Über uns

À propos de nous

Nachhaltigkeit

Durabilité

Open Access

Karriere

Carrière

Datenschutz

Protection des données

Impressum

Mentions légales

Zahlung und Lieferung

Paiement et livraison

LEXIA

LEXIA Arbeitsrecht

Was ist LEXIA?

C'est quoi LEXIA ?

LEXIA Familienrecht

Zeitschriften

Revues

recht

Pflegerecht

ZBJV

forumpoenale

ZStrR

Anwaltsrevue

Revue de l'avocat

RSAS

FamPra.ch

ASYL

Life Science Recht

BlAR

Sachbuch

Livres spécialisés

LOKI

Semaphor

Fokusthemen

Focus

Thema

Recht studieren

Arbeitsrecht

Droit du travail

Studium

Études

Familienrecht

Droit de la famille

Sozialversicherungsrecht

Droit des assurances sociales

Strafrecht

Droit pénal

Publikationen

Publications

Literatur

Onlinemodule LEXIA

Modules en ligne LEXIA

Bücher

Livres

Buchreihen

Collections

Datenbanken

recht.ch

Studienliteratur

Littérature pour les études

Services

Dienstleistungen für

Corporate Books

Publishing Lösungen

Aktuelles

Geschäftskunden

Professionnels

Corporate Publishing

Content solutions

Buchhandlungen

Librairies

Veranstaltungen

Événements

Presse

Dozierende

Enseignants

Studierende

Étudiants

Inserierende

Annonceurs

Newsletter

Blog

Autorinnen/Autoren

Auteurs

Unsere Schreibenden

Hilfe

Unsere Autorinnen und Autoren

Liste

Autorenlounge

Espace des auteurs

Bei uns publizieren

Publier chez nous

Autorenstimmen

Témoignages

Verlag

Éditions

Themen

Mehr wissen

Mitarbeitende

Collaborateurs

Geschichte

Histoire

Vision und Mission

Vision et mission

Unser Magazin

Notre magazine

Unternehmenskultur

Culture d'entreprise

Partner

Partenaires

Kontakt

Contact

Shop

Schweizer Recht

Ausländisches Recht

Über unseren Shop

Neuerscheinungen

Nouveautés

Unsere Funktionen

Nos fonctions

Vorankündigungen

À paraître

Nach Rechtsgebiet

Par domaine juridique

Kommentare

Commentaires

Gesamtkatalog

Catalogue complet

This PDF does not fully comply with PDF/UA standards, but does feature limited screen reader support, bookmarks for easy navigation and searchable, selectable text. Users of assistive technologies may

Keine Barrierefreiheitsoptionen des Lesesystems aktiv deaktiviert (außer)

Die Verwendung von Farbe ist nicht das einzige Mittel zur Informationsvermittlung

Hoher Kontrast zwischen Text und Hintergrundfarbe

Strukturelle Navigation Nächste/Zurück

Alle nicht-dekorativen Inhalte unterstützen das Lesen ohne Sehvermögen

Kontakt zum Herausgeber für weitere Informationen zur Barrierefreiheit

Literature, Cultural and Media Studies (R0)

Alasdair King

The Financial Image

Finance, Philosophy and Contemporary Film

1. Introduction.- 2. The Financial Gaze.- 3. Film and Financial Ethics.- 4. Film and Financial Time.- 5. Film and 6. Financial Space.- 7. Film and Financial Performance.- 8. Conclusion.&lt;p&gt;&lt;/p&gt;&lt;div&gt;&lt;br&gt;&lt;/div&gt;

From the #1 New York Times bestselling author of I'm Glad My Mom Died comes a sad, funny, thrilling novel about sex, consumerism, class, desire, loneliness, the internet, rage, intimacy, power, and the (oftentimes misguided) lengths we'll go to in order to get what we want. Waldo is ravenous. Horny. Blunt. Naive. Wise. Impulsive. Lonely. Angry. Forceful. Hurting. Perceptive. Endlessly wanting. And the thing she wants most of all: Mr. Korgy, her creative writing teacher with the wife and the kid and the mortgage and the growing paunch. She doesn't know why she wants him. Is it his passion? His life experience? The fact that he knows books and films and things that she doesn't? Or is it purer than that, rooted in their unlikely connection, their kindred spirits, the similar filter with which they each take in the world around them? Or, perhaps, it's just enough that he sees her when no one else does.&nbsp; Startlingly perceptive, mordantly funny, and keenly poignant, Half His Age is a rich character study of a yearning seventeen-year-old who disregards all obstacles—in her effort to be seen, to be desired, to be loved.

