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This book provides an organized and systematic review of the legal issues photographers face.

This book provides an organized and systematic review of the legal issues photographers face.

Siegel J: Photography and the Law

Photography and the Law

Finding the Light in the Shadows

Part 1: Setting the Stage. 1. Introduction. 2. Legal System and Photography. Part 2: Core Issues. 3. When Can I Photograph in a Public Place. 4. When Can I Photograph on Private Property. 5. Do I Need to Be Concerned about Privacy Rights. 6. Publicity Rights: How Can I Use My Images If They Include People? 7. Do I Need a Model Release, and If So, What Should it Say? 8. Can I Claim a Copyright in My Photographs? 9. How Do I Register My Copyright? 10. Can Other People Claim an Interest in My Photographs and Work? 11. Fair Use: Can I Use Someone's Copyrighted Work Without Permission? 12. The Visual Artists Rights Act: Do I Have Other Intellectual Property Rights? 13. Can I Include Trademarks in My Images? 14. Can A Property Owner Prevent Me from Using a Photograph of a Building? Part 3: Discrete Topics. 15. What Issues Do I Need to Consider Before Licensing My Photographs to Others? 16. What Should I Consider When I Work with Art Galleries and Other Sellers? 17. Do I Really Owe Taxes? 18. What Type of Insurance Do I Need? 19. Miscellaneous Topics. 20. Special Categories of Photographers. 21. When and How Do I Retain a Lawyer. 22. Conclusion.

An environmental history of chemical photography through the lens of its deep connections to empire and industry. Dependent on the extractive practices of fossil-fueled industrial capitalism, chemical photography's emulsions and films were highly sensitive to polluted atmospheres, and photographic companies had to work hard to control this sensitivity. Drawing on histories of empire, coal, and chemistry and from the archives of British photographic manufacturer Ilford Limited, Michelle Henning exposes the ways photography shaped how we see and understand the atmosphere while leaving its toxic residues in the air, soil, and water. Structured as thirty-six short chapters and with over seventy illustrations, this innovative book begins in interwar London, follows the supply of Ilford products to photographers on the West African coast, and considers photography as a military technology linked to the development of chemical warfare. Combining close readings of photographs with discussions of low-light, tropical, and aerial photography, Henning examines the extraction and development of photographic materials, their role in the current environmental crisis, and how they have shaped experiences of time and the environment.

Chemistry, Fog, and Empire

A Dirty History of Photography

How the Natural World Saved My Life

In the Hide

Discover how a mindful approach to photography can transform your craft, foster inner peace, and create more meaningful, impactful images.

Discover how a mindful approach to photography can transform your craft, foster inner peace, and create more meaningful, impactful images.

A Mindful Practice for Photographers

Still

TechNomos

This edited volume explores the intersection between the coded realm of the video game and the equally codified space of law through an insightful collection of critical readings.

Playing Law

Law, Video Games, Virtual Realities

An easy-to-follow, how-to guide to the art of outdoor light painting from Instagram sensations Eric Par? (400k followers) and Kim Henry (22k followers).

The Essential Field Guide

Outdoor Light Painting Photography

An exploration of a range of different visual media to examine how our emotional connections and political responses to the impact of war are mediated through images of the human face.

Photography, Film, and the Politics of Representation

War Faces on Screen

"This book is the first comprehensive account of the origins and rationale for the grant of human rights to companies in the European Convention on Human Rights and the Court's protection of corporations' intellectual property rights"--

