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By Hungary's most celebrated woman writer, a novel about how little we understand ourselves, let alone others, and in consequence how easily we fail, or even betray, those we love.

"One of Hungary's most important twentieth-century writers" New York Times "Magda Szabó's fiction shows the travails of modern Hungarian history from oblique but sharply illuminating angles" Economist Eszter Encsy is an acclaimed actress, funny and outrageous, quick-witted but callous. Yet even flushed with the success of adulthood, Eszter craves acceptance of herself as she really is and of the person she has been. The only child of an impoverished aristocrat and a harried music teacher failing to make ends meet, Eszter grew up poor and painfully aware of it in a provincial Hungarian town. The feelings of resentment and envy acquired during her fraught childhood have hardened into an obsessional hatred for one person, the beautiful, saintly and pampered Angéla, Eszter's former classmate and the wife of the man who becomes her lover. Set against newly communist 1950s Hungary, The Fawn embraces the lies and falsehoods people were obliged to live with in those nightmarish times, and displays Szabó's uncanny ability to convey how the past can haunt and consume us. Translated from the Hungarian by Len Rix.

Szabó M: The Fawn / B

The Fawn

Women Without Men

Beautiful Distance

A powerful new history detailing the most significant military clashes between Islam and Christendom over the 1,300 years of the Muslim caliphate.

The Struggle Between Christendom and the Caliphate

The House of War

The Helsinki Trilogy

Backlight

Hot Chocolate on Thursday

The Times Crime Book of the Month

Fortress of Evil

Shortest Histories

The Shortest History of Austria

See the Stars

Bait

Penguin Modern Classics

'These stories are waves of fury, desire and delicious cruelty, always kissed by beauty and death' Mariana Enríquez A new selection of lyrically haunting 1960s short stories, from a Japanese literary iconA writer is seized by apocalyptic visions, a trio of beatniks dance to modern jazz in the ruins of an abandoned church, and a séance brings forth the reproachful spirits of the military dead. In Voices of the Fallen Heroes, stark autobiography contrasts with pure horror, and the tenderness of first love cedes to obsession, heartbreak and deathly beauty. In one tale, Mishima recounts the true story of the time a deranged fan broke into his home at dawn. Elsewhere, a beautiful youth achieves eternal life through violent murder, and an ill-matched couple seal their fate with a pack of cards, tangled in the web of time and unfulfilled desire. Available in English for the first time, and carefully selected by expert translators, these captivating stories are the perfect introduction to Mishima's work, on the 100th anniversary of his birth.

And Other Stories

Voices of the Fallen Heroes

Mental Health in Historical Perspective

This book explores the marginalisation of thousands of asylum patients who were removed from their home institutions in Scotland during the First World War to make way for soldiers. Examining what life was like for Scotland's mentally ill civilians from 1914-1934, the author explains why and how asylums were taken over by the War Office, and how this created a divide between civilians and soldiers, carved mostly by politicians and the media. The book sheds light on the painstaking process asylum doctors in Scotland went through to find homes for thousands of patients, and how they found ways to protect their health and wellbeing. Providing insights into the patient hierarchy within Scottish asylums, the author argues that soldiers were not the protected class of patient that politicians and the military tried to portray them as. Drawing from the words of Scotland’s asylum patients themselves, this important book highlights the voices of the mentally ill in Scotland during not only a tumultuous period for their nation, but for themselves.Jennifer Farquharson is an independent researcher specialising in early twentieth-century mental healthcare in Scotland, architectural history, and building conservation. She currently works in the heritage sector at Historic Environment Scotland, where she communicates specialist research to general audiences through books, online learning, exhibitions, films, and more. Jennifer was awarded her doctorate in history from Glasgow Caledonian University, in the UK, and is a member of the Society for the Social History of Medicine, the British Society for the History of Science, and an Associate Fellow of the Royal Historic Society.

This book explores the marginalisation of thousands of asylum patients who were removed from their home institutions in Scotland during the First World War to make way for soldiers. Examining what life was like for Scotland's mentally ill civilians from 1914-1934, the author explains why and how asylums were taken over by the War Office, and how this created a divide between civilians and soldiers, carved mostly by politicians and the media. The book sheds light on the painstaking process asylum doctors in Scotland went through to find homes for thousands of patients, and how they found ways to protect their health and wellbeing. Providing insights into the patient hierarchy within Scottish asylums, the author argues that soldiers were not the protected class of patient that politicians and the military tried to portray them as. Drawing from the words of Scotland’s asylum patients themselves, this important book highlights the voices of the mentally ill in Scotland during not only a tumultuous period for their nation, but for themselves.&nbsp;

Life in the Margins

Scotland's Asylums in the First World War

The Mysterious Case of the Missing Crime Writer

The Fawn

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