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Whymper Edward: The Ascent of the
Matterhorn

The Ascent of the Matterhorn

With the Forgotten Photographs

A visual tour of Hopi and Navajo homelands from the Southwest's best photographers

Timeless Lands of the Southwest

The Four Corners

Two-way TMB guidebook and map booklet

Hiking the Tour du Mont Blanc

When motorsport and automotive photographer Jamey Price first saw the NASCAR promotional film cameras from the 1990s show up on another photographer’s social media feed, he knew he had to have one. These cameras were never made to take outstanding photos. They were inexpensive, poorly made, and plastic. The winders break. The shutter stops working. They will just freeze in below zero temperatures. But they also capture magic.From the IMSA races to the 24 Hours of Le Mans, Formula 1 races around the world to Monterey Car Week and Lamborghini events, Racing Unfiltered chronicles Price’s year-long journey to capture the highs, lows, and candid moments of motorsport racing, all through the lens of vintage film cameras.

A Year in Motorsports Captured on Film

Racing Unfiltered

Routledge Histories

The Routledge History of the Modern Maritime World provides a wide-ranging set of chapters, covering the sixteenth century to the present, which represent the main lines of current enquiry in maritime history.

The Routledge History of the Modern Maritime World provides a wide-ranging set of chapters, covering the sixteenth century to the present, which represent the main lines of current enquiry in maritime history.

The Routledge History of the Modern Maritime World since 1500

Kinship and Community: Highlights from the Texas African American Photography Archive celebrates the rich history of photography created by and for Black communities in Texas. From eighteenth-century ambrotype portraits by unidentified photographers to the work of self-employed photographers serving segregated towns and neighborhoods in the mid-twentieth century, a rich body of photography was created by and for Black communities in Texas. The Texas African American Photography Archive (TAAP), founded in 1995 by Alan Govenar and Kaleta Doolin, contains more than sixty thousand negatives and prints from this history. Kinship and Community distills the archive's remarkable photographs into a moving testament to the medium and its transformative power. Filled with joy and pride, the images in this volume portray exemplary individuals and groups while documenting the parades, church services, graduations, and sporting events that punctuated everyday life. These positive depictions of Black life, by countering the mainstream media's racist stereotypes, played a quiet but powerful role in the struggle for civil rights.	Today, community photography provides a model for collaborative image-making, its vitality stemming from this union of ethics and aesthetics. Many of the photographers featured in Kinship and Community learned their trade in the military or from other Black photographers. As the civil rights era progressed, their aptitude and artistry enabled them to develop an affirmative vision for African American communities in a deeply segregated state. Decades later, the time has come to celebrate the accomplishments of these talented photographers, who include A. B. Bell, Marion Butts, Rodney Evans, Elnora Frazier, Alonzo Jordan, Benny Joseph, and Eugene Roquemore.Copublished by Aperture and Documentary Arts.

Kinship & Community: Highlights from the Texas African American Photography Archive

Royal Botanic Gardens, Kew

A celebration of the world's most charismatic flower

The Orchid: Royal Botanic Gardens, Kew

Discover the story of London from behind the scenes.Imagine sitting across from a 13-year-old Princess Elizabeth on the District Line, or being overtaken by Muhammad Ali on his morning run through Hyde Park. London in Photos documents a rapidly changing society from the funeral of King Edward VII in 1910 through to the birth of the new century.

A History of the Nation’s Capital Through the Camera Lens

The Times London in Photos

Anthem Impact

This study investigates how medieval intellectuals compared their own cultures with others. It aims to establish Cultural Comparisons as an area of medieval studies by looking at some of the outstanding texts, mainly from the twelfth to the fourteenth centuries.

How Medieval Thinkers Analysed Cultural Differences

Combining photomontage with portraiture and scenes of Hmong American communities, Her mixes the real with the artificial in search of a diasporic identityRooted in the experience of her Hmong community and shaped by family lore passed down by her elders, Pao Houa Her (born 1982) investigates the potential of photography to create nonlinear narratives exploring construction. She brings together formal and vernacular photographic languages manipulated into light boxes, wheat-pasted images and videos. Her's adoptive homes of Minnesota and California become stand-ins for Laos; plastic florals replace living tropics; ersatz and real meld together. The Imaginative Landscape traces Her's ever-deepening exploration into concepts of home and belonging. With essays and an artist interview, this catalog explores Her's work in genres of portraiture, landscape, still life and the vernacular, as she photographs herself and the people and places around her through the tinted lens of diasporic longing. This book was published in association with San José Museum of Art.

Pao Houa Her: The Imaginative Landscape

Snowlines

By 1930, no place in the world was less well explored than Greenland. The native Inuit had occupied the relatively accessible west coast for centuries. The east coast, however, was another story. In August 1930, Henry George Watkins (nicknamed "Gino"), a twenty-three-year-old British explorer, led thirteen scientists and explorers on an ambitious expedition to the east coast of Greenland and into its vast and forbidding interior to set up a permanent meteorological base on the icecap, 8,200 feet above sea level. The Ice Cap Station was to be the anchor of a transpolar route of air travel from Europe to North America.
The weather on the ice cap was appalling. Fierce storms. Temperatures plunging lower than -45° Celsius in the winter. Watkins's scheme called for rotating teams of two men each to monitor the station for two months at a time. No one had ever tried to winter over in that hostile landscape, let alone manage a weather station through twelve continuous months. Watkins was younger than anyone under his command. But he had several daring trips to the Arctic under his belt and no one doubted his judgement.
The first crisis came in the fall when a snowstorm stranded a resupply mission halfway to the top for many weeks. When they arrived at the ice cap, there were not enough provisions and fuel for another two-man shift, so the station would have to be abandoned. Then team member August Courtauld made an astonishing offer. To enable the mission to go forward, he would monitor the station solo through the winter. When a team went up in March to relieve Courtauld, after weeks of brutal effort to make the 130-mile journey, they could find no trace of him or the station. By the end of March, Courtauld's situation was desperate. He was buried under an immovable load of frozen snow and was disastrously short on supplies. On 21 April, four months after Courtauld began his solitary vigil, Gino Watkins set out inland with two companions to find and rescue him.
David Roberts, "veteran mountain climber and chronicler of adventures" (The Washington Post), draws on firsthand accounts and archival materials to tell the story of this daring expedition and of the epic survival ordeal that ensued.

Peril and Survival on the Greenland Ice Cap

Into the Great Emptiness

A stunning, official book of pictures from George Michael's life by renowned music photographer Brian Aris. It includes many unseen images of George at different stages of his career.

A stunning, official book of pictures from George Michael's life by renowned music photographer Brian Aris. It includes many unseen images of George at different stages of his career. George Michael hated having his photo taken, which makes this stunning collection of images spanning over 20 years such an unusual and beautiful tribute to one of the most consummate performers the music world has ever seen. Brian Aris first met George when he shot him and his Wham! colleague Andrew Ridgeley in 1984. He gained George's trust and subsequently took some of the most iconic shots of the star that provide an illuminating document of a complex character. With text documenting George's life and Brian's memories of his sessions and meetings with the star, together with iconic images, contact sheets and previously unseen images, this is a beautiful tribute to pop's most likeable and talented singer.

Three decades of George through the lens

George Michael

The Ascent of the Matterhorn

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