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Palgrave Studies in Literature, Culture and Economics

Alasdair King

The Financial Image

Finance, Philosophy and Contemporary Film

1. Introduction.- 2. The Financial Gaze.- 3. Film and Financial Ethics.- 4. Film and Financial Time.- 5. Film and 6. Financial Space.- 7. Film and Financial Performance.- 8. Conclusion.&lt;p&gt;&lt;/p&gt;&lt;div&gt;&lt;br&gt;&lt;/div&gt;

Economics and Finance (R0)

Tony Kinder

Use-Values and the Political Economy of Public Services

The Non-Market Economy

Studienarbeit aus dem Jahr 2024 im Fachbereich BWL - Investition und Finanzierung, Note: 2,0, FOM Essen, Hochschule für Oekonomie  &amp; Management gemeinnützige GmbH, Hochschulleitung Essen früher Fachhochschule, Sprache: Deutsch, Abstract: Das Ziel dieser Hausarbeit besteht darin, neben einer Darlegung der theoretischen Grundlagen zum Thema „Sustainable Finance“, die Funktionsweisen sowie die verschiedenen Arten von „Green Bonds“ und „Sustainable Loans“ aufzuzeigen. Der Schwerpunkt der Arbeit liegt dabei auf einer eingehenden Analyse der Chancen und Risiken im Zusammenhang mit Finanzierungsinstrumenten „Green Bonds“ und „Sustainable Loans“, um festzustellen, ob diese tatsächlich einen Mehrwert für den Emittenten und Investoren bieten, um so langfristig soziale und Umweltziele zu fördern sowie einen nachhaltigen Finanzsektor zu unterstützen. 

Die „nachhaltige Finanzwirtschaft“ (engl.: „Sustainable Finance“) hat in den letzten Jahren erheblich an Bedeutung gewonnen und spielt eine entscheidende Rolle in der globalen Wirtschaft und im Finanzsektor. Initiativen wie Fridays for Future gewinnen an bedeutende mediale und gesellschaftliche Aufmerksamkeit, da der Handlungsdruck auf die Politik aufgrund der immer deutlicher werdenden Klimaveränderungen und Extremwetterereignisse zunimmt. Die zentrale Herausforderung der kommenden Jahre besteht darin, unsere Gesellschaft und Wirtschaft hin zu mehr Nachhaltigkeit zu transformieren. Dies schließt die Erreichung der Klimaziele, den Schutz der Umwelt und die Förderung sozialer Gerechtigkeit ein, während wir gleichzeitig ein angemessenes Wohlstandsniveau aufrechterhalten müssen, um die Lebensqualität von intra- und intergeneration lebenden Menschen in Deutschland und weltweit zu sichern. 

Sustainable Finance. Eine kritische Analyse ausgewählter Finanzierungsinstrumente

From the #1 New York Times bestselling author of I'm Glad My Mom Died comes a sad, funny, thrilling novel about sex, consumerism, class, desire, loneliness, the internet, rage, intimacy, power, and the (oftentimes misguided) lengths we'll go to in order to get what we want. Waldo is ravenous. Horny. Blunt. Naive. Wise. Impulsive. Lonely. Angry. Forceful. Hurting. Perceptive. Endlessly wanting. And the thing she wants most of all: Mr. Korgy, her creative writing teacher with the wife and the kid and the mortgage and the growing paunch. She doesn't know why she wants him. Is it his passion? His life experience? The fact that he knows books and films and things that she doesn't? Or is it purer than that, rooted in their unlikely connection, their kindred spirits, the similar filter with which they each take in the world around them? Or, perhaps, it's just enough that he sees her when no one else does.&nbsp; Startlingly perceptive, mordantly funny, and keenly poignant, Half His Age is a rich character study of a yearning seventeen-year-old who disregards all obstacles—in her effort to be seen, to be desired, to be loved.

A Novel

Half His Age

History (R0)

