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Thomas D: The Love Letters of Dylan
Thomas / B

The Love Letters of Dylan Thomas

Second Language Acquisition Research Series

Ethnography as a research method is gaining attention among students and scholars in applied linguistics, but there is little guidance in the existing literature on how to do ethnographic research. Ethnographic Research in Applied Linguistics is the only single-authored, standalone volume that deals with the very interesting and often complex issues of doing research examining cultural practices in cross-cultural contexts.

Ethnography as a research method is gaining attention among students and scholars in applied linguistics, but there is little guidance in the existing literature on how to do ethnographic research. Ethnographic Research in Applied Linguistics is the only single-authored, standalone volume that deals with the very interesting and often complex issues of doing research examining cultural practices in cross-cultural contexts. It begins by outlining basic principles of ethnography and differentiates ethnographic research from qualitative research and case study research, then goes on to cover how to conduct ethnographic studies, collect and analyze data, and write up research findings. With its accessible discussions of issues and trends, practical strategies, and linguistically diverse examples, this volume is ideal for a course on qualitative research methods in applied linguistics, second language studies, language education, or literacy. It is a valuable resource for students and researchers alike, as well as an outstanding companion to the popular Case Study Research in Applied Linguistics, also by Patricia Duff.

Exploring Language Teaching, Learning, and Use in Diverse Communities

Ethnographic Research in Applied Linguistics

Golden Age Spanish on the Jacobean Stage challenges the received wisdom that, although Fletcher, Massinger, and other Jacobean dramatists drew on Spanish material, their engagement with Spanish literature was limited to exploiting Spanish authors for good plots. Instead, Mary Dudy posits that Fletcher's engagement with Spanish culture was vastly more profound than has previously been recognized; and in fact, that it constitutes a vital, integral element in his dramatic achievement.

Golden Age Spanish on the Jacobean Stage challenges the received wisdom that, although Fletcher, Massinger, and other Jacobean dramatists drew on Spanish material, English playwrights' engagement with Spanish literature was limited to exploiting Spanish authors for good plots.  Instead, Mary Dudy posits that Fletcher's engagement with Spanish culture was vastly more profound than has previously been recognized; and in fact, that it constitutes a vital, integral element in his dramatic achievement.  Her analysis shows that Fletcher's acquaintance with Spanish novels led the playwright to experiment with significantly different ways of handling the main themes of his artistry.    This study explores Fletcher's repeated use of Golden Age Spanish literature, especially Cervantes, in the context of political and cultural factors that rendered England's relationship to Spain more complex than ever during the reign of James I.  Golden Age Spanish on the Jacobean Stage leads inexorably to the conclusion that in order to gain the fullest possible understanding of later English Renaissance drama, we must think through the Spanish question.

John Fletcher's Reading and Writing of Cervantes & Co

Golden Age Spain on the Jacobean Stage

W&N Essentials

True Stories brings together in one volume the short non-fiction of Australian literary legend Helen Garner

The Collected Short Non-Fiction

True Stories

Brand new readers based on the wonderful world of Enid Blyton's Famous Five characters, especially written for children beginning to read. Each story is accompanied by colourful illustrations to engage the young reader and support the text. In this story, the Five are off on a hike when it starts to rain. They make a great new den by an old barn to stay dry, but when they return to it later, there is a problem ... Reading Champion is an independent reading programme carefully levelled to match book bands widely used in schools. This book is suitable for readers aged 5+ and has been levelled at book band Green 5.

Green Band 5

Reading Champion: Famous Five: The Five's New Den

Jewish Lives

A revealing biography of one of the twentieth century’s most influential writers &nbsp; Philip Roth (1933–2018) is one of the most celebrated American writers of his age. Born in Newark, New Jersey—where his short stories and thirty-one books were often set—he wrote with immense ambition and drive, along with a keen awareness of what must be done to produce great literature. Yet despite rubbing shoulders with the Kennedys and engaging in a spate of famous and infamous romances, he viewed himself as socially withdrawn, living much like an “unchaste monk” (his words). &nbsp; In this original and lucid biography, Steven J. Zipperstein captures Roth’s complex life and the astonishing range of his self-reflective writings—from “Goodbye, Columbus” and Portnoy’s Complaint to the Pulitzer Prize–winning American Pastoral and The Plot Against America. Employing extensive archival research and well over one hundred interviews, including conversations with Roth himself, Zipperstein provides an intimate and probing look at one of the twentieth century’s most influential authors, placing his work in the context of Jewishness, freedom, and sexuality in America.

