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The Cambridge History of Welsh
Literature

The Cambridge History of Welsh Literature

The Early Modern Englishwoman, 1500-1750: Contemporary Editions

The full texts of both 1680 editions of Elizabeth Cary's History of Edward II are here reproduced completely, along with an extensive introduction including biographical, cultural, and literary commentary on Elizabeth Cary, and also background on the debate surrounding the texts' authorship. This volume will be of interest to literary scholars working on Early Modern women as well as to historians and queer theorists, both of whom have made Edward II an important intellectual site in the last generation of scholarship.

The full texts of both 1680 editions of Elizabeth Cary's History of Edward II are here reproduced completely, along with an extensive introduction including biographical, cultural, and literary commentary on Elizabeth Cary, and also background on the debate surrounding the texts' authorship. In the recovery of women writers of early modern England, Elizabeth Tanfield Cary, Viscountess Falkland, has drawn substantial interest. Swan examines the post-publication history of both 1680 editions, revealing how the many hands at work in various subsequent editions have resulted in the obfuscation of the textual history, which has, in the past, led to the misattribution of the history to Henry Cary, Elizabeth's husband.  The reproduction of both versions allows scholars to easily compare the two, which is important in order to understand Cary's reworking of her text from early to late drafts. Both versions represent intentions and socially received states which are useful in presenting the text, in documenting Cary's changing attitudes and discursive strategies in the mid-1620's-the period of composition for all the manuscript states and a period of particular biographical significance-and in accounting for the more recent reception of the history.   Swan showcases here how Cary contributes significantly both to the development of resistance theory (essential to democratic-republican ideals at the root of Anglo-American politics and government), and to the development of non-fiction prose style in English. This volume will be of interest to literary scholars working on Early Modern women as well as to historians and queer theorists, both of whom have made Edward II an important intellectual site in the last generation of scholarship.

A Critical Edition

Elizabeth Tanfield Cary’s History of Edward II

Routledge Literature Companions

The Routledge Companion to Shakespeare and Religion

Essays in Austrian Literature

Silent Catastrophes

Routledge Research in Gender and Art

A provocative letter from a prominent eighteenth-century British noblewoman, Henrietta Howard, to her close friend Mary Hervey is a rare survivor of the informal, collaborative satires created by court women in this period. This particular June 1729 artifact contains a witty and light-hearted list of imaginary portraits, most of which refer to a notable political figure through references to specific paintings, sculptures, engravings, ceramics, textiles and book illustrations. Through a close reading of archival manuscripts, published correspondences and art historical treatises, Eric Weichel explores the cultural milieu and historical legacy of this remarkable text. Constrained by strict standards of moral propriety, the writer's overt discussions of sexuality in this letter are encoded through a system of embedded jokes and mythological references. Weichel argues that through Lady Hervey's mention of popular works of art, such as the Hampton Court tapestry cartoons by Raphael, the 'Jupiter and Ganymede' motif in country house décor, or the illustrated fables of Jean de La Fontaine, she alludes specifically to her wider circle's knowledge of adultery, queerness, sexual violence, and divorce among their peer group. In her imaginary portraits, Hervey also shows an interest in feminist education and literature, political and religious patronage, and contemporary news events.

A provocative letter from a prominent eighteenth-century British noblewoman, Henrietta Howard, to her close friend Mary Hervey is a rare survivor of the informal, collaborative satires created by court women in this period. This particular June 1729 artifact contains a witty and light-hearted list of imaginary portraits, most of which refer to a notable political figure through references to specific paintings, sculptures, engravings, ceramics, textiles and book illustrations. Through a close reading of archival manuscripts, published correspondences and art historical treatises, Eric Weichel explores the cultural milieu and historical legacy of this remarkable text. Constrained by strict standards of moral propriety, the writer’s overt discussions of sexuality in this letter are encoded through a system of embedded jokes and mythological references. Weichel argues that through Lady Hervey’s mention of popular works of art, such as the Hampton Court tapestry cartoons by Raphael, the ’Jupiter and Ganymede’ motif in country house décor, or the illustrated fables of Jean de La Fontaine, she alludes specifically to her wider circle’s knowledge of adultery, queerness, sexual violence, and divorce among their peer group. In her imaginary portraits, Hervey also shows an interest in feminist education and literature, political and religious patronage, and contemporary news events.