A Novel

Half His Age

NATIONAL BESTSELLER • From internationally renowned, award-winning author Salman Rushdie, a spellbinding exploration of life, death, and what comes into focus at the proverbial eleventh hour of life “An inventive and engrossing collection of stories which, though death-tinged, are never doom-laden. With luck this master writer has more tales to tell.”—Los Angeles Times A NEW YORKER BEST BOOK OF THE YEAR Rushdie turns his extraordinary imagination to life’s final act with a quintet of stories that span the three countries in which he has made his work—India, England, and America—and feature an unforgettable cast of characters. “In the South” introduces a pair of quarrelsome old men—Junior and Senior—and their private tragedy at a moment of national calamity. In “The Musician of Kahani,” a musical prodigy from the Mumbai neighborhood featured in Midnight’s Children uses her magical gifts to wreak devastation on the wealthy family she marries into. In “Late,” the ghost of a Cambridge don enlists the help of a lonely student to enact revenge upon the tormentor of his lifetime. “Oklahoma” plunges a young writer into a web of deceit and lies as he tries to figure out whether his mentor killed himself or faked his own death. And “The Old Man in the Piazza” is a powerful parable for our times about freedom of speech. Do we accommodate ourselves to death, or rail against it? Do we spend our “eleventh hour” in serenity or in rage? And how do we achieve fulfillment with our lives if we don’t know the end of our own stories? The Eleventh Hour ponders life and death, legacy and identity with the penetrating insight and boundless imagination that have made Salman Rushdie one of the most celebrated writers of our time.

NATIONAL BESTSELLER • From internationally renowned, award-winning author Salman Rushdie, a spellbinding exploration of life, death, and what comes into focus at the proverbial eleventh hour of life “An inventive and engrossing collection of stories which, though death-tinged, are never doom-laden. With luck this master writer has more tales to tell.”—Los Angeles Times A NEW YORKER BEST BOOK OF THE YEAR Rushdie turns his extraordinary imagination to life’s final act with a quintet of stories that span the three countries in which he has made his work—India, England, and America—and feature an unforgettable cast of characters. “In the South” introduces a pair of quarrelsome old men—Junior and Senior—and their private tragedy at a moment of national calamity. In “The Musician of Kahani,” a musical prodigy from the Mumbai neighborhood featured in Midnight’s Children uses her magical gifts to wreak devastation on the wealthy family she marries into. In “Late,” the ghost of a Cambridge don enlists the help of a lonely student to enact revenge upon the tormentor of his lifetime. “Oklahoma” plunges a young writer into a web of deceit and lies as he tries to figure out whether his mentor killed himself or faked his own death. And “The Old Man in the Piazza” is a powerful parable for our times about freedom of speech. Do we accommodate ourselves to death, or rail against it? Do we spend our “eleventh hour” in serenity or in rage? And how do we achieve fulfillment with our lives if we don’t know the end of our own stories? The Eleventh Hour ponders life and death, legacy and identity with the penetrating insight and boundless imagination that have made Salman Rushdie one of the most celebrated writers of our time.

A Quintet of Stories

The Eleventh Hour

Perspectives on Regional and National Literatures

The Perspectives on Regional and National Literatures book series publishes monographs and edited volumes that each focus on specific literatures from around the world. The breadth of the series comes from the deep investigations of regional and national literatures as well as their presence and perception within the international literary field. Viewed as a whole, this series is located at the cutting edge of literary studies research, with volumes for students and scholars in any area of comparative and world literature. Transnational and comparative approaches will also be welcome.

This collection brings contemporary Nigerian poetry into focus, bridging the gap between celebrated masters like Wole Soyinka and Christopher Okigbo and the dynamic voices emerging in the 21st century. It features fifteen essays, offering fresh perspectives on the intersection of poetry and political dissidence, responses to terrorism, the poetics of trauma and healing, questions of national identity, and peace-building through poetic expression.

Dissidence, Gender, and Psychosocial Tempers in Contemporary Nigerian Poetry

Economics and Finance (R0)

