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Yu A: Sunbirth

Sunbirth

Specialty Crops and Climate Change Modeling

Artificial Intelligence and Data Science in Agriculture

The MOST heartwarming and joyful rom-com of 2024! Sun-soaked, laugh-out-loud and utterly uplifting, this is the perfect read for fans of Holly Martin, Jo Thomas and Jenny Colgan

<h3>READERS LOVE THE 'SANDCASTLE COTTAGE' BOOKS! 'A delight. Warm, funny and full of love!' KATIE FFORDE 'Lovely, sunshiney . . . A treat!' 'I loved this book! Perfect summer reading' GEORGINA TROY</h3> ________________ In the delightful seaside town of Firefly Common, two couples are - finally - preparing to tie the knot. And a third pair can't imagine why anyone would put themselves through all that fuss . . . Jemini and Connor are an untraditional couple. But Jemini's desperate to have a traditional white wedding. Connor's family have only just accepted Jemini - now, will her guests (and her past) push her and Connor apart? Apollo and Amy think they've planned the ideal ceremony, though it means they can't have everyone they love there. But their friends are determined not to let Apollo and Amy's nuptials be anything less than perfect. Even if it means keeping secrets from the bride and groom . . . Kitty Appleby has finally found her home, and her Vinny. But Kitty's had bad experiences of relationships, and she sure that she doesn't want to do it just like everyone else. And she's definitely determined that she doesn't want a wedding . . . But could anything change her mind?

A heart-warming, feel-good romance to fall in love with - NEW for 2024!

Weddings At Sandcastle Cottage

Canons

Shortlisted for the Man Booker Prize. 'A wonderful feat of imagination' HILARY MANTEL

Shortlisted for the Man Booker Prize. 'A wonderful feat of imagination' HILARY MANTEL

Carry Me Down

Two sisters. One secret. A journey to learn who they really are...

Sisterhood

The new action-packed political/espionage thriller from the New York Times bestselling author of the James Reece series.&nbsp;

Untitled James Reece 8

DER KRIEG IN DER UKRAINE UND DIE HERAUSFORDERUNG DES WESTENS 
 
 Der verbrecherische Angriff des russischen Präsidenten Vladimir Putin auf die Ukraine hat den gesamten Westen im Visier: Neben der Unterwerfung Kiews geht es in letzter Konsequenz auch um die Schubumkehr der demokratischen Transformation in Mittel- und Osteuropa, die Neutralisierung Westeuropas und den Hinauswurf der USA aus Europa. Constanze Stelzenmüller zeigt, wie der mit einer historischen Katastrophe konfrontierte Westen die Ukraine und sich selbst verteidigt - und sie beschreibt, was noch geschehen muss, damit das auch gelingt. 
 
 Motive für diesen Krieg finden sich nicht nur in den neoimperialen Fantasien des Kremlautokraten, sondern auch in tiefen transatlantischen und innereuropäischen Zerwürfnissen der vergangenen Jahre. Befeuert wurden sie nicht zuletzt in den eigenen Dekadenzerzählungen des Westens, beflügelt vom Aufkommen illiberaler, antidemokratischer Bewegungen. Noch im Vorjahr hatte der überstürzte Abzug aus Afghanistan die Vorstellung vom geographischen Westen als Werte- und Verteidigungsgemeinschaft mit globaler Strahlkraft Lügen gestraft. Die Expertin für Außen- und Sicherheitspolitik Constanze Stelzenmüller analysiert, was Putins Krieg für den Westen bedeutet, insbesondere für Deutschland und Europa. Unsere offenen, liberalen und voneinander abhängigen Demokratien verteidigen, heißt: das eigene Haus in Ordnung bringen; in Europa, im Bündnis und in der Welt für einander einstehen; und durchsetzungsfähiger werden gegenüber autokratischen Mächten wie Russland und China.

