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Spierin Brian: Succession Act 1965 and
Related Legislation: A Commentary

Succession Act 1965 and Related Legislation: A Commentary

Skulduggery Pleasant

The book version of the thrilling and innovative narrative podcast.On a dark and stormy night ...A pair of ghost-hunting journalists arrive at the most haunted house in Britain - the Hollow Hotel. They're here to interview the Dark King of television magic, Romeo Gideon.

On a dark and stormy night …                                A pair of ghost-hunting journalists arrive at the most haunted house in Britain – the Hollow Hotel. They’re here to interview the Dark King of television magic, Romeo Gideon.

The Haunted House on Hollow Hill

Critical Craft Studies

Following the career of the Irish lace designer and inspector Emily Anderson (1856-1948), and exploring the contemporary relevance of her work, this book charts a path through the many institutions, organizations, philanthropic initiatives and government bodies that supported, promoted and monitored the crafting and design of lace in Ireland from the late 19th century onwards. The story of lace's introduction in Ireland to provide work and sustenance during the Irish Famine is a well-known element of social history, yet the development of the craft - as a set of techniques and designs, with a supporting infrastructure of inspection and education - has never been the subject of a comprehensive study. Where did designs for Irish lace come from? Who decided how and to whom it would be taught? How were the aesthetics and institutions of lace design and lacemaking shaped by contemporary concerns about gender, politics and class? This interdisciplinary book gathers little-studied textual and material sources to explore these questions, informed by recent critical work in craft and design studies as well as by pattern books and local, embodied knowledge from practitioner communities. This narrative highlights the craft's development and cultural meaning as well as its interconnectedness with deeply politicized, gendered and class-based discourses surrounding design, education, taste and industry. Weaving together a network of exchanges between Irish institutions such as the Cork School of Art, Irish Agricultural Organisation Society, and Department of Agriculture and Technical Instruction, and by following Anderson's career, author Molly-Claire Gillet traces early feminism in craft and how lace facilitated a path to female professionalization in Irish industry. The book concludes with a consideration of contemporary Irish lacemaking - now proudly claimed as a part of Ireland's intangible cultural heritage - and charts a shift through the 20th century in the conception of lace design as 'art for industry', and lacemaking as an economic necessity to both practices as expressions of identity, creativity and networked community-building.

Following the career of the Irish lace designer and inspector Emily Anderson (1856-1948), and exploring the contemporary relevance of her work, this book charts a path through the many institutions, organizations, philanthropic initiatives and government bodies that supported, promoted and monitored the crafting and design of lace in Ireland from the late 19th century onwards. The story of lace’s introduction in Ireland to provide work and sustenance during the Irish Famine is a well-known element of social history, yet the development of the craft – as a set of techniques and designs, with a supporting infrastructure of inspection and education – has never been the subject of a comprehensive study. Where did designs for Irish lace come from? Who decided how and to whom it would be taught? How were the aesthetics and institutions of lace design and lacemaking shaped by contemporary concerns about gender, politics and class? This interdisciplinary book gathers little-studied textual and material sources to explore these questions, informed by recent critical work in craft and design studies as well as by pattern books and local, embodied knowledge from practitioner communities. This narrative highlights the craft’s development and cultural meaning as well as its interconnectedness with deeply politicized, gendered and class-based discourses surrounding design, education, taste and industry. Weaving together a network of exchanges between Irish institutions such as the Cork School of Art, Irish Agricultural Organisation Society, and Department of Agriculture and Technical Instruction, and by following Anderson’s career, author Molly-Claire Gillet traces early feminism in craft and how lace facilitated a path to female professionalization in Irish industry. The book concludes with a consideration of contemporary Irish lacemaking – now proudly claimed as a part of Ireland’s intangible cultural heritage – and charts a shift through the 20th century in the conception of lace design as ‘art for industry’, and lacemaking as an economic necessity to both practices as expressions of identity, creativity and networked community-building.

Art, Industry and Cultural Practice

Irish Lacemaking

Palgrave Studies in Cultural Censorship

The Russian Constitution guarantees freedom of thought, expression, and information to every citizen, prohibiting propaganda that incites social, racial, or religious hatred, and forbidding censorship. However, the reality in Russia is starkly different: censorship has long been a tool for political control, particularly since the end of the 18th century.With the war in Ukraine, these evolving mechanisms of censorship have become a penal system for retribution and control over personal freedoms. This book examines this critical moment, while highlighting that censorship in Russia predates Putin's regime. It explores both external and internal forms of censorship, including the actions of individual artists and state-sanctioned protests by far-right groups. Additionally, it looks at the closure of theatre companies due to allegations of mismanaging state funds. The book provides a comprehensive analysis of how state-driven censorship functions within Russian theatre in the 21st century.Yana Meerzon&nbsp;
 is Professor of Theatre Studies at the University of Ottawa, Canada. She is the author of four books, including&nbsp;
 Performing Nationalism in Russia&nbsp;
 (2024). She has co-edited nine volumes, including&nbsp;
 The
 &nbsp;
 Palgrave
 &nbsp;
 Handbook of Theatre and Migration 
 with Steve Wilmer (2023). Former President of Canadian Association for Theatre Research (CATR), she is now a co-editor of the book series&nbsp;
 Palgrave Studies in Performance and Migration.Mikhail Kaluzhsky
 is a playwright and author. A native of Novosibirsk, he now resides in Berlin. He works in documentary theater, and his plays have been performed in Russia, Germany, Israel, Switzerland, Finland, Latvia and the United Kingdom. Kaluzhsky worked as a curator of documentary projects at the Joseph Beuys Theater in Moscow (2010-2012) and a theater program at Sakharov Center in Moscow (2012-2014). He is the author of several non-fiction books and numerous articles on arts, politics and media.
 &nbsp;

