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Manuscripts from the British Library, Bibliotheque Nationale de France and the Getty Museum have been selected, and projects are illustrated with step-by-step photographs and beautiful images of the finished works.

Manuscripts from the British Library, Bibliotheque Nationale de France and the Getty Museum have been selected, and projects are illustrated with step-by-step photographs and beautiful images of the finished works.

Lovett Patricia: The Art of the Scribe

The Art of the Scribe

Practical Projects Inspired by the Calligraphy and Illuminations of Medieval Manuscripts

From the Renaissance to the present day, this is the history of art told through the female form, with over 80 works of art. A cultural mirror of the times, the female body has captivated both artists and audiences for centuries. But what can we learn from these pieces of art? What are they trying to tell us about the world we live in? And how has that changed over time? Explore the luminous portraiture of Gustav Klimt, astonishing wartime photography from Lee Miller and the ground-breaking performance art of Marina Abramovi¿. Meet Leonor Fini's shepherdess, Barkley L. Hendricks's 'Madonna', Graciela Iturbide's 'Medusa', Toyin Ojih Odutola's adventuresses and Hayv Kahraman's 'army of fierce women'. Discover the idealized female body as envisioned by Sandro Botticelli and the gender non-conforming portraits of Zanele Muholi and Yuki Kihara, as Amy Dempsey looks at how and why the female body has been depicted time and time again, and why its portrayal has often delivered important messages about - and to - the world. With a foreword by writer and curator, Hettie Judah.

The history of art told through the female form, with over 80 works of art

The Female Body in Art

Cultural Heritage Studies

What can art and artists bring to researching the origins and biographies of objects? How do they shed new light on - or even unsettle - existing approaches to such questions? Proposing the new term - artistic provenance research - the contributors to this innovative book illuminate art's capacity to expand provenance research in critical and provocative ways. Presenting in-depth examination of fascinating historical and contemporary examples, contributors to Artistic Provenance Research investigate knowledge-imagination dynamics, and questions of materiality, experimentation and speculation. They probe relationships between presences and absences, the aesthetic and the ontological, the scientific and the curatorial. The cases address a wide range of pressing issues of contemporary heritage research and practice, including those of colonialism and decolonization, ownership and art-markets, institutionalization, human remains, return and restitution. Through the exploration of selected artistic works in diverse media - including drama, performance, installation, photography and text - this book highlights the transformative potentials of artistic provenance research.

What can art and artists bring to researching the origins and biographies of objects? How do they shed new light on - or even unsettle - existing approaches to such questions? Proposing the new term - artistic provenance research - the contributors to this innovative book illuminate art's capacity to expand provenance research in critical and provocative ways. Artists, anthropologists and curators offer perspectives on a recent artwork that implicates human remains, potential histories and the politics of visibility. Through theorizing historical and contemporary examples, contributors explore knowledge-imagination dynamics, and the transformative potentials of artistic provenance research.

Artistic Provenance Research

Longlisted for the Women's Prize for Non-fiction 'Outstanding' - The Guardian 'Superb' - The Telegraph 'A must read' - Anne Sebba 'Lively' - The Times They seemed to be polar opposites . . . Augustus: vivid, volatile and promiscuous. He was a hero among romantics and bohemians, celebrated as one of the great British talents of his generation. Gwen's art was magnificent, but she was also more reserved, and as a woman she struggled for the recognition which has only come to her now, years after her death. Artists, Siblings, Visionaries is a riveting story of love, infidelity, betrayal, and of two extraordinary siblings whose art and lives subverted society's expectations.

The lives and loves of Gwen and Augustus John

Artists, Siblings, Visionaries

Phaidon Compacts

Celebrate five centuries of female creativity with this groundbreaking survey of women artistsGreat Women Artists is the most extensive illustrated survey on women artists ever published. Now available in a sleek compact format, this essential volume reflects an era where art made by women is more visible than ever.Organized alphabetically, the book features more than 400 artists from 50 countries around the world, representing each with a beautifully reproduced full-page artwork and a short illuminating text about its creator. Readers will find works by iconic and influential artists, such as Artemisia Gentileschi, Mary Cassatt, Georgia O'Keeffe, Frida Kahlo, Agnes Martin, Louise Bourgeois, Yayoi Kusama, and Cindy Sherman, as well as lesser-known names equally deserving of attention.Inspiring, impressive, and expansive in scope, Great Women Artists reveals a parallel yet equally engaging history of art for an age that champions a greater diversity of voices.Introductory essay by Rebecca MorrillArtist texts by James Cahill, Louisa Elderton, Elizabeth Fullerton, Orit Gat, Ferren Gipson, PL Henderson, Katy Hessel, Catalina Imizcoz, Louisa Lee, Henry Little, Helen Luckett, Kathleen Madden, Henry Martin, Tom Melick, Rebecca Morrill, Yates Norton, Cleo Roberts, Matthew Price, Gabrielle Schwartz, Robert Shane, Mitch Speed, David Trigg, and Ellen Mara De Wachter

Great Women Artists

DKV-Kunstführer

The first sacred building on the site of today's St. Reinoldi Church in Dortmund was likely erected as early as the 9th century as a Carolingian mission center. Excavations after World War II uncovered the foundations of a 10th-century hall church. The present structure, rebuilt after the war, reflects the 1270 construction in the transitional style from Romanesque to Gothic, with late Gothic additions. Most of the 14th- and 15th-century artworks inside survived the air raids and can still be admired by visitors today. <ul> <li> Historic Landmark: Oldest city church of Dortmund, dating back to the 9th century. </li> <li> Architectural Splendor: Romanesque-Gothic blend with late Gothic additions. </li> <li> Art Treasures: 14th- and 15th-century masterpieces that survived air raids. </li> </ul>

