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Manuscripts from the British Library, Bibliotheque Nationale de France and the Getty Museum have been selected, and projects are illustrated with step-by-step photographs and beautiful images of the finished works.

Manuscripts from the British Library, Bibliotheque Nationale de France and the Getty Museum have been selected, and projects are illustrated with step-by-step photographs and beautiful images of the finished works.

Lovett Patricia: The Art of the Scribe

The Art of the Scribe

Practical Projects Inspired by the Calligraphy and Illuminations of Medieval Manuscripts

Sammlung Moderne Kunst

Pinakothek der Moderne München

Phänomenologie der Bibliothek: Redescriptions

In Narrationen des 19. Jahrhunderts gab es zahlreiche textuelle Repräsentationen der Wunderkammer. Valerie Ahlfeld zeigt anhand von Adalbert Stifters 'Der Nachsommer', Theodor Fontanes 'Vor dem Sturm' und Wilhelm Raabes 'Das Odfeld', wie diese Denkfigur in einer Zeit transformiert wird, in der sich die Sammlungspraxis in Richtung spezialisierter Museen verlagerte. Dabei verknüpft sie literatur- und sammlungswissenschaftliche Perspektiven und verbindet textanalytische Detailarbeit mit kulturhistorischer Kontextualisierung - ein innovativer Beitrag zur Erforschung der Literarisierung vormusealen Sammelns.

Eine Sammlungsformation in Narrationen des 19. Jahrhunderts

Denkfigur Wunderkammer

A reappraising history of the remarkable women who Pablo Picasso shared his life with - whose individual stories and influence on the artist have been overlooked until now

The untold stories of six women who loved Picasso

Hidden Portraits

The first book to combine the approaches of business and global history to analyse the development of the fashion industry from the mid-19th century onwards, to offer a new perspective on the history of the global fashion business.

Global Fashion Business since 1850

Capitalism’s Favorite Child

How visual fantasies of violence, animality, and political agency offered an alternative image of masculinity during the Enlightenment &nbsp; Centering on animal bodies and assertive masculinity, the visual strategies of hunting art may appear incongruent with our understanding of Rococo aesthetics and the early Enlightenment. But these themes, embraced with enthusiasm by artists and patrons, inspired artworks in every genre and medium in eighteenth-century France. As the country expanded its colonial empire, the absolute monarchy existed in tension with ambitious elites, and the Enlightenment eroded old certainties about selfhood and society, hunting art provided a visual language of personal and national sovereignty written with bodies of men and animals. Amy Freund revises our received notions of eighteenth-century French art and culture, confronting us with a visual culture of animality, violence, and death: a Rococo of dogs and guns. &nbsp; Noble Beasts highlights the work of François Desportes, Jean-Baptiste Oudry, and others who, operating from the heart of institutions such as the Royal Academy and the Gobelins manufactory, produced an astonishing volume of highly accomplished work. The book draws on the critical frameworks of human-animal studies and on Enlightenment philosophical debates to explore how and why hunting art’s aesthetic and political claims blurred the lines between human and animal.

Hunters and Hunted in Eighteenth-Century French Art

Noble Beasts

Introducing new insights into the history of ceramic design and consumption, Neil Ewins departs from the focus on manufacturers and producers and presents a third perspective that puts the multifaceted lives of the merchants, importers and dealers at the centre. Challenging the notion that intermediaries involved in the Anglo-American ceramic trade from the late 18th into the 19th century were simply motivated by maximizing profits and widespread market demands, Ewin's alternative approach demonstrates the value of taking their culture, identity and conscience into account. The geographic gap between the British manufacturer and the American consumer meant that those involved in mercantile activities assumed a highly significant role. Ewins analyses a range of sources including city directories, advertisements, newspapers and family trees to identify those involved in the ceramic trade, supplemented by archival material relating to the Wainwright and Ovington families. Illustrated with examples of ceramics and engravings, chapters explore how the intermediaries commissioned and marketed ceramics for different reasons, influenced by their political, social, religious and moral views. Ewins investigates how culture and a strong sense of identity, the abolition movement, kinship and family ties, religious beliefs and community, and the interracial experience all played a part in the manufacture, distribution and consumption of ceramics in the US market. This volume demonstrates how the role of intermediaries deserves a place in the history of the Anglo-American ceramic trade; beyond design and consumption being production-led or market-led, it reveals that it could also be conscience-led and suggests the picture is far more complex than once understood.

Intermediaries and the Anglo-American Ceramic Trade

Alternative Narratives in Ceramic History

An ode to the quiet joy of collecting more books than we could ever possibly read - and loving them all the same... Drawing on the evocative Japanese term tsundoku - first coined in the Meiji era to describe the growing stacks of unread books that accumulate around devoted readers - this insightful and warmly humorous book reframes what some might see as clutter or guilt as a deeply meaningful way of living. From the tactile pleasure of flipping through pages to the quiet ritual of rearranging overflowing shelves, Tsundoku explores the psychology, culture, and poetry behind the irresistible urge to collect and cherish books. It offers meditations on the joy of choosing and buying books, the rebellion against reading lists, creative ways to organise your shelves, foolproof excuses for sneaking in yet another new title, techniques for remembering what you've read, and the guilty - but glorious - pleasure of re-reading. Above all, this philosophy reminds us that we do not necessarily have to have read all the books we own to love them unconditionally. Feelings of guilt, be gone! Unread books can be even more fascinating because they take us on wonderful journeys, and speak to us regardless, whether we open them or keep them closed. We know that books are a cure for the soul: just touching one, smelling one, or leafing through one makes us feel better immediately.

