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Asbridge Thomas: The Black Death

The Black Death

Classical Literature and Society

"Presenting a new approach to Euripides' plays, this book explores the playwright's ancient tragedies in relation to quotation culture. Treating extant works and lost works side-by-side, Matthew Wright presents a selective survey of ways in which Euripidean tragedy was quoted within antiquity, both in social contexts (on the comic stage, at symposia, in law courts, in education) and in different literary genres (drama, biography, oratory, philosophy, literary scholarship, history and anthologies). There is also a discussion of the connection between quotability and classic status, where Wright asks what quotations can tell us about ancient reading habits. The implication is that Euripides actively participated in quotation culture by deliberately making certain portions of his plays stand out as especially quotable"--

Euripides and Quotation Culture

A military history of Russia from its beginnings to today

Forged in War

Popes and the Papal Court, 1503-1655 is the first book-length account of the early modern papal court in English. As well as bringing together art historical, social, and political studies in several languages, it contains a wealth of primary source material, such as advice manuals for cardinals and aspiring courtiers, accounts of Roman festivals, reports of visiting ambassadors and news reports from Rome deposited in the Vatican library. The book argues that during the 16th and 17th centuries, popes were conscious to varying degrees of their responsibilities to conserving and enhancing the status of the monarchy as something larger than themselves as individuals or their families, and as such they exhibited some characteristics of dynastic monarchies. Toby Osborne explores how the culture of the papal court and the ways in which it functioned as a point of contact between the ruler, certain elites, and other princes not only had similarities with dynastic states, but also set the standard for court life around Europe. By bringing to light recent scholarship written by continental historians, Popes and the Papal Court, 1503-1655 represents an important contribution to the scholarly endeavour to better understand the political culture of the papal states and the workings of the papal monarchy. As such, it will be illuminating reading for all students and scholars interested in early modern court history.

Popes and the Papal Court, 1503-1655 is the first book-length account of the early modern papal court in English. As well as bringing together art historical, social, and political studies in several languages, it contains a wealth of primary source material, such as advice manuals for cardinals and aspiring courtiers, accounts of Roman festivals, reports of visiting ambassadors and news reports from Rome deposited in the Vatican library.

The book argues that during the 16th and 17th centuries, popes were conscious to varying degrees of their responsibilities to conserving and enhancing the status of the monarchy as something larger than themselves as individuals or their families, and as such they exhibited some characteristics of dynastic monarchies. Toby Osborne explores how the culture of the papal court and the ways in which it functioned as a point of contact between the ruler, certain elites, and other princes not only had similarities with dynastic states, but also set the standard for court life around Europe.

By bringing to light recent scholarship written by continental historians, Popes and the Papal Court, 1503-1655 represents an important contribution to the scholarly endeavour to better understand the political culture of the papal states and the workings of the papal monarchy. As such, it will be illuminating reading for all students and scholars interested in early modern court history.

The Keys to the Kingdom

Popes and the Papal Court, 1503-1655

Penguin Monarchs

Part of the "Penguin Monarchs" series, these are short, fresh and informative accounts of England's rulers.

Part of the Penguin Monarchs series: short, fresh, expert accounts of England's rulers in a collectible format Henry VII was one of England's unlikeliest monarchs. An exile and outsider with barely a claim to the throne, his victory over Richard III at Bosworth Field seemed to many in 1485 only the latest in the sequence of violent convulsions among England's nobility that would come to be known as the Wars of the Roses - with little to suggest that the obscure Henry would last any longer than his predecessor. To break the cycle of division, usurpation, deposition and murder, he had both to maintain a grip on power and to convince England that his rule was both rightful and effective. Here, Sean Cunningham explores how, in his ruthless and controlling kingship, Henry VII did so, in the process founding the Tudor dynasty.

Treason and Trust

Henry VII (Penguin Monarchs)

When Henry IV seized the throne from his cousin Richard II, people saw it as a hopeful new beginning for England. The first monarch to have English as his mother tongue since the Norman conquest, Henry seemed to embody the ideals of chivalric kingship: mercy, piety, military prowess and learning. Yet deposing a crowned monarch was not a stable foundation on which to build a reign. Henry IV found himself challenged from all sides, plagued by conspiracies, rebellions, assassination attempts and crippling debts, while his tense relationships with Parliament and with his own son, Shakespeare's Prince Hal, saw his grip on power falter. Nevertheless, he was the first king and founder of a Lancastrian dynasty which would go on to shape England for centuries to come. In this lively study, Catherine Nall reappraises a monarch who weathered upheaval and uncertainty and held on to the throne through sheer force of will.