Evangelische Stadtkirche St. Reinoldi in Dortmund

A Guide to Changing Bridal Fashion from the 18th to the 21st Century

How to Read a Wedding Dress

A celebration of the stories behind 100 of the most iconic objects to pass through the doors of one of the world's most legendary auction housesIcons traces the extraordinary heritage of international auction house Sotheby's through one hundred of the most significant works sold under its banner. With works spanning across history and mediums - from a 67-million-year-old Tyrannosaurus rex to Maurizio Cattelan's infamous banana - this engaging book offers readers an exclusive glimpse into the journey of each artwork through its arrival in Sotheby's salesroom. The presentation of these exceptional objects, from some of the most prestigious collections entrusted to Sotheby's, gives behind-the-scenes access to pivotal moments in art market history.From national icons such as the Constitution and auction sensations such as Banksy's unforgettable, partially shredded Girl Without Balloon, each prized work is shown as a large-format image accompanied by an informative text written by Sotheby's specialists. Select entries also include contextual images - such as the work shown in situ or on the auction floor - as well as immersive quotes from curators, critics in the field and the Sotheby's specialists who brought them to sale. From rediscoveries, to record-breaking lots and 'white glove' auctions, every object sold through Sotheby's has a riveting story to tell. Published to coincide with Sotheby's marquee move back to the Breuer - a landmark of the New York art scene, having previously belonged to the Whitney Museum of American Art, and later the Metropolitan Museum of Art, and the Frick Collection - Icons highlights the legacy of the auction house through the masterpieces it has had the privilege of stewarding.Featured artists and creators include Jean-Michel Basquiat, Louise Bourgeois, Constantin Brâncusi, Leonora Carrington, Paul Cézanne, Edgar Degas, Salvador Dalí, Helen Frankenthaler, Achille and Pier Giacomo Castiglioni, Vincent van Gogh, Edward Hopper, Frida Kahlo, Gustav Klimt, Jacob Lawrence, Édouard Manet, Andrea Mantegna, Ludwig Mies van der Rohe, Joan Mitchell, Piet Mondrian, Georgia O'Keeffe, Patek Philippe, Pablo Picasso, Jackson Pollock, Raphael, Norman Rockwell, Mark Rothko, Georges Seurat, and Louis Comfort Tiffany, among others.

100 Extraordinary Objects from Sotheby's History

Icons

The only guide you'll ever need to making your very own cool comics. Create Your Own Comics is packed with story ideas, drawing tips, creative prompts and loads of fun suggestions to start you off on your way to becoming a comic master. This isn't just page after page of blank comic pages. It's a comprehensive guide to what makes comics work, with templates to help you find your way and hints for getting the best out of your own story ideas. Learn the basics of common comic elements and how to use them, including panels, speech bubbles, splash pages and sound effects. Find out how to create comics in different styles and genres, from funny to scary and superheroes to monsters. Once you feel you're a comic master, practise your new skills by using the story generator tools to get your imagination pumping and come up with unique stories of your very own.

Everything You Need to Know

Create Your Own Comics

Digitale Gesellschaft

It is an open secret that the hardware in our smart devices contains plastics and raw materials mined from conflict regions. Can we move beyond this oppressive system of extraction to find ethical alternatives? Feminist hackers Patrícia Reis and Stefanie Wuschitz&nbsp;discuss developing technology through eco-feminist artistic tools, rooted in care economies, local knowledges and collective survival. Through an intensive knowledge-sharing process and collaboration with peers, they unpack eco-feminist theory and practices to propose resistance strategies grounded in ethical hardware and de-growth economies - contributing significantly to the new field of arts-based research.

It is an open secret that the hardware in our smart devices contains plastics and also raw materials mined from conflict regions. Can we move beyond this oppressive system of extraction to find ethical alternatives? Feminist hackers Patrícia Reis and Stefanie Wuschitz&nbsp;discuss developing technology through eco-feminist artistic tools, rooted in care economies, local knowledges and collective survival. Through an intensive knowledge-sharing process and collaboration with peers, they unpack eco-feminist theory and practices to propose resistance strategies grounded in ethical hardware and de-growth economies – contributing significantly to the new field of arts-based research.

Hacking and Artistic Practices Towards Ethical Technology

Hardware and Eco-Feminist Art

Global Fashion Business since 1850

Capitalism’s Favorite Child

Isms

Duchamp-isms

How visual fantasies of violence, animality, and political agency offered an alternative image of masculinity during the Enlightenment &nbsp; Centering on animal bodies and assertive masculinity, the visual strategies of hunting art may appear incongruent with our understanding of Rococo aesthetics and the early Enlightenment. But these themes, embraced with enthusiasm by artists and patrons, inspired artworks in every genre and medium in eighteenth-century France. As the country expanded its colonial empire, the absolute monarchy existed in tension with ambitious elites, and the Enlightenment eroded old certainties about selfhood and society, hunting art provided a visual language of personal and national sovereignty written with bodies of men and animals. Amy Freund revises our received notions of eighteenth-century French art and culture, confronting us with a visual culture of animality, violence, and death: a Rococo of dogs and guns. &nbsp; Noble Beasts highlights the work of François Desportes, Jean-Baptiste Oudry, and others who, operating from the heart of institutions such as the Royal Academy and the Gobelins manufactory, produced an astonishing volume of highly accomplished work. The book draws on the critical frameworks of human-animal studies and on Enlightenment philosophical debates to explore how and why hunting art’s aesthetic and political claims blurred the lines between human and animal.

Hunters and Hunted in Eighteenth-Century French Art

Noble Beasts

The Art of the Scribe

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