An Eighteenth-Century Lady-in-Waiting’s 'Collection of Pictures'

Art, Sex and Politics at the Early Georgian Court

Leonardo da Vinci, Goethe, E.T.A. Hoffmann, Darwin, Nietzsche, Gustav Adolph Lindner mit seiner Assoziationspsychologie und Christian von Ehrenfels, Alfred Adler, Manès Sperber, Heinz Politzer. Im Fokus der vorliegenden Untersuchungen stehen geistige Beziehungen und Berührungen mit einem der einflussreichsten Denker der europäischen Moderne, stehen aber auch Bezugnahmen zwischen Anziehung und Abstoßung auf seine Erfindung: die Psychoanalyse. Offengelegt werden zunächst wichtige Wurzeln der Psychoanalyse: der zeitgenössische Darwinismus, Psychologie im Geiste Johann Friedrich Herbarts, des Nachfolgers auf Kants Lehrstuhl in Königsberg, überraschend dann: Goethes Naturphilosophie und nicht zuletzt Nietzsche, dessen Einfluss Freud beharrlich verleugnet hat. In einem weiteren Themenkomplex geht es um Dissidenten und Kritiker wie Alfred Adler und Manès Sperber sowie um Heinz Politzers große, durch das Ende seines Lebens unvollendet gebliebene Monographie "Freud und das Tragische" mit einem Nachwort zur "un-tragischen Generation" der Post-68er. Zu Freuds Bemühungen um Biographik - seiner kanonischen biographischen Skizze zu Leonardo da Vinci - und seiner Auffassung von Literatur, den Ausführungen zu E.T.A. Hoffmann, wurde in der Vergangenheit schon viel gesagt. Hier werden in zwei Abhandlungen die Umrisse einer Metatheorie zur psychoanalytischen Biographie- und Literaturtheorie entwickelt. Schließlich stehen die Auseinandersetzungen Freuds mit Christian von Ehrenfels, dem Begründer der Gestalttheorie und eifernden Verfechter der Eugenik, im Fokus der Betrachtung - als Einleitung auch in die inhaltsreiche, bisher unveröffentlichte Korrespondenz zwischen den beiden Gelehrten, mit welcher der Band schließt.

Sigmund Freud – Beziehungen und Korrespondenzen

Elizabeth Elstob's Writings on Anglo-Saxon (1709–1715?)

Grundthemen der Literaturwissenschaft

Die Zeit, als unter der Bezeichnung 'Adaptionen' vor allem Literaturverfilmungen verstanden und wissenschaftlich untersucht wurden, ist lange vorbei. Andere Medien als Literatur und Film sowie andere Adaptionsprozesse als der klassische Medienwechsel sind insbesondere seit den späten 1990er Jahren immer stärker in den Fokus der sog. Adaptation Studies gerückt. Das vorliegende Handbuch bietet als erstes deutschsprachiges Werk einen umfassenden Überblick über die Formen, Konzepte und Praktiken von Adaption, die in diesem Zusammenhang zum Gegenstand literatur-, kultur- und medienwissenschaftlicher Forschung geworden sind. Es präsentiert die derzeit aktuellen Fragestellungen und Theorien des Faches ebenso wie dessen Beschäftigung mit verwandten Phänomenen wie z.B. Übersetzung und Serialität. Neben der Betrachtung von Adaption als einem textlichen, kulturellen und nicht zuletzt ökonomischen Phänomen lotet der Band außerdem gezielt das Potenzial von Adaptionskonzepten aus anderen geistes- und naturwissenschaftlichen Disziplinen für die Literaturwissenschaft aus. Das Buch ermöglicht Studierenden, Lehrenden und Forschenden somit einen fundierten Einblick in die Themen und Fragestellungen der Adaptation Studies.