The Russian Case

Performing Censorship

**LONGLISTED FOR THE BOOKER PRIZE 2024****WINNER OF THE NERO BOOK AWARDS DEBUT FICTION AWARD 2024** 'Beautiful...brings to life an entire world' SALLY ROONEY 'Sublime... A thrillingly moreish novel' SUNDAY TIMES * It's the biggest weekend of the year and everything is about to change - the thrilling debut novel from the prize-winning author. In Ballina, the simmering feud between small-time drug-dealer Cillian English and County Mayo's enforcers, Gabe and Sketch Ferdia, spills over into violence and an ugly ultimatum. Soon the reclusive Dev and Cillian's teenage brother Doll are drawn headlong into the Ferdias' revenge fantasy. Meanwhile, Doll's girlfriend Nicky sets out on a feverish mission to save him. Life in this ordinary town will never be the same again... AN OBSERVER BEST DEBUT NOVELIST SHORTLISTED FOR IRISH BOOK AWARDS NOVEL OF THE YEAR LONGLISTED FOR THE DUBLIN LITERARY AWARD 2025 * 'A whole world is captured for the reader' Colm Tóibín 'As sharp, funny and bitingly bittersweet as life' Booker Judges, 2024 'A gift of true storytelling' Anne Enright 'A heartbreaker of a debut' New York Times

As Ballina prepares for its biggest weekend of the year, the simmering feud between small-time dealer, Cillian English, and County Mayo's fraternal enforcers, Gabe and Sketch Ferdia, spills over into violence and an ugly ultimatum. When the reclusive Dev answers his door on Friday night he finds Doll - Cillian's teenage brother - in the clutches of Gabe and Sketch. Jostled by his nefarious cousins and goaded by his dead mother's dog, Dev is drawn headlong into the Ferdias' revenge fantasy. Meanwhile, seventeen-year-old Nicky can't shake the feeling something bad has happened to her boyfriend Doll. Hungover, reeling from a fractious Friday night and plagued by ghosts of her own, Nicky sets out on a feverish mission to save Doll, even as she questions her future in Ballina.

Wild Houses

Beaker Burials in Britain and North-West Europe 2600-1800 BC provides a comprehensive account of the current interpretations of Chalcolithic and Early Bronze Age Beaker burials, monuments and their social and cultural contexts in Britain, Ireland and the maritime zone of North-West Europe, from Brittany to Jutland.Burials of the Beaker people have long held a special place in the European imagination because of their highly distinctive and exotic material culture associations, their connection with the spread of copper metallurgy, striking modes of funerary display, and apparent rapidity with which these spread across western and central Europe through population movement, exchange and indigenous adoption. The impact of Beaker people's funerary practices, technologies, social ideals and cosmologies on 'native' communities led to diverse and often radical transformations in wider cultural repertoires, political organizations and social and economic life.Beaker Burials in Britain and North-West Europe 2600-1800 BC considers the Beaker people's funerary record in context of the full range of interpretive frameworks, with comparative reference to wider sources of evidence. There is a particular focus on ethnographic description and interpretation of death ritual, funerary architecture and the social, political, religious and cosmological significance of burials, body treatment and monumentality. A thematic structure allows for the coverage of key topics such as cultural geography and interaction, funerary ritual, monuments and landscape, cultural and social identities, personhood, power and politics, death and living society, and cultural change and history.

Beaker Burials in Britain and North-West Europe 2600-1800 BC provides a comprehensive account of the current interpretations of Chalcolithic and Early Bronze Age Beaker burials, monuments and their social and cultural contexts in Britain, Ireland and the maritime zone of North-West Europe, from Brittany to Jutland.Burials of the Beaker people have long held a special place in the European imagination because of their highly distinctive and exotic material culture associations, their connection with the spread of copper metallurgy, striking modes of funerary display, and apparent rapidity with which these spread across western and central Europe through population movement, exchange and indigenous adoption. The impact of Beaker people’s funerary practices, technologies, social ideals and cosmologies on ‘native’ communities led to diverse and often radical transformations in wider cultural repertoires, political organizations and social and economic life.Beaker Burials in Britain and North-West Europe 2600-1800 BC considers the Beaker people’s funerary record in context of the full range of interpretive frameworks, with comparative reference to wider sources of evidence. There is a particular focus on ethnographic description and interpretation of death ritual, funerary architecture and the social, political, religious and cosmological significance of burials, body treatment and monumentality. A thematic structure allows for the coverage of key topics such as cultural geography and interaction, funerary ritual, monuments and landscape, cultural and social identities, personhood, power and politics, death and living society, and cultural change and history.

