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Yearling Rebecca: Shakespeare’s Violence
and the Early Modern Spectator

Shakespeare’s Violence and the Early Modern Spectator

Reanimating grief is a wide-ranging study of the poetics of bereavement in theatre, literature and song. It examines the way cultural works reanimate the dead in the form of ghosts, memories or scenes of mourning, and uses critical and creative writing to express grief's subjectivity and uniqueness. It covers classic texts from Greek tragedy and Shakespeare to works by Anton Chekhov, Samuel Beckett, Enda Walsh, Sally Rooney and Maggie O'Farrell. The book argues that the return of the dead in theatre and fiction is an act of memorial and an expression of love that illustrates the relationship between art, enchantment and impossibility.

Waking the Dead in Literature, Theatre and Performance

Reanimating Grief

Routledge Studies in Nineteenth Century Literature

Great Britain and Beyond

Women Staging and Restaging the Nineteenth Century

Arden Shakespeare Insights

Visualising Material Culture

Shakespeare's Objects

Oxford World's Classics

The New Oxford Shakespeare

Henry VI, Part II

Revels Plays

By Thomas Norton and Thomas Sackville

Gorboduc

Rowena Hawkins develops an analysis of the European Shakespeare Festivals Network (ESFN) as a productive, intercultural space that destabilises traditional hierarchies in theatre. This book argues that ESFN performances offer audiences opportunities to rethink, rewrite and, crucially, to 'network' Shakespeare through active and comparative spectatorship. Hawkins explores the locations in which Shakespeare Festivals are held and the dislocations that occur when festival Shakespeares move between them, asking what it means to host a range of global Shakespeare productions in historically-significant locations, such as castles or reconstructed early modern theatres. She considers whether festivals hosted in such sites produce different meanings for festivalgoers than those hosted in modern theatre spaces. Using two audience research studies, Hawkins draws out interesting facts about what international Shakespeare festivals mean to those who attend them, what they can offer a divided Europe and how modern retellings of early modern plays influence and complicate local political contexts.

Networking Performance across Europe

Festival Shakespeares

For centuries, women have organized and hosted social gatherings known as 'salons, ' which have served as sites of women's creativity and agency in the arts, sciences, and letters - especially music. This volume offers new understandings of women's musical salons across four centuries from North America, Latin America, Europe, North Africa, and the Ottoman Empire, foregrounding an often-overlooked platform of women's musicianship in cross-cultural perspective. Drawing on disciplines including musicology, ethnomusicology, women's and gender studies, cultural and performance studies, film studies, art history, anthropology, and Jewish studies, the authors present a new history of women and music through the lens of musical salon culture. The twenty-five case studies included in the book present an array of practices and manifestations of the institution of musical salons. These cases demonstrate how women from a wide range of social and cultural backgrounds used salons as sites of agency, shaping their musical environments according to their distinctive interests and ideals.

A Cross-Cultural History

Four Centuries of Women's Musical Salons

How Paperwork Politics Remade the New World

The Radical Spanish Empire

Shakespeare in the Theatre

Shakespeare in the Theatre: The Stratford Festival

Companions to Greek and Roman Tragedy

An accessible introduction to the Roman tragedy Hercules on Oeta with chapters on its contexts, key themes and reception.

Pseudo-Seneca: Hercules on Oeta

Henry Wotton and the Invention of Diplomacy

Lying Abroad

Shakespeare’s Violence and the Early Modern Spectator

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