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Fox B: The Bathysphere Book

The Bathysphere Book

Effects of the Luminous Ocean Depths

A Century of Psychotherapy

Soul Magic

Very Short Introductions

Best known as the author of Moby-Dick (1851), Herman Melville is one of America's greatest writers. His achievements range from popular novels and experimental fiction to powerful poetry. His works are tragic and funny, impassioned and ironic, obsessed with philosophical seeking and attuned to the details of everyday life. Melville engaged the pressing issues of his day, from economic inequality and the American slavery crisis to the rise of science and the fragility of democracy. He dwelled on timeless questions about loneliness and intimacy, moral and political responsibility, the limits of our knowledge and agency, and the place of human beings within nature and the cosmos. Melville's life was dramatic, and his career improbable. He was born into privilege, fell into poverty as an adolescent, hunted whales and lived with the Tai Pi people of Polynesia, served in the United States Navy, skyrocketed to fame as a novelist, ruined his career by challenging religious, political, sexual, and artistic conventions, reinvented himself as a poet, and died in relative obscurity just as readers began to appreciate his genius. The scope and diversity of Melville's literature reflects an artist of restless ambition. Herman Melville: A Very Short Introduction helps readers explore the richness of his work.

A Very Short Introduction

Herman Melville

A BBC RADIO FOUR BOOK OF THE WEEK: the extraordinary and riveting story of separated Chinese twins, with one twin seized by the authorities and adopted into America, by the Samuel Johnson-winning journalist who reunited them as young adults.

China's Stolen Children and a Story of Separated Twins

Daughters of the Bamboo Grove

A glorious fusion of history and art, A Vast Horizon tells the story of Pablo Picasso and his free-spirited friends, including Lee Miller and Man Ray, in the tumultuous years around the Second World War. 'Excellent and revealing . . . at the end we feel their loss as if they had been our friends' - Antony Penrose, Lee Miller Archives 'At once intimate and expansive . . . a fascinating portrait' - Clare Mulley, author of Agent Zo Late summer 1937. Europe is inching towards war. In the South of France a group of friends picnic in a secluded clearing. The women have peeled down their dresses to their waists. A couple kiss playfully while the others look on, laughing. The moment is captured in Lee Miller's now-iconic image. Some of the friends are well known, others less so: the dancer Ady Fidelin, the poet Paul Éluard and his wife Nusch, the Surrealists Man Ray and Roland Penrose. They are spending the summer with fellow artists Dora Maar, Eileen Agar and Pablo Picasso. In A Vast Horizon biographer Anna Thomasson tells the story of their creativity, friendships and pursuit of freedom set against the tense political backdrop of the 1930s, the Second World War and its aftermath. Tracing their lives through their photographs, artworks, poems and letters, from the heady weeks of creativity, sex and collaboration of that Mediterranean summer through the tumultuous years that followed, it is the story of rebellious lives and the redemptive power of art.

Artists and Lovers, Freedom and War

A Vast Horizon

From leading cetacean biologists, an up-to-date, comprehensive collection exploring advancements in our understanding of cetacean ecology, behavior, and societies. Cetaceans--whales, dolphins, and porpoises--represent an evolutionary peak with respect to their advanced cognitive capacities; flexible communication systems; and structured, multilevel societies. Indeed, the social lives of whales and dolphins have long fascinated scientists and the public alike. The Evolution of Cetacean Societies provides a comprehensive overview of the significant advancements made in studying cetacean behavior and ecology over the last twenty-five years, focusing on our growing understanding of these animals' complex social lives. Bringing together scientists from multiple disciplines, the volume summarizes key innovations and progress related to studying cetacean societies' cultural and genetic basis, their complex social structures, their use of cooperation and patterns of social conflict, and their significant interactions with humans. Each chapter provides an in-depth account of the social lives of whales and dolphins, incorporating the latest cutting-edge research from genomics, communication, network analysis, and animal culture to explain how these animals form societies, maintain relationships, and share information. The final chapters focus on the existential threats facing these diverse and charismatic species, how human-cetacean interactions have shaped our perceptions, and what scientists can learn from their diverse social lives by championing researcher diversity in marine mammal science. The result is an essential and forward-looking book that both contextualizes the lessons of the past two decades and questions the challenges these enigmatic species might face in the future. Published in 2000 by Chicago, Cetacean Societies: Field Studies of Dolphins and Whales, edited by Janet Mann, Richard C. Connor, Peter Tyack, and Hal Whitehead, inspired a generation of marine biologists. In this new volume, Darren P. Croft, Andrew D. Foote, Ellen C. Garland, and Stephanie L. King--all respected cetacean researchers--offer a worthy successor.

Uncovering the Social Complexity of Whales and Dolphins

The Evolution of Cetacean Societies

"Art has poisoned our life", proclaimed De Stijl co-founder Theo van Doesburg. Reacting to the tumultuous crises of the twentieth century, especially the horrors of the First World War, from Paris to New York, from Zurich to Moscow and Berlin, avant-gardists challenged the confines of the definition of art along with the confines of the canvas itself. Morgan Falconer starts with the dynamic Futurist founder Filippo Tommaso Marinetti, whose manifesto extolling speed, destruction and modernity seeded avant-gardes across Europe. In turn, Dadaists Hugo Ball and Emmy Hennings sought to replace art with political cabaret and the Surrealists tried to exchange it for tools to plumb the unconscious. Falconer goes on to guide us through the Russian Constructivists and then De Stijl, the Bauhaus and finally, the Situationists.How to Be Avant-Garde is a journey through the interlocking networks of richly creative lives, their sometimes sympathetic but often strange and turbulent conversations, and their objects and writings that defied categorisation.