María Vázquez-Fariñas

Francisco Cabrera-Gallardo

Sectors, Figures and Transformations

Business Trajectories in the History of Spain

NATIONAL BESTSELLER • “This inventive, boundary-pushing follow-up to Detransition, Baby . . . [takes] on gender, transness and lives on the margins in all of their gorgeously complicated glory.”—People “Hot, heartbreaking, and thrillingly victorious.”—Miranda July, New York Times bestselling author of All Fours NEW YORK TIMES BOOK REVIEW EDITORS’ CHOICE • LONGLISTED FOR THE STORY PRIZE • ONE OF VULTURE'S TEN BEST BOOKS OF THE YEAR • A BEST BOOK OF THE YEAR: NPR, The Washington Post, Vanity Fair, Elle, Electric Lit, them, Chicago Public Library In this collection of one novel and three stories, bestselling author Torrey Peters’s keen eye for the rough edges of community and desire push the limits of trans writing. In Stag Dance, the titular novel, a group of restless lumberjacks working in an illegal winter logging outfit plan a dance that some of them will volunteer to attend as women. When the broadest, strongest, plainest of the axmen announces his intention to dance as a woman, he finds himself caught in a strange rivalry with a pretty young jack, provoking a cascade of obsession, jealousy, and betrayal that will culminate on the big night in an astonishing vision of gender and transition. Three startling stories surround Stag Dance: “Infect Your Friends and Loved Ones” imagines a gender apocalypse brought about by an unstable ex-girlfriend. In “The Chaser,” a secret romance between roommates at a Quaker boarding school brings out intrigue and cruelty. In the last story, “The Masker,” a party weekend on the Las Vegas strip turns dark when a young crossdresser must choose between two guides: a handsome mystery man who objectifies her in thrilling ways, or a cynical veteran trans woman offering unglamorous sisterhood. Acidly funny and breathtaking in its scope, with the inventive audacity of George Saunders or Jennifer Egan, Stag Dance provokes, unsettles, and delights.

NATIONAL BESTSELLER • “This inventive, boundary-pushing follow-up to Detransition, Baby . . . [takes] on gender, transness and lives on the margins in all of their gorgeously complicated glory.”—People “Hot, heartbreaking, and thrillingly victorious.”—Miranda July, New York Times bestselling author of All Fours NEW YORK TIMES BOOK REVIEW EDITORS’ CHOICE • ONE OF VULTURE'S TEN BEST BOOKS OF THE YEAR • A BEST BOOK OF THE YEAR: NPR, The Washington Post, Vanity Fair, Elle, Electric Lit, them, Chicago Public Library In this collection of one novel and three stories, bestselling author Torrey Peters’s keen eye for the rough edges of community and desire push the limits of trans writing. In Stag Dance, the titular novel, a group of restless lumberjacks working in an illegal winter logging outfit plan a dance that some of them will volunteer to attend as women. When the broadest, strongest, plainest of the axmen announces his intention to dance as a woman, he finds himself caught in a strange rivalry with a pretty young jack, provoking a cascade of obsession, jealousy, and betrayal that will culminate on the big night in an astonishing vision of gender and transition. Three startling stories surround Stag Dance: “Infect Your Friends and Loved Ones” imagines a gender apocalypse brought about by an unstable ex-girlfriend. In “The Chaser,” a secret romance between roommates at a Quaker boarding school brings out intrigue and cruelty. In the last story, “The Masker,” a party weekend on the Las Vegas strip turns dark when a young crossdresser must choose between two guides: a handsome mystery man who objectifies her in thrilling ways, or a cynical veteran trans woman offering unglamorous sisterhood. Acidly funny and breathtaking in its scope, with the inventive audacity of George Saunders or Jennifer Egan, Stag Dance provokes, unsettles, and delights.

A Novel & Stories

Stag Dance

John Rapley

Why Rich Economies Are Struggling - and How to Fix Them

Icarus Economics

Cristina Peicuti

From Francs to Euros

A Monetary and Economic History of France since 1944

SpringerBriefs in Law

Legal Drafts in Anthropocene Literature

Palgrave Studies in Life Writing

Melissa Schuh’s Literary Autobiography offers a theoretically elegant and literarily sensitive rethinking of the fraught relationship between the novel and autobiography. Central to the book is the concept of performative contradiction, which Schuh develops as the defining aesthetic strategy of literary autobiography—a strategy that embraces fictionality not to undermine life writing, but to open it toward deeper questions of truth, identity, and narrative ethics. Schuh’s analyses of Roth, Coetzee, and Grass persuasively show how these works form an aesthetic lineage that contemporary autofiction continues to draw from. This book will be indispensable for scholars across life writing studies, narratology, and literary ethics.—Stefan Kjerkegaard, Aarhus University, DenmarkWhy do novelists write about themselves? What modes do novelists use to manipulate representations of their personality? Why is it often late in their career that novelists write about their own lives? This book develops the concept of literary autobiography as a genre responding to a profound uncertainty about the knowability of the self, often negotiated through a particular concern with the writing life. Comprising a particular sub-genre and style of contemporary life writing, the autobiographies examined in this book foreground their formal ‘literariness’ through the explicit use of fictionality, disrupting established (auto)biographical tropes by employing narrative innovations associated with postmodern fiction and prefigured by modernist experimentation. Taken together, they exemplify an aesthetics of performative contradiction, in which novelistic strategies cast doubt on the veracity of the life represented. Exploring works by canonical and popular novelists – J.M. Coetzee, Philip Roth, Günter Grass, Elena Ferrante, and Karl Ove Knausgård – this book addresses the increasing novelisation of contemporary life writing, analysing the related ethical and aesthetic implications of fictionality. More widely, it discusses the current popularity, prevalence of and public appetite for life writing, mapping out the reception and ambiguous position of literary autobiography within the literary marketplace and its adjoining bodies of criticism.Melissa Schuh
 &nbsp;is Lecturer in English Literature at Kiel University (Germany) and deputy editor for&nbsp;
 
 C21 Literature: Journal of 21
 st
 -Century Writings.

