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Orange Hippo!: The Little Guide to
Chappell Roan

The Little Guide to Chappell Roan

The prequel to the critically acclaimed and award-winning This is Memorial Device

Industry of Magic &amp; Light is a love letter to the counterculture of the 1960s and a requiem for its passing. The much-anticipated prequel to Keenan's cult classic debut, This is Memorial Device, Industry of Magic &amp; Light is set in the same mythical Airdrie in the 1960s and early 70s and centres on a group of hippies running their own psychedelic light show. Told in two halves - the first in the form of an inventory of the contents of a caravan abandoned by one of the hippies, the second in the form of a tarot card reading - it is not so much a book about the 1960s as a direct channelling of the decade's energies, bringing to life how even the smallest and dreariest of working class towns felt so full of possibility in the wake of the psychedelic moment. Via artefacts from the time - everything from poetry chapbooks, record reviews and musical instruments through bubblegum wrappers, bicycle repair kits and mysterious cassette recordings - the book opens out into adventures along the hippy trail in Afghanistan and behind the Iron Curtain that leads a cast of new and returning characters - as well as the authorities - to believe that they are literally making magic. Simultaneously a forensics of the 1960s, a detective novel, an occult thriller, a vision quest, and the hallucinatory exposition of a moment where it felt like anything was possible, Industry of Magic &amp; Life brings to life the streets of small working class towns as transformational sites of utopian joy.

Industry of Magic & Light

The Retreat

Exploring Class Consciousness in Heavy Metal Music

Stained Class

33 1/3 Japan

Widely recognized as the most innovative and influential Japanese group since the Second World War, Yellow Magic Orchestra (YMO) is seeing a revival among music listeners around the world, along with the works of its three members: Academy Award-winning composer Sakamoto Ryuichi, Hosono Haruomi as the central figure of the Japanese "city pop" revival, and Takahashi Yukihiro, who plays drums for METAFIVE with Towa Tei and Oyamada Keigo (Cornelius). This is the first book in English on Yellow Magic Orchestra, positioning its first album as the nexus of jazz fusion, new wave, and hip hop music. YMO's debut album provides a lens on transpacific dialogue on technology, race, and intellectual history. Examining the cultural negotiations between African American and Japanese musicians since the 1970s, this book considers the album as a nascent work of Afro-Asian futurism.

Widely recognized as the most innovative and influential Japanese group since the Second World War, Yellow Magic Orchestra (YMO) is seeing a revival among music listeners around the world, along with the works of its three members: Academy Award-winning composer Sakamoto Ryuichi, Hosono Haruomi as the central figure of the Japanese “city pop” revival, and Takahashi Yukihiro, who plays drums for METAFIVE with Towa Tei and Oyamada Keigo (Cornelius). This is the first book in English on Yellow Magic Orchestra, positioning its first album as the nexus of jazz fusion, new wave, and hip hop music. YMO’s debut album provides a lens on transpacific dialogue on technology, race, and intellectual history. Examining the cultural negotiations between African American and Japanese musicians since the 1970s, this book considers the album as a nascent work of Afro-Asian futurism.

Yellow Magic Orchestra’s Yellow Magic Orchestra

33 1/3 Brazil

1976, Rio de Janeiro. Revered Brazilian pop musician Jorge Ben Jor, known for his 'samba-rock' fusions and hits such as 'País Tropical' and 'Mas que Nada', picks up the electric guitar and records the album África Brasil. With grooves structured around guitar and horn riffs, funk drumming, samba percussion, and hypnotic vocal refrains, this album has become a favorite of connoisseurs of 1970s Brazilian vinyl. It was part of the growing cultural negritude of the time in Brazil, especially in Rio. American musicians such as James Brown were increasingly influential there; meanwhile, disco began to reach the city's nightclubs, and a few musicians were getting hip to Afrobeat. 

Through a close examination of the tracks on this seminal album, this book explores how Jorge Ben Jor and fellow musicians created a new sound, and it probes how ideas about blackness, Africa, and Brazilian identity were evolving during the mid-1970s. Written in a clear style and based on new research, it offers an engaging narrative that will appeal to fans, students, and scholars.

33 1/3 Global, a series related to but independent from 33 1/3, takes the format of the original series of short, music-basedbooks and brings the focus to music throughout the world. With initial volumes focusing on Japanese and Brazilian music, the series will also include volumes on the popular music of Australia/Oceania, Europe, Africa, the Middle East, and more.

1976, Rio de Janeiro. Revered Brazilian pop musician Jorge Ben Jor, known for his 'samba-rock' fusions and hits such as 'País Tropical' and 'Mas que Nada', picks up the electric guitar and records the album África Brasil. With grooves structured around guitar and horn riffs, funk drumming, samba percussion, and hypnotic vocal refrains, this album has become a favorite of connoisseurs of 1970s Brazilian vinyl. It was part of the growing cultural negritude of the time in Brazil, especially in Rio. American musicians such as James Brown were increasingly influential there; meanwhile, disco began to reach the city’s nightclubs, and a few musicians were getting hip to Afrobeat. 

