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Hamel-Akré J: The Art of Not Eating

The Art of Not Eating

A Doubtful History of Appetite and Desire

Essays on Women

How a Doll Remade the World

Barbieland

In this volume, Taine Duncan offers a critique of Jürgen Habermas inspired by ethical and political feminist philosophy. She argues for a critical, theoretically grounded relational ethics and maintains that modern critical theory must be sensitive to social, political, and embodied difference. The utopian spirit of normative ethics, she suggests, can only be fairly achieved by fluidly working together for shared interests. By synthesizing feminist hopes for utopian ideals with the concept of solidarity that emerges from a relational ethics, this book puts forth a feminist project of cosmopolitanism as foundational for an ethical society. Habermas and Feminism explores the relevance of Habermas to philosophy while discussing how his strictures and assumptions limit what normative ethics should actually engender, a notion of embodied subjectivity contributing to emancipation and political participation.&nbsp; Duncan delves into the pressing contemporary need for an emancipatory democratic theory that is responsive to feminist thought and takes intersectionality, immigration issues, and disability theory into account. By contrasting Habermas’ recent applications of normativity and consensus with the realities of feminist concerns, this book offers an alternative critical theoretical perspective.&nbsp;

In this volume, Taine Duncan offers a critique of Jürgen Habermas inspired by ethical and political feminist philosophy. She argues for a critical, theoretically grounded relational ethics and maintains that modern critical theory must be sensitive to social, political, and embodied difference. The utopian spirit of normative ethics, she suggests, can only be fairly achieved by fluidly working together for shared interests. By synthesizing feminist hopes for utopian ideals with the concept of solidarity that emerges from a relational ethics, this book puts forth a feminist project of cosmopolitanism as foundational for an ethical society. Habermas and Feminism explores the relevance of Habermas to philosophy while discussing how his strictures and assumptions limit what normative ethics should actually engender, a notion of embodied subjectivity contributing to emancipation and political participation.&nbsp; Duncan delves into the pressing contemporary need for an emancipatory democratic theory that is responsive to feminist thought and takes intersectionality, immigration issues, and disability theory into account. By contrasting Habermas’ recent applications of normativity and consensus with the realities of feminist concerns, this book offers an alternative critical theoretical perspective.&nbsp;

Critical Reflections on Normativity

Habermas and Feminism

Where slaves became drag queens - and changed the world

The House of Swann

There are seven common reasons why relationships fail.An expert on midlife, and now relationships, the hugely respected journalist Miranda Sawyer outlines these common reasons, using anecdotal and personal evidence to delight and inform the reader as they naviagte partnered life.Did you know that one in ten people argue with their partner about finances at least once a fortnight?The most obvious argument is centred around a lack of money. Statistically, it’s unlikely that both partners will be paid exactly the same amount, therefore is it really fair to go Dutch and split finances equally? Money is just one of seven contentious issues which can lead to a relationship going pear-shaped.Sex, culture, children, personal taste (interiors, for example) and arguing can each be a catalyst for The End. Although the book can’t promise not to end your relationship, it will make you wiser.

How Not to F*ck Up Your Relationship

My Story

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Broadcaster and activist June Sarpong OBE lays bare an honest and intimate account of a life spent at the forefront of the fight for inclusivity.

Broadcaster and activist June Sarpong OBE lays bare an honest and intimate account of a life spent at the forefront of the fight for inclusivity.

The Only One in the Room

Last Word is the popular BBC Radio 4 series broadcast weekly, featuring the lives of several famous people who have recently died. More than standard obituaries, the lives are summarised with narration and include interviews with some of those who knew them. The programme was first broadcast in 2006 and this compelling anthology commemorates the remarkable and revealing lives of 80 women who were illuminating, inspiring or moving. Their names may not always be well known, but their lives made an impact on the world, and they broke new ground in many different ways. The book includes: Lt Islam Bibi - Helmand's top female police officer, shot dead by the Taliban Naty Revuelta Clews - Fidel Castro's mistress Naomi Sims - first Black supermodel Sylvia Robinson - The 'mother of hip-hop' who was the founder/CEO of Sugar Hill records Rosalia Mera - Zara founder, the world's richest self-made woman Marie Colvin - celebrated war reporter killed in Homs Clare Hollingworth - first war correspondent to report the outbreak of the Second World War Eileen Nearne - wartime spy who was captured and tortured by the Gestapo Salome Karwah - Ebola survivor who went back to Liberia to nurse other sufferers Jo Cox - MP murdered in her own Yorkshire constituency Jill Saward - rape survivor and campaigner for victims of sexual abuse Scharlette Holdman - 'The Angel of Death Row' who fought against the death penalty in the US Jeanne Cordova - former nun who became a lesbian rights activist Francis Kelsey - pharmacologist who prevented the licence of Thalidomide in the US Margaret Rule - archaeologist who raised the Mary Rose Countess of Arran - powerboat racer, 'the fastest granny on water'

