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Commentaires

Spierin Brian: Succession Act 1965 and
Related Legislation: A Commentary

Succession Act 1965 and Related Legislation: A Commentary

The Law of Expert Evidence in Ireland

Divorce, Judicial Separation, Civil Partnership and Cohabitation Proceedings in the Circuit Court

Hart Studies in Private Law

Much ink has been spilt in attempts to describe the nature and structure of trusts in the common law tradition. However, far from developing a coherent and internally consistent understanding of trusts, such attempts have caused a deep schism to be formed between obligatory and proprietary theories of the trust.This has a polarising effect on the academic discourse and stifles the further, conceptual development of the law.
This book gives a full account of the irreducible core of the trust by applying an analytical framework of fundamental legal conceptions and relations derived from the American theorist, Wesley N. Hohfeld. By setting aside the corpus of trusts law that is either ‘default’ (meaning that, in the absence of some contrary stipulation in the trust deed, the particular law would apply) or is left to the subjective expression of a settlor in creating a trust. This leaves only the mandatory rules of trusts law. From this, it ought to be possible to redefine trusts by identifying the legal relations that must exist in every private express trust (collectively, ‘the irreducible core of the trust’) irrespective of contrary drafting in a trust instrument. In doing so, a skeleton of legal relations will be exposed to exist in all trusts, which are motivated by two correlated themes of accountability and enforceability.

The Irreducible Core of the Trust

Global Perspectives in Irish Literary Studies

Nationalist and tribal cohesion in Ireland, South Africa, the US and elsewhere often relies on an absence of female and gender-nonconforming bodies in the public life.

Staging a vital counter-narrative to global nationalist discourses, this book explores how 20th and 21st-century postcolonial literatures criticize hetero-normative definitions of nationhood across different geopolitical and cultural contexts.
 
Szczeszak-Brewer delves into the metaphorical currency of male impotence and sexual aggression in nationalist narratives. She examines the place of gender-nonconforming characters in literature from Ireland, the US, Poland, France, Britain, South Africa and Senegal, in the work of writers including: James Joyce, Witold Gombrowicz, Jean Toomer, Bessie Head, Zoë Wicomb, J. M. Coetzee, Andrea Levy, Patrick McCabe and David Diop.
 
 Aligning queer and gender perspectives with discussions of white supremacy, this book examines the urgency for contemporary geopolitics to imagine new discourses of community against the backdrop of a rise in neo-nationalisms steeped in homophobic and misogynistic rhetoric.

Nationalist and tribal cohesion in Ireland, South Africa, the US and elsewhere often relies on an absence of female and gender-nonconforming bodies in the public life.

Staging a vital counter-narrative to global nationalist discourses, this book explores how 20th and 21st-century postcolonial literatures criticize hetero-normative definitions of nationhood across different geopolitical and cultural contexts.
 
Szczeszak-Brewer delves into the metaphorical currency of male impotence and sexual aggression in nationalist narratives. She examines the place of gender-nonconforming characters in literature from Ireland, the US, Poland, France, Britain, South Africa and Senegal, in the work of writers including: James Joyce, Witold Gombrowicz, Jean Toomer, Bessie Head, Zoë Wicomb, J. M. Coetzee, Andrea Levy, Patrick McCabe and David Diop.
 
 Aligning queer and gender perspectives with discussions of white supremacy, this book examines the urgency for contemporary geopolitics to imagine new discourses of community against the backdrop of a rise in neo-nationalisms steeped in homophobic and misogynistic rhetoric.

Sex and Nation in Transatlantic Literatures

The Other Side of Paradise

Methuen Drama Play Collections

"Sonya Kelly’s rapier wit and intelligent awareness of the human condition, allied to consummate stagecraft skills, have made for what will probably be claimed in a few years’ time as one of the hits of the decade." - Sunday Independent

 Sonya Kelly's Druid Plays is a tour-de-force that transcends the boundaries of traditional storytelling, offering a captivating journey through the rich tapestry of the human experience. This anthology, a remarkable compilation of Kelly's insightful and witty plays, showcases her distinct voice and unparalleled talent as a playwright.
 
