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Stories, Art and Recipes for Making Watercolour Paint

A unique work of practical reference that combines the history, evolution and application of painting pigment in the world of art.

Packed with vibrant, stylish photography that captures Lucy Mayes at work on location and in her studio, this stunning book is a tribute to her passion for the subject and her desire to share its stories, riches and recipes.

The history and science are riveting; the recipes, textures and techniques are alchemy; the ecological vision that can be added to an artist’s statement is unparalleled: this is the new world of art and painting media.

Mayes L: The Natural Pigment Handbook

The Natural Pigment Handbook

A Maker’s Guide to the Art, Stories and Recipes for Creating Paint

365 Exercises to Help You Create, Heal, and Grow

Art Therapy for Every Day

Routledge Advances in Art and Visual Studies

This volume explores the effect of Darwinian theory on visual culture through analysis of popular graphics, scientific illustration, natural history diorama, as well as the more traditional art historical material such as painting and sculpture. It extends the discussion to examine the lasting impact the theory of evolution has had on the development of art history as an academic discipline.

Charles Darwin’s theory of evolution bore a decisive influence on aesthetic thought that was nothing if not diverse. From biological models to European paintings, Darwinian theory offered art historians and artists a rich, evocative lens through which to view the world anew. This volume explores the effect of Darwinian theory on visual culture through analysis of popular graphics, scientific illustration, natural history diorama, as well as the more traditional art historical material such as painting and sculpture. It extends the discussion to examine the lasting impact the theory of evolution has had on the development of art history as an academic discipline.

The Darwin Effect

Evolutionary Theory and Visual Culture

What is Art in the age of inequality, climate change and AI? From leading design group, Metahaven.

Cognitive Futures

The Hard Question of Art

The Pulitzer Prize-winning biographer turns his eye to the seventeenth-century Dutch Golden Age Twenty years ago, Benjamin Moser followed a love affair to an ancient Dutch town. In order to make sense of this new place, he threw himself into the Dutch museums. Soon, he found himself unearthing the strange, inspiring and sometimes terrifying stories of the artists who shaped one of the most luminous moments in the history of human creativity, the Dutch Golden Age. As he explored the hidden world of the Dutch Masters (and one Mistress), Moser met a crowd of fascinating personalities: the stormy Rembrandt, the intimate Ter Borch, the mysterious Vermeer. Through their art, he got to know their country, too: from Pieter Saenredam's translucent churches to Paulus Potter's muddy barnyards, and from Pieter de Hooch's cozy hearths to Jacob van Ruisdael's tragic trees. Over the years, Moser found himself on increasingly intimate terms with these centuries-dead artists, and found that they, too, were struggling with the same questions he was. Why do we make art? What is art, anyway - and what is an artist? What does it mean to succeed as an artist, and what does it mean to fail?The Upside-Down World is an invitation to ask these questions, and to turn them on their heads: to look, and then to look again. It is a brilliant, colourful and learned book for anyone, whether lifelong scholar or curious tourist, who has ever felt the lure of the Dutch galleries. It shows us art, and artists, as we have never seen them before.

The Pulitzer Prize-winning biographer turns his eye to the seventeenth-century Dutch Golden Age Twenty years ago, Benjamin Moser followed a love affair to an ancient Dutch town. In order to make sense of this new place, he threw himself into the Dutch museums. Soon, he found himself unearthing the strange, inspiring and sometimes terrifying stories of the artists who shaped one of the most luminous moments in the history of human creativity, the Dutch Golden Age. As he explored the hidden world of the Dutch Masters (and one Mistress), Moser met a crowd of fascinating personalities: the stormy Rembrandt, the intimate Ter Borch, the mysterious Vermeer. Through their art, he got to know their country, too: from Pieter Saenredam's translucent churches to Paulus Potter's muddy barnyards, and from Pieter de Hooch's cozy hearths to Jacob van Ruisdael's tragic trees. Over the years, Moser found himself on increasingly intimate terms with these centuries-dead artists, and found that they, too, were struggling with the same questions he was. Why do we make art? What is art, anyway - and what is an artist? What does it mean to succeed as an artist, and what does it mean to fail? The Upside-Down World is an invitation to ask these questions, and to turn them on their heads: to look, and then to look again. It is a brilliant, colourful and learned book for anyone, whether lifelong scholar or curious tourist, who has ever felt the lure of the Dutch galleries. It shows us art, and artists, as we have never seen them before.

