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Penguin International Writers

Saisio P: Backlight / LF

Backlight

Women Without Men

'We exist between the past and future like the vermiform body of a butterfly, in between its two wings' Beneath the streets of communist Bucharest linger hidden passageways, lost to memory. Here, sprawling hospitals give way to travelling circuses and underground jazz clubs, and Cartarescu's childhood, prehistory and visionary fever dreams are woven into the landscape of the city, haunted by secret police and zombie hoards. Part visceral dream-memoir, part phantasmic pilgrimage, Mircea Cartarescu's Blinding is one of the most widely heralded literary sensations in contemporary Romania, and a fascinating, kaleidoscopic journey into the past.

Blinding: Volume 1

Above, below, blue heads, thistles. Somebody singing something. I don't care: it's not even pretty. The song is sad, and old, so old. Written immediately before her acclaimed Notebook trilogy and selected by Ágota Kristóf herself, I Don't Care presents the Hungarian master at the height of her game. Harrowing yet delightfully whimsical, these short fictions oscillate between parables, surrealist anecdotes, and stories animated by a realism stripped to the bone. In Kristóf's world, cruelty abounds, but in a way that shifts the reader's gaze to aspects of our shared reality, past and present, that one would not want to be without. The themes of exile and existential alienation are undeniable - as is the force of every sentence, making for extraordinary and essential reading that surprises at every turn.

I Don't Care

'Grandpa says everyone should leave me alone. If I want to be a boy, then I'm a boy: simple as that.' In this charming patchwork of fever dreams and memories, Pirkko Saisio transports us to the 1950s Finland of her youth, where she navigates life as an only child of communist parents. Convinced she will grow up to become a man, a young Pirkko keeps trying and failing to meet the expectations of the adults around her. But as she discovers that she can be the narrator of her own story, it is in language that she finds a refuge and a way to be seen at last. In a world where mascara-streaked mermaids dodge tennis balls, a beloved green cap is stolen by the Big Bad Wolf, and the first tugs of infatuation are inspired by a swimsuit-clad circus announcer, Saisio captures the heart-wrenching intensity of childhood as it floods back in the wake of her father's death. Deeply moving and disarmingly funny, Lowest Common Denominator is the first volume in a trilogy that has been celebrated in Finland as the best work of the century.

Lowest Common Denominator

Society disables us more than autism ever could

A Memoir and Manifesto About Autism

Danny's People

Growing up in 1970s Britain

The Colour of Home

Doctor Criminale

Virago Modern Classics

A Virago Modern Classic

Poor Cow

From the best-selling author of The End of Your Life Book Club comes a warm, funny, irresistible book that follows an improbable and life-changing friendship over the course of forty years. 'Moving. Salted with intelligence and empathy' New York Times Book Review 'A page-turner' New Yorker 'Really shines' San Francisco Chronicle 'Gorgeous' Sebastian Junger ------------- Imagine a secret society which pairs you with your polar opposite. You meet regularly. What would you talk about? Could you become friends? Will is bookish, quiet, gay, manning AIDS helplines. Maxey is loud, a wrestler, a Jock, intent on a military life. But paired together - over dinner, beers, pool games - they forge an extraordinary and resilient bond. We Should Not Be Friends is an account of their odd-couple relationship, its ups and downs, twists and turns, the misunderstandings and the trust built over forty turbulent years. ------------- 'A rare view of male friendship . . . succeeds because Maxey comes across as a great character, a warm and devoted friend' NPR 'Schwalbe has an uncanny ability to use his personal experience as a springboard for universal truths' Los Angeles Times 'A charming read with plenty of surprises. Celebrates not only an unlikely friendship, but the strange turns a life can take' Wall Street Journal 'Schwalbe's memoir shines. Written like a true friend' Daily Mail

PRE-ORDER THE PAPERBACK NOW From the best-selling author of The End of Your Life Book Club comes a warm, funny, irresistible book that follows an improbable and life-changing friendship over the course of forty years. 'Moving' NEW YORK TIMES ''Schwalbe's memoir shines...Written like a true friend' DAILY MAIL ------------- in his last year of university, Will thought he knew everyone he cared to know. A per-haired, out gay young man, working at an AIDS helpline in the early days of the crisis, Will found community amongst the theatre students, artists and writers. He also knew who he wanted to avoid: the jocks. Wearing sporty clothes and moving in boisterous packs, the jocks seemed to be a different species entirely, one Will might encounter only at his own peril. All this changed dramatically when Will was brought into a secret society at Yale, aimed to bring together a group of opposites. On his first day, he was faced with Chris Maxey - a physically imposing, loud, star wrestler who seemed to be uncomfortable around Will and embodied everything he disliked and feared. But through months of mandated dinners, and many beers, the two swapped life-stories and forged an unexpected bond that became a ballast in each other's lives for forty years. A real-life The Breakfast Club story, We Should Not Be Friends is a testament to the miracle of human connection, if only we see past our differences.

Backlight

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Bibliografische Angaben

Schlagworte

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