The official companion book to BBC Radio 4's Last Word, a rich tapestry of women's lives in the 20th and 21st centuries

Last Word's Uncommon Women

Reimagining traditional tales, this empowering collection of stories, poems and beautiful hand-drawn illustrations gives Once Upon a Time a much-needed modern makeover. Gone are the gender stereotypes of obliging lovers, violent men and girls that need rescuing. Instead, lines blur between heroes and villains and you'll meet brave princesses, a new kind of wolf lurking in the concrete jungle and a courageous Gretel who can bring down monsters on her own.

Beautifully illustrated feminist fairytales for young and old.

& Other Stories to Stir Your Soul

Fierce Fairytales

Patipolitics looks at what it means to enjoy the body under technocapitalism arguing that we need a new paradigm to talk about sexual enjoyment and suffering. It is not just biological life (biopolitics), nor even political death (necropolitics) that has power, but also regimes of enjoyment. In simple terms the paradoxical, ambivalent and traumatic realm of the sexual: a deadly enjoyment that demands satisfaction yet cannot be sated. This is Patipolitics, from the Latin patior- to suffer, which for psychoanalysis is also to enjoy.

The body is governed by a dizzying array of institutions: the family, social media, religion and the culture industries. These sites provide contexts for enjoying the body such as: self-image, object choice, identification, erogenous zones, taboos, codes of sexual morality, inhibitions, violence, and bodily abjection. But it is the ways in which these modalities are harnessed by apparatuses of power which makes them patipolitical.

Patipolitics examines how the body is instrumentalised, weaponised and fantasized through science, technology and capitalism. After highlighting the destructive and oppressive elements of patipolitics, the book elucidates the positive and generative dimensions to the patipolitical. The female body and its place in the masculine imaginary obscures a genuine enigma about the sexual body and power. Ultimately if patipolitics is to be affirmative as opposed to destructive we must ask what alternative future it can help us to imagine?

Patipolitics looks at what it means to enjoy the body under technocapitalism arguing that we need a new paradigm to talk about sexual enjoyment and suffering. It is not just biological life (biopolitics), nor even political death (necropolitics) that has power, but also regimes of enjoyment. In simple terms the paradoxical, ambivalent and traumatic realm of the sexual: a deadly enjoyment that demands satisfaction yet cannot be sated. This is Patipolitics, from the Latin patior- to suffer, which for psychoanalysis is also to enjoy.

The body is governed by a dizzying array of institutions: the family, social media, religion and the culture industries. These sites provide contexts for enjoying the body such as: self-image, object choice, identification, erogenous zones, taboos, codes of sexual morality, inhibitions, violence, and bodily abjection. But it is the ways in which these modalities are harnessed by apparatuses of power which makes them patipolitical.

Patipolitics examines how the body is instrumentalised, weaponised and fantasized through science, technology and capitalism. After highlighting the destructive and oppressive elements of patipolitics, the book elucidates the positive and generative dimensions to the patipolitical. The female body and its place in the masculine imaginary obscures a genuine enigma about the sexual body and power. Ultimately if patipolitics is to be affirmative as opposed to destructive we must ask what alternative future it can help us to imagine?

Patipolitics

Culture journalist and broadcaster Kate Hutchinson takes us back to the early noughties and the heyday of indie music in the UK. With interviews from all the periods most important players, Hutchinson offers a nostalgic romp through the music of The Arctic Monkeys, Kaiser Chiefs, Franz Ferdinand, Kasabian and The Last Shadow Puppets.

Culture journalist and broadcaster Kate Hutchinson takes us back to the early noughties and the heyday of indie music in the UK. With interviews from all the periods most important players, Hutchinson offers a nostalgic romp through the music of The Arctic Monkeys, Kaiser Chiefs, Franz Ferdinand, Kasabian and The Last Shadow Puppets.

I Bet That You Look Good on the Dancefloor

An Empowering Guide From TikTok Megastar Fats Timbo

Main Character Energy

The Art of Not Eating

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Schlagworte

Bibliografische Angaben

Schlagworte

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