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Ebenstein Joanna: The Art of Fairy Tales

The Art of Fairy Tales

How Technology Created the Happiest Place on Earth

Disneyland and the Rise of Automation

This book is a groundbreaking interdisciplinary exploration of Mongolian Buddhism of the late nineteenth and early twentieth centuries, drawing on previously unexamined writings and artworks to shed new light on the intricate interrelationships that define this tradition.

Mongolian Buddhist Texts and Rituals

Art and Imagination

A nuanced and personal look at the Latino art world in New York from the 1970s to the new millennium &nbsp; In this deft interweaving of autobiography with the story of Latino art’s place in the flourishing New York art scene, Edward J. Sullivan calls attention to the prominent influence of Latin American artists from the 1970s until today. Recounting his own journey from student and curator to one of the field’s most celebrated scholars, Sullivan gives readers an insider’s look at a time when Latino art went from the margins to the spotlight and the discipline of Latin American art emerged. Beginning in the wake of the Black Power, gay liberation, and second wave feminism movements, Latino artists exhibited their work everywhere from alternative art spaces to major museums and forged a community and a collective identity. As Latin American and Latino artists navigated crises from AIDS to 9/11, they established their art forms as central to academic study and made New York’s institutions, museums, and galleries take it more seriously. &nbsp; Sullivan offers his readers an intimate view of the people, places, and events that populated the world of Latino art in New York as he showcases Latin American art from ancient to modern times. Rufino Tamayo, Carmen Herrera, Pepón Osorio, Cecilia Vicuña, and Juan Sánchez are among the many personalities who populated the scene. The result is a compelling and often surprising tale of cultural, personal, and institutional activity, and, at times, the intrigues that result from their collaborations.

Art and Experience, 1970-2001

Latino New York

A Life

Judy Blume

How a lifelong engagement with experimental art informed the brilliant Czech-Brazilian philosopher Vilém Flusser’s early vision of a world dominated by glowing screens. Predicting the importance of technology and images in the twenty-first century as early as the 1970s, Vilém Flusser warned, “the basic structure of our thinking is about to experience a mutation.” The bewitching images and screens that surround us could lead toward a centrally programmed, totalitarian society—or another, better one characterized by dialogue and collaboration among humans and new forms of intelligence. In this book on the idiosyncratic and prescient Czech-Brazilian philosopher, art historian and critic Martha Schwendener explores the profound effect of art on Flusser’s thought. The Society of the Screen reveals how Flusser’s lifelong engagement with experimental practices—from abstract painting and concrete poetry in Brazil to video, cybernetics, and photography in Europe and the United States—as well as his extensive involvement with the São Paulo Biennial informed his belief that we were moving from “history”—a civilization informed by linear writing—into “post-history,” dominated by technical images. The book delves deeply into how Flusser’s ideas evolved, particularly in correspondence and collaboration with artists like Mira Schendel, Fred Forest, Wen-Ying Tsai, Harun Farocki, Louis Bec, and Karl Gerstner.

The Art of Fairy Tales

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