 Furniture (2018): in an age of rampant consumerism, is it easier to purchase symbols of identity rather than cultivate our own? Furniture is a humorous, insightful, touching and often philosophical look at who we are and how we'd like to be perceived.
 
 Once Upon a Bridge (2021): A tale for a modern age. Early one morning on Putney Bridge, three strangers’ lives collided for one fleeting second. Inspired by real events, Once Upon a Bridge weaves a tale about human triumph and frailty, about the power of destiny and chance, and why sometimes we choose to hate, and other times we choose to dance.
 
 The Last Return (2022): Once upon a dreary night, five desperate strangers wait in line for a last minute ticket to the final performance of Oppenheimer's sold out smash hit. All they have to do is cross their fingers, be patient and wait their turn. But with more people waiting than tickets available, this is no time for patience, this is time for war. Who will triumph? Who will fail? And who will receive… The Last Return?
 
 All three plays were commissioned by Ireland's Druid Theatre and have premiered on stages and in digital productions around the world winning Fringe First Awards, multiple Irish Times Theatre Awards and a finalist for the Susan Smith Blackburn Prize. Featuring a new introduction, these plays are published together for the first time in one compelling collection.

Sonya Kelly’s Druid Plays

The first book in the acclaimed Irish trilogy

It is 1649. As the English soldiers trample the Irish homesteads, leaving behind them a trail of barbarity and destruction, a few brave men set out to seek a 'fair land' over the brow of the hill. Among them is Dominick MacMahon, whose wife has been killed in the bloody massacre of Drogheda, and whose son and daughter, and a wounded priest, Father Sebastian, accompany him. But as he journeys in search of peace and freedom he is relentlessly pursued by Coote, the Cromwellian ruler of Connaught . . .

Seek the Fair Land

"Contradicting common perception of them as mere footnotes in Tennyson's career, this book examines the influence of his strong-minded female forebears on the young poet and reveals that the women in Tennyson's family circle were prolific and engaging correspondents. Their letters, preserved in archives in Lincoln and for the most part unpublished, cast a unique light on the Tennyson family's interrelationships and the times in which they lived. Focusing on the letters and lives of four Tennyson women - the poet's paternal grandmother, Mary Tennyson (1753-1825), her daughters Elizabeth Russell (1776-1865) and Mary Bourne (1777-1864), and her daughter-in-law Frances Tennyson, later Tennyson d'Eyncourt (1787-1878) - this book includes extensive and annotated extracts from the women's letters, linked by narrative passages providing context and continuity. The case studies cover six decades, from the marriage of Mary Turner and George Tennyson in 1775 to the death of George Tennyson in 1835, with brief Afterwords touching on the women's final years"--

Contradicting common perception of them as mere footnotes in Tennyson's career, this book examines the influence of his strong-minded female forebears on the young poet and reveals that the women in Tennyson’s family circle were prolific and engaging correspondents. Their letters, preserved in archives in Lincoln and for the most part unpublished, cast a unique light on the Tennyson family’s interrelationships and the times in which they lived.

Focusing on the letters and lives of four Tennyson women – the poet’s paternal grandmother, Mary Tennyson (1753-1825), her daughters Elizabeth Russell (1776-1865) and Mary Bourne (1777-1864), and her daughter-in-law Frances Tennyson, later Tennyson d’Eyncourt (1787-1878) - this book includes extensive and annotated extracts from the women’s letters, linked by narrative passages providing context and continuity. The case studies cover six decades, from the marriage of Mary Turner and George Tennyson in 1775 to the death of George Tennyson in 1835, with brief Afterwords touching on the women’s final years.

Letters and Lives of the Tennyson Women

The bestselling Irish debut novel - a multigenerational portrait of small-town life bursting with caustic wit - for fans of Jon McGregor, Elizabeth Strout and Paul Murray 'Engrossing, funny, delightfully wicked' Irish Times 'A novel for anyone who ever wondered what the neighbours are really up to behind closed doors' Jan Carson, author of The Raptures Ballyrowan is a sleepy corner of rural Ireland where nothing ever happens. Where everyone knows everyone else's business, and everyone has an opinion on it. Where family feuds simmer and intensify across the generations. Where young and old delight in dragging each other down like crabs in a barrel. Following the fortunes of this small community from the mid-20th century to the early 21st, Mouthing is a bittersweet love letter to the pleasures (and frustrations) of village life. 'Full of disgrace, inherited trauma and family secrets. It will make you laugh - because if you didn't, you'd surely cry' Aingeala Flannery