Through a close examination of the tracks on this seminal album, this book explores how Jorge Ben Jor and fellow musicians created a new sound, and it probes how ideas about blackness, Africa, and Brazilian identity were evolving during the mid-1970s. Written in a clear style and based on new research, it offers an engaging narrative that will appeal to fans, students, and scholars.

33 1/3 Global, a series related to but independent from 33 1/3, takes the format of the original series of short, music-basedbooks and brings the focus to music throughout the world. With initial volumes focusing on Japanese and Brazilian music, the series will also include volumes on the popular music of Australia/Oceania, Europe, Africa, the Middle East, and more.

Jorge Ben Jor’s África Brasil

Fearless, fleet-footed, and full of curiosity, good-natured goats have it all. In this motivating guide to self-improvement, the stars of the popular Instagram Goats Gone Grazing teach us to take life by the horns.Some days, it's a struggle just to get out of bed—let alone eat our greens, climb the career ladder, and make our family and friends smile. Some days, in this fast-paced world, we find ourselves wondering how to keep it together. And advice? It's like we've herd it all before.Whether they are hopping up the peaks of mountains, through the treetops, or onto the backs of cows, goats are natural masters of balance, famed for their brains, brawn, and bawdy good humor. With their philosopher's beards, stately horns, and outgoing charm, these versatile animals know that working hard is just as important as cuddling up. They may be scruffy, wily, and mischievous, but when it comes to making the most of their days, these goats aren't kidding around.This powerful guide features two hundred personality-packed photos of the adult and baby goat stars of Goats Gone Grazing on their Kentucky farm and gives affirming advice to shepherd you the through good, the baaaad, and the graze-y. Sections cover&nbsp;health, romance, family, work, and finding yourself. It's time to stop being riddled by your human insecurities. Here, at last, is the advice you need to goat for it!

Fearless, fleet-footed, and full of curiosity, good-natured goats have it all. In this motivating guide to self-improvement, the stars of the popular Instagram Goats Gone Grazing teach us to take life by the horns.    Some days, it's a struggle just to get out of bed--let alone eat our greens, climb the career ladder, and make our fam

Wisdom to Get You Through the Good, the Baaad, and Everything in Between

You've Goat This

A celebration of one of the greatest gardens of our time, Highgrove. 'Full of thought-provoking ideas and stunning illustrations of one of my favourite gardens' Alan Titchmarsh

A celebration of one of the greatest gardens of our time, Highgrove.   'Full of thought-provoking ideas and stunning illustrations of one of my favourite gardens' Alan Titchmarsh

A Garden Celebrated

Highgrove

Isms

A powerful collection of quotations from iconic artist and activist Yoko Ono Ono-isms is a collection of provocative and powerful quotations from influential artist, musician, songwriter, and peace activist Yoko Ono, providing a richer understanding of this important cultural icon. Since emerging on the international art scene in the early 1960s, Ono has made profound contributions to visual and performance art, filmmaking, and music in work that often radically questions the division between art and the everyday. In recent years she has embraced social media to communicate her artistic and activist messages to even broader audiences around the world. Gathered from interviews, books, song lyrics, social media, and other sources, this nuanced book sheds new light on a complex and multifaceted artist who has shaped our culture in countless ways. The quotations—close to 300 in all—are arranged by subject: art, life, creativity, nature and the environment, love, music, women in society, and peace and social justice. The book also features an introduction and a chronology of Ono’s life and work.<ul><li>“I’ve never seen a line between music and art and performance. And that’s a problem for some people.”</li><li>“I think that all women are witches, in the sense that a witch is a magical being. And a wizard, which is a male version of a witch, is kind of revered, and people respect wizards. But a witch, my god, we have to burn them.”</li><li>“I think if you have a persona you show the world that’s separate from your true personality, the strain becomes too much. What [John Lennon and I] decided was just to be ourselves. We didn’t have a conference about it or anything. It’s just the most relaxing way to be.”</li><li>“I can take hatred, because I don’t believe that people are capable of real hate. We are too lonely for that. We vanish too quickly for that. Do you ever hate a cloud?”</li><li>“Concentrate your mind on giving, loving, and thanking. Each time you give, you are in less pain. Give as much as you can. Find something you can love. Love as much as you can. Thank as much as you can.”</li></ul>

The description for this book, Ono-isms, will be forthcoming.

Ono-isms

Untitled Yarwood 2 of 2

100+ Stickers to Stick Wherever

Disappointing Affirmations Sticker Book

Marking the fortieth anniversary of the duo's first release--"West End Girls"--Pet Shop Boys Volume presents the group's entire visual output to date in a contemporary literary format.

Pet Shop Boys Volume

Despite the well-known fact that some pieces of Bach's WTC II existed in early forms, there has been no thorough discussion to date as to how the work evolved over the years.

Despite the well-known fact that some pieces of Bach's WTC II existed in early forms, there has been no thorough discussion to date as to how the work evolved over the years.

Volume II: Aspects of Afterlife

The Genesis and Early History of Bach's Well-Tempered Clavier, Book II

The Little Guide to Chappell Roan

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