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Routledge Revivals

Skrine Peter N.: The Baroque

The Baroque

Literature and Culture in Seventeenth-Century Europe

First published in 1960, this book details the life of Ludovic Zamenhof, the creator of Esperanto. Boulton's work portrays Zamenhof as a figurehead for peace, his life and work remaining morally, intellectually, and psychologically interesting over time.

First published in 1960, this book details the life of Ludovic Zamenhof, the creator of Esperanto. Boulton’s work portrays Zamenhof as a figurehead for peace, his life and work remaining morally, intellectually, and psychologically interesting over time.

Creator of Esperanto

Zamenhof

This title was first published in 2002. This ethnographic study uncovers the problems that arise when principles underlying policy are difficult to interpret and are at odds with the culture of the locality within which policy is implemented. Focusing on the All Wales Strategy for the Development of Services for People with Learning Difficulties, the volume's findings should be widely applicable.

This title was first published in 2002. This ethnographic study uncovers the problems that arise when principles underlying policy are difficult to interpret and are at odds with the culture of the locality within which policy is implemented. Focusing on the All Wales Strategy for the Development of Services for People with Learning Difficulties, the volume's findings should be widely applicable.

A Study of Learning Disability in a Small Town

People, Policies and Professionals: A Study of Learning Disability in a Small Town

Originally published in 1981 Ernest Hemingway is a collection of papers from the Hemingway Collection conference of 1980. The book contains clues to substantially new critical statements about his canonical works, how they were written and how they can be read considering the conflated texts.

Originally published in 1981 Ernest Hemingway is a collection of papers from the Hemingway Collection conference of 1980. The book contains clues to substantially new critical statements about his canonical works, how they were written and how they can be read considering the conflated texts.

The Papers of a Writer

Routledge Revivals: Ernest Hemingway (1981)

First published in 1981, this book provides a systematic treatment of the introduction of non-traded and non-competitive intermediate goods in the pure theory of international trade. It presents several well-known propositions in the theory of international trade in terms of some simple and instructive geometry.

First published in 1981, this book provides a systematic treatment of the introduction of non-traded and non-competitive intermediate goods in the pure theory of international trade. It presents several well-known propositions in the theory of international trade in terms of some simple and instructive geometry.

Routledge Revivals: Non-Traded and Intermediate Goods and the Pure Theory of International Trade (1981)

A Psychoanalytic Interpretation

Proust's Recherche

The British and the Others

Frontiers of Identity

Sociological Analysis

A Study of Communes and their Members

Alternative Realities

Comparative Studies

The Family, Women and Death

Modern Colonization

The Industrial Geography of Canada

The Green Edge of Asia

He'd taken everything she had. Her money, her home - and her heart. But now it's her turn. A poignant, fun-filled trip across Europe to find a romance fraudster turns into a journey to find themselves. From the author who captured the hearts of half a million readers with Confessions, 'the Bridget Jones of our time'

So, I Met This Guy

The Shock of the Light

The Great Siege of Malta

The Infinite Impact of Ancient Rome

The Neverending Empire

The Lewis Walpole Series in Eighteenth-Century Culture and History

The Religious Origins of Humanitarian Diplomacy in Britain and Europe, 1690-1748

Affairs of Humanity

Companion to Central and Eastern European Humanism / Hungary

Bloomsbury Neo-Latin Series: Early Modern Texts and Anthologies

On June 13, 1753 the Irene set sail from London to New York. One of her passengers was Christian Wedsted, a Moravian missionary headed to his post in Bethlehem, Pennsylvania. While many travelers would chronicle their transatlantic journeys, Wedsted chose to recount his in 200 lines of Latin poetry, imitating the preferred form of the ancient Roman poet Ovid. This poem is one of about 45 Latin poems that Wedsted composed in Germany, England, and Pennsylvania, all of which are presented here together for the first time alongside translations into English. A critical introduction and commentary provide historical, literary, and religious context for Wedsted's poetry, across an oeuvre containing birthday poems, impassioned religious verses, and personal anecdotes about life in colonial Pennsylvania. At around 1200 lines, the poems make up one of the largest extant collections of 18th-century Latin poetry from the Americas. Moravian piety is central to Wedsted's identity, and he exchanges poems with important Moravian personalities, weaving together classical material and Christian material to create an original and unique project in colonial America. Many of the poems are experiments in genre that put ancient models and meters to work in new contexts. Half of the poems were written after his arrival in America, and as such they offer a rare window into life on the colonial frontier.

