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Fitzpatrick Sheila: The Death of Stalin

The Death of Stalin

Routledge Advances in Democratic Theory

Art’s obsession with politics is a problem, even a paradox. The more art there is, the less it shares with the political. Even the radical character of contemporary artistic practices revolves around the idea that there are no alternatives to liberal democracy and capitalist pluralism without risking another dystopia – a paradigm that, in the artistic realm, is articulated as the opposition between modernism and postmodernism. Indeed, with three recent transformations of our understanding; of emancipatory politics; the nature of aesthetics; and the post-Fordist transformation of capitalism, many argue that we overcome the fundamental challenges of aesthetic and political modernities and encounter ‘things’ beyond power relations and beyond aesthetics. However, even at its most creative, art has more in common with hegemony than capitalism. At every hegemonic turn, artwork is directed against itself, only to reinstate another art form in order to continue. This book looks at the problem of hegemony from an aesthetical perspective and argues that there is a ‘hegemonic trap’ pointing us in the direction of the alteration rather than alternative. Julia Svetlichnaja asks: Can art become hegemony? What is proposed is not Paolo Virno's ‘exit', it is the ‘exit’ from thinking about the ‘world-making’ in terms of alternative. What if instead of searching for alternatives we perform an alteration and pluralise modernism? The aesthetic project of the alteration of hegemony through the pluralisation of modernism does not represent hope for a better, different, political order but a space for problematisation, overlapping and contaminations of a number of social orders. The idea is to think about the world not in terms of ‘alternatives,’ but in terms of their absence.

Towards Plural Hegemony

The Art of Democracy

How do we study the sonic nature of war when very few of these sounds remain? World War One has left little sonic trace other than the popular music of the time. The sounds of World War One extended beyond sounds of entertainment and into the killing fields of the Western Front, the oceans of the world, and for the first time into the skies with the development of aviation. But beyond this, they entered into peoples homes, their streets, and indeed their thoughts, emotions, and feelings. Book-length studies exist on the sounds of many other recent major wars, but there is a lack of sonic coverage of World War One. Here, Michael Bull investigates the sounds of war as experienced by those who participated in it by drawing upon a wide range of written testament of the time. These written "voices" are subjective, living memories expressed as fragmentary, often unreliable testimony but provide us with the only living sonic testimony of the time. The book filters these accounts through the technologies of "total war," from the trench whistle to the tank, from the newly developed airplane to the submarine. It asks: how did the wartime population experience these sounds and what were the physical and cognitive consequences of the implementation and use of these often invasive technologies of destruction, instruction and sometimes protection? In doing so, the the book re-evaluates just how we should understand the sounds of World War One and the sounds of war more generally.

The Sonic Experience of World War One

The Stones of Britain is about how rocks make places and how our island history is written in stone.

This is the definitive tale of how our island history is written in stone. The Stones of Britain is about how rocks make places, exploring the connection between geology and landscape, the stones beneath the surface and the history that has played out above it. It movingly investigates the diverse character of the British landscape, and the rich variety of places that have come to be as a result. We discover that the shattered granite landscape of Dartmoor is different from the soft red sandstone hills of east Devon; the rolling chalk downs distinct from the gritty moors of Yorkshire - and each has a unique, fascinating story to tell. Interweaved with beautiful meditations on place, home and belonging, The Stones of Britain interprets these stories. It explains the nature of place on the island of Britain, revealing the landscape as the joint product of geology and man: an extraordinary history rooted in stone. Jon Cannon (1962-2023) was an architectural historian, lecturer and Canon Historian for Bristol Cathedral, and also worked for the Royal Commission on the Historical Monument of England and English Heritage. Unfortunately Jon passed in the process of making this book, but his passion for landscape, history and culture lives on and leaps defiantly off the page - culminating in a richly researched and hugely special offering.

A History of Britain through its Geology

The Stones of Britain

Routledge SOLON Explorations in Crime and Criminal Justice Histories

This book examines the gendering of violence from the late 18th century onwards and reflects on the extent to which gender expectations have continued, into the 20th century at least, to shape criminal justice and its attitude towards violence.

This book examines the gendering of violence from the late 18th century onwards and reflects on the extent to which gender expectations have continued, into the 20th century at least, to shape criminal justice and its attitude towards violence.

Gendering Understandings of Violence, Disorder and Protest in England and Wales 1784-2010

Crime, Violence and Visibility

Routledge Monographs in Classical Studies

Metafiction, the practice in fictional texts of displaying an awareness of their fictional status, highlighting it, or even exploring it after the manner of literary criticism, existed in ancient Greek and Roman literature. This book demonstrates by cumulative weight of examples the existence of metafiction in classical literature, and in so doing constitutes an 'archaeology' of the origins of metafiction in Western literature. Author Owen Hodkinson engages with a wide range of approaches to fiction and metafiction, and explores detailed examples or case studies from ancient texts. This book provides for the first time for classical and modern literature scholars a full definition of metafiction which uses the earliest metafictional texts in western literature as its examples rather than only modern novels, and the first general but detailed and theoretically-grounded discussion and definition of metafiction aimed at scholars and students of classical literature.