Meetings with the Dutch Masters

The Upside-Down World

Routledge Advances in Democratic Theory

Art’s obsession with politics is a problem, even a paradox. The more art there is, the less it shares with the political. Even the radical character of contemporary artistic practices revolves around the idea that there are no alternatives to liberal democracy and capitalist pluralism without risking another dystopia – a paradigm that, in the artistic realm, is articulated as the opposition between modernism and postmodernism. Indeed, with three recent transformations of our understanding; of emancipatory politics; the nature of aesthetics; and the post-Fordist transformation of capitalism, many argue that we overcome the fundamental challenges of aesthetic and political modernities and encounter ‘things’ beyond power relations and beyond aesthetics. However, even at its most creative, art has more in common with hegemony than capitalism. At every hegemonic turn, artwork is directed against itself, only to reinstate another art form in order to continue. This book looks at the problem of hegemony from an aesthetical perspective and argues that there is a ‘hegemonic trap’ pointing us in the direction of the alteration rather than alternative. Julia Svetlichnaja asks: Can art become hegemony? What is proposed is not Paolo Virno's ‘exit', it is the ‘exit’ from thinking about the ‘world-making’ in terms of alternative. What if instead of searching for alternatives we perform an alteration and pluralise modernism? The aesthetic project of the alteration of hegemony through the pluralisation of modernism does not represent hope for a better, different, political order but a space for problematisation, overlapping and contaminations of a number of social orders. The idea is to think about the world not in terms of ‘alternatives,’ but in terms of their absence.

Towards Plural Hegemony

The Art of Democracy

Learning to draw needn't be complicated or expensive, nor does one need a particularly spectacular subject to draw. In this, his first practical art book, artist Matthew Rice encourages readers to look at and draw the scenes around them - the desk they are sitting at, the view out the window, a bowl of produce from the supermarket. And it is by truly sitting with and engaging with our everyday world that drawing skills can be learnt and strengthened, confidence built, and a new mindful creative activity developed. A bowl of radishes can be a starting point when thinking about shading and form. The view from your kitchen window becomes an exercise in perspective and measuring lines. A bunch of flowers in a vase is the perfect subject to develop your skills in detailed drawing and three-dimensional structure. Little by little, by following the twelve step-by-step exercises in the book, readers will build the skills and techniques to approach drawing any scene with confidence and ease. "To know how to draw, you need to think about how to look, because to draw is to look and report in on what you have seen. As we learn to draw better we also learn to understand better: to analyze, explore and comprehend our world and its inhabitants. The exercise is more than an expression of a desire to decorate, to kill time or amuse. It is in fact a vital and near universal mode of communication that allows us to speak to those with whom we share no other common language." - Matthew Rice

How to Look and How to Draw

Die Kunst des Zeichnens

Die Kunst des Zeichnens 10 Steps

In nur 10 einfachen Schritten beeindruckende Pflanzen zeichnen
 Mit der 10 Steps-Reihe des Erfolgskonzeptes&nbsp;"Die Kunst des Zeichnens" gelingt Ihnen das ganz leicht! Jedes Motiv wird in einzelne Elemente zerlegt und beginnt mit einer ganz einfachen Grundform. Anschauliche Schritt-für-Schritt-Illustrationen führen ohne viel Textzur gelungenen Zeichnung. Über 50 botanische Motive stehen zur Auswahl: von bezaubernden Wildblumen bis zu beliebten Zimmerpflanzen, von Bäumen und Sträuchern bis zu Pilzen und Früchten. Grundlagen zu den Materialien und ein kurzer Überblick über die verschiedenen Methoden des Kolorierens runden diese perfekte Einführung in das Zeichnen einer faszinierenden Pflanzenwelt ab.Das erwartet Sie:
 <ul><li>beeindruckende Pflanzen zeichnen in 10 einfachen Schritten
 </li><li>über 50 verschiedene Pflanzenmotive
 </li><li>Wildblumen, Waldpflanzen &amp; Pilze, Kletterpflanzen, Bäume &amp; Sträucher, Früchte und Zimmerpflanzen zeichnen
 </li><li>einfache Grundformen als Ausgangspunkt
 </li><li>bebilderte Schritt-für-Schritt-Anleitungen ohne viel Text
 </li><li>mit Grundlagenteil zu den Materialien
 </li><li>mit Anregungen zum Kolorieren der fertigen Zeichnungen
 </li><li>für Anfänger:innen und Fortgeschrittene
 </li>
 </ul>