Contemporary Novelists and their Self-Representations

Literary Autobiography

Der Band führt in das lyrische Gesamtwerk von Marcel Beyer ein. Durch die Interpretation von Einzelgedichten und Gedichtgruppen in chronologischer Reihenfolge lassen sich sowohl die Werkentwicklung Beyers im Allgemeinen als auch Verfahren, Strukturen und Themen im Einzelnen erkennen. 
Die Interpretationen erhellen dabei sowohl das Traditionsverhalten von Beyers Lyrik als auch seinen spezifischen Versuch, archäologische Sprach- und Geschichtsarbeit zu leisten. Damit will der Band gleichermaßen einen Beitrag zur Gegenwartsliteraturforschung leisten wie darüber hinaus zur Lyrikologie generell.

Interpretationen

Gedichte von Marcel Beyer

Tony Kinder

Use-Values and the Political Economy of Public Services

The Non-Market Economy

#1 NEW YORK TIMES BESTSELLER • “After his spectacular Lincoln in the Bardo, Saunders returns . . . with a new novel even more spectacular than the last.”—Los Angeles Times A “daring” (Time) novel from the #1 New York Times bestselling, Booker Prize–winning author of A Swim in a Pond in the Rain and Tenth of December, taking place at the bedside of an oil company CEO in the twilight hours of his life as he is ferried from this world into the next “Vibrant, fiendishly clever . . . Vigil is pure Saunders: the death of empathy, he insists, is greatly exaggerated.”—The Boston Globe Not for the first time, Jill “Doll” Blaine finds herself hurtling toward earth, reconstituting as she falls, right down to her favorite black pumps. She plummets towards her newest charge, yet another soul she must usher into the afterlife, and lands headfirst in the circular drive of his ornate mansion. She has performed this sacred duty 343 times since her own death. Her charges, as a rule, have been greatly comforted in their final moments. But this charge, she soon discovers, isn’t like the others. The powerful K. J. Boone will not be consoled, because he has nothing to regret. He lived a big, bold, epic life, and the world is better for it. Isn’t it? Vigil transports us, careening, through the wild final evening of a complicated man. Visitors begin to arrive (worldly and otherworldly, alive and dead), clamoring for a reckoning. Birds swarm the dying man’s room; a black calf grazes on the love seat; a man from a distant, drought-ravaged village materializes; two oil-business cronies from decades past show up with chilling plans for Boone’s postdeath future. With the wisdom, playfulness, and explosive imagination we’ve come to expect, George Saunders takes on the gravest issues of our time—the menace of corporate greed, the toll of capitalism, the environmental perils of progress—and, in the process, spins a tale that encompasses life and death, good and evil, and the thorny question of absolution.

#1 NEW YORK TIMES BESTSELLER • “After his spectacular Lincoln in the Bardo, Saunders returns . . . with a new novel even more spectacular than the last.”—Los Angeles Times A “daring” (Time) novel from the #1 New York Times bestselling, Booker Prize–winning author of A Swim in a Pond in the Rain and Tenth of December, taking place at the bedside of an oil company CEO in the twilight hours of his life as he is ferried from this world into the next “Vibrant, fiendishly clever . . . Vigil is pure Saunders: the death of empathy, he insists, is greatly exaggerated.”—The Boston Globe Not for the first time, Jill “Doll” Blaine finds herself hurtling toward earth, reconstituting as she falls, right down to her favorite black pumps. She plummets towards her newest charge, yet another soul she must usher into the afterlife, and lands headfirst in the circular drive of his ornate mansion. She has performed this sacred duty 343 times since her own death. Her charges, as a rule, have been greatly comforted in their final moments. But this charge, she soon discovers, isn’t like the others. The powerful K. J. Boone will not be consoled, because he has nothing to regret. He lived a big, bold, epic life, and the world is better for it. Isn’t it? Vigil transports us, careening, through the wild final evening of a complicated man. Visitors begin to arrive (worldly and otherworldly, alive and dead), clamoring for a reckoning. Birds swarm the dying man’s room; a black calf grazes on the love seat; a man from a distant, drought-ravaged village materializes; two oil-business cronies from decades past show up with chilling plans for Boone’s postdeath future. With the wisdom, playfulness, and explosive imagination we’ve come to expect, George Saunders takes on the gravest issues of our time—the menace of corporate greed, the toll of capitalism, the environmental perils of progress—and, in the process, spins a tale that encompasses life and death, good and evil, and the thorny question of absolution.

Vigil

The Financial Image

Weitere Titel zum Thema