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Sumerau J: That's What He Said

That's What He Said

What Men Say About Gender and Society

The first major biography on artist Louise Bourgeois brings the life and work of an iconic twentieth-century artist into sharp focus &nbsp; Louise Bourgeois (1911–2010) was one of the most important artists of the twentieth century. She is known for a body of work that spans sculpture, painting, and printmaking but eludes any aesthetic classification. Her life and art were so intertwined that it is often difficult to tell them apart. In her own words: “Sculpture is the body. My body is the sculpture.” &nbsp; Marie-Laure Bernadac’s biography of Bourgeois traces the career of a great artist, her training, and her influences, as it tells the story of an exceptional woman’s life. Featuring personal photographs as well as reproductions of her work, this landmark publication is the first major biography to draw on the artist’s unpublished personal archives, including diaries, correspondence, and psychoanalytic writings, as well as the many interviews she gave and the reminiscences of those who knew her. Bernadac elucidates Bourgeois’s friendships and rivalries with other major figures, including sculptor Louise Nevelson and Museum of Modern Art director Alfred H. Barr Jr. She also draws on Bourgeois’s well-known fascination with psychoanalysis to explore the deeply autobiographical nature of her artwork. This erudite and keenly insightful biography pays tribute to the talent of the artist and the complexity of the person.

The Life of Louise Bourgeois

Knife-Woman

Kurdish Studies

"This book focuses on the cultural and intellectual activities of Kurdish migrant women through artistic and aesthetic forms of production in Belgium, France, Germany, Sweden and the UK. Using in-depth interviews with over 40 Kurdish women artists, Ozlem Galip examines how artistic, literary and cultural productions, incorporating the fields of film, theatre and music, are articulated within the structures of nation states, leading to the interrogation of the impact of western and local knowledge, patriarchy, the nation-state and globalisation. Galip also analyses how European policies affect the development of cultural engagement of Kurdish migrant women, and how such engagements help these women to integrate into European society"--

Intellectual and Cultural Production in Europe

Art, Gender and Migration in the Kurdish Diaspora

Bloomsbury Studies in Classical Reception

From Girl to Woman

The Persephone Myth in Young Adult Fiction

Contemporary Perspectives on Social Inequalities in the United States

The Maternity Leave Experiences of Low-Income Mothers of Color in the United States

Unequal Before Birth

The Extraordinary Lives of Medieval Women

Poet, Mystic, Widow, Wife

Nothing at All

The extraordinary creative energy of Renaissance Italy lies at the root of modern Western culture. In this study, Virginia Cox offers a fresh vision of this iconic moment in cultural history. This book explores key artistic, literary and intellectual developments, as well as histories of food and fashion, map-making, exploration and anatomy.

A Cultural History

The Italian Renaissance

Why has Tunisia, widely considered an Arab Spring 'success story', seen such an explosion in violent Islamism among its women?

The Case of Tunisia

Female Jihadis

The book will be a work of non-fiction examining the intersections of sex work, power, violence and feminism, building on an article the author wrote for n+1 on these same topics. It will examine and debunk prevalent myths of what commercial sex is and isn't; reveal sex workers not as hostages of the patriarchy, but as leaders of feminist movements; strip away the commonly accepted pillars of conversation around sex work to ask whether it's useful to frame 'sex work' as 'work' at all; and use international examples from the US, UK and elsewhere to build a picture of the current state of legislation and possible futures.

Sex, Work and Survival

Anything of Value

A new book from the founder of The Honey Pot, Beatrice Dixon!

The Soul Instinct

For centuries, women have organized and hosted social gatherings known as 'salons, ' which have served as sites of women's creativity and agency in the arts, sciences, and letters - especially music. This volume offers new understandings of women's musical salons across four centuries from North America, Latin America, Europe, North Africa, and the Ottoman Empire, foregrounding an often-overlooked platform of women's musicianship in cross-cultural perspective. Drawing on disciplines including musicology, ethnomusicology, women's and gender studies, cultural and performance studies, film studies, art history, anthropology, and Jewish studies, the authors present a new history of women and music through the lens of musical salon culture. The twenty-five case studies included in the book present an array of practices and manifestations of the institution of musical salons. These cases demonstrate how women from a wide range of social and cultural backgrounds used salons as sites of agency, shaping their musical environments according to their distinctive interests and ideals.

A Cross-Cultural History

Four Centuries of Women's Musical Salons

That's What He Said

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