Mouthing

"Sonya Kelly's rapier wit and intelligent awareness of the human condition, allied to consummate stagecraft skills, have made for what will probably be claimed in a few years' time as one of the hits of the decade" (Sunday Independent) Sonya Kelly's Druid Plays is a tour-de-force that transcends the boundaries of traditional storytelling, offering a captivating journey through the rich tapestry of the human experience. This anthology, a remarkable compilation of Kelly's insightful and witty plays, showcases her distinct voice and unparalleled talent as a playwright. Furniture (2018): in an age of rampant consumerism, is it easier to purchase symbols of identity rather than cultivate our own? Furniture is a humorous, insightful, touching and often philosophical look at who we are and how we'd like to be perceived. Once Upon a Bridge (2021): A tale for a modern age. Early one morning on Putney Bridge, three strangers' lives collided for one fleeting second. Inspired by real events, Once Upon a Bridge weaves a tale about human triumph and frailty, about the power of destiny and chance, and why sometimes we choose to hate, and other times we choose to dance. The Last Return (2022): Once upon a dreary night, five desperate strangers wait in line for a last minute ticket to the final performance of Oppenheimer's sold out smash hit. All they have to do is cross their fingers, be patient and wait their turn. But with more people waiting than tickets available, this is no time for patience, this is time for war. Who will triumph? Who will fail? And who will receive... The Last Return? All three plays were commissioned by Ireland's Druid Theatre and have premiered on stages and in digital productions around the world winning Fringe First Awards, multiple Irish Times Theatre Awards and a finalist for the Susan Smith Blackburn Prize. Featuring a new introduction, these plays are published together for the first time in one compelling collection.

"Sonya Kelly’s rapier wit and intelligent awareness of the human condition, allied to consummate stagecraft skills, have made for what will probably be claimed in a few years’ time as one of the hits of the decade" (Sunday Independent) 
 
 Sonya Kelly's Druid Plays is a tour-de-force that transcends the boundaries of traditional storytelling, offering a captivating journey through the rich tapestry of the human experience. This anthology, a remarkable compilation of Kelly's insightful and witty plays, showcases her distinct voice and unparalleled talent as a playwright.
 
 Furniture (2018): in an age of rampant consumerism, is it easier to purchase symbols of identity rather than cultivate our own? Furniture is a humorous, insightful, touching and often philosophical look at who we are and how we'd like to be perceived.
 
 Once Upon a Bridge (2021): A tale for a modern age. Early one morning on Putney Bridge, three strangers’ lives collided for one fleeting second. Inspired by real events, Once Upon a Bridge weaves a tale about human triumph and frailty, about the power of destiny and chance, and why sometimes we choose to hate, and other times we choose to dance.
 
 The Last Return (2022): Once upon a dreary night, five desperate strangers wait in line for a last minute ticket to the final performance of Oppenheimer's sold out smash hit. All they have to do is cross their fingers, be patient and wait their turn. But with more people waiting than tickets available, this is no time for patience, this is time for war. Who will triumph? Who will fail? And who will receive… The Last Return?
 
 All three plays were commissioned by Ireland's Druid Theatre and have premiered on stages and in digital productions around the world winning Fringe First Awards, multiple Irish Times Theatre Awards and a finalist for the Susan Smith Blackburn Prize. Featuring a new introduction, these plays are published together for the first time in one compelling collection.

Discovery Law

Hart Studies in European Criminal Law

This collection looks at the protection of victims' rights in EU law. 

Taking a four-part approach, it firstly focuses on the Victims' Right Directive and the proposal for a Directive on combating violence against women. It then explores victims' rights in the national laws of the Member States, including France, Germany, Hungary, the Netherlands, Romania, Lithuania and Ireland.

Finally it analyses the main challenges in the field and the need for coherence between the different competing interests.

Assessment and Prospects

Stronger Victims’ Rights in EU Law?

Succession Act 1965 and Related Legislation: A Commentary

Bibliografische Angaben

Schlagworte

Bibliografische Angaben

Schlagworte

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