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Catalogue complet

Susan Rothenberg: All Night Long

Liquid Reflections

An introduction to the fantastical, joyous and dangerous universe of Christina Forrer's outlandish woven tapestries Animated by an interest in fables and folklore, Swiss artist Christina Forrer's (born 1978) vibrant weavings and works on paper explore the depths of human emotion. This bilingual English/German monograph documents 15 years of her intricate and brightly colored tapestries, filled with fantastical characters in various stages of revolt. This book was published in association with Luhring Augustine.

Christina Forrer

The first retrospective on Parasol Press, a New York–based print publisher that swiftly became a critical force in both American printmaking and the contemporary art world &nbsp; Parasol Press: Breaking New Ground is the first retrospective to survey the breadth of Parasol Press’s remarkable publications between 1970 and 2014. Founded by Robert Feldman in New York, the publisher came to prominence for introducing a generation of Minimalist and Conceptual artists to printmaking. Working in the 1970s with artists such as Mel Bochner, Sol LeWitt, Robert Mangold, Brice Marden, Agnes Martin, Edda Renouf, Dorothea Rockburne, and Robert Ryman, Parasol’s editions were among the decade’s most ambitious prints, showcasing the complex and varied ways Minimalist artists explored the materiality of printed surfaces while challenging the medium’s limits. Collaborating with printers including Kathan Brown at Crown Point Press and Michael Domberger at Edition Domberger, Parasol Press took risks on technically daring feats, including Chuck Close’s creation of the largest mezzotint ever produced, Richard Estes’s intricate photorealistic screenprints consisting of hundreds of layers of color, and a multiartist portfolio made entirely from rubber stamps. Over the next decades, Parasol would go on to publish innovative editions by more than one hundred artists, including Eric Fischl, Susan Rothenberg, David Salle, Julian Schnabel, and Donald Sultan. Parasol’s final project in 2014 continued to break boundaries, inviting ten award-winning physicists and mathematicians to produce a portfolio containing what they considered to be the most beautiful equations, exquisitely rendered in aquatint-like chalk on a chalkboard. This comprehensive account provides a unique and dynamic snapshot of a radically changing art world, demonstrating how a range of artists approached, explored, and experimented with the medium of print. Parasol Press reveals how the groundbreaking publisher helped forge transformative connections between dozens of artists and printers, capturing not only the innovative approaches of renowned artists but also emphasizing the significance of risk-taking, collaboration, and experimentation in pushing the boundaries of artistic expression. &nbsp; Distributed for the Addison Gallery of American Art <div> &nbsp; Exhibition Schedule: Addison Gallery of American Art, Phillips Academy, Andover, MA (January 24–July 31, 2026) Print Center New York (September 17–December 19, 2026) </div>

Breaking New Ground

Parasol Press

Through a series of newly-commissioned conversations by renowned artists, writers, and scholars, in produced in collaboration with the Georgia O’Keeffe Museum in Santa Fe, In New Light offers new entry points into the iconic American modernist. An extremely well-known painter and cultural figure, O’Keeffe’s persona and biography have remained as much a part of her story as her innovations within and contributions to modernist painting. What are the questions that need to be asked (and critiques to be raised and considered) about her work and legacy today?
 Included is a fully illustrated summary of O’Keeffe’s work — from very early pieces to her latest paintings, with both significant masterworks as well as less-known pieces. Photographs of the artist, her residence in Abiquiú, and other objects and ephemera in the Museum’s collection appear throughout this chronological plate section.
 In addition to the O’Keeffe Museum, the artist’s work is held in countless major public collections, including the Amon Carter Museum of American Art (Dallas),&nbsp;Art Institute of Chicago, Brooklyn Museum, Cleveland Museum of Art, Milwaukee Art Museum,&nbsp;National Gallery of Art (Washington), and The White House (Washington, DC).

Georgia O'Keeffe: In New Light

The hilarious and piercing memoir about growing up gay in a not-so-gay world. 'A beautiful celebration of being different.' TOM ALLEN'An important story, told with a sharp wit and disarming humour' MOHSIN ZAIDI author of A Dutiful Boy'Brilliant, spectacularly witty and genuinely moving. I loved it.' MATTHEW TODD, author of Straight JacketI'm just a man, standing in front of a salad, asking it to be a cake. What do you do when you're too gay for Pakistan, too Pakistani to be gay in America and you're ashamed of your body everywhere?How can you find happiness despite years of humiliation, fear and a legion of Brooklyn hipsters who know you only as a queer from Whereveristan?How do you summon the courage to be yourself no matter where you are?Even as a young child in Lahore, Komail Aijazuddin knew he was different. Other boys didn't pirouette off their desks, get bullied for their 'manboobs' or spontaneously burst into songs from The Little Mermaid. Other boys didn't play together like that. Starved of a crucial part of himself, he ate. And ate. Before long, his own body became another burden to carry everywhere and to hide. Komail began to believe his only chance at a happy, meaningful life would be found elsewhere: in America, land of the free, home of the gays. But he would soon learn that finding happiness takes a lot more than a plane ticket. This is Aijazuddin's riotous, intelligent memoir of searching for his place between two worlds while navigating a minefield of expectations, prejudice and self-doubt. In Manboobs, Aijazuddin confidently announces himself as a sharp new voice in humour with his moving, wickedly funny search for love and the bravery required to be yourself.

