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Sterne E: The House of David

The House of David

Salvation, Scandal, and Survival in a Modern American Commune

The 1960s New York Avant-Garde—Primal Happenings, Underground Movies, Radical Pop

Everything Is Now

A celebration of 75 years of publishing at Thames &amp; Hudson - a delight for bibliophiles, historians, art lovers and fans of the T&amp;H brand. In 1949 Walter and Eva Neurath founded Thames &amp; Hudson with a clear aim: to make art and scholarship more accessible through independent publishing that was prepared to risk being ahead of the curve. Seventy-five years later, their original vision of creating a 'museum without walls' still resonates. As well as publishing beautifully designed and produced books in collaboration with the world's leading artists, writers, museums, cultural institutions and fashion houses, T&amp;H continues to evolve and innovate, remaining relevant and reflecting the times we live in. This special publication, divided into three chronological chapters, provides a comprehensive delve into the company's history. An introduction and three essays by historian Anna Nyburg take us from its origins in Vienna on the cusp of the Second World War to the 1960s and a change in management, and to the new millennium and beyond. Thames &amp; Hudson's rich output of groundbreaking and award-winning titles - ranging across the subjects of art, archaeology and architecture; history, design, photography and fashion - is celebrated in stunning pictorial spreads, as beautiful and compelling as the books themselves. The Art of the Book will be a valuable resource for those interested in the history of bookmaking and T&amp;H's impact over the years, and a must-have for collectors, enthusiasts and anyone with an appreciation for the art and evolution of publishing.

A celebration of 75 years of publishing at Thames &amp; Hudson – a delight for bibliophiles, historians, art lovers and fans of the T&amp;H brand. In 1949 Walter and Eva Neurath founded Thames &amp; Hudson with a clear aim: to make art and scholarship more accessible through independent publishing that was prepared to risk being ahead of the curve. Seventy-five years later, their original vision of creating a ‘museum without walls’ still resonates. As well as publishing beautifully designed and produced books in collaboration with the world’s leading artists, writers, museums, cultural institutions and fashion houses, T&amp;H continues to evolve and innovate, remaining relevant and reflecting the times we live in. This special publication, divided into three chronological chapters, provides a comprehensive delve into the company's history. An introduction and three essays by historian Anna Nyburg take us from its origins in Vienna on the cusp of the Second World War to the 1960s and a change in management, and to the new millennium and beyond. Thames &amp; Hudson's rich output of groundbreaking and award-winning titles – ranging across the subjects of art, archaeology and architecture; history, design, photography and fashion – is celebrated in stunning pictorial spreads, as beautiful and compelling as the books themselves. The Art of the Book will be a valuable resource for those interested in the history of bookmaking and T&amp;H's impact over the years, and a must-have for collectors, enthusiasts and anyone with an appreciation for the art and evolution of publishing.

75 Years of Thames & Hudson

The Art of the Book

Anthem Brazilian Studies

This book looks beyond the British Empire and the Slavery Abolition Act to focus on Brazil as the final frontier of Britain's centuries-long involvement with transatlantic slavery.

Masters in Another Empire, c. 1822-1888

British Entanglement with Brazilian Slavery

Apparatus, Nostalgia, Obsolescence

Theatre as Technology

The African American Experience Series

From Colonialism to Emancipation

Slavery and Freedom in the Caribbean

Edition Medienwissenschaft

In einer global vernetzten, digital durchdrungenen Welt genügt es nicht mehr, in geschlossenen Systemen zu denken. Der Blick richtet sich vielmehr auf das, was Systeme verbindet und definiert: das Spiel der Schnittstellen. Als Orte der Übertragung, Filterung, Übersetzung und Sinnbildung werden sie zu den zentralen Erkenntnisobjekten überhaupt. Zwischen Mensch und Maschine, Kultur und Technik, Sprache und Material ermöglichen sie nicht nur Austausch, sondern auch ständige Veränderung. Christian Stein führt interdisziplinäre Perspektiven aus&nbsp;Medien-, Kultur-, Technik- und Naturwissenschaften zusammen.&nbsp;So öffnet er ein neues Denken - eines, das Schnittstellen offenlegt und zu ihrer aktiven Mit- und Umgestaltung anregt.