Through a systematic analysis of the context and drafting history of the European Convention on Human Rights (ECHR), the book uncovers a hitherto unnoticed disconnect between the moral justification for the inclusion of property rights in the ECHR and the legal scope of protection of the right of legal persons to enjoyment of their possessions in Article 1 of the First Protocol. The study shows how, before the adoption of the ECHR, the concepts of legal personality and possessions functioned as legal fictions in European civil and common law to facilitate ownership and sale of tangible and intangible property, shares, debts, securities and intellectual property. The Court's construction of the ambiguous text of Article 1 of the First Protocol and its application to corporate intellectual property rights is reviewed in this light and shown to have been initially anchored in the legal fictions of national laws and later expanded and reinforced by European Union law. Aurora Plomer is Professor Emeritus of Intellectual Property and Human Rights at the University of Bristol. She has published numerous books and articles in peer-reviewed international journals on the interface between intellectual property, human rights and innovation. The research for this monograph was funded by a Major Research Fellowship from the Leverhulme Trust (MRF 2019-112).

Intellectual Property and the Human Rights of Companies in Europe

On Photography and Social Media

The Social Photo

The new edition of Comparative Media Law and Ethics further explores differing legal and ethical systems as they relate to media practice and regulation around the world. Updated material in this expanded edition includes exploration of different approaches to libel law on social media, assessment of the impact of WikiLeaks on state and national security law, libel law developments in US and UK, changes to privacy media law and media regulation in the UK in light of the Leveson Inquiry and more international analysis of media law issues in countries including Denmark, India, Indonesia, China and Hong Kong. Additional updates include an expanded glossary and new companion website materials.

The new edition of Comparative Media Law and Ethics further explores differing legal and ethical systems as they relate to media practice and regulation around the world. Updated material in this expanded edition includes exploration of different approaches to libel law on social media, assessment of the impact of WikiLeaks on state and national security law, libel law developments in US and UK, changes to privacy media law and media regulation in the UK in light of the Leveson Inquiry and more international analysis of media law issues in countries including Denmark, India, Indonesia, China and Hong Kong. Additional updates include an expanded glossary and new companion website materials.

Comparative Media Law and Ethics

Featuring 12 months of amazing, full-color photographs, legendary photographer Art Wolfe’s 2026 Baby Animals Wall Calendar is a stunning addition to your home or office. Offering adorable inspiration for every month of the year, this stunning 12-month wall calendar celebrates baby animals from all over the world, including polar bear cubs, fox kits, penguin chicks, and more. Art Wolfe’s gorgeous photography encourages you to marvel at these playful animals in their native habitats all year long. <ul> <li>12-month wall calendar (January 2026 to December 2026)</li> <li>12" x 12" trim size and a hole for hanging up in your home or office</li> <li>Gorgeous, full-color photographs highlight the extraordinary species that inhabit our planet</li> <li>Printed on thick, glossy, high-quality paper that makes images pop</li> <li>Wolfe’s photos shine a spotlight on the importance of wildlife conservation and recovery</li> <li>The perfect gift for any wildlife enthusiast</li> </ul>

Art Wolfe's Wild Lives

2026 Baby Animals Wall Calendar

A revolutionary history of photography from a stellar team of writers and thinkers that challenges all existing narratives by focusing on the complex collaborations between photographer and subject. This groundbreaking and multifaceted history explores photography through the lens of collaboration, and in so doing challenges the dominant narratives around photographic history and authorship. Led by five of photography's great thinkers and practitioners, it breaks apart the 'single creator' tradition by bringing to light tangible traces of collaboration - the various relationships, exchanges and interactions which occur between all participants in the event of photography. Over 115 photography projects are surveyed in eight thematic chapters, and presented non-hierarchically alongside quotes, testimonies and concise texts by guest contributors. These networks of texts and images provide perspective on a vast array of photographic themes, from Araki's provocative portraits of women to archival files from the Spanish Civil War. With more than 550 photographs and over 100 text contributors, Collaboration is an inspiration for teaching and an open invitation to scholars, activists, photographers and others to practice always with and alongside others, and to participate actively in this engagement and enquiry.

Collaboration

Drawing on original research and industry experience, this book studies the historical debates and controversies underpinning photojournalism and those facing it today.

Lessons from the Past and Solutions for the Future

Critical Issues in Photojournalism

Photography and the Law

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