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Watson P: The British Imagination / B

The British Imagination

A History of Ideas from Elizabeth I to Elizabeth II

An Investigative History

The Long Death of Adolf Hitler

The Perfect Way to Explore Orkney

Orkney Pocket Map

Lettre

Mediale und transkulturelle Kontexte in Leben und Werk Otfried Preußlers

Zu Hause in vielen Welten

This book analyses how British China officials grappled with China's changing position in international affairs during the 20th century.

Understanding a Rising Superpower, 1922-1985

The Problem of China in the British Foreign Office Mind

Gender, Reproduction, and Roman Slavery

The Child Follows the Womb

From Roman Britain to the Anglo-Saxons

How England Began

From Yeltsin to Putin, the Story of a Vengeful Kremlin

The Return of Russia

Cambridge Companions to History

The Cambridge Companion to the Spanish Inquisition

Magic Rays of Light is an original and ambitious history of the largely unknown early years of television in Britain. A detailed cultural study of the first demonstrations, of the extensive experimental broadcasts between 1928 and 1935, and of the BBC's richly varied daily service starting in November 1936 from Alexandra Palace, the book overturns the popular mis-conception that television in Britain effectively began with Elizabeth II's Coronation in 1953. In tracing this history, John Wyver chronicles the process by which a technology became a medium. He argues that much of what that television as we knew it in the late twentieth century was created within the fluid and at times unstable forms of the interwar medium. Most fundamentally the basics of television's screen language and grammar were developed. As this emerged, television drama flourished in the staging of more than 400 plays, from Shakespeare and Agatha Christie to Pirandello and P.G. Wodehouse, starring luminaries including Laurence Olivier, Sybil Thorndike and Peggy Ashcroft. Outside broadcasts of state occasions, and of Wimbledon and Test matches, were pioneered, along with transmissions of the Derby (from 1931 onwards) and the FA Cup Final. Light entertainment formats, quiz shows and the direct ancestor of countless magazine programmes were devised, alongside ambitious presentations of classical ballet and grand opera. As a striking counterpoint to this story, Magic Rays of Light also celebrates the inchoate, indeterminate nature of interwar television. In certain key ways, from the first imaginaries and sci-fi visions of television, and in aspects of how it was made, of what was produced and how this was seen, early television was entirely distinct from what the medium later became. The book reveals television's forgotten pasts and unrealised futures, including the low resolution, vertical format transmissions of John Logie Baird's first systems, and the live, large-screen electronic projection systems known as 'cinema television'. Relaying sports events and pageantry to cinemas, this pre-war sensation was seen by the BBC as a serious threat to its monopoly. By attending closely to the transmissions of the first fifteen years, to the emerging medium's industrial context, and to its intermedial links with radio, theatre, cinema, music hall, sport and more, Magic Rays of Light illuminates television's place in the cultural and social histories of Britain between the wars.

The Early Years of Television in Britain

Magic Rays of Light

Anti-Semitism and Islamophobia are on the rise in twenty-first-century Europe, but these notions of the malevolent, conspiring Jew or Muslim are far more than a medieval trope. Over the last millennium, deep currents of exclusion have shaped not only modern relationships between majorities and minorities, but the distinctive Western relationship between state and society. This volume asks an important question: why is it that, in a period when Europe's Islamic south and Catholic and Orthodox east remained home to religiously diverse communities, the Western fringes of Latin Christendom instead rid themselves of Jews and Muslims, through exploitation, mass murder, deportations and enslavement? Ariel Salzmann identifies the intersecting structural and sociological roots of this peculiarly Western approach, from rapid consolidation of secular polities and commercial markets in the Crusades era; to the ideology and practice of ritualised, politicised violence against minorities; to distinctive forms of economic protectionism arising from the use of minorities and their resources as bargaining chips. 'The Exclusionary West' shows that the medieval exclusion of minorities is bound up with the very foundation of Western European nation-states, informing the basic rights of civil citizenship and shaping Western ideas of identity and belonging. These legacies retain their insidious but potent power today.

The British Imagination

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