DER KRIEG IN DER UKRAINE UND DIE HERAUSFORDERUNG DES WESTENS 
 Der verbrecherische Angriff des russischen Präsidenten Vladimir Putin auf die Ukraine hat den gesamten Westen im Visier: Neben der Unterwerfung Kiews geht es in letzter Konsequenz auch um die Schubumkehr der demokratischen Transformation in Mittel- und Osteuropa, die Neutralisierung Westeuropas und den Hinauswurf der USA aus Europa. Constanze Stelzenmüller zeigt, wie der mit einer historischen Katastrophe konfrontierte Westen die Ukraine und sich selbst verteidigt – und sie beschreibt, was noch geschehen muss, damit das auch gelingt. 

 
 Motive für diesen Krieg finden sich nicht nur in den neoimperialen Fantasien des Kremlautokraten, sondern auch in tiefen transatlantischen und innereuropäischen Zerwürfnissen der vergangenen Jahre. Befeuert wurden sie nicht zuletzt in den eigenen Dekadenzerzählungen des Westens, beflügelt vom Aufkommen illiberaler, antidemokratischer Bewegungen. Noch im Vorjahr hatte der überstürzte Abzug aus Afghanistan die Vorstellung vom geographischen Westen als Werte- und Verteidigungsgemeinschaft mit globaler Strahlkraft Lügen gestraft. Die Expertin für Außen- und Sicherheitspolitik Constanze Stelzenmüller analysiert, was Putins Krieg für den Westen bedeutet, insbesondere für Deutschland und Europa. Unsere offenen, liberalen und voneinander abhängigen Demokratien verteidigen, heißt: das eigene Haus in Ordnung bringen; in Europa, im Bündnis und in der Welt für einander einstehen; und durchsetzungsfähiger werden gegenüber autokratischen Mächten wie Russland und China.

Was Putins Krieg für uns bedeutet

Die freie Welt und ihre Feinde

"To get rich is glorious," declared Deng Xiaoping, the architect of modern China's economic miracle - but there has been a dark side to this rush to glory and riches, both for the winners and for those who have been left behind.
 
In Everything is Allowed, Nothing is Permitted Robert Foyle Hunwick tells the hidden story of how crime, vice and corruption have flourished in modern China. From the outbreaks of politicized lawlessness in the Mao years, the book charts the flourishing of criminality in the era of opening and reform through to the present day "strike hard" campaigns against corruption under Xi Jinping. There are stories here of business 'fixers', corrupt rural elites, notorious serial killers, spiralling drug use and the flourishing sex trade in China's urban centres. Hunwick looks beyond the official propaganda of a united and peaceful state to reveal a nation that is both built on and existentially threatened by an intricate economy of violence, dark money, power and influence.

“To get rich is glorious,” declared Deng Xiaoping, the architect of modern China’s economic miracle – but there has been a dark side to this rush to glory and riches, both for the winners and for those who have been left behind.
 
In Everything is Allowed, Nothing is Permitted Robert Foyle Hunwick tells the hidden story of how crime, vice and corruption have flourished in modern China. From the outbreaks of politicized lawlessness in the Mao years, the book charts the flourishing of criminality in the era of opening and reform through to the present day “strike hard” campaigns against corruption under Xi Jinping. There are stories here of business ‘fixers’, corrupt rural elites, notorious serial killers, spiralling drug use and the flourishing sex trade in China’s urban centres. Hunwick looks beyond the official propaganda of a united and peaceful state to reveal a nation that is both built on and existentially threatened by an intricate economy of violence, dark money, power and influence.

Vice, Crime and Corruption in New China

Everything is Allowed, Nothing is Permitted

Routledge Environment and Sustainability Handbooks

This handbook consolidates the large and growing amount of knowledge and expertise in the field in the form of targeted contributions by leading experts. It will be of great interest to energy researchers across the world in a number of disciplines, as well as to museums, arts and environmental organisations, governments, and policymakers.

