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Palgrave Studies in Literature, Culture and Economics

Alasdair King

The Financial Image

Finance, Philosophy and Contemporary Film

1. Introduction.- 2. The Financial Gaze.- 3. Film and Financial Ethics.- 4. Film and Financial Time.- 5. Film and 6. Financial Space.- 7. Film and Financial Performance.- 8. Conclusion.&lt;p&gt;&lt;/p&gt;&lt;div&gt;&lt;br&gt;&lt;/div&gt;

When a frustrated young writer stumbles across an elderly woman at a Melbourne pool, he realises the scoop of a lifetime is right in front of him — the woman is the reclusive cult author Brenda Shales, whose disappearance from the public eye remains one of Australia’s last unsolved literary mysteries. He’s determined to pursue her, to discover what happened to her all those years ago, and to possibly fulfil his dreams of stardom through a tell-all biography. But a case of mistaken identity and Brenda’s own terrible secrets begin to derail his ambitions, and ultimately, his entire life.&nbsp; From brilliant debut novelist Dominic Amerena,&nbsp;I Want Everything&nbsp;is a wickedly sharp story of desire and deception, authorship and authenticity, and the devastating costs of creative ambition.

I Want Everything

Globalisierte Literaturen. Theorie und Geschichte transnationaler Buchkultur / Globalized Literatures. Theory and History of Transnational Book Culture

Reiseblogs stellen ein neues und sehr aktives Feld gegenwärtiger Reisedarstellungen dar. Prominent hervor treten dabei weiblich markierte Erzählungen, die vom Alleinreisen als Frau künden. Im Zentrum der Studie stehen die reziproken Verhältnisse zwischen autobiografischer Reiseerzählung, dem Medienformat des Blogs (in seinen sozialen und technischen Aspekten) und der Konstruktion weiblicher Identität. Zudem wird der Reiseblog unter Bezugnahme auf historische Vorläufer wie das Tagebuch untersucht und somit in die Gattungs- und Medienkontexte deutsch- und englischsprachiger Reiseliteratur eingeordnet.

Zur medialen Repräsentation weiblicher Identitäten in Reisetagebüchern und Reiseblogs

Gender im Gepäck

M. Arul Jothi

Assessing the Impact of Capital Structure on Profitability. A Case Study of Indian Railways Finance Corporation (IRFC)

Economics and Finance (R0)

María Vázquez-Fariñas

Francisco Cabrera-Gallardo

Sectors, Figures and Transformations

Business Trajectories in the History of Spain

Palgrave Studies in Life Writing

Melissa Schuh’s Literary Autobiography offers a theoretically elegant and literarily sensitive rethinking of the fraught relationship between the novel and autobiography. Central to the book is the concept of performative contradiction, which Schuh develops as the defining aesthetic strategy of literary autobiography—a strategy that embraces fictionality not to undermine life writing, but to open it toward deeper questions of truth, identity, and narrative ethics. Schuh’s analyses of Roth, Coetzee, and Grass persuasively show how these works form an aesthetic lineage that contemporary autofiction continues to draw from. This book will be indispensable for scholars across life writing studies, narratology, and literary ethics.—Stefan Kjerkegaard, Aarhus University, DenmarkWhy do novelists write about themselves? What modes do novelists use to manipulate representations of their personality? Why is it often late in their career that novelists write about their own lives? This book develops the concept of literary autobiography as a genre responding to a profound uncertainty about the knowability of the self, often negotiated through a particular concern with the writing life. Comprising a particular sub-genre and style of contemporary life writing, the autobiographies examined in this book foreground their formal ‘literariness’ through the explicit use of fictionality, disrupting established (auto)biographical tropes by employing narrative innovations associated with postmodern fiction and prefigured by modernist experimentation. Taken together, they exemplify an aesthetics of performative contradiction, in which novelistic strategies cast doubt on the veracity of the life represented. Exploring works by canonical and popular novelists – J.M. Coetzee, Philip Roth, Günter Grass, Elena Ferrante, and Karl Ove Knausgård – this book addresses the increasing novelisation of contemporary life writing, analysing the related ethical and aesthetic implications of fictionality. More widely, it discusses the current popularity, prevalence of and public appetite for life writing, mapping out the reception and ambiguous position of literary autobiography within the literary marketplace and its adjoining bodies of criticism.Melissa Schuh
 &nbsp;is Lecturer in English Literature at Kiel University (Germany) and deputy editor for&nbsp;
 
 C21 Literature: Journal of 21
 st
 -Century Writings.