Eine interdisziplinäre Theorie des Zwischen

Schnittstelle(n)

Studies in Comparative Philosophy and Religion

Hindus, Jews, and the Politics of Comparison argues that comparative studies of Hindu and Jewish traditions can generate alternative epistemologies, critically interrogating the Eurocentric and Protestant-based paradigms in the academy that have perpetuated the ideals of Enlightenment discourse and colonial and neocolonial projects.

Embodied Communities and Models of Religious Tradition

Hindus, Jews, and the Politics of Comparison

Afro-Latin America

Art and Anti-Racism in Latin America

The Hidden History of the Weight Loss and Wellness Industries--And the Lies They Sold Us

Maintenance Phase

Lady Frances, Lady Betty and the Marriage of Four

Burn This Letter

Cambridge Companions to History

The Cambridge Companion to the Spanish Inquisition

A nuclear historian gives a new, surprising account of one of the most controversial actions in history-how the United States deployed the atomic bomb on Hiroshima and Nagasaki during World War II-and the fallout that continues to haunt us. In the eight decades since the United States deployed the most destructive weapon ever used, conventional wisdom has held that American leaders were faced with a difficult choice: Invade Japan, which would have cost millions of Japanese and Allied lives in bloody combat, or use the fearsome atom bomb in the hopes of convincing the Japanese emperor to surrender. President Truman-in what many have come to regard as an immoral decision-ordered the military to drop the bomb. Now, historian Alex Wellerstein offers a revisionist narrative of what happened in the spring of 1945, uncovering new research that points to a very different chain of events. Wellerstein reveals a much more complex situation in which American leaders, limited by time, knowledge, and authority, and under great secrecy, each jockeyed to influence if and how the bomb would be used. Refuting previous accounts, Wellerstein explains how there was no official decision to use the bomb, nor did President Truman likely know that Hiroshima or Nagasaki were heavily populated cities. Once the bombs were dropped, Truman began a years-long struggle for control of the awesome power of atomic weapons, the ramifications of which are still felt today. The Most Awful Responsibility documents the little-known truth of the circumstances leading to this momentous event, painting a more complete picture of the end of World War II and of Truman himself. It is essential reading for all who want to truly understand not only why the bomb was dropped on Japan, but also why it has not been used since.

President Truman’s choice to drop the atomic bomb is the most debated decision in the 20th Century. But what if Truman’s actual decision wasn’t what everyone thinks it was? Eight decades after the bombing of Hiroshima, the conventional narrative is that American leaders had a choice: Invade Japan, which would have cost millions of Allied and Japanese lives, or use the atom bomb in the hopes of convincing Japan to surrender. Truman, the story goes, carefully weighed the pros and cons before deciding that the atomic bomb would be used against Japanese cities, as the lesser of two evils.But nuclear historian Alex Wellerstein argues that is not what happened. Not only did Truman not take part in the decision to use the bomb, but the one major decision that he did make was a very different one —&nbsp;one that he himself did not fully understand until after the atomic bomb was used. And the weight of that decision, and that misunderstanding, became the major reason that atomic bombs have not been used again since World War II.Based on a close reading of the historical record, The Most Awful Responsibility argues that despite his reputation as an ardent defender of the use of the atomic bomb, Truman was in fact deeply antagonistic to nuclear weapons, associating them primarily with the “murder” and “slaughter” of innocent civilians, believing that they never should be used again, and hoping that they would, in his lifetime, possibly be outlawed. Wellerstein makes a startling case that Truman was possibly the most anti-nuclear American president of the twentieth century, but whose ambitions in this area were strongly constrained by the domestic and international politics of the postwar world. This book is a must-read for all who want to truly understand not only why the bomb was dropped on Japan, but also why it has not been used since.

Truman and the Secret Struggle for Control of the Atomic Age

The Most Awful Responsibility

The House of David

Bibliografische Angaben

Schlagworte

Bibliografische Angaben

Schlagworte

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