Stung by Life

Philip Roth

This story is part of Reading Champion, a series carefully linked to book bands for children starting to read independently

Reading Champion: The Famous Five: Anne's Secret

This book is a blueprint for artists looking to engage with activist movements with a persistent longevity and a reminder that art has the power to be more dangerous than words.
Front Lines: A Lifetime of Drawing Resistance is Susan Simensky Bietila's story of her six decades as a movement artist and activist and a lifetime of artistic collaborations rooted in her activist experience. Growing up during McCarthyism, she rejected the nationalist masculinity of elite art and conformist culture and found feminism and collectivism as new forms of resistance. She became an artist in the New Left, creating illustrations for radical underground publications including RAT, Subterranean News, and comics for the anarchic World War 3 Illustrated.
With more than one hundred images, Front Lines documents her art on the page and in action featuring protest banners and giant puppets of birds and fish carried in the streets, masks of notorious dictators for street theater, posters pasted on walls and hung in radical spaces, community art builds, and more. Visual storytelling and detailed captions contextualize and bring to life her work with movements including antiwar protests during the Viet Nam era, Indigenous led antimine and antipipeline struggles, water protection, immigrant rights, anticorporate globalization convening, protests against the state and capital, Palestinian liberation actions, and collaborations with groups throughout the Great Lakes region and beyond. She agitates from the roots and the front lines to this day.

A Lifetime of Drawing Resistance

Front Lines

The Beatles Changed the World. but Who Changed Theirs?

WITH A LITTLE HELP FROM THEIR FRIENDS

Examining the rise of Irish crime novels in the twenty-first century, Maureen Reddy argues that writers such as Ken Bruen, Benjamin Black, Tana French, Niamh O'Connor, Cormac Millar, Stuart Neville, Brian McGilloway, Declan Hughes, and Declan Burke are collectively working through the problem of defining Irishness and grappling with deep anxieties about a society that is rapidly changing in the face of a globalized, late capitalist culture.

Although several Irish writers produced crime novels before 2000, most of these books were set outside Ireland and brought out by non-Irish publishing houses. This situation changed radically in the early years of the twenty-first century when numerous novels and series set in Ireland and written by Irish authors were published and began generating strong sales at home and abroad. Maureen Reddy examines this phenomenon, analyzing the conditions that gave rise to it and the commonalities among the novels. Reddy places what she calls Hibernian Noir in the context of the social and economic conditions in Ireland from 1998 to 2012 and relates that period to the post-World War I United States that gave rise to hardboiled detective fiction. As Reddy shows, Irish hardboiled fiction participates in the genre’s tradition of placing previously marginalized individuals in positions of narrative authority. At the same time, Reddy argues that writers such as Ken Bruen, Benjamin Black, Tana French, Niamh O’Connor, Cormac Millar, Stuart Neville, Brian McGilloway, Declan Hughes, and Declan Burke are collectively working through the problem of defining Irishness and grappling with deep anxieties about a society that is rapidly changing in the face of a globalized, late capitalist culture.

Contesting Irishness in Crime Fiction

Noir and the Irish Nation

Reading Champion: The Famous Five: George's Missing Boat

Positioning Henry James within his transatlantic and pan-European contexts, Peter Rawlings relocates James and the New Criticism's ideology of organicism in biology rather than in aesthetics. He argues that the novel as a character-driven genre emerged from philosophical and scientific thinking about consciousness and that James's canonization must be reexamined in the context of the philosophical, physiological, and biological discourses on which he drew in his theory and practice as a novelist.

Positioning Henry James within his transatlantic and pan-European contexts, Peter Rawlings relocates James and the New Criticism's ideology of organicism in biology rather than in aesthetics. Rawlings argues that the novel as a genre anchored in the representation of character emerged from philosophical and scientific thinking about consciousness and experience that begins in the late seventeenth century and encompasses two hundred years of traffic between Europe and America. His ambitious study explores the significance of American thinkers and their European antecedents, from Jonathan Edwards to Josiah Royce, aligning James's 1884 essay "The Art of Fiction" with contemporary thinking on consciousness and its dense, ramifying aetiology. By this point, Herbert Spencer had extended Darwin's evolutionary thinking into the social domain, disrupting ideas about consciousness as allied with the soul even as the fin-de-siècle enthusiasm for panpsychism and the paranormal made a last stand against the New Sciences. A major contention of Rawlings's book is that Henry James should not and cannot be isolated from the urgent need to rethink what seminal critics such as Ian Watt and Marthe Robert have said about the procession of the novel from prose fiction. James's canonization by the New Critics motivates Rawlings's reexamination of Walter Scott, Jane Austen, Susan Warner, and George Eliot, among others, in the context of the vast range of eighteenth- and nineteenth-century European and North American philosophical, physiological, and biological discourses on which James drew in his theory and practice as a novelist.

Henry James, Consciousness, and the Evolution of the Novel

The Love Letters of Dylan Thomas

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