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Teresita Fernández / Robert Smithson

Routledge Companions

Digital Humanities has emerged in recent years as a new paradigm within theatre and performance studies. This is the first volume to compile scholarly and best practice knowledge from around the globe, and to address both the history and future of this new field. Contributors examine a range of projects documenting, reconstructing and visualizing theatre and performance practices both past and present; discuss a new methodology for theatre scholarship, and for archiving and preserving works; and consider the impact of the Digital Humanities on higher education in theatre and performance studies.

Digital Humanities has emerged in recent years as a new paradigm within theatre and performance studies. This is the first volume to compile scholarly and best practice knowledge from around the globe, and to address both the history and future of this new field. Contributors examine a range of projects documenting, reconstructing and visualizing theatre and performance practices both past and present; discuss a new methodology for theatre scholarship, and for archiving and preserving works; and consider the impact of the Digital Humanities on higher education in theatre and performance studies.

The Routledge Companion to Digital Humanities in Theatre and Performance

In the mid-twentieth century, Walter Beinecke began buying up downtown storefronts and buildings in Nantucket, Massachusetts and his efforts laid the groundwork for the island's revitalization. Massachusetts State Historian Jack Warner tells the fascinating story of the island's changes and upheavals with an insider's eye for detail.

How Preservation, Conservation and Redevelopment Transformed the “Gray Lady”

Walter Beinecke and the Reimagining of Nantucket

Michael Mann Project 2

From the best-selling author of The End of Your Life Book Club comes a warm, funny, irresistible book that follows an improbable and life-changing friendship over the course of forty years. 'Moving. Salted with intelligence and empathy' New York Times Book Review 'A page-turner' New Yorker 'Really shines' San Francisco Chronicle 'Gorgeous' Sebastian Junger ------------- Imagine a secret society which pairs you with your polar opposite. You meet regularly. What would you talk about? Could you become friends? Will is bookish, quiet, gay, manning AIDS helplines. Maxey is loud, a wrestler, a Jock, intent on a military life. But paired together - over dinner, beers, pool games - they forge an extraordinary and resilient bond. We Should Not Be Friends is an account of their odd-couple relationship, its ups and downs, twists and turns, the misunderstandings and the trust built over forty turbulent years. ------------- 'A rare view of male friendship . . . succeeds because Maxey comes across as a great character, a warm and devoted friend' NPR 'Schwalbe has an uncanny ability to use his personal experience as a springboard for universal truths' Los Angeles Times 'A charming read with plenty of surprises. Celebrates not only an unlikely friendship, but the strange turns a life can take' Wall Street Journal 'Schwalbe's memoir shines. Written like a true friend' Daily Mail

PRE-ORDER THE PAPERBACK NOW From the best-selling author of The End of Your Life Book Club comes a warm, funny, irresistible book that follows an improbable and life-changing friendship over the course of forty years. 'Moving' NEW YORK TIMES ''Schwalbe's memoir shines...Written like a true friend' DAILY MAIL ------------- in his last year of university, Will thought he knew everyone he cared to know. A per-haired, out gay young man, working at an AIDS helpline in the early days of the crisis, Will found community amongst the theatre students, artists and writers. He also knew who he wanted to avoid: the jocks. Wearing sporty clothes and moving in boisterous packs, the jocks seemed to be a different species entirely, one Will might encounter only at his own peril. All this changed dramatically when Will was brought into a secret society at Yale, aimed to bring together a group of opposites. On his first day, he was faced with Chris Maxey - a physically imposing, loud, star wrestler who seemed to be uncomfortable around Will and embodied everything he disliked and feared. But through months of mandated dinners, and many beers, the two swapped life-stories and forged an unexpected bond that became a ballast in each other's lives for forty years. A real-life The Breakfast Club story, We Should Not Be Friends is a testament to the miracle of human connection, if only we see past our differences.

The Story of An Unlikely Friendship

We Should Not Be Friends

'A beautiful and important book' The TimesOn the day that Jacob, an Anglo-Dutch trader, agrees to accept a slave in lieu of payment for a debt from a plantation owner, little Florens's life changes irrevocably. With her keen intelligence and passion for wearing the cast-off shoes of her mistress, Florens has never blurred into the background and now at the age of eight she is uprooted from her family to begin a new life with a new master. She ends up part of Jacob's household, along with his wife Rebekka, Lina their Native American servant, and the enigmatic Sorrow who was rescued from a shipwreck. Together these women face the trials of their harsh environment as Jacob attempts to carve out a place for himself in the brutally unforgiving landscape of North America in the seventeenth century. 'Toni Morrison is the greatest chronicler of the American experience that we have ever known' Tayari Jones, New York TimesBY THE NOBEL PRIZE-WINNING AUTHOR OF BELOVEDWinner of the PEN/Saul Bellow award for achievement in American fiction

