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Thompson Hunter S.: The Great Shark Hunt
/ B

The Great Shark Hunt

Georgetown Studies in Intelligence History

The untold story of how America's brightest academic minds revolutionized intelligence analysis at the CIAIn the early days of the Cold War, the United States faced a crisis in intelligence analysis. A series of intelligence failures in 1949 and 1950, including the failure to warn about the North Korean invasion of South Korea, made it clear that gut instinct and traditional practices were no longer sufficient for intelligence analysis in the nuclear age. The new director of the Central Intelligence Agency, Walter Bedell Smith, had a mandate to reform it.Based on new archival research in declassified documents and the participants' personal papers, The Intelligence Intellectuals reveals the neglected history of how America's brightest academic minds were recruited by the CIA to revolutionize intelligence analysis during this critical period. Peter C. Grace describes how the scientifically sound analysis methods that they introduced significantly helped the United States gain an advantage in the Cold War, and these new analysts legitimized the role of the recently created CIA in the national security community. Grace demonstrates how these professors--such as William Langer from Harvard, Sherman Kent from Yale, and Max Millikan from MIT--developed systematic approaches to intelligence analysis that shaped the CIA's methodology for decades to come.Readers interested in the history of the Cold War and in intelligence, scholars of intelligence studies, Cold War historians, and intelligence practitioners seeking to understand their craft's foundations will all value this insightful history about the place of social science in national security.

Social Scientists and the Making of the CIA

The Intelligence Intellectuals

edition suhrkamp

Wie man Populisten besiegt

Gegen den liberalen Defätismus

The Final Phase of the First Cold War

Endgame

A practical and caring workbook to help you simplify your taxes as a self-employed person, including mindset-shifting exercises, practical checklists, and simple systems to keep your US taxes feeling doable. In the Taxes for Humans Workbook, author Hannah Cole delivers a hands-on workbook for&nbsp;freelancers, solopreneurs, creatives, and students doing their best to navigate the American tax system. This Workbook supplements Cole's Taxes for Humans book with mindset exercises, checklists, helpful illustrations, and other practical tools you can use immediately to get your taxes done with confidence and simplify them moving forward. The resources in this book will help you get financially comfortable, smarter, and more organized. You'll learn simple systems to improve your tax records and bookkeeping processes. Set up sustainable, effective systems that keep you organized and compliant with the tax laws that govern Schedule C workers. You'll also find: <ul> <li>Bookkeeping and organization tools you can apply right away to make sense of your&nbsp;finances.</li> <li>Visuals that make taxes feel clear and understandable for visual learners. </li> <li>Mindset prompts that help you manage the emotional side of doing your taxes, and get out of your way to clear, easy management of your small business/freelance dollars.</li> </ul> Perfect for freelancers, artists, and other self-employed people, Taxes for Humans&nbsp;Workbook offers the tools and resources you need to successfully navigate your taxes with calm, confidence and self-compassion.&nbsp;

Taxes for Humans Workbook

Story Lake

the heart-poundingly romantic new novel from the Tiktok sensation and Sunday Times and New York Times bestselling author of Things We Hide From The Light

Mistakes Were Made

The 100-Year Struggle to Shape the American Economy

Marketcrafters

In eleven essays of inquiry from different scholarly traditions, the authors in Microutopias and Everyday Hope examine the potential that resides in utopian thinking on smaller scales. Basing their explorations in material ranging from music, TV-series, film, and literature to concrete sites, the reflections that result engage in a conversation that steers our attention to the details of aesthetics that are increasingly being drowned out in the polycrisis. However, our attention to detail in less spectacular venues and in the everyday is required if we are to imagine alternative futures differently, and better. Caught in late capitalism's relentless and dystopian march toward the abyss, any kind of future is predicated on utopian thinking in the present. The essay collection is therefore also an appeal to the crucial importance of the humanities as providing the glue that can withstand our contemporary's fragmentation. Ultimately, this collection highlights the crucial importance of the humanities in order to withstand and even move past the contemporary societal fragmentation being experienced globally.

Microutopias and Everyday Hope

Scholars and contemporary artists reckon with decommissioned monuments, examining fraught narratives of the legacy of the Civil War and slavery as well as national identity in the United StatesThis volume features a selection of decommissioned monuments, many of them Confederate, presented alongside contemporary artworks that address American history and national identity. MONUMENTS, which accompanies the eponymous exhibition, marks the last several years of monument removals as a historic moment and aims to build a better understanding of our shared history and ideals, while holding the monuments accountable to the present. Featuring contributions by the exhibition curators, Bennett Simpson, Hamza Walker and Kara Walker, as well as scholars, poets and artists, the publication attends to the social, political, historical and art historical context of these monuments as well as the legacies of the people and events they commemorate. It includes additional essays by Sven Beckert, Emily Bingham, Thomas J. Brown, Karen Cox, Hilary N. Green, Grace Elizabeth Hale, Michael Lobel, Dani R. Merriman, Charmaine A. Nelson, Michael Ralph, Kirk Savage, Cherise Smith, Tsione Wolde-Michael and Dell Upton, and contributions by Derrick Austin, Mark Thomas Gibson, David Hartt, Ashley M. Jones, Melissa Lyttle and Kiki Petrosino. Artists include: Bethany Collins, Karon Davis, Abigail DeVille, Stan Douglas, Leonardo Drew, Torkwase Dyson, Kevin Jerome Everson, Nona Faustine, Jon Henry, Kahlil Robert Irving, Monument Lab, Walter Price, Martin Puryear, Andres Serrano, Cauleen Smith, Hank Willis Thomas, Davone Tines, Kara Walker. This book was published in association with The Museum of Contemporary Art, Los Angeles; The Brick.