In nur 10 einfachen Schritten beeindruckende Pflanzen zeichnenMit der 10 Steps-Reihe des Erfolgskonzeptes&nbsp;„Die Kunst des Zeichnens“ gelingt Ihnen das ganz leicht! Jedes Motiv wird in einzelne Elemente zerlegt und beginnt mit einer ganz einfachen Grundform. Anschauliche Schritt-für-Schritt-Illustrationen führen ohne viel Text zur gelungenen Zeichnung. Über 50 botanische Motive stehen zur Auswahl: von bezaubernden Wildblumen bis zu beliebten Zimmerpflanzen, von Bäumen und Sträuchern bis zu Pilzen und Früchten. Grundlagen zu den Materialien und ein kurzer Überblick über die verschiedenen Methoden des Kolorierens runden diese perfekte Einführung in das Zeichnen einer faszinierenden Pflanzenwelt ab.Das erwartet Sie:<ul><li>beeindruckende Pflanzen zeichnen in 10 einfachen Schritten</li><li>über 50 verschiedene Pflanzenmotive</li><li>Wildblumen, Waldpflanzen &amp; Pilze, Kletterpflanzen, Bäume &amp; Sträucher, Früchte und Zimmerpflanzen zeichnen</li><li>einfache Grundformen als Ausgangspunkt</li><li>bebilderte Schritt-für-Schritt-Anleitungen ohne viel Text</li><li>mit Grundlagenteil zu den Materialien</li><li>mit Anregungen zum Kolorieren der fertigen Zeichnungen</li><li>für Anfänger:innen und Fortgeschrittene</li></ul>

In 10 einfachen Schritten über 50 Pflanzen zeichnen

Die Kunst des Zeichnens 10 Steps - Pflanzen

Routledge Research in Art and Race

This volume delves into the complex topic of race relations in 1980s Britain by examining the concept of 'whiteness' and how it was portrayed visually in popular art and mass media.

Whiteness and the Visual Appropriation of Race in 1980s Britain

Routledge Advances in Sociology

Philanthropy, Art and Society investigates the socio-economic and cultural factors shaping philanthropy, historically and at present, from tax incentives and government policy to norms, values and laws. Critically evaluating the social consequences and impact of philanthropy, the book shows that it is a phenomenon that leads to fundamental changes in the way we think about how to belong, and how we experience the world around us.

Philanthropy, Art and Society sets up, for the first time, the field of arts philanthropy in the UK, shedding light on the variety of ways in which individuals and organisations give their time and money to support the arts. Herrero and Reid evaluate the history of arts philanthropy, its legacy, and its significance in today’s society. They explore the idea that giving to the arts is a form of behaviour influenced by its specific historical, socio-cultural and political context which can profoundly affect its recipients (organisations and individuals) as well as shape the very context in which these recipients operate.First, they investigate the socio-economic and cultural factors shaping philanthropy, historically and at present, from tax incentives and government policy to norms, values and laws. Second, they critically evaluate the social consequences and impact of philanthropy, asking such questions as: <ul> <li>does philanthropy reinforce or mitigate social inequalities?</li> <li>what effects does it have on organisational cultures and structures of recipients?</li> <li>can philanthropy ensure the long-term sustainability of the arts sectors?</li> </ul>The book’s exploration of how philanthropy constitutes society shows that philanthropy is a phenomenon that leads to fundamental changes in the way we think about how to belong, and how we experience the world around us. This book will be of interest to students and scholars of sociology, politics, international relations, economics, anthropology, cultural policy, cultural studies, philanthropy and non-profit studies, entrepreneurial studies, business studies, management, and the non-profit sector.

Philanthropy, Art and Society

Rethinking Art's Histories

The Cartographies of Conceptual Art

Charting Space

China Culture Perspectives

Traditional Chinese porcelain-making techniques revealed - from renowned Chinese ceramic artist and scholar Bai Ming, with over 600 authentic onsite images in full color.

Traditional Chinese porcelain-making techniques revealed - from renowned Chinese ceramic artist and scholar Bai Ming, with over 600 authentic onsite images in full colour.

Traditional Crafts of Porcelain Making in Jingdezhen

Does art have to be beautiful? What if it can be useful instead? In this cutting-edge book, John Byrne shows how the concept of 'Useful Art' is helping artists and communities fight back against the neoliberal takeover of our spaces, services and lives. Byrne demonstrates that networks of artist-led activism and community-based direct action can provide a collaborative playbook of impactful and inclusive alternatives. From Turner Prize-winning urban regeneration projects to bakeries, vegetable gardens and multi-use arts spaces, Useful Art has enormous potential for bringing people together, recovering and preserving local skills and knowledge and reclaiming artistic endeavour for real-world good. Exploring an international selection of projects, exhibitions and activism, this important new work champions the shift from aesthetics to use value, challenging traditional ways of seeing the world symbolically through art. Reaching beyond the financial logic of the art world, Byrne shows how Useful Art can offer an artistic toolkit for implementing radical change.

How Activist Artists Can Change the World

Useful Art

The Natural Pigment Handbook

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