When Henry IV seized the throne from his cousin Richard II, people saw it as a hopeful new beginning for England. The first monarch to have English as his mother tongue since the Norman conquest, Henry seemed to embody the ideals of chivalric kingship: mercy, piety, military prowess and learning. Yet deposing a crowned monarch was not a stable foundation on which to build a reign. Henry IV found himself challenged from all sides, plagued by conspiracies, rebellions, assassination attempts and crippling debts, while his tense relationships with Parliament and with his own son, Shakespeare's Prince Hal, saw his grip on power falter. Nevertheless, he was the first king and founder of a Lancastrian dynasty which would go on to shape England for centuries to come. In this lively study, Catherine Nall reappraises a monarch who weathered upheaval and uncertainty and held on to the throne through sheer force of will.

The Afflicted King

Henry IV (Penguin Monarchs)

Routledge Studies in Modern British History

Contemporary life in Britain is dominated by discussion of safety, risk and accidents. This monograph is the first to explore the history of modern safety culture in Britain and the evolution of ideas of accident prevention. It focuses on the railway industry between approximately 1871 (the date of the first specific state intervention in railway employee safety) and 1948 (the date at which the railways were nationalised).

Contemporary life in Britain is dominated by discussion of safety, risk and accidents. This monograph is the first to explore the history of modern safety culture in Britain and the evolution of ideas of accident prevention. It focuses on the railway industry between approximately 1871 (the date of the first specific state intervention in railway employee safety) and 1948 (the date at which the railways were nationalised). This period shows extremely important and far-reaching changes in how people dealt with safety and accident during the nineteenth and twentieth centuries. The railway industry was one of the first to introduce safety education into Britain. This study charts the shift from state legislative intervention and formal, punitive measures that required railway workers to be safe, to the introduction of an informal, accessible safety education campaign, which tried to persuade workers to act safely. Using visually attractive items - including posters, booklets, leaflets, and films - people were shown what to do and what not to do. How this happened, and the uses to which safety education and accident prevention have been put have not been examined. The book will draw upon and develop relevant insights from business history, labour history the history of occupational health and safety, and medical history. Readers will find particular value in the analysis of ways in which state, unions, managers and workers interacted to produce dominant understandings of safety.

Preventing Worker Accidents on Britain’s Railways, 1871–1948

The Birth of Modern Safety

Between 1968 and 1975, there was a subtle thawing of relations between East and West, for which Brezhnev coined the name Détente, and - perhaps - a chance to end the Cold War. The leaders of the United States and the Soviet Union, Richard Nixon and Leonid Brezhnev, hoped to forge a new relationship between East and West. Yet, the greatest changes of the era took place outside the sphere of international diplomacy. The 1960s brought social collision across the world, from the anti-war protests in America to the student demonstrations on the streets of Paris, and Mao Zedong's Red Guards in China. A new generation, whom advertising executives dubbed the baby-boomers, brought new attitudes to towards sex, gender, race, the environment and religion. In this book, Richard Crowder explores the years of Détente, and introduces us to the key players of the era, whose stories form the narrative of this book.

The Chance to End the Cold War

Détente

Routledge Research in Sports History

Since their inception in 1930 as the British Empire Games, the Commonwealth Games have developed into one of the world’s major sporting mega-events, with 5,000 athletes competing in Glasgow 2014 representing countries covering one third of the world’s population. This is the first book to survey the entire history of the Commonwealth Games and to explore their significance in the context of sporting political history. It examines the relationship between the Games and the Commonwealth organisation more generally; evaluates the development of the Games themselves, and analyses the key issues which have shaped their political and historical development.

A Political History

The Commonwealth Games

Fleet

An authoritative, illustrated analysis of the official French Navy in World War II, under the command of the Third Republic and of Vichy.