MONUMENTS

In collaboration with the estate of Bill Traylor, this publication offers a comprehensive look at the self-taught artist’s distinctive imagery, which mixes subjects and iconography from the American South with a strong formalistic treatment of color, shape, and surface.Born into slavery, Traylor spent much of his life after the 1863 Emancipation Proclamation working as a farm laborer in rural Alabama and, later, as a shoemaker and factory worker in Montgomery. In 1939, at approximately the age of 85, having never previously trained or studied art in any formal way, Traylor began making drawings and works on paper using gouache and other media. Though he continued to make art for the remainder of his life, Traylor was most prolific between 1939 and 1942, creating a body of work that offers a unique and rich registry of his life, experience, and insights.This monograph weaves beautiful reproductions of Traylor’s works with essays by and conversations with his descendants, offering a unique and deeply personal look at this artist whose work exists in the collections of many notable institutions in the United States but whose story has never been fully told.

Bill Traylor

How a lifelong engagement with experimental art informed the brilliant Czech-Brazilian philosopher Vilém Flusser’s early vision of a world dominated by glowing screens. Predicting the importance of technology and images in the twenty-first century as early as the 1970s, Vilém Flusser warned, “the basic structure of our thinking is about to experience a mutation.” The bewitching images and screens that surround us could lead toward a centrally programmed, totalitarian society—or another, better one characterized by dialogue and collaboration among humans and new forms of intelligence. In this book on the idiosyncratic and prescient Czech-Brazilian philosopher, art historian and critic Martha Schwendener explores the profound effect of art on Flusser’s thought. The Society of the Screen reveals how Flusser’s lifelong engagement with experimental practices—from abstract painting and concrete poetry in Brazil to video, cybernetics, and photography in Europe and the United States—as well as his extensive involvement with the São Paulo Biennial informed his belief that we were moving from “history”—a civilization informed by linear writing—into “post-history,” dominated by technical images. The book delves deeply into how Flusser’s ideas evolved, particularly in correspondence and collaboration with artists like Mira Schendel, Fred Forest, Wen-Ying Tsai, Harun Farocki, Louis Bec, and Karl Gerstner.

How a lifelong engagement with experimental art informed the brilliant Czech-Brazilian philosopher Vilém Flusser’s early vision of a world dominated by glowing screens. Predicting the importance of technology and images in the twenty-first century as early as the 1970s, Vilém Flusser warned, “the basic structure of our thinking is about to experience a mutation.” The bewitching images and screens that surround us could lead toward a centrally programmed, totalitarian society—or another, better one characterized by dialogue and collaboration among humans and new forms of intelligence. In this book on the idiosyncratic and prescient Czech-Brazilian philosopher, art historian and critic Martha Schwendener explores the profound effect of art on Flusser’s thought. The Society of the Screen reveals how Flusser’s lifelong engagement with experimental practices—from abstract painting and concrete poetry in Brazil to video, cybernetics, and photography in Europe and the United States—as well as his extensive involvement with the São Paulo Biennial informed his belief that we were moving from “history”—a civilization informed by linear writing—into “post-history,” dominated by technical images. The book delves deeply into how Flusser’s ideas evolved, particularly in correspondence and collaboration with artists like Mira Schendel, Fred Forest, Wen-Ying Tsai, Harun Farocki, Louis Bec, and Karl Gerstner.

Vilém Flusser’s Radical Prescience

The Society of the Screen

A devastating critique of India's failure to fulfil its founding promises.

A devastating critique of India's failure to fulfil its founding promises.

India’s Slide Towards Turmoil

Tinderbox

It's 1977, and punk rock has just hit Liverpool. The legendary Eric's club is home to the city's rebels, posers and misfits. It's a place of attitude, adventure and new possibilities, and it changes lives. Some become pop stars; Penny Kiley becomes a music journalist. The story traces Penny's relationship with the music scene from the turbulent political 1980s into the changing culture of the 21st century. Throughout these years, she never stops being a misfit, and the question remains: how do you navigate normal life when punk is dead and you don't know you're autistic? Atypical Girl begins as a coming-of-age story and ends as a midlife reinvention. What unites them is a search for identity and the role that music plays in all our lives.

Liverpool, Punk Rock and Trying to be Normal

Atypical Girl

The Great Shark Hunt

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