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'A luminous, uneasily beautiful set of poems.' Rebecca Tamas, Guardian (Best Recent Poetry roundup)Praise for Soho:'Scott's project is as political as it is personal, and the kaleidoscopic picture of contemporary queerness he builds through these poems is as urgent as it is alluring.' A.

Scott R: That Broke into Shining
Crystals

That Broke into Shining Crystals

The extraordinary memoir from Dylan Thomas Prize-winning poet, Kayo Chingonyi.

Prodigal

The Margellos World Republic of Letters

From a trailblazing poet, a trilingual narrative in verse that bears witness to a devastating crime and testifies to the power of collective defiance &nbsp; In 2007, Mexican soldiers raped and left for dead a seventy-three-year-old Indigenous Nahua woman, Ernestina Ascencio Rosario, as she worked on her farm. Despite extensive evidence to the contrary, including eyewitness accounts, the courts ruled that Ascencio had died of natural causes. When journalists began to investigate, they discovered that there were numerous girls in the community who also had been raped by soldiers—girls as young as twelve who were already mothers. The reports sparked outrage throughout Latin America over violence against women and girls, violence against Indigenous communities, and military impunity. &nbsp; Stolen Flower, a contemporary classic originally written in Didxazá (Isthmus Zapotec), is Irma Pineda’s powerful sequence of poems memorializing the events and their ramifications. The poems, which appear here in Didxazá, Spanish, and English, are told through a chorus of fictionalized voices: of Ascencio herself, of the field where the rape occurred, of the forest that has seen generations of Indigenous villagers, of the village grappling with the terror. It is at once a lament and a call to arms, refashioning the testimonio into a tribute to Mexico’s Indigenous peoples and their lands, cultures, languages, and dignity.

Stolen Flower

With A Year of Last Things, acclaimed novelist Michael Ondaatje returns to poetry, looking back on a life of displacement and discovery 'My life always stops for a new book by him' JHUMPA LAHIRI 'A generous, moving book' GUARDIAN Born in Sri Lanka during the Second World War, Ondaatje was sent as a child to school in London, and later moved to Canada. While he has lived there since, these poems reflect the life of a writer, traveller and watcher of the world – describing himself as a 'mongrel', someone born out of diverse cultures. Here, rediscovering the influence of every border crossed, he moves back and forth in time, from a childhood in Sri Lanka to Molière’s chair during his last stage performance, from icons in Bulgarian churches to the Californian coast and loved Canadian rivers, merging memory with the present, looking back on a life of displacement and discovery, love and loss. As he writes in the opening poem: Reading the lines he loves he slips them into a pocket, wishes to die with his clothes full of torn-free stanzas and the telephone numbers of his children in far cities Poetry – where language is made to work hardest and burns with a gem-like flame - is what Ondaatje has returned to in this intimate history.

A Year of Last Things

The Worrying Rose

Harvard Library of Ukrainian Literature

Furious Harvests, a collection of striking poetry by Alex Averbuch, explores existential questions that war raises: from the Russian aggression against Ukraine currently taking place in Averbuch's home region of Luhansk, to the events of World War II, including poems that incorporate historical letters of Jewish Holocaust survivors.

Furious Harvests

Untitled Poetry Collection

Poems

Birthstones in the Province of Mercy

New and Collected Poems

Startlement

"A formally ambitious second collection calculating the cost of evolution and survival"--

Lazarus Species

A vivid and musical rendering of the poetry of Catullus, whose passionate verses have captivated readers for centuries &nbsp; “Catullus’s verses still ring true, reminding readers that the habits of the heart haven’t changed in millennia.”—Publishers Weekly &nbsp; In the fourteenth century, a manuscript surfaced in Verona that had been lost for more than a thousand years: the poems of Catullus (c. 84–c. 54 BCE), considered by many to be one of the greatest poets who ever lived. These poems, with their beauty, wit, tenderness, and heartbreak, are still as alive and moving today as they were two thousand years ago. &nbsp; They are dense, subtle, witty, ardent, fearless, deeply uncensored, nasty (sometimes), petty (sometimes), and always beautiful. It’s especially his love poems that have earned readers’ admiration over the centuries; the joy and the savage self-inflicted torments that he underwent in his “miserable, disastrous love affair” have been shaped into poems that for honesty and emotional power have few parallels in world literature. &nbsp; Stephen Mitchell, who is known for bringing ancient texts to vibrant new life, has now translated Catullus’s poems for a new generation of readers. These are the first translations of Catullus to reimagine his rhythms in English and thus to let contemporary readers hear the formal beauty of his verse as well as its content, which Robert Lowell calls “much more raw and direct than anything in English.”

That Broke into Shining Crystals

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