'A beautiful and important book' The Times On the day that Jacob, an Anglo-Dutch trader, agrees to accept a slave in lieu of payment for a debt from a plantation owner, little Florens's life changes irrevocably. With her keen intelligence and passion for wearing the cast-off shoes of her mistress, Florens has never blurred into the background and now at the age of eight she is uprooted from her family to begin a new life with a new master. She ends up part of Jacob's household, along with his wife Rebekka, Lina their Native American servant, and the enigmatic Sorrow who was rescued from a shipwreck. Together these women face the trials of their harsh environment as Jacob attempts to carve out a place for himself in the brutally unforgiving landscape of North America in the seventeenth century. 'Toni Morrison is the greatest chronicler of the American experience that we have ever known' Tayari Jones, New York Times BY THE NOBEL PRIZE-WINNING AUTHOR OF BELOVED Winner of the PEN/Saul Bellow award for achievement in American fiction

A Mercy

Religion in Politics and Society Today

Exploring the Issues

Black Religious Activism

A long overdue counternarrative to the story of Asian Americans as passive participants in the American story Interest in Asian American issues and the place of Asian Americans in U.S. history has surged in recent years, from debates over affirmative action to terrifying episodes of anti-Asian violence. Yet, in part because of enduring racist stereotypes and the idea of Asian Americans as a model minority, Asian American communities are frequently portrayed as apolitical and passive--and their deeper history remains obscured. In Our Place in History, celebrated attorney, educator, and founding director of the Asian American Justice Center Phil Tajitsu Nash offers an important counternarrative to this myth, foregrounding the history of Asian American activism in a way few other books have done. Nash focuses on ten stirring and emblematic episodes over the past fifty years where Asian Americans rose up to defend their rights, challenge discrimination, and join with others to build a more just world--from the movement for reparations for the World War II-era internment of Japanese Americans to the push to foreground class economics and working rights, and the recent struggle against anti-Asian violence. As Asian Americans and their allies push for Asian American history in curricula across the country, Our Place in History provides a readable, authoritative guide to the impact made by Asian Americans--bringing them from the margin to the mainstream of American history.

A long overdue counternarrative to the story of Asian Americans as passive participants in the American story 

 Interest in Asian American issues and the place of Asian Americans in U.S. history has surged in recent years, from debates over affirmative action to terrifying episodes of anti-Asian violence. Yet, in part because of enduring racist stereotypes and the idea of Asian Americans as a model minority, Asian American communities are frequently portrayed as apolitical and passive—and their deeper history remains obscured. In Our Place in History, celebrated attorney, educator, and founding director of the Asian American Justice Center Phil Tajitsu Nash offers an important counternarrative to this myth, foregrounding the history of Asian American activism in a way few other books have done. Nash focuses on ten stirring and emblematic episodes over the past fifty years where Asian Americans rose up to defend their rights, challenge discrimination, and join with others to build a more just world—from the movement for reparations for the World War II–era internment of Japanese Americans to the push to foreground class economics and working rights, and the recent struggle against anti-Asian violence. As Asian Americans and their allies push for Asian American history in curricula across the country, Our Place in History provides a readable, authoritative guide to the impact made by Asian Americans—bringing them from the margin to the mainstream of American history.

Ten Milestones in the Fight for Asian American Rights

Our Place in History

The Fashion Book is designed to be a one-stop textbook and reference for students of fashion and textile studies in the English-speaking world. This inter-disciplinary introduction to theories, debates, methodologies and case studies in fashion studies will suit students in degrees, modules and majors including cultural studies, art, communications/media, cultural geography, anthropology and cultural history.

The Fashion Book is an exciting, readable and comprehensive, all-in-one resource for students of fashion across the English-speaking world. It is designed as an introduction to fashion studies that can be used in a range of fashion courses from fashion studies degrees to fashion modules, and majors in disciplines including cultural studies, cultural sociology, cultural geography, communications and media, anthropology and cultural history. The book will present current writings and research on major topics debates in fashion studies drawing on the literature on fashion theory and incorporating many global case studies (as easy-to-read boxed material). Graphs, tables and diagrams will add texture to the written material. Approximately 200 colour images are planned to generously illustrate the historical and the contemporary tapestry of fashion. A dedicated interactive website will complement the text and ensure that students are in touch with the latest news, issues and trends.

The Fashion Studies Book

Joss Marsh's stirring book traces the international phenomenon that is cinema's Dickens obsession, from its origins in Dickens's celebrity, through Dickens impact on the pioneers, first masters, and later innovators of the cinema and his enmeshment in the complex of technologies and cultural formations that made up the world of late-Victorian fantasy - from the photograph to the magic lantern, from celebrity to time travel.