The Latin Poems of Christian Wedsted

A comprehensive presentation of the Yale University Art Gallery's collection of Italian paintings from the thirteenth to the fifteenth century &nbsp; The collection of Italian paintings at the Yale University Art Gallery is one of the largest and richest in the world. The first of four volumes on the collection, this sumptuously illustrated book features over seventy-five works dating from 1230 to 1420 by artists such as Taddeo Gaddi, Andrea di Cione (better known as Orcagna), Lippo Memmi, Pietro and Ambrogio Lorenzetti, and Lorenzo Monaco. In addition to discussions of each painting's meaning, function, and significance, entries provide published references, provenance, full technical notes, and detailed conservation histories. An introduction by Laurence Kanter chronicles the history of the collection, from the James Jackson Jarves Collection that was assembled in the nineteenth century-the earliest formed collection of Italian paintings in any American museum-to more recent gifts by Louis and Hannah Rabinowitz and Richard Feigen. While many of the works are from Florence and Siena, the volume also includes examples from Bologna, Rimini, Venice, and more. Through its wide-ranging holdings, the Gallery's collection provides a remarkable sense of the diverse visual culture of the time. &nbsp; Distributed for the Yale University Art Gallery

Volume 1: 1230-1420

Italian Paintings at the Yale University Art Gallery

Kurdish Studies

"This book focuses on the cultural and intellectual activities of Kurdish migrant women through artistic and aesthetic forms of production in Belgium, France, Germany, Sweden and the UK. Using in-depth interviews with over 40 Kurdish women artists, Ozlem Galip examines how artistic, literary and cultural productions, incorporating the fields of film, theatre and music, are articulated within the structures of nation states, leading to the interrogation of the impact of western and local knowledge, patriarchy, the nation-state and globalisation. Galip also analyses how European policies affect the development of cultural engagement of Kurdish migrant women, and how such engagements help these women to integrate into European society"--

Intellectual and Cultural Production in Europe

Art, Gender and Migration in the Kurdish Diaspora

Women and Gender in the Early Modern World

Looking beyond Don Quixote and the popular theater, this study brings together non-canonical works from Spanish and Spanish American colonial writers in diverse genres, to illustrate the multi-faceted possibilities and the cultural limitations of representations of mothers and mothering in this period.

Looking beyond Don Quixote and the popular theater, this study brings together non-canonical works from Spanish and Spanish American colonial writers in diverse genres, to illustrate the multi-faceted possibilities and the cultural limitations of representations of mothers and mothering in this period.

The Maternal Imaginary in Early Modern Hispanic Culture

Als ,Nachkriegsliteratur' wird generell die Literatur ab dem Ende des Zweiten Weltkriegs bis 1989 gefasst - mit einem Fokus auf die 1950 bis 1970er Jahre. Angesichts der Vielzahl an deutschsprachigen Autor/innen im deutschsprachigen Bereich (inkl. DDR, Schweiz und Österreich) konzentriert sich der Band auf die zentralen kulturpolitischen Ereignisse sowie Entwicklungen des Literaturbetriebs und auf die Gattungen, die typisch für das jeweilige Jahrzehnt sind (mit ca. 6 Musterinterpretationen).

Als ‚Nachkriegsliteratur‘ wird generell die Literatur ab dem Ende des Zweiten Weltkriegs bis 1989 gefasst – mit einem Fokus auf die 1950 bis 1970er Jahre. Angesichts der Vielzahl an deutschsprachigen Autor/innen im deutschsprachigen Bereich (inkl. DDR, Schweiz und Österreich) konzentriert sich der Band auf die zentralen kulturpolitischen Ereignisse sowie Entwicklungen des Literaturbetriebs und auf die Gattungen, die typisch für das jeweilige Jahrzehnt sind (mit ca. 6 Musterinterpretationen).

Lehrbuch Germanistik

Nachkriegsliteratur

Ashgate Contemporary Thinkers on Critical Musicology Series

This collection of studies represents the range of Rosand's contribution to the history and criticism of music of the seventeenth and eighteenth centuries. Varied in focus and scope, each of these studies is directed toward developing an understanding of the ways in which music works. Taken together, the articles demonstrate how Rosand has opened entirely new prospects on seventeenth-century music and offered new insight into the more canonical repertoire of the eighteenth century.

This collection of studies by Ellen Rosand represents the range of her contribution to the history and criticism of music of the seventeenth and eighteenth centuries.  Varied in focus and scope, each of these studies is directed toward developing an understanding of the ways in which music works--from its function in representing the ideals of the Republic of Venice through its essential role in the emerging genre of opera, from the expressive mechanics of Monteverdi and Cavalli to those of Handel and Vivaldi.  With methodological flexibility, Rosand's analyses are responsive to the works themselves.  Exploring the mimetic significance of particular formal motifs and scenic conventions, the intimate relationship of music and text, or a composer's dramatic choices, discovering a new musical personality (Barbara Strozzi) or the historical and cultural circumstances, the practical and creative dynamics of an emerging dramatic art (opera in Venice), she has opened entirely new prospects on seventeenth-century music and offered new insight into the more canonical repertoire of the eighteenth century.

Selected Essays

Baroque Resonances

The Baroque

Bibliografische Angaben

Schlagworte

Bibliografische Angaben

Schlagworte

Weitere Titel der Reihe: Routledge Revivals

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