James M. Savelle

Nobuhiro Kishigami

Gregory G. Monks

Past History and Contemporary Issues

Subsistence Whaling

NATIONAL BESTSELLER • From internationally renowned, award-winning author Salman Rushdie, a spellbinding exploration of life, death, and what comes into focus at the proverbial eleventh hour of life “An inventive and engrossing collection of stories which, though death-tinged, are never doom-laden. With luck this master writer has more tales to tell.”—Los Angeles Times A NEW YORKER BEST BOOK OF THE YEAR Rushdie turns his extraordinary imagination to life’s final act with a quintet of stories that span the three countries in which he has made his work—India, England, and America—and feature an unforgettable cast of characters. “In the South” introduces a pair of quarrelsome old men—Junior and Senior—and their private tragedy at a moment of national calamity. In “The Musician of Kahani,” a musical prodigy from the Mumbai neighborhood featured in Midnight’s Children uses her magical gifts to wreak devastation on the wealthy family she marries into. In “Late,” the ghost of a Cambridge don enlists the help of a lonely student to enact revenge upon the tormentor of his lifetime. “Oklahoma” plunges a young writer into a web of deceit and lies as he tries to figure out whether his mentor killed himself or faked his own death. And “The Old Man in the Piazza” is a powerful parable for our times about freedom of speech. Do we accommodate ourselves to death, or rail against it? Do we spend our “eleventh hour” in serenity or in rage? And how do we achieve fulfillment with our lives if we don’t know the end of our own stories? The Eleventh Hour ponders life and death, legacy and identity with the penetrating insight and boundless imagination that have made Salman Rushdie one of the most celebrated writers of our time.

NATIONAL BESTSELLER • From internationally renowned, award-winning author Salman Rushdie, a spellbinding exploration of life, death, and what comes into focus at the proverbial eleventh hour of life “An inventive and engrossing collection of stories which, though death-tinged, are never doom-laden. With luck this master writer has more tales to tell.”—Los Angeles Times A NEW YORKER BEST BOOK OF THE YEAR Rushdie turns his extraordinary imagination to life’s final act with a quintet of stories that span the three countries in which he has made his work—India, England, and America—and feature an unforgettable cast of characters. “In the South” introduces a pair of quarrelsome old men—Junior and Senior—and their private tragedy at a moment of national calamity. In “The Musician of Kahani,” a musical prodigy from the Mumbai neighborhood featured in Midnight’s Children uses her magical gifts to wreak devastation on the wealthy family she marries into. In “Late,” the ghost of a Cambridge don enlists the help of a lonely student to enact revenge upon the tormentor of his lifetime. “Oklahoma” plunges a young writer into a web of deceit and lies as he tries to figure out whether his mentor killed himself or faked his own death. And “The Old Man in the Piazza” is a powerful parable for our times about freedom of speech. Do we accommodate ourselves to death, or rail against it? Do we spend our “eleventh hour” in serenity or in rage? And how do we achieve fulfillment with our lives if we don’t know the end of our own stories? The Eleventh Hour ponders life and death, legacy and identity with the penetrating insight and boundless imagination that have made Salman Rushdie one of the most celebrated writers of our time.

A Quintet of Stories

The Eleventh Hour

Literatur und Öffentlichkeit / Literature and the Public Sphere

Seit einiger Zeit erleben semifiktionale Erzählungen in Weblogs, der Twitteratur und weiteren Erzählformaten in den sozialen Medien sowie in historisch-fiktionalen Texten und Filmen eine starke Konjunktur. Der Reiz, die Potentiale, aber zugleich auch die Risiken der Hybridformate bestehen darin, dass die Grenzen zwischen dem Bereich des Fiktionalen und des Faktualen häufig unscharf bzw. überhaupt nicht markiert sind. Anhand eines breiten Spektrums semifiktionaler Erzählungen untersucht die Studie die Strukturen der Hybridformate und fragt nach ihrer Verankerung in unserer gegenwärtigen Kultur – vor allem in Zeiten digitaler Kommunikation. Welche kulturellen Funktionen übernehmen die Semifiktionen angesichts der Vielstimmigkeit der zirkulierenden Wirklichkeitsnarrative? Zugleich stellt sich die grundsätzliche Frage, welche Konzeptionen von Fiktionalität sich hieraus für die heutige Zeit ergeben.

Hybrides Erzählen im digitalen Zeitalter

Semifiktionen

Sangaralingam Ramesh

From the Rise of Homo Sapiens to AI and Robotics

The Political Economy of Contemporary Human Civilisation, Volume I

In der Gegenwartsliteratur zeichnet sich ein Trend ab: Innerdiegetische Brüche, welche die Realität der erzählten Welt in Frage stellen, ohne jedoch einen Genrewechsel zu provozieren, da besagte Brüche nur überaus marginalisiert auftreten.Die vorliegende Untersuchung widmet sich fiktionalen Erzähltexten ab 1900, die ebensolche unvereinbaren Brüche in der Diegese und ihrer Zeitlichkeit aufweisen, und führt sie auf eine konsequente Perspektivübernahme des erzählenden Subjekts zurück. Denn im Sinne des Fiktionsvertrages müsste die Diegese streng von den Figuren aus gedacht werden, statt das Wirklichkeitsverständnis der Leserschaft in Anschlag zu bringen. Erst wenn diese Annahme systematisch zu Ende gedacht wird, eröffnet sich ein neuer Blick auf literarische Realismuskonzepte der Gegenwart.&nbsp;Die AutorinLea Baumgart
 ist Wissenschaftliche Mitarbeiterin für Neuere deutsche Literaturwissenschaft am Germanistischen Seminar der Universität Siegen.

