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Sumerau J: That's What He Said

That's What He Said

What Men Say About Gender and Society

Why has Tunisia, widely considered an Arab Spring 'success story', seen such an explosion in violent Islamism among its women?

The Case of Tunisia

Female Jihadis

Through a re-examination of the theoretical study of time and embodiment, this collection proposes an innovative new discourse in which to situate film. Each of its essays, written by a host of renowned international scholars, demonstrate the embodiment of time to be a vital part of the aesthetic experience of cinema. Analysing a broad range of films such as Beasts of the Southern Wild (USA, 2012), Talk to Her (Spain, 2002), Millennium Actress (Japan, 2001), Jab Tak Hai Jaan (India, 2012), and Jinpa (China, 2018), they each draw specific attention to moments of change and transformation, so as to explore how films operate as dynamic carriers of social meaning. Contributors examine key questions of embodied time as represented on screen; as a way of rethinking the centrality of the individual, of depicting gendered differences, of decentring western perspectives to consider embodied time in a widened global context, and as a way of expanding what embodiment means in post-human narratives. In doing so, this study not only highlights specific discourses of radical, lived experience in film, but also considers how distinctions of race and class, gender and sexuality, migration, religion, and indigeneity affect these depictions of embodied subjectivity.

Time and the Cinematic Body

Radical Embodiment on Film

Bloomsbury Studies in Global Women’s Writing

Race and Narrative Innovation

Experimental Subjectivities in Global Black Women's Writing

Labor and Technology

Urban Chinese Businesswomen in the Internet Age

Burnout Market Feminism

Cultural Capital Doesn’t Pay the Rent is a story about loss, economic survival, and three decades of organizing against the interlocking hellscapes of neoliberalism. Jessica Lawless’s memoir is a queer, anarcho-punk history of community care and healing justice.
An original member of Home Alive, the Seattle-based, feminist self-defense collective founded as a response to the unsolved rape and murder of a beloved friend, Lawless takes the reader into subcultural spaces of the 1980s and '90s where anticapitalist concepts of race, gender, and sexuality were developing against the backdrop of the Christian right’s early culture wars.
Digging into their personal archive of pre-internet flyers, meeting notes, zines, photos, newsletters, exhibition announcements, journals, and funeral programs, Lawless explores the somatic impacts of remembering and forgetting. Her attempts to leave violence in the past lead her to the institutional violence of academia, the absurdity of the Los Angeles art world, the crushing poverty of cyclical subemployment as an adjunct professor, and the heartbreak of working in the labor movement.
Reflecting on the past while entering menopause, Lawless crafts a narrative that twists and turns along a winding path, continually rejecting normative conclusions. Cultural Capital Doesn’t Pay the Rent is a moving account of abolitionist feminist resistance that will inspire anyone who’s experienced the hopes and hypocrisies of leftist activism.

A Queer Memoir

Cultural Capital Doesn't Pay the Rent

The first major biography on artist Louise Bourgeois brings the life and work of an iconic twentieth-century artist into sharp focus &nbsp; Louise Bourgeois (1911–2010) was one of the most important artists of the twentieth century. She is known for a body of work that spans sculpture, painting, and printmaking but eludes any aesthetic classification. Her life and art were so intertwined that it is often difficult to tell them apart. In her own words: “Sculpture is the body. My body is the sculpture.” &nbsp; Marie-Laure Bernadac’s biography of Bourgeois traces the career of a great artist, her training, and her influences, as it tells the story of an exceptional woman’s life. Featuring personal photographs as well as reproductions of her work, this landmark publication is the first major biography to draw on the artist’s unpublished personal archives, including diaries, correspondence, and psychoanalytic writings, as well as the many interviews she gave and the reminiscences of those who knew her. Bernadac elucidates Bourgeois’s friendships and rivalries with other major figures, including sculptor Louise Nevelson and Museum of Modern Art director Alfred H. Barr Jr. She also draws on Bourgeois’s well-known fascination with psychoanalysis to explore the deeply autobiographical nature of her artwork. This erudite and keenly insightful biography pays tribute to the talent of the artist and the complexity of the person.

The Life of Louise Bourgeois

Knife-Woman

A Short History of Bad Ideas About Women

Reproductive Wrongs

Speculative Visions and Critical Histories

Queens in Antiquity and the Present

The first comprehensive feminist reading of ancient Greek fictional letter collections.

Representations of Women in Fictional Epistolography

Writing Herstory through Ancient Greek Letters

Nothing at All

The extraordinary creative energy of Renaissance Italy lies at the root of modern Western culture. In this study, Virginia Cox offers a fresh vision of this iconic moment in cultural history. This book explores key artistic, literary and intellectual developments, as well as histories of food and fashion, map-making, exploration and anatomy.

A Cultural History

The Italian Renaissance

The book will be a work of non-fiction examining the intersections of sex work, power, violence and feminism, building on an article the author wrote for n+1 on these same topics. It will examine and debunk prevalent myths of what commercial sex is and isn't; reveal sex workers not as hostages of the patriarchy, but as leaders of feminist movements; strip away the commonly accepted pillars of conversation around sex work to ask whether it's useful to frame 'sex work' as 'work' at all; and use international examples from the US, UK and elsewhere to build a picture of the current state of legislation and possible futures.

Sex, Work and Survival

Anything of Value

That's What He Said

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