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Connolly J: The Land of Lost Things

The Land of Lost Things

The King in Yellow

The atmospheric retelling of the Melusine folktale

The Palace Beneath the Sea

Wayward Souls

The Brilliant Soul Duology

The Faithful Dark

Untitled K. J. Parker Fantasy 2

Twenty haunting stories from the Bram Stoker Award nominated, and bestselling author of&nbsp;Come With Me.

We Should Have Left Well Enough Alone

A Testimony of Blood

HOW TO LOSE A GOBLIN IN TEN DAYS is a cosy comfort read fantasy romance between a halfling and a goblin: imagine a classic opposites-attract romcom taking place somewhere like the hobbit village from The Lord of the Rings! Expect romantasy, magical forests, interfering wizards, lots of home cooking and maybe even a kiss at the Harvest dance...

HOW TO LOSE A GOBLIN IN TEN DAYS is a cosy comfort read fantasy romance between a halfling and a goblin: imagine a classic opposites-attract romcom taking place somewhere like the hobbit village from The Lord of the Rings! Expect romantasy, magical forests, interfering wizards, lots of home cooking and maybe even a kiss at the Harvest dance...

Tales from Hawthorne Cottage

How to Lose a Goblin in Ten Days

Meet the epic fantasy debut of the year

The Poet Empress

Untitled Fallen Gods 2

By demonstrating the importance of horrific motifs in Greek and Roman epic, this book challenges existing conceptions of what an epic poem is and of what it means to engage with such a text. Taking the reader through canonical and less-well-known ancient epic, Brockliss argues that contrary to conventional readings, 'the horrific' is central to these texts. In fact, these poems dwell as much if not more on foul displays of human physicality as on depictions of a sublime heroism, prioritize psychological disturbance over tragic suffering, and set the intrusions of unquiet ghosts in tension with celebrations of the safely dead. This book thus offers a fresh perspective on a literary genre that is central both to ancient cultures and to the later western tradition. Alongside happy recollections of past glories, ancient epics offer readers a shocking and immersive experience that confronts them with the bare facts of human physiques and minds. Rather than focusing narrowly on the eminent achievements of a few, horror in epic offers an egalitarian portrait of what makes us human.

Horror in Ancient Greek and Roman Epic

The Regicide Report

The Land of Lost Things

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