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The Polar Museum Wall Calendar 2026 (Art
Calendar)

The Polar Museum Wall Calendar 2026 (Art Calendar)

Triumph and Tragedy at the Dawn of Mountaineering

The White Ladder

Contemporary textile artist and researcher Linda Brassington provides an unexpected and expansive critical perspective on the practices, meanings and heritage of a global textile technique. &gt;At the heart of her study lies a bold redefinition of intangible cultural heritage, one that recognises artistic techniques and processes as living expressions of cultural identity and artistry. Moving beyond the transmission of skills and knowledge, her lyrical accounts reveal indigo and resist dyeing as a sensory space of lived experience with alongside material, colour and cloth, and make this innovative study an essential read for scholars, students, and practitioners alike.

Performance, Metaphor and Materiality in Contemporary Cloth

Indigo and Resist Dyeing

Life, Death and Magic in the Islands of Orkney

Storm’s Edge

A revolutionary history of photography from a stellar team of writers and thinkers that challenges all existing narratives by focusing on the complex collaborations between photographer and subject. This groundbreaking and multifaceted history explores photography through the lens of collaboration, and in so doing challenges the dominant narratives around photographic history and authorship. Led by five of photography's great thinkers and practitioners, it breaks apart the 'single creator' tradition by bringing to light tangible traces of collaboration - the various relationships, exchanges and interactions which occur between all participants in the event of photography. Over 115 photography projects are surveyed in eight thematic chapters, and presented non-hierarchically alongside quotes, testimonies and concise texts by guest contributors. These networks of texts and images provide perspective on a vast array of photographic themes, from Araki's provocative portraits of women to archival files from the Spanish Civil War. With more than 550 photographs and over 100 text contributors, Collaboration is an inspiration for teaching and an open invitation to scholars, activists, photographers and others to practice always with and alongside others, and to participate actively in this engagement and enquiry.

Collaboration

The Universe at Our Feet

Macro Photography

Routledge Histories

The Routledge History of the Modern Maritime World provides a wide-ranging set of chapters, covering the sixteenth century to the present, which represent the main lines of current enquiry in maritime history.

The Routledge History of the Modern Maritime World since 1500

The Shankill, a roughly mile long road in Belfast Northern Ireland, is home to a working class, Protestant community. Their history is complex and troubled and yet they have survived with pride and resilience. During the thirty years of sectarian violence, many stories of this community have been told. A Peace Agreement was signed in 1998 and most journalists and photographers packed their bags and left before the ink had dried. But it is still a fragile peace that remains. The Shankill: A Portrait of Pride and Resilience depicts a proud community defined by their traditions, hoping to move beyond their past. It is a portrait of today.

A Portrait of Pride and Resiliance

The Shankill

Joss Marsh's stirring book traces the international phenomenon that is cinema's Dickens obsession, from its origins in Dickens's celebrity, through Dickens impact on the pioneers, first masters, and later innovators of the cinema and his enmeshment in the complex of technologies and cultural formations that made up the world of late-Victorian fantasy - from the photograph to the magic lantern, from celebrity to time travel.