A very queer memoir

Manboobs

A sweeping introduction to the history of Celtic art, from its ancient origins to its reinterpretation and revival in modern times &nbsp; The history of the populations who have traditionally been called Celts is expansive, reaching back to antiquity and covering a large swath of central and western Europe. Celtic Art Across the Ages tells the epic story of the creativity and artistic legacies of these peoples. This comprehensive and beautifully illustrated volume begins in the first millennium BCE, when elaborate personal ornaments, arms and armor, horse gear, chariots, and feasting wares were buried at sites since brought to light by archaeological excavations spanning the European continent. As the essays move through the medieval period and beyond, readers are treated to a material record as diverse as the populations encompassed by the elusive label “Celtic”: carefully crafted objects made of metals, glass, terra-cotta, and wood; rare examples of ancient textiles; manuscripts; and coins. The volume also addresses significant instances of reception, reinterpretation, and revival in the modern era. &nbsp; Distributed for Harvard Art Museums &nbsp; Exhibition Schedule: &nbsp; Harvard Art Museums, Cambridge, MA (March 6–August 2, 2026)

Celtic Art Across the Ages

A Tale of Rivalry and Genius

Michelangelo and Titian

This book is a blueprint for artists looking to engage with activist movements with a persistent longevity and a reminder that art has the power to be more dangerous than words.
Front Lines: A Lifetime of Drawing Resistance is Susan Simensky Bietila's story of her six decades as a movement artist and activist and a lifetime of artistic collaborations rooted in her activist experience. Growing up during McCarthyism, she rejected the nationalist masculinity of elite art and conformist culture and found feminism and collectivism as new forms of resistance. She became an artist in the New Left, creating illustrations for radical underground publications including RAT, Subterranean News, and comics for the anarchic World War 3 Illustrated.
With more than one hundred images, Front Lines documents her art on the page and in action featuring protest banners and giant puppets of birds and fish carried in the streets, masks of notorious dictators for street theater, posters pasted on walls and hung in radical spaces, community art builds, and more. Visual storytelling and detailed captions contextualize and bring to life her work with movements including antiwar protests during the Viet Nam era, Indigenous led antimine and antipipeline struggles, water protection, immigrant rights, anticorporate globalization convening, protests against the state and capital, Palestinian liberation actions, and collaborations with groups throughout the Great Lakes region and beyond. She agitates from the roots and the front lines to this day.

A Lifetime of Drawing Resistance

Front Lines

Sophie Taeuber-Arp: The Rule of Curves / la règle des courbes

A major reevaluation of a towering figure in twentieth-century art and the relationship of his sculpture to the crisis of nationalism in modern Europe &nbsp; Figures of Crisis examines the neglected decade of artwork that separates the surrealist experiments of Swiss artist Alberto Giacometti (1901–1966) from his iconic postwar sculptures, revealing the connection between a famous artistic crisis in modern art and the crisis of national identity in modern Europe. In 1935, Giacometti abruptly abandoned his early abstract objects and devoted himself to sculpting portrait busts and minuscule figurines, many no larger than a fingernail. Joanna Fiduccia reimagines this fragmentary and inconspicuous body of work as the pivotal phase in his career, which registered the erosion of interwar democratic values and the searching questions this period posed for the future of modern sculpture. &nbsp; Challenging previous explanations of Giacometti’s return to figuration, Fiduccia argues that his figures gave form to the experience of social breakdown during the rise of fascism through their turbulent surfaces, unsettling generality, dramatic reduction of scale, and compulsive repetition. This fresh account, told through the philosophical, political, and aesthetic thought of Giacometti’s time, shows how ideologies of nationalism generated the problems of selfhood at the heart of modernism.

Alberto Giacometti and the Myths of Nationalism

Figures of Crisis

A companion to the 2026 installment of the Whitney’s signature exhibition features the work of artists defining contemporary art in the United States today &nbsp; The curators Marcela Guerrero and Drew Sawyer are both known for rigorous and acclaimed exhibitions of a broad range of artists. For the 2026 iteration of the storied Whitney Biennial, they have considered the concerns of American artists working across the country and abroad, resulting in a powerful and important exhibition. Artists’ voices are central to this book; each artist has participated in a conversation with a curator, writer, or art historian, and these insightful and illuminating texts appear alongside the artist’s work. Conceived in the style of longform magazine conversations, they provide a unique window into emerging artists’ work and thinking. Essays by Guerrero and Sawyer surface themes and influences specific to each curator. &nbsp; Since its introduction in 1932, the Whitney Biennial—the Museum’s signature exhibition—has charted new developments in contemporary art. Amid ongoing upheavals in cultural, social, and political spheres, this volume offers an engaging intergenerational take on the storied institution of the Biennial while continuing to serve, as previous editions have, as an invaluable resource on present-day trends in contemporary art in the United States. &nbsp; Distributed for the Whitney Museum of American Art &nbsp; Exhibition Schedule: &nbsp; Whitney Museum of American Art, New York (March 11–August 30, 2026)

Whitney Biennial 2026

An Artist in Changing Seasons

Constable's Year

Susan Rothenberg: All Night Long

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