Contemporary Novelists and their Self-Representations

Literary Autobiography

Named one of Ten Best Books of 2025 by The Wall Street Journal Named one of Ten Best Books of 2025 by The Washington Post Named a Best Novel of 2025 by NPR and Publishers Weekly Named a Best Historical Novel of 2025 by The New York Times "A powerful and original epic . . . Deadly politics, tragic romance and dangerous sea journeys keep the drama at a spirited boil." -The New York Times "An epic of extraordinary abundance . . . modern and mythological . . . wondrous enough to endure." -The Wall Street Journal "An epic that feels less created than unearthed . . . The Wayfinder is sui generis-a tapestry of South Pacific myth, archetypal quest, political allegory, environmental jeremiad and feminist revision that feels both ancient and impossibly relevant." -The Washington Post Talking corpses, poetic parrots, and a fan that wafts the breath of life-this is the world young K¿rero finds herself thrust into when a mysterious visitor lands on her island, a place so remote its inhabitants have forgotten the word for stranger. Her people are desperate and on the brink of starvation, and the wayward stranger offers them an impossible choice: they can remain in the only home they've ever known and await the uncertainty to come, or K¿rero can join him and venture into unfamiliar waters, guided by only the night sky and his assurance of a bountiful future in the Kingdom of Tonga. What K¿rero and her people don't know is that the promised refuge is no utopia-instead, Tonga is an empire at war and on the verge of collapse, a place where brains are regularly liberated from skulls and souls get trapped in coconuts with some frequency. The perils of Tonga are compounded by a royal feud: loyalties are shifting, graves are being opened, and everyone lives in fear of a jellyfish tattoo. Here, survival can rest on a perfectly performed dance or the acceptance of a cup of kava. Together, the stranger and K¿rero embark upon an epic voyage-one that will deliver them either to salvation or to the depths of the Pacific. Evoking the grandeur of Wolf Hall and the splendor of Sh¿gun, the Pulitzer Prize-winning novelist Adam Johnson conjures oral history, restores the natural world, and locates what's best in humanity. Toweringly ambitious and breathtakingly immersive, The Wayfinder is an instant, timeless classic.

A Novel

The Wayfinder

Philosophy and Religion (R0)

Jamin Andreas Hübner

Justice in An Age Of Capital And Catastrophe

Religion and Cooperative Economics

Environmental Humanities

Resilienz hat sich in den Environmental Humanities und darüber hinaus als Schlüsselbegriff etabliert. Dieser Open Access-Band lotet aus, wie die Literatur- und Kulturwissenschaften die Resilienzforschung erweitern können und entwickelt Konzepte kultureller und literarischer Resilienz im Angesicht der planetaren Krisen. Die Beiträge untersuchen unterschiedliche „Narrative der Resilienz“, die das individuelle und kollektive Ringen um Widerstandskraft, Regeneration, Anpassung und Transformation schildern. Der Fokus auf narrative Praktiken gründet in der Annahme, dass insbesondere im Akt des Erzählens von überwundenen Erschütterungen und überlebten Katastrophen Resilienz entwickelt wird.

Narratives of Resilience / Narrative der Resilienz

Tobias Geuß

Business Administration to Go - Compact Practical Knowledge for Entrepreneurs & Leaders: Easily Understand Economic Relationships and Make Informed Decisions - incl. Business Administration Glossary

Sherif Khalifa

How Climate Change Shaped Human History

Climate Change, Economic Channels, and Historical Junctures

NATIONAL BESTSELLER • From internationally renowned, award-winning author Salman Rushdie, a spellbinding exploration of life, death, and what comes into focus at the proverbial eleventh hour of life “An inventive and engrossing collection of stories which, though death-tinged, are never doom-laden. With luck this master writer has more tales to tell.”—Los Angeles Times A NEW YORKER BEST BOOK OF THE YEAR Rushdie turns his extraordinary imagination to life’s final act with a quintet of stories that span the three countries in which he has made his work—India, England, and America—and feature an unforgettable cast of characters. “In the South” introduces a pair of quarrelsome old men—Junior and Senior—and their private tragedy at a moment of national calamity. In “The Musician of Kahani,” a musical prodigy from the Mumbai neighborhood featured in Midnight’s Children uses her magical gifts to wreak devastation on the wealthy family she marries into. In “Late,” the ghost of a Cambridge don enlists the help of a lonely student to enact revenge upon the tormentor of his lifetime. “Oklahoma” plunges a young writer into a web of deceit and lies as he tries to figure out whether his mentor killed himself or faked his own death. And “The Old Man in the Piazza” is a powerful parable for our times about freedom of speech. Do we accommodate ourselves to death, or rail against it? Do we spend our “eleventh hour” in serenity or in rage? And how do we achieve fulfillment with our lives if we don’t know the end of our own stories? The Eleventh Hour ponders life and death, legacy and identity with the penetrating insight and boundless imagination that have made Salman Rushdie one of the most celebrated writers of our time.

