolonising My Body

War, Culture and Society

Through an in-depth analysis of wartime essays and literary works, Literature and Cultural Identity during the Korean War considers the similarities and differences in the way that writers from both North and South Korea perceived and experienced the conflict. 

In this book, Jerôme de Wit examines the social impact of major themes in the output of these writers, such as the notion of collaboration, the portrayal of the enemy and heroes, and the role of women during war, to further our understanding of the wartime identities that were constructed by the two Koreas. The result is a nuanced and enlightening study which provides a base for a full exploration of the role culture in the formation of North and South Korean states.

Until now, most studies have tended to focus on the Korean War's role in big power relations or on Korea's role in Cold War history. Literature and Cultural Identity during the Korean War demonstrates that the struggle was simultaneously an international 'total' war as well as a civil one. It is an important study for anyone interested in the literature and culture of the Korean War.

Through an in-depth analysis of wartime essays and literary works, Literature and Cultural Identity during the Korean War considers the similarities and differences in the way that writers from both North and South Korea perceived and experienced the conflict. 

In this book, Jerôme de Wit examines the social impact of major themes in the output of these writers, such as the notion of collaboration, the portrayal of the enemy and heroes, and the role of women during war, to further our understanding of the wartime identities that were constructed by the two Koreas. The result is a nuanced and enlightening study which provides a base for a full exploration of the role culture in the formation of North and South Korean states.

Until now, most studies have tended to focus on the Korean War's role in big power relations or on Korea's role in Cold War history. Literature and Cultural Identity during the Korean War demonstrates that the struggle was simultaneously an international 'total' war as well as a civil one. It is an important study for anyone interested in the literature and culture of the Korean War.

Comparing North and South Korean Writing

Literature and Cultural Identity during the Korean War

"We are a much-lectured people," wrote Robert Spence Watson in 1897. Beginning at mid-century, cities and towns across England used the popular lecture for purposes ranging from serious education to effervescent entertainment and from regional pride to imperial belonging. Over time, the popular lecture became the quintessential embodiment of Victorian knowledge-based culture, which itself ranged from the production of new knowledge in the most elite of learned societies to the consumption of established knowledge in middle-class clubs and the hundreds of humble mechanics' institutions initially founded to provide scientific instruction to workers. What did the "average" Victorian talk and think about? How did the knowledge-based culture of lecture and debate enable men and women to demonstrate both civic engagement and cultural competence? How does this knowledge-based culture and its changing expression give us ways to look at Victorian citizenship long before the extension of the franchise? With engaging and accessible prose Anne Rodrick draws from a variety of primary sources to provide fascinating answers to these pertinent questions. Based on the analysis of several thousand lectures and debates delivered over more than 50 years, this book digs deeply into what those individuals below the most elite levels thought, heard, debated, and claimed as a badge of cultural competence. By the turn of the 20th century, the popular lecture was competing for attention with new institutions of leisure and of higher education, and the discourse surrounding its place in contemporary England helps illuminate important debates over access to and deployment of knowledge and culture.

Knowledge-Based Culture and Participatory Citizenship

Lecturing the Victorians

In November 2022, Benjamin Netanyahu returned to power in Israel after the fifth election in less than four years. Propped up by a bloc of far-right and ultra-religious parties, Netanyahu's government is the most extreme administration in Israeli history. It has pushed Israeli society to breaking point. Israel now faces cataclysmic rifts and an existential crisis. Pfeffer charts the mass protests against Netanyahu's attempts to silence the judiciary and expand settlement in the West Bank, as well as the shattering of Israel's core beliefs after October 7th and the calamitous war in Gaza. No King In Israel is the definitive story of Israel's fractured democracy, and of the fight to define what Israel should be.

In November 2022, Benjamin Netanyahu returned to power in Israel after the fifth election in less than four years. Propped up by a bloc of far-right and ultra-religious parties, Netanyahu's government is the most extreme administration in Israeli history. It has pushed Israeli society to breaking point.

Israel now faces cataclysmic rifts and an existential crisis.  Pfeffer charts the mass protests against Netanyahu's attempts to silence the judiciary and expand settlement in the West Bank, as well as the shattering of Israel's core beliefs after October 7th and the calamitous war in Gaza.
  
No King In Israel is the definitive story of Israel's fractured democracy, and of the fight to define what Israel should be.

The Jewish State Confronts its Demons

No King In Israel

Historical Catastrophe Studies / Historische Katastrophenforschung

Cultural Reflections of Loss and Lament

When Cities Fall

Mothers make history. But what it has meant for mothers to do the physical and emotional work of mothering has, for centuries, been neglected in the stories of the past. Patriarchal control of motherhood has relegated the acts of growing, birthing, nurturing and loving to the sidelines, and deemed it unimportant, women's work. Now, through the voices of the women themselves, Elinor Cleghorn reclaims and retells the history of motherhood, showcasing the mothers, othermothers, midwives, activists, community leaders and more who have shaped the course of history. Beginning in the ancient world, we encounter a figurine made for a childbirth ritual over three-thousand years ago. We meet extraordinary writers and poets, like Anne Bradstreet and Elizabeth Jocelin, who were expressing their innermost feelings about motherhood. During the seventeenth century, in the streets of London we encounter unmarried mothers struggling against stigma and shame, and the women who strove to help them. Later, pioneers like Mary Wollstonecraft laid the intellectual foundations for the liberation of motherhood from male control, and the abhorrent treatment of enslaved mothers was brought to public attention by courageous activists like Sojourner Truth. These and many other brave characters lobbied for mothers of all classes and circumstances to be valued, respected, and supported - not as reproductive vessels, but as people. A Woman's Work is a powerful, inspiring and ground-breaking new history for anyone who has ever mothered.

Reclaiming the Radical History of Mothering

A Woman’s Work

An exploration of the ways dress and dressed appearance have been used to express identity.

Dress as Biography

The Second Oldest Profession

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