This handbook consolidates the large and growing amount of knowledge and expertise in the field in the form of targeted contributions by leading experts. It will be of great interest to energy researchers across the world in a number of disciplines, as well as to museums, arts and environmental organisations, governments, and policymakers.

Routledge Handbook of Energy Humanities

In this iconoclastic and sure to be contentious re-casting by a renowned critic, the great American novel Moby Dick&nbsp;is presented as a work that has been widely misread, an error that continues to this day. According to Barry Sanders, Herman Melville's best- known work is not a novel, does not pretend to be a novel, and was not intended by its author to be read as a novel.&nbsp;Moby Dick&nbsp;is this country's first manifesto, a tocsin sounded to warn us about the encroaching end of nature.&nbsp;&nbsp;The Manifesto of Herman Melville&nbsp;traces the evolution of&nbsp;Moby Dick-from its awful, initial reception, very rapidly passing out of print, to its remarkable revival to become lauded as one of America's great literary classics.&nbsp; That turnaround happened in the early decades of the 20th century and was, in great part, the result of the new and radical aesthetic movements such as surrealism, dadaism, and cubism that allowed for a radical reading of the book.&nbsp;The novel's new standing as one of the keystones of the American cannon disguises its deeper meaning as an alarm bell, an obscuring which Barry Sanders, in a critical assessment that is as persuasive as it is provocative, seeks to clear away. Sanders argues that Moby Dick needs to be recognized as Melville's manifesto: a bold statement warning of the destruction of the natural world made most evident in the book's central metaphor the relentless pursuit to kill the whale, the first sentient being in Genesis and one of the most startling mammals-possessed of hair and scales, a tail and breasts-and the largest of the creatures on earth, weighing up to 400,000 pounds. Whalers in Melville's day hunted down and killed these extraordinary behemoths of nature, for their oil, sold to people for cooking and to light their homes. Today the pursuit for energy has shifted dramatically, from sea to land, &nbsp;but the prize remains the same: &nbsp;energy producing fuel for which entrepreneurs and adventurers are prepared to kill off all of nature.&nbsp;

In this iconoclastic and sure to be contentious re-casting by a renowned critic, the great American novel Moby Dick&nbsp;is presented as a work that has been widely misread, an error that continues to this day. According to Barry Sanders, Herman Melville’s best- known work is not a novel, does not pretend to be a novel, and was not intended by its author to be read as a novel.&nbsp;Moby Dick&nbsp;is this country’s first manifesto, a tocsin sounded to warn us about the encroaching end of nature.&nbsp;&nbsp;
The Manifesto of Herman Melville&nbsp;traces the evolution of&nbsp;Moby Dick—from its awful, initial reception, very rapidly passing out of print, to its remarkable revival to become lauded as one of America’s great literary classics.&nbsp; That turnaround happened in the early decades of the 20th century and was, in great part, the result of the new and radical aesthetic movements such as surrealism, dadaism, and cubism that allowed for a radical reading of the book.&nbsp;The novel’s new standing as one of the keystones of the American cannon disguises its deeper meaning as an alarm bell, an obscuring which Barry Sanders, in a critical assessment that is as persuasive as it is provocative, seeks to clear away.
Sanders argues that Moby Dick needs to be recognized as Melville's manifesto: a bold statement warning of the destruction of the natural world made most evident in the book’s central metaphor the relentless pursuit to kill the whale, the first sentient being in Genesis and one of the most startling mammals—possessed of hair and scales, a tail and breasts—and the largest of the creatures on earth, weighing up to 400,000 pounds.
Whalers in Melville’s day hunted down and killed these extraordinary behemoths of nature, for their oil, sold to people for cooking and to light their homes. Today the pursuit for energy has shifted dramatically, from sea to land, &nbsp;but the prize remains the same: &nbsp;energy producing fuel for which entrepreneurs and adventurers are prepared to kill off all of nature.&nbsp;

Sunbirth

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