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Reflecting on the re-vitalisation and vibrancy of the current jazz scene, The Philosophy of Jazz is an ideal gift book for lovers of this genre of music. Authored by an expert on the jazz scene, Kevin Le Gendre.

Le Gendre K: The Philosophy of Jazz

The Philosophy of Jazz

Transnational Studies in Jazz

Jazz and the Digital Revolution: GNP Records captures a transformative time in music history, the period in which digital culture took hold in the production, distribution and consumption of jazz. At the forefront of this epoch was the jazz-fusion label, GRP Records. Founded in the 1990s, GRP was Billboard magazine's number one contemporary jazz label. It had organised its recording, marketing and distribution practices around a full-scale digital philosophy, embodying the notion of jazz as a lifestyle brand. This books makes a case study of GRP Records in order to explore the relationship between jazz and digital culture, how this confluence gave rise to the 'smooth jazz' format, and how the industry negotiated cultural and technological shifts.

Jazz and the Digital Revolution: GNP Records captures a transformative time in music history, the period in which digital culture took hold in the production, distribution and consumption of jazz. At the forefront of this epoch was the jazz-fusion label, GRP Records. Founded in the 1990s, GRP was Billboard magazine's number one contemporary jazz label. It had organised its recording, marketing and distribution practices around a full-scale digital philosophy, embodying the notion of jazz as a lifestyle brand. This books makes a case study of GRP Records in order to explore the relationship between jazz and digital culture, how this confluence gave rise to the 'smooth jazz' format, and how the industry negotiated cultural and technological shifts.

GRP Records

Jazz and the Digital Revolution

Raised on Radio

Music and Material Culture

In the early twenty-first century we are inundated with technologies and discourses that privilege the apparently liberating immaterial aspects of digital culture. Despite, or perhaps because, of this, the making of material objects continues to be of importance in people's everyday lives. Including case studies on guitar makers, homemade recording equipment, car audio culture, and 3D printing of musical instruments, Gavin Carfoot critically examines the ways that musical objects are produced through social and cultural practices and forms of labour, in co-constitutive ways between human makers and non-human objects.

In the early twenty-first century we are inundated with technologies and discourses that privilege the apparently liberating immaterial aspects of digital culture. Despite, or perhaps because, of this, the making of material objects continues to be of importance in people’s everyday lives. Including case studies on guitar makers, homemade recording equipment, car audio culture, and 3D printing of musical instruments, Gavin Carfoot critically examines the ways that musical objects are produced through social and cultural practices and forms of labour, in co-constitutive ways between human makers and non-human objects.

The Culture and Practice of Making Musical Objects

Making Things Musical

Black Adolescent Development is the first text to provide a comprehensive overview of contemporary black adolescents in the United States-from social, psychological, economic, educational, medical, historical, and comparative perspectives.

Black Adolescent Development is the first text to provide a comprehensive overview of contemporary black adolescents in the United Statesâ€”from social, psychological, economic, educational, medical, historical, and comparative perspectives.

Black Adolescent Development

Frontline Adventures Linking Punk, Reggae, Afrobeat and Jazz

Rebel Musix, Scribe on a Vibe

A hard-hitting exploration of how state policy displaces and isolates Black communities and how collective resistance creates spaces for working-class people of color to identify the true cause of conflict as capitalism and white supremacy 
 
Marginalized communities often become understandably preoccupied with a city's structured attempt to deem them disposable, making it difficult to see people experiencing the same suffering as potential comrades in struggle. Enemies are manufactured as the result of continued displacement, hyper-segregation, and dispossession. Under these impossible circumstances people are often quicker to punch each other before they identify the enemy as white supremacy and capitalism, creating a society where conflict is engineered. 
 
Examining the long fight of Black people in Chicago to claim their humanity and thrive in a city while facing school closings, the destruction of public housing and oppressive law enforcement, Stovall argues that marginalized communities face unique structural challenges while being blamed for interpersonal conflict and labeled "violent" and deemed disposable. With a novel approach to the question of how state-sanctioned violence and abandonment impacts low-income communities,&nbsp;Engineered Conflict&nbsp;uses examples from Chicago's recent history to shed light on the politics of disposability through housing instability, criminalization, and school closures. Looking at all three phenomena together allows readers to see how state policies designate some neighborhoods as unviable, where disinvestment furthers a rationale to contain members of these communities. 
 
Looking at the many ways Black communities have resisted state violence and the work of local organizations to address marginalization,&nbsp;Engineered Conflict&nbsp;calls for a powerful movement against the displacement, disinvestment, and disposability of Chicago's Black population.

Structural Violence and the Future of Black Life in Chicago

Engineered Conflict

My Memories Of Public Image Ltd

POPTOME

An exemplary work of political, economic, and historical analysis, powerfully introduced by Angela Davis

How Europe Underdeveloped Africa

33 1/3 Japan

Widely recognized as the most innovative and influential Japanese group since the Second World War, Yellow Magic Orchestra (YMO) is seeing a revival among music listeners around the world, along with the works of its three members: Academy Award-winning composer Sakamoto Ryuichi, Hosono Haruomi as the central figure of the Japanese "city pop" revival, and Takahashi Yukihiro, who plays drums for METAFIVE with Towa Tei and Oyamada Keigo (Cornelius). This is the first book in English on Yellow Magic Orchestra, positioning its first album as the nexus of jazz fusion, new wave, and hip hop music. YMO's debut album provides a lens on transpacific dialogue on technology, race, and intellectual history. Examining the cultural negotiations between African American and Japanese musicians since the 1970s, this book considers the album as a nascent work of Afro-Asian futurism.

Widely recognized as the most innovative and influential Japanese group since the Second World War, Yellow Magic Orchestra (YMO) is seeing a revival among music listeners around the world, along with the works of its three members: Academy Award-winning composer Sakamoto Ryuichi, Hosono Haruomi as the central figure of the Japanese “city pop” revival, and Takahashi Yukihiro, who plays drums for METAFIVE with Towa Tei and Oyamada Keigo (Cornelius). This is the first book in English on Yellow Magic Orchestra, positioning its first album as the nexus of jazz fusion, new wave, and hip hop music. YMO’s debut album provides a lens on transpacific dialogue on technology, race, and intellectual history. Examining the cultural negotiations between African American and Japanese musicians since the 1970s, this book considers the album as a nascent work of Afro-Asian futurism.

The Philosophy of Jazz

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