As Joss Marsh observes in her stirring book on Dickens and cinema, Dickens was the first mass-mediated photographic celebrity of the modern era, more intimately "familiar" than any person in Britain besides the royal family. Suggesting Dickens's celebrity, as much as his work, contributed to the international phenomenon that is cinema's Dickens obsession, Marsh begins with  J. J. E. Mayall's famous celebrity portraits to trace Dickens's impact on the pioneers, first masters, and later innovators of the cinema. At the same time, Marsh uncovers a larger issue: to understand Dickens's place in cinema is to understand his enmeshment in the whole complex of technologies and cultural formations that made up the world of late-Victorian fantasy-from the photograph to the magic lantern, from celebrity to time travel.  Each of the six chapters unfolds a century-long cultural story that maps the Dickensian points of inspiration in the history of cinema. Marsh's cinematic geography of Dickensland transports the reader from Dickens's experiences with the early-Victorian portraitist's camera to Sunset Boulevard, Billy Wilder's remake of Great Expectations as a satire on the vampiric celebrity "celluloid self"; from actor-manager Martin-Harvey's 1899 manufacture of the "cast-iron" Victorian stage play to Dirk Bogarde's 1958 inheritance of the sacrificial gay role of Sydney Carton; from Charley Dickens Jnr.'s attempt to cash in on his father's knowledge of London to the history of production design as a medium of historical tourism and virtual experience; from Dickens's "impersonation" of Fagin, anti-Semitic and inherently theatrical, to the transformations of "the Jew" by Chaplin and David Lean and his musical apotheosis as magician and Pied Piper; from Dickens's 1868 return, in his last public reading, to the murder of Nancy to the contemporary slasher movie; and finally from the time travel enabled by the magic lantern's "dissolving views" through the role of Dickens's lantern-inspired Christmas tales of the 1840s in the lantern's development of pre-cinematic visual storytelling.  Informed by extensive archival research, deftly written, and beautifully illustrated, Joss Marsh's book shows film's fascination with Dickens was the trace of a persisting desire”fueled by decades of Dickensian impersonation and enabled by the medium's capacity to make still images live”to bring back the most extraordinary literary artist and personality of the nineteenth and early twentieth centuries”to make Dickens live again.

Multi-Media 'Boz' and the Culture of Celebrity

Starring Charles Dickens

The incredible story of one man's obsession to find and protect the world's largest flowers As a child, Chris Thorogood dreamed of seeing Rafflesia - the plant with the world's largest flowers. He crafted life-size replicas in an abandoned cemetery, carefully bringing them to life with paper and paint. Today he is a botanist at the University of Oxford's Botanic Garden and has dedicated his life to studying the biology of such extraordinary plants, working alongside botanists and foresters in Southeast Asia to document these huge, mysterious blooms. Pathless Forest is the story of his journey to study and protect this remarkable plant - a biological enigma, still little understood, which invades vines as a leafless parasite and steals its food from them. We join him on a mind-bending adventure, as he faces a seemingly impenetrable barrier of weird, wonderful and sometimes fearsome flora; finds himself smacking off leeches, hanging off vines, wading through rivers; and following indigenous tribes into remote, untrodden rainforests in search of Rafflesia's ghostly, foul-smelling blooms, more than a metre across. We depend on plants for our very existence, but two in five of the world's species are threatened with extinction - nobody knows how many species of Rafflesia might already have disappeared through deforestation. Pathless Forest is part thrilling adventure story and part an inspirational call to action to safeguard a fast-disappearing wilderness. To view plants in a different way, as vital for our own future as for that of the planet we share. And to see if Rafflesia itself can be saved.

The Quest to Save the World’s Largest Flowers

Pathless Forest

This book provides an organized and systematic review of the legal issues photographers face.

This book provides an organized and systematic review of the legal issues photographers face.

Finding the Light in the Shadows

Photography and the Law

A geologist weaves together ancient history, personal experience from the world's mines, and the haunting story of his elderly uncle's scholarly life in the aftermath of the Holocaust, to reflect on the nature of a world brought to grief by our rapacity, and to offer a poetic glimpse of the way it can be redeemed. Ever since the Greek and Roman historians speculated on the seemingly ever-growing violence and greed of the world, metal has been to blame. We have gone from a “golden age” of peace and shared plenty, to an “iron age of bloodshed and conquest.” Today, according to geologist Shefa Siegel, we are threatened not by metal, but by its absence. Metal that once lay close enough to the surface of the earth so that primitive miners could more or less chip off what they needed is now so scarce that entire landscapes are pulverized to extract a fine dust of precious, powdered ore.&nbsp;As Siegel writes: “This is what scarcity looks like: not the end of mining, but its endless expansion.” Having travelled to the semi-legal mines of the Third World, Siegel realizes the heartbreaking ecological and human devastation he witnesses is evidence of a more general cultural failing—a mindless turning-away from what truly matters. Mining and the scarcity that drives it seem to him a symptom of a world bent on self-destruction. Grieving the loss of his beloved uncle, a chainsmoking, elderly Manhattanite who devoted his life to words and ideas after fleeing the horrors of mid-twentieth century Europe, and half-broken by the ugliness of the metallurgical world he is reluctantly a part of, Siegel seeks healing in Italy. In Florence, and on the island of Elba, he encounters the history of European mining, from the Etruscans, through the Romans, to the Fascists of the twentieth century, piecing together a legacy of violence and greed. But he also finds himself in a world of natural beauty, of nourishing culture and music. In a work of far-reaching scholarship and a deep fascination with history and culture, Siegel traces the shift in human perspective from the balanced view of nature held by the Etruscans through to the commodification and exploitation we think of as normal today, and hints at a path out of the madness.