An Ethnography of Death and Identity

Beaker Burials in Britain and North-West Europe 2600-1800 BC

Routledge Archaeology of Northern Europe

Iron Age Lives provides the first integrated academic treatment of the Iron Age of Britain and Ireland. After considering the social changes that marked the end of the Later Bronze Age, it examines the environmental, economic, demographic and cultural factors that underpinned the emergence of the fragmented and regionalised societies of the Early Iron Age. Subsequent chapters trace the development of increasingly complex and distinctive social forms across Britain and Ireland. Central themes that cut across the book's broadly chronological structure include: the creation and expression of individual and collective identities; the social role of art and religion; changing gender roles; technological innovation, including iron-working and rotary technology; the complex and varied treatments of the dead; gift-giving, trade and exchange; and the role of conflict and violence.

Iron Age Lives provides the first integrated academic treatment of the Iron Age of Britain and Ireland. After considering the social changes that marked the end of the Later Bronze Age, it examines the environmental, economic, demographic and cultural factors that underpinned the emergence of the fragmented and regionalised societies of the Early Iron Age. Subsequent chapters trace the development of increasingly complex and distinctive social forms across Britain and Ireland including the hillfort societies of southern England and the Welsh Marches; village communities of the Upper Thames Valley; the dense settlement landscapes, cemeteries and chariot burials of East Yorkshire; the hillfort communities of Northumbria and south-east Scotland; the broch-building societies of Atlantic Scotland; and the ritual landscapes of Iron Age IrelandCentral themes that cut across the book’s broadly chronological structure include: the creation and expression of individual and collective identities; the social role of art and religion; changing gender roles; technological innovation, including iron-working and rotary technology; the complex and varied treatments of the dead; gift-giving, trade and exchange; and the role of conflict and violence. The text is supported throughout by box features expanding on individual sites, objects, themes or debates and the book focuses, where appropriate, on fresh and exciting new finds and discoveries from the last few years including, for example, the well-preserved bog bodies from eastern Ireland, recently excavated chariot burials from Newbridge and Ferry Fryston, Iron Age roads from East Anglia, the Midlands and Ireland, musical instruments from High Pasture Cave in Skye and Cnip in Lewis, the shrine containing gold torcs from Stirlingshire, and the impact of AMS dating on the chronologies of Iron Age art and burial.

The Archaeology of Britain and Ireland 800 BC – AD 400

Iron Age Lives

Bono - artist, activist and the lead singer of Irish rock band U2 - has written his autobiography: honest and irreverent, intimate and profound, SURRENDER is the story of the remarkable life he's lived, the challenges he's faced and the friends and family who have shaped and sustained him.

Bono Autobiography: 40 Songs, One Story

Surrender

A History of Fionn and the Fianna

Heroes of the Gael

Discovery Law

This edition of Seamus Heaney's seminal fourth collection North, reproduced in its elegant first setting and in its original jacket, marks fifty years since first publication in 1975. By conjuring aspects of a shared Northern European experience - its peculiar landscapes and weathers, its sea-faring incursions, the vernaculars of its buried and living peoples - Heaney found a way of articulating a vision of Ireland in which the disruptions and violences of the Troubles could be reflected too. '. . . it's the brilliant reconciliation of art with politics that sets North apart from the rest of Heaney's oeuvre and gives it a kind of dark majesty.' Robert McCrum, Guardian'The seedtime of the soul and the dissolution of the flesh melt equally into history, exhumed only temporarily in Heaney's penetrating vision, where gravity and preservation unite.' Helen Vendler, New York Times

North

'Subverted my expectations at almost every turn... Jordan shows how the aftermath of violence affects all those who witness it.' New York Times'Immersive, atmospheric, heart-stopping - I tore through it in a single day' Louise Candlish

The Dark Hours

Studies in Early Modern Irish History

In Restoration Ireland the law primarily served the interests of the English state and the Anglo-Protestant community, oppressing the majority Catholic population. Catholics and the law in Restoration Ireland examines how Catholics engaged with and experienced English common law primarily through the accounts of Catholic clerics and Gaelic poets. Analysing the letters of Oliver Plunkett and John Brenan, this book demonstrates the initial success and ultimate failure of their non-confrontational approach to legal and political processes. In contrast, the challenging stances of clerics Nicholas French and John Lynch offer a new perspective on the wide variety of clerical engagement with the law. Drawing on the considerable corpus of primary sources, the book examines the often overlooked Irish-language literary material, considering the work of Dáibhí Ó Bruadair and his contemporaries to show how Gaelic Ireland deeply resented a hostile legal environment. It also explores Catholic landed families who recovered their estates in the 1663 Court of Claims, highlighting their varied strategies amid Protestant hostility and further illustrating how some Catholic lawyers managed to survive and even prosper during this period. This book provides a comprehensive examination of the many ways in which Irish Catholics experienced a legal system that proved fundamentally inimical to their interests.

Catholics and the Law in Restoration Ireland

Succession Act 1965 and Related Legislation: A Commentary

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