NATIONAL BESTSELLER • From internationally renowned, award-winning author Salman Rushdie, a spellbinding exploration of life, death, and what comes into focus at the proverbial eleventh hour of life “An inventive and engrossing collection of stories which, though death-tinged, are never doom-laden. With luck this master writer has more tales to tell.”—Los Angeles Times A NEW YORKER BEST BOOK OF THE YEAR Rushdie turns his extraordinary imagination to life’s final act with a quintet of stories that span the three countries in which he has made his work—India, England, and America—and feature an unforgettable cast of characters. “In the South” introduces a pair of quarrelsome old men—Junior and Senior—and their private tragedy at a moment of national calamity. In “The Musician of Kahani,” a musical prodigy from the Mumbai neighborhood featured in Midnight’s Children uses her magical gifts to wreak devastation on the wealthy family she marries into. In “Late,” the ghost of a Cambridge don enlists the help of a lonely student to enact revenge upon the tormentor of his lifetime. “Oklahoma” plunges a young writer into a web of deceit and lies as he tries to figure out whether his mentor killed himself or faked his own death. And “The Old Man in the Piazza” is a powerful parable for our times about freedom of speech. Do we accommodate ourselves to death, or rail against it? Do we spend our “eleventh hour” in serenity or in rage? And how do we achieve fulfillment with our lives if we don’t know the end of our own stories? The Eleventh Hour ponders life and death, legacy and identity with the penetrating insight and boundless imagination that have made Salman Rushdie one of the most celebrated writers of our time.

A Quintet of Stories

The Eleventh Hour

#1 NEW YORK TIMES BESTSELLER • “After his spectacular Lincoln in the Bardo, Saunders returns . . . with a new novel even more spectacular than the last.”—Los Angeles Times A “daring” (Time) novel from the #1 New York Times bestselling, Booker Prize–winning author of A Swim in a Pond in the Rain and Tenth of December, taking place at the bedside of an oil company CEO in the twilight hours of his life as he is ferried from this world into the next “Vibrant, fiendishly clever . . . Vigil is pure Saunders: the death of empathy, he insists, is greatly exaggerated.”—The Boston Globe Not for the first time, Jill “Doll” Blaine finds herself hurtling toward earth, reconstituting as she falls, right down to her favorite black pumps. She plummets towards her newest charge, yet another soul she must usher into the afterlife, and lands headfirst in the circular drive of his ornate mansion. She has performed this sacred duty 343 times since her own death. Her charges, as a rule, have been greatly comforted in their final moments. But this charge, she soon discovers, isn’t like the others. The powerful K. J. Boone will not be consoled, because he has nothing to regret. He lived a big, bold, epic life, and the world is better for it. Isn’t it? Vigil transports us, careening, through the wild final evening of a complicated man. Visitors begin to arrive (worldly and otherworldly, alive and dead), clamoring for a reckoning. Birds swarm the dying man’s room; a black calf grazes on the love seat; a man from a distant, drought-ravaged village materializes; two oil-business cronies from decades past show up with chilling plans for Boone’s postdeath future. With the wisdom, playfulness, and explosive imagination we’ve come to expect, George Saunders takes on the gravest issues of our time—the menace of corporate greed, the toll of capitalism, the environmental perils of progress—and, in the process, spins a tale that encompasses life and death, good and evil, and the thorny question of absolution.

#1 NEW YORK TIMES BESTSELLER • “After his spectacular Lincoln in the Bardo, Saunders returns . . . with a new novel even more spectacular than the last.”—Los Angeles Times A “daring” (Time) novel from the #1 New York Times bestselling, Booker Prize–winning author of A Swim in a Pond in the Rain and Tenth of December, taking place at the bedside of an oil company CEO in the twilight hours of his life as he is ferried from this world into the next “Vibrant, fiendishly clever . . . Vigil is pure Saunders: the death of empathy, he insists, is greatly exaggerated.”—The Boston Globe Not for the first time, Jill “Doll” Blaine finds herself hurtling toward earth, reconstituting as she falls, right down to her favorite black pumps. She plummets towards her newest charge, yet another soul she must usher into the afterlife, and lands headfirst in the circular drive of his ornate mansion. She has performed this sacred duty 343 times since her own death. Her charges, as a rule, have been greatly comforted in their final moments. But this charge, she soon discovers, isn’t like the others. The powerful K. J. Boone will not be consoled, because he has nothing to regret. He lived a big, bold, epic life, and the world is better for it. Isn’t it? Vigil transports us, careening, through the wild final evening of a complicated man. Visitors begin to arrive (worldly and otherworldly, alive and dead), clamoring for a reckoning. Birds swarm the dying man’s room; a black calf grazes on the love seat; a man from a distant, drought-ravaged village materializes; two oil-business cronies from decades past show up with chilling plans for Boone’s postdeath future. With the wisdom, playfulness, and explosive imagination we’ve come to expect, George Saunders takes on the gravest issues of our time—the menace of corporate greed, the toll of capitalism, the environmental perils of progress—and, in the process, spins a tale that encompasses life and death, good and evil, and the thorny question of absolution.

Vigil

The Financial Image

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