Metafiction, the practice in fictional texts of displaying an awareness of their fictional status, highlighting it, or even exploring it after the manner of literary criticism, existed in ancient Greek and Roman literature. The significance of metafiction to this field is very great—arguably even more so than within modern literature studies, despite the greater prevalence of metafictions in later texts—because it necessarily implies that a text is fictional, and that its author was aware of it as such. Some have argued that the ancients had no clear concept of ‘fiction’, nor the literary-critical tools to think about and analyse it. While some other scholars have recently begun to refer to metafiction in studies devoted to individual literary texts, no general study exists of the use of metafiction in ancient literature and the implications of this for our understanding of fiction in antiquity.This book demonstrates by cumulative weight of examples the existence of metafiction in classical literature, and in so doing constitutes an ‘archaeology’ of the origins of metafiction in Western literature. Author Owen Hodkinson engages with a wide range of approaches to fiction and metafiction, and explores detailed examples or case studies from ancient texts. This book provides for the first time for classical and modern literature scholars a full definition of metafiction which uses the earliest metafictional texts in western literature as its examples rather than only modern novels, and the first general but detailed and theoretically-grounded discussion and definition of metafiction aimed at scholars and students of classical literature.

The Invention of Self-Conscious Fiction

Metafiction in Classical Literature

Global Diasporas

The African diaspora is widely recognized as one of the world's major diasporas. Until now, most existing studies have focused almost exclusively on the Atlantic world, but this inclusive volume considers other key dimensions of the phenomenon.

The African diaspora is widely recognized as one of the world's major diasporas. Until now, most existing studies have focused almost exclusively on the Atlantic world, but this inclusive volume considers other key dimensions of the phenomenon.

A Global Perspective

African Diasporas

A History of the United Kingdom as a Nuclear Power

A Very British Bomb

Black Politics after the Civil Rights Revolution brings together three decades of hard-to-find essays by influential scholar Dianne Pinderhughes. The essays provide a window into the institutional, political, and policy developments in African American politics in the post civil rights era.

Black Politics after the Civil Rights Revolution brings together three decades of hard-to-find essays by influential scholar Dianne Pinderhughes. The essays provide a window into the institutional, political, and policy developments in African American politics in the post civil rights era.

Black Politics after the Civil Rights Revolution

From one of Israel/Palestine’s most perceptive and popular commentators, Gaza Apocalypse by Mouin Rabbani delivers incisive analysis and commentary on the world-shaking events that erupted on October 7th 2023. Drawing from commentary written before and during the conflict, this book offers a rigorous examination of the war's events and their broader historical and political significance. Rabbani's work provides essential context, helping readers navigate the complexities of this devastating war with clarity and insight. A crucial read for understanding the crisis in Gaza and its implications for the future.

Gaza Apocalypse

Blackwell Companions to the Ancient World

"The first part of the book, a "Historical Survey," focuses on changing issues in strategy and grand strategy-on Greek motives, goals, and responses to military success and failure, the Macedonians, Persians, Romans, and Carthaginians being given due weight. These five chapters cover chronological fundamentals, but deal with modalities and patterns more than with campaigns, and with campaigns more than with battles. Johannes Heinrichs, in "Bronze Age and Early Greek Wars," sees Mycenaean warfare in terms of "the centralized organization of life," then deals with Homer as evidence of an ideological rather than sociological character. Among late Archaic Wars, Sparta's efforts to dominate the southern Peloponnesus illustrate a grand strategy that evolves from annexation to domination. The next chapter, Sabine Mèuller's "The Persian Wars to Alexander," gives a holistic account of the conflicts between the Achaemenids and both the Greeks and Macedonians, one that dismantles propaganda and rationalizations in order to demonstrate interdependence as well as rivalry. Frances Pownall's chapter on "Internal Wars from the 'First Peloponnesian War' to Chaeronea" covers much the same period but centers on alliance systems and spheres of influence; one after another, the Greeks states failed to implement strategies that would that would do more collective good than harm. She emphasizes Persia's role in this sequence of events"--

A Companion to Greek Warfare

Ashgate Interdisciplinary Studies in Opera

Although Gustav Holst is rarely thought of as an opera composer, his operatic works provide a gateway to the exploration of how a budding opera composer negotiated the British operatic world across his career and how his synthesis of a myriad of cultural influences in his operatic works affected his reputation and success as a composer. This interdisciplinary study provides a kaleidoscopic view of how overlapping and often contradictory cultural influences such as imperialism, religion, literature, indigenous theatre, philosophy, folk culture, nationalism, and historiography are reflected in Holst's operas and figure into his reception as a composer of operas.

Although Gustav Holst is rarely thought of as an opera composer, his operatic works provide a gateway to the exploration of how a budding opera composer negotiated the British operatic world across his career and how his synthesis of a myriad of cultural influences in his operatic works affected his reputation and success as a composer. This interdisciplinary study provides a kaleidoscopic view of how overlapping and often contradictory cultural influences such as imperialism, religion, literature, indigenous theatre, philosophy, folk culture, nationalism, and historiography are reflected in Holst’s operas and figure into his reception as a composer of operas.

From Bayreuth to Aldeburgh

Gustav Holst and British Operatic Culture

The Death of Stalin

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