The Japanese Art of Collecting Books

Tsundoku

The only guide you'll ever need to making your very own cool comics. Create Your Own Comics is packed with story ideas, drawing tips, creative prompts and loads of fun suggestions to start you off on your way to becoming a comic master. This isn't just page after page of blank comic pages. It's a comprehensive guide to what makes comics work, with templates to help you find your way and hints for getting the best out of your own story ideas. Learn the basics of common comic elements and how to use them, including panels, speech bubbles, splash pages and sound effects. Find out how to create comics in different styles and genres, from funny to scary and superheroes to monsters. Once you feel you're a comic master, practise your new skills by using the story generator tools to get your imagination pumping and come up with unique stories of your very own.

Everything You Need to Know

Create Your Own Comics

Bestimmungsbuch Archäologie

Volume 10 in the series Bestimmungsbuch Archäologie presents the wide variety of arrowheads and spearheads found in German-speaking countries from the Palaeolithic Age to the 1st millennium AD. For thousands of years, human beings have used their era's best materials to make effective long-range weapons. Comprising stone, antler, bone, bronze or iron, they were designed to kill or injure animals when hunting or other human beings in conflict. The aim was always to optimize performance and ballistic properties for differing purposes. Based on a systematization employing morphological characteristics, which is also clear to laypeople, Volume 10 offers an additional reference work for the identification of a highly diverse group of archaeological artifacts.<ul> <li>First comprehensive systemization of pre- and early historical weapons such as arrows, spears, and lances </li> <li>Suitable for scientists as well as interested laypeople</li> <li>Final volume in this popular series</li></ul>

Erkennen. Bestimmen. Beschreiben

Pfeil- und Lanzenspitzen

Cultural Heritage Studies

What can art and artists bring to researching the origins and biographies of objects? How do they shed new light on - or even unsettle - existing approaches to such questions? Proposing the new term - artistic provenance research - the contributors to this innovative book illuminate art's capacity to expand provenance research in critical and provocative ways. Presenting in-depth examination of fascinating historical and contemporary examples, contributors to Artistic Provenance Research investigate knowledge-imagination dynamics, and questions of materiality, experimentation and speculation. They probe relationships between presences and absences, the aesthetic and the ontological, the scientific and the curatorial. The cases address a wide range of pressing issues of contemporary heritage research and practice, including those of colonialism and decolonization, ownership and art-markets, institutionalization, human remains, return and restitution. Through the exploration of selected artistic works in diverse media - including drama, performance, installation, photography and text - this book highlights the transformative potentials of artistic provenance research.

What can art and artists bring to researching the origins and biographies of objects? How do they shed new light on - or even unsettle - existing approaches to such questions? Proposing the new term - artistic provenance research - the contributors to this innovative book illuminate art's capacity to expand provenance research in critical and provocative ways. Artists, anthropologists and curators offer perspectives on a recent artwork that implicates human remains, potential histories and the politics of visibility. Through theorizing historical and contemporary examples, contributors explore knowledge-imagination dynamics, and the transformative potentials of artistic provenance research.

Artistic Provenance Research

Institute for the Study of the Ancient World Exhibition Catalogs

Rodin’s Egypt

Film

Die Geschichte des Kinos ist fundamental von der Ästhetik der Beleuchtung geprägt. In exemplarischen Einzelstudien analysiert Denis Grünemeier das faszinierende Wechselspiel von Licht und Schatten im Film. Dabei zeigt er eindrucksvoll durch die methodische Verknüpfung von Filmwissenschaft, Kunstgeschichte und Bildtheorie, dass Licht und Schatten über die Technik und Form hinaus wesentlich die Essenz und den Inhalt des Films bestimmen. Neben bekannten Regisseuren wie Kubrick, Murnau und Carlos Reygadas sind es die ausgewählten experimentellen Arbeiten Derek Jarmans und die Animationen der Quay Brothers, die den innovativen Status dieser Studie untermauern.

Die Geschichte des Kinos ist fundamental von der Ästhetik der Beleuchtung geprägt. In exemplarischen Einzelstudien analysiert Denis Grünemeier das faszinierende Wechselspiel von Licht und Schatten im Film. Dabei zeigt er eindrucksvoll durch die methodische Verknüpfung von Filmwissenschaft, Kunstgeschichte und Bildtheorie, dass Licht und Schatten über die Technik und Form hinaus wesentlich die Essenz und den Inhalt des Films bestimmen. Neben bekannten Regisseuren wie Kubrick, Murnau und Carlos Reygadas sind es die ausgewählten experimentellen Arbeiten Derek Jarmans und die Animationen der Quay Brothers, die den innovativen Status dieser Studie untermauern.

Zur Ästhetik der Beleuchtung

Licht im Film

The Art of the Scribe

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