Intradiegetische Brüche in fiktionalen Erzähltexten ab 1900

Genre und die Realität des Subjekts

NEW YORK TIMES BESTSELLER • From the #1 New York Times bestselling author of I’m Glad My Mom Died comes “a thorny examination of power, lust, shame and rage” (Los Angeles Times) from “a writer able to capture some of the darkest parts of human nature with unflinching honesty and devastating humor” (NPR) “Unapologetic and undeniable . . . If there was ever any doubt whether the narrative command that Jennette McCurdy displayed in her bestselling memoir I’m Glad My Mom Died might translate to fiction, let it henceforth be put to rest.”—Elle Waldo is ravenous. Horny. Blunt. Naive. Wise. Impulsive. Lonely. Angry. Forceful. Hurting. Perceptive. Endlessly wanting. And the thing she wants most of all: Mr. Korgy, her creative writing teacher with the wife and the kid and the mortgage and the bills, with the dead dreams and the atrophied looks and the growing paunch. She doesn’t know why she wants him. Is it his passion? His life experience? The fact that he knows books and films and things that she doesn’t? Or is it purer than that, rooted in their unlikely connection, their kindred spirits, the similar filter with which they each take in the world around them? Or, perhaps, it’s just enough that he sees her when no one else does. Startlingly perceptive, mordantly funny, and keenly poignant, Half His Age is a rich character study of a yearning seventeen-year-old who disregards all obstacles—or attempts to overcome them—in her effort to be seen, to be desired, to be loved.

NEW YORK TIMES BESTSELLER • From the #1 New York Times bestselling author of I’m Glad My Mom Died comes “a thorny examination of power, lust, shame and rage” (Los Angeles Times) from “a writer able to capture some of the darkest parts of human nature with unflinching honesty and devastating humor” (NPR) “Unapologetic and undeniable . . . If there was ever any doubt whether the narrative command that Jennette McCurdy displayed in her bestselling memoir I’m Glad My Mom Died might translate to fiction, let it henceforth be put to rest.”—Elle Waldo is ravenous. Horny. Blunt. Naive. Wise. Impulsive. Lonely. Angry. Forceful. Hurting. Perceptive. Endlessly wanting. And the thing she wants most of all: Mr. Korgy, her creative writing teacher with the wife and the kid and the mortgage and the bills, with the dead dreams and the atrophied looks and the growing paunch. She doesn’t know why she wants him. Is it his passion? His life experience? The fact that he knows books and films and things that she doesn’t? Or is it purer than that, rooted in their unlikely connection, their kindred spirits, the similar filter with which they each take in the world around them? Or, perhaps, it’s just enough that he sees her when no one else does. Startlingly perceptive, mordantly funny, and keenly poignant, Half His Age is a rich character study of a yearning seventeen-year-old who disregards all obstacles—or attempts to overcome them—in her effort to be seen, to be desired, to be loved.

John Rapley

Why Rich Economies Are Struggling - and How to Fix Them

Icarus Economics

Mehmet Baha Karan

The Role of Institutions in Shaping Market Evolution

A History of Stock Exchanges

Springer Nature Proceedings excluding Computer Science

&lt;p class="MsoNormal"&gt;This book discusses the conceptual foundations of mainstream and political economy and offers alternative directions for the development of theoretical economics. Presenting selected papers from the Euro-Asian Symposium on Economic Theory, held by the Institute of Economics of the Ural Branch of the Russian Academy of Sciences (Ekaterinburg, Russia) on June 26-28, 2024, this book examines the ways in which economic theory helps solve problem such as the expansion of new technologies, inequality, environmental justice, globalization, regionalization, and a polycentric world. It delves into the evolution and resilience of industrial ecosystems, investigate the fundamental nature of money, the complexities of achieving justice and efficiency in economic development are addressed, examining income disparities, the convergence of economies, and social aspects within economic mechanisms. The contributions featured in this book offer a synthesis of theoretical models and empirical analyses, bridging the gap between academic inquiry and practical application. This collection is a valuable resource for researchers, policymakers, and practitioners seeking innovative solutions to navigate the complexities of today&amp;rsquo;s economic systems.&lt;/p&gt;

Evgeny Kuzmin

Geoffrey M. Hodgson

Laura Bravi

Yuliya Lavrikova

Proceedings of the 2024 Euro-Asian Symposium on Economic Theory (EASET), Ekaterinburg, Russia, June 26-28

Searching for Developmental Alternatives in Economic Theory

The Financial Image

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