The Marine Nationale in World War II

French Navy 1939–42

After the German and Italian attack on Yugoslavia, Croatian fascists - the Ustasha - declared the independence of Croatia in April 1941. This short-lived state became one of the most significant theatres of genocide of wartime Europe, with these independent nationalists committing acts of violence against Serbs, Jews, and Roma.

Intertwined Genocides explores the patterns and the internal logic of the genocides carried out by Croatian fascists - the Ustasha - against Serbs, Jews, and Roma during the Second World War. Korb argues that the Croatian fascists were not German puppets, but strong-minded and largely independent agents, despite the German and Italian occupation of their country. They tried to transform their short-lived wartime Croatian state into a mono-ethnic nation-state by force. Whilst pursuing their violent agenda, they soon lost control over much of their territory owing to the armed resistance of their victims. What followed was an escalation of multiple layers of collective violence: local genocide, the German Holocaust, the occupiers' war against partisans, and an escalating civil war, all inextricably intertwined.

Because of this mix of perpetrators and their competing agendas, and because of the dynamics of violence and counter-violence, resistance and revenge, aggression and fear, Croatia became one of the most violent venues during the Second World War. Intertwined Genocides shows that South-eastern European nationalists carried out genocide independently of the Germans. Moreover, Alexander Korb brings critically important insights to the histories of violence, genocide, and its perpetrators: in a multi-ethnic society, genocide cannot be studied as an isolated phenomenon. Its dynamic escalation had dramatic effects on every ethnic group, and the victims' responses had a significant impact on the course of events throughout the Second World War, and into the latter half of the twentieth-century.

Mass Violence in Western Yugoslavia during the Second World War

Intertwined Genocides

Magic Rays of Light is an original and ambitious history of the largely unknown early years of television in Britain. A detailed cultural study of the first demonstrations, of the extensive experimental broadcasts between 1928 and 1935, and of the BBC's richly varied daily service starting in November 1936 from Alexandra Palace, the book overturns the popular mis-conception that television in Britain effectively began with Elizabeth II's Coronation in 1953. In tracing this history, John Wyver chronicles the process by which a technology became a medium. He argues that much of what that television as we knew it in the late twentieth century was created within the fluid and at times unstable forms of the interwar medium. Most fundamentally the basics of television's screen language and grammar were developed. As this emerged, television drama flourished in the staging of more than 400 plays, from Shakespeare and Agatha Christie to Pirandello and P.G. Wodehouse, starring luminaries including Laurence Olivier, Sybil Thorndike and Peggy Ashcroft. Outside broadcasts of state occasions, and of Wimbledon and Test matches, were pioneered, along with transmissions of the Derby (from 1931 onwards) and the FA Cup Final. Light entertainment formats, quiz shows and the direct ancestor of countless magazine programmes were devised, alongside ambitious presentations of classical ballet and grand opera. As a striking counterpoint to this story, Magic Rays of Light also celebrates the inchoate, indeterminate nature of interwar television. In certain key ways, from the first imaginaries and sci-fi visions of television, and in aspects of how it was made, of what was produced and how this was seen, early television was entirely distinct from what the medium later became. The book reveals television's forgotten pasts and unrealised futures, including the low resolution, vertical format transmissions of John Logie Baird's first systems, and the live, large-screen electronic projection systems known as 'cinema television'. Relaying sports events and pageantry to cinemas, this pre-war sensation was seen by the BBC as a serious threat to its monopoly. By attending closely to the transmissions of the first fifteen years, to the emerging medium's industrial context, and to its intermedial links with radio, theatre, cinema, music hall, sport and more, Magic Rays of Light illuminates television's place in the cultural and social histories of Britain between the wars.

The Early Years of Television in Britain

Magic Rays of Light

Women and the Poetics of Dissent in the English Revolution examines the aesthetic dimensions of female sectarian culture during the English Civil Wars and Interregnum. The topics covered here range from explorations of the formal aspects of women's street performance, petitioning, and political writings, to their fraught relationship with the metaphysical and devotional tradition.

Women and the Poetics of Dissent in the English Revolution examines the aesthetic dimensions of female sectarian culture during the English Civil Wars and Interregnum. The topics covered here range from explorations of the formal aspects of women's street performance, petitioning, and political writings, to their fraught relationship with the metaphysical and devotional tradition.

Women and the Poetics of Dissent in the English Revolution

The Black Death

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