A geologist weaves together ancient history, personal experience from the world's mines, and the haunting story of his elderly uncle's scholarly life in the aftermath of the Holocaust, to reflect on the nature of a world brought to grief by our rapacity, and to offer a poetic glimpse of the way it can be redeemed. Ever since the Greek and Roman historians speculated on the seemingly ever-growing violence and greed of the world, metal has been to blame. We have gone from a “golden age” of peace and shared plenty, to an “iron age of bloodshed and conquest.” Today, according to geologist Shefa Siegel, we are threatened not by metal, but by its absence. Metal that once lay close enough to the surface of the earth so that primitive miners could more or less chip off what they needed is now so scarce that entire landscapes are pulverized to extract a fine dust of precious, powdered ore.&nbsp;As Siegel writes: “This is what scarcity looks like: not the end of mining, but its endless expansion.” Having travelled to the semi-legal mines of the Third World, Siegel realizes the heartbreaking ecological and human devastation he witnesses is evidence of a more general cultural failing—a mindless turning-away from what truly matters. Mining and the scarcity that drives it seem to him a symptom of a world bent on self-destruction. Grieving the loss of his beloved uncle, a chainsmoking, elderly Manhattanite who devoted his life to words and ideas after fleeing the horrors of mid-twentieth century Europe, and half-broken by the ugliness of the metallurgical world he is reluctantly a part of, Siegel seeks healing in Italy. In Florence, and on the island of Elba, he encounters the history of European mining, from the Etruscans, through the Romans, to the Fascists of the twentieth century, piecing together a legacy of violence and greed. But he also finds himself in a world of natural beauty, of nourishing culture and music. In a work of far-reaching scholarship and a deep fascination with history and culture, Siegel traces the shift in human perspective from the balanced view of nature held by the Etruscans through to the commodification and exploitation we think of as normal today, and hints at a path out of the madness.

A Journey of Greed, Gold and Love in a Time of Scarcity

The Origin of Avarice

The Photography Workshop Series

In this volume of The Photography Workshop Series, Vik Muniz-known for his playful pictures that complicate what is understood as a photograph, sculpture, and painting-offers his insight into thinking creatively and seeing the familiar in new and surprising ways. Aperture works with the world's top photographers to distill their creative approaches, teachings, and insights on photography-offering the workshop experience in a book. Our goal is to inspire photographers of all levels who wish to improve their work, as well as readers interested in deepening their understanding of the art of photography. Through images and words, Muniz shares his creative practice and artistic inspirations, and discusses a wide range of topics, from generating ideas and creating images that challenge viewers' perceptions, to collaboration, imperfection, and the interplay of subject, scale, and material.

In this volume of The Photography Workshop Series, Vik Muniz—known for his playful pictures that complicate what is understood as a photograph, sculpture, and painting—offers his insight into thinking creatively and seeing the familiar in new and surprising ways. 
Aperture works with the world’s top photographers to distill their creative approaches, teachings, and insights on photography—offering the workshop experience in a book. Our goal is to inspire photographers of all levels who wish to improve their work, as well as readers interested in deepening their understanding of the art of photography. Through images and words, Vik Muniz—whose signature style appropriates and reinterprets iconic images of our time—shares his creative practice and discusses a wide range of topics, from generating ideas and creating images that challenge viewers’ perceptions, to collaboration, imperfection, and the interplay of subject, scale, and material.&nbsp;

Vik Muniz on Photography, Mind, and Matter

The Polar Museum Wall Calendar 2026 (Art Calendar)

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