As Joss Marsh observes in her stirring book on Dickens and cinema, Dickens was the first mass-mediated photographic celebrity of the modern era, more intimately "familiar" than any person in Britain besides the royal family. Suggesting Dickens's celebrity, as much as his work, contributed to the international phenomenon that is cinema's Dickens obsession, Marsh begins with  J. J. E. Mayall's famous celebrity portraits to trace Dickens's impact on the pioneers, first masters, and later innovators of the cinema. At the same time, Marsh uncovers a larger issue: to understand Dickens's place in cinema is to understand his enmeshment in the whole complex of technologies and cultural formations that made up the world of late-Victorian fantasy-from the photograph to the magic lantern, from celebrity to time travel.  Each of the six chapters unfolds a century-long cultural story that maps the Dickensian points of inspiration in the history of cinema. Marsh's cinematic geography of Dickensland transports the reader from Dickens's experiences with the early-Victorian portraitist's camera to Sunset Boulevard, Billy Wilder's remake of Great Expectations as a satire on the vampiric celebrity "celluloid self"; from actor-manager Martin-Harvey's 1899 manufacture of the "cast-iron" Victorian stage play to Dirk Bogarde's 1958 inheritance of the sacrificial gay role of Sydney Carton; from Charley Dickens Jnr.'s attempt to cash in on his father's knowledge of London to the history of production design as a medium of historical tourism and virtual experience; from Dickens's "impersonation" of Fagin, anti-Semitic and inherently theatrical, to the transformations of "the Jew" by Chaplin and David Lean and his musical apotheosis as magician and Pied Piper; from Dickens's 1868 return, in his last public reading, to the murder of Nancy to the contemporary slasher movie; and finally from the time travel enabled by the magic lantern's "dissolving views" through the role of Dickens's lantern-inspired Christmas tales of the 1840s in the lantern's development of pre-cinematic visual storytelling.  Informed by extensive archival research, deftly written, and beautifully illustrated, Joss Marsh's book shows film's fascination with Dickens was the trace of a persisting desire”fueled by decades of Dickensian impersonation and enabled by the medium's capacity to make still images live”to bring back the most extraordinary literary artist and personality of the nineteenth and early twentieth centuries”to make Dickens live again.

Multi-Media 'Boz' and the Culture of Celebrity

Starring Charles Dickens

Essence Magazine 2023 Must Read Bet on Black is a call to action for Black people all over the world to adopt a fresh, highly informed mindset that will change their lives. Blackness is a rich, expansive place that centers resilience, excellence, beauty, panache, and brilliance. But these notions of Blackness have long been distorted by American racism, where for generations Black folks have been expected to live a subordinate, second-class existence in the country they call home. Williams delves into some of the cornerstones of leading a first-class Black life, including: <ul><li>&nbsp; &nbsp;Don’t Let Anyone Make You Their Black Sidekick</li><li>&nbsp; &nbsp;Carry Your Blackness Proudly Everywhere You Go</li><li>&nbsp; &nbsp;Disrupt Oppressive Power Structures</li><li>&nbsp; &nbsp;No Need to Codeswitch</li><li>&nbsp; &nbsp;Black Community is Invincible When We Get Together</li></ul> In this book, journalist and attorney Eboni K. Williams delves into some of the cornerstones of leading a first-class Black life, ranging from understanding one’s history to investing in the sometimes challenging processes of success. She does this all while sharing intimate details of her own story. Bet on Black will reawaken your own self-worth and understanding of the value of celebrating Blackness—whether yours or others’.&nbsp;Williams boldly proclaims that Blackness is the single most misunderstood construct in America. Bet on Black invites you to join her on the quest to show the world what Blackness really&nbsp;is.

Essence Magazine 2023 Must Read Bet on Black is a call to action for Black people all over the world to adopt a fresh, highly informed mindset that will change their lives. Blackness is a rich, expansive place that centers resilience, excellence, beauty, panache, and brilliance. But these notions of Blackness have long been distorted by American racism, where for generations Black folks have been expected to live a subordinate, second-class existence in the country they call home. Williams delves into some of the cornerstones of leading a first-class Black life, including: <ul><li>&nbsp; &nbsp;Don’t Let Anyone Make You Their Black Sidekick</li><li>&nbsp; &nbsp;Carry Your Blackness Proudly Everywhere You Go</li><li>&nbsp; &nbsp;Disrupt Oppressive Power Structures</li><li>&nbsp; &nbsp;No Need to Codeswitch</li><li>&nbsp; &nbsp;Black Community is Invincible When We Get Together</li></ul> In this book, journalist and attorney Eboni K. Williams delves into some of the cornerstones of leading a first-class Black life, ranging from understanding one’s history to investing in the sometimes challenging processes of success. She does this all while sharing intimate details of her own story. Bet on Black will reawaken your own self-worth and understanding of the value of celebrating Blackness—whether yours or others’.&nbsp;Williams boldly proclaims that Blackness is the single most misunderstood construct in America. Bet on Black invites you to join her on the quest to show the world what Blackness really&nbsp;is.

The Good News about Being Black in America Today

Bet on Black

The new action-packed political/espionage thriller from the New York Times bestselling author of the James Reece series.&nbsp;

Untitled James Reece 8

America

Teresita Fernández / Robert Smithson

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