This handbook offers a broad overview of characteristic adaptation processes within and between media, and current academic issues in the theoretical understanding of adaptation. It describes the concepts, practices, and forms of adaptation and their role as cultural phenomena while also examining concepts of adaptation from other disciplines of relevance to literary studies.

Grundthemen der Literaturwissenschaft: Adaption

Women and Gender in the Early Modern World

Looking beyond Don Quixote and the popular theater, this study brings together non-canonical works from Spanish and Spanish American colonial writers in diverse genres, to illustrate the multi-faceted possibilities and the cultural limitations of representations of mothers and mothering in this period.

Looking beyond Don Quixote and the popular theater, this study brings together non-canonical works from Spanish and Spanish American colonial writers in diverse genres, to illustrate the multi-faceted possibilities and the cultural limitations of representations of mothers and mothering in this period.

The Maternal Imaginary in Early Modern Hispanic Culture

Arden Early Modern Drama

An annotated edition of Marlowe's much-studied drama of pasion and politics which gives students a wealth of contextual and critical insight as well as examining the play in performance. Marlowe's possible status as spy, atheist, double-agent, blasphemer, counterfeiter, and/or queer has made him seem not just of an age, but of our time as well.

An annotated edition of Marlowe's much-studied drama of pasion and politics which gives students a wealth of contextual and critical insight as well as examining the play in performance. Marlowe's possible status as spy, atheist,double-agent, blasphemer, counterfeiter, and/or queer has made him seem not just of an age, but of our time as well.

Edward II

Who are the queer figures, past and present, who shape Wales? Discover the diverse array of LGBTQ+ figures who have shaped Wales, in a tour of how they shape both their fields and drive forward queer representation.&nbsp;&nbsp;Embark on a journey that takes us from the Marquis of Anglesey, through the lives of the Ladies of Llangollen, to artist Gwen John, to pioneering writer Jan Morris and playwright Peter Gill. Celebrate queer entertainers from Ivor Novello and H from Steps, to sporting icons from Gareth Thomas to Jess Fishlock. This book takes you on a whirlwind tour from culture and sport to politics and activism, marking the breadth and variety of queer achievement.&nbsp;&nbsp;Spanning historic milestones of the past to iconic drag queens of the present, Queer Welsh Icons is a jubilant exploration of the rich tapestry of queer identity in Wales.&nbsp;

Queer Welsh Icons

Volume V Divorce Tracts

The Complete Works of John Milton

Considering the most recent scholarship on early modern English women writers, memorialisation discourses, and textual evocations of female subjectivity, this study brings together a radical evocation of otherness that serves to challenge the dominant political, religious and social discourses of the day. Focusing especially on writers Mary Sidney Herbert, Elizabeth Cary, Mary Wroth and Aphra Behn, Marion Wynne-Davies offers a new way of understanding female identity in the English Renaissance.

Drawing upon modern theoretical precepts and presenting new research on tombs of English women writers from the sixteenth and seventeenth centuries, this study investigates the ways in which early modern women writers construct and are constructed by discourses of mortality.  Marion Wynne-Davies analyses how women wrote about mortality, how they 'staged' death, how they were written about when they died and the construction of their tombs as a final statement of public gender roles.  Each chapter focuses upon a key women writer from the period”Mary Sidney Herbert, Elizabeth Cary, Mary Wroth and Aphra Behn”to present a new way of understanding female identity in the English Renaissance.  In each example, Wynne-Davies presents her research on the woman writer's tomb in order to explore the parallels and contrasts between how the writers constructed themselves and how they were constructed after death. Engaging with the theoretical approaches and undertaking research on texts and monuments, this book explores memorialisation in order to demonstrate that death is essential to our understanding of the subjectivity of women writers in early modern England.    Considering the most recent scholarship on early modern English women writers, memorialisation discourses, and textual evocations of female subjectivity, this study brings together a radical evocation of otherness that serves to challenge the dominant political, religious and social discourses of the day.

Early Modern Women Writers and Memorialization

The Cambridge History of Welsh Literature

Bibliografische Angaben

Schlagworte

Bibliografische Angaben

Schlagworte

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