Modern Artists and the Quest to End Art

How to Be Avant-Garde

The classic thrillers of Alfred Hitchcock, including Vertigo, North by Northwest and Psycho, achieved much of their power from the music of legendary Academy Award winner Bernard Herrmann (Citizen Kane, Taxi Driver). In this book, author Steven C. Smith delivers an intimate account of how the reserved, but deeply anxious, Hitchcock found his ideal creative partner in the cantankerous, but deeply romantic, Herrmann. Their collaboration ended in a bitter break; but today, the music from their movies is more popular than ever, heard in Quentin Tarantino blockbusters and Lady Gaga music videos. Smith takes us inside the friendship between "Benny and Hitch," and explains why Herrmann's pulse-quickening music has become the soundtrack of our own anxious times.

The Friendship and Film Scores That Changed Cinema

Hitchcock and Herrmann

Histories of Economic Life

A history that reframes the Bolsheviks’ unprecedented attempts to abolish private property after the revolutions of 1917 The revolutions of 1917 swept away not only Russia’s governing authority but also the property order on which it stood. The upheaval sparked waves of dispossession that rapidly moved beyond the seizure of factories and farms from industrialists and landowners, envisioned by Bolshevik revolutionaries, to penetrate the bedrock of social life: the spaces where people lived. In Power and Possession in the Russian Revolution, Anne O’Donnell reimagines the Bolsheviks’ unprecedented effort to eradicate private property and to create a new political economy—socialism—to replace it. O’Donnell’s account captures the story of property in reverse, showing how the bonds connecting people to their things were broken and how new ways of knowing things, valuing them, and possessing them coalesced amid the political ferment and economic disarray of the Revolution. O’Donnell reminds us that Russia’s postrevolutionary confiscation of property, like many other episodes of mass dispossession in the twentieth century, largely escaped traditional forms of record keeping. She repairs this omission, drawing on sources that chronicle the lived experience of upheaval—popular petitions, apartment inspections, internal audits of revolutionary institutions, and records of the political police—to reconstruct an archive of dispossession. The result is an unusually intimate history of the Bolsheviks’ attempts to conquer people and things. The Bolsheviks’ reimagining of property not only changed peoples’ lives and destinies, it formed the foundation of a new type of state—one that eschewed the defense of private property rights in favor of an enduring but enigmatic new domain: socialist state property.

Power and Possession in the Russian Revolution

Aktualisierte Neuausgabe 2026: von Windhoek bis zur Skeleton Coast – willkommen im Land der Kontraste!

Gebrauchsanweisung für Namibia

Unlocking the Secrets of the Deep Sea

The Dark Frontier

The Margellos World Republic of Letters

The untold story of how the volcanic landscape surrounding Naples influenced a crucial moment in twentieth-century intellectual history &nbsp; A New Yorker “Best Book of 2024” Selection &nbsp; “Well-written—and well-translated.”—Dominic Green, Wall Street Journal &nbsp; In the 1920s, the Gulf of Naples was a magnet for European intellectuals in search of places as yet untouched by modernity. Among the revolutionaries, artists, and thinkers drawn to Naples were numerous scholars at a formative stage in their journeys: Walter Benjamin, Siegfried Kracauer, Alfred Sohn‑Rethel, Asja Lacis, Theodor W. Adorno, and many others. While all were indelibly shaped by the volcanic Neapolitan landscape, it was Benjamin who first probed the relationship between the porous landscape and the local culture. But Adorno went further, transforming his surroundings into a radical new philosophy—one that became a turning point in the modern history of the discipline. &nbsp; In this ingenious book, Martin Mittelmeier reveals the Gulf of Naples as the true birthplace of the Frankfurt School. From the majestic crater rim of Mount Vesuvius to the soft volcanic rock that Neapolitans used to build their city, Mittelmeier follows Adorno’s and his fellow thinkers’ footsteps through the cities along the gulf, demonstrating how their observations and encounters surface again and again in their writings for decades to come, and serve as the structuring principle of Critical Theory.

Adorno, Benjamin, and the Summer That Made Critical Theory

Naples 1925

In the bestselling traditions of Seinfeldia and Top of the Rock comes a fascinating and unauthorized deep dive into the longest-running live-action sitcom in television history, from its humble beginnings to its evolution as a critically acclaimed cult classic comedy. Charlie, Dennis, Mac, Sweet Dee, and Frank are deplorable characters. They will never mature, become more self-aware, or be less self-involved. That’s what the creators of It’s Always Sunny in Philadelphia are committed to—and that’s why the show’s millions of devoted fans have stuck with the cult comedy hit for seventeen seasons and counting. Back in 2004, frustrated and unemployed actors Rob McElhenney, Glenn Howerton, and Charlie Day drafted a homemade TV pilot. A few months and $200 later (the cost of videotapes, pizza for their friends who volunteered as extras, and a broomstick to tape their boom mic to), It’s Always Sunny in Philadelphia was ready for its network debut. All major parties either passed or wanted creative control. And then came FX, looking to shake up cable TV. Willing to allow McElhenney, Howerton, and Day complete freedom to deconstruct the traditional sitcom, new president John Landgraf agreed to take a chance. No one had any idea how big a success it would be. With one creative note—the hiring of Danny DeVito—adding the final piece of the puzzle, It’s Always Sunny in Philadelphia has since enjoyed a steady climb to high ratings, critical acclaim, and a place in the cultural zeitgeist. Now, how the show and its creators have accomplished all this is revealed through this in-depth, behind the scenes celebration—as thoughtful, provocative, and engaging as the show itself.

How Three Friends Spent $200 to Create the Longest-Running Live-Action Sitcom in History and Help Build a Network

It's (Almost) Always Sunny in Philadelphia

The Bathysphere Book

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