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Music Business Research

Drnek Bóková M: Strategies of
Micro-Enterprises in the Recording Indu

Strategies of Micro-Enterprises in the Recording Industry

How Independent Jazz Labels Navigate the Music Landscape

The Rejects takes an intimate, thoughtful look at people who've been kicked out of bands, what they experienced and what came afterwards.

'Very readable . . . the history of the late 20th century empire music business' Bret Easton Ellis Imagine you've made it. You and your friends have hit the big time in music and you're going to be a star. But then, quite suddenly, it's over. Your best friends don't want you anymore, and you're on the outside. Perhaps they're tired of your bad habits, they think you're not good enough, or they sense you just don't want it as much as they do. Whatever the cause, you're a reject. So, what do you do next? Featuring a player rejected by both Nirvana and Soundgarden who became a decorated special forces soldier, Britpoppers who spiralled into addiction before becoming novelists and missionaries, the terrifying story of Guns N' Roses' first drummer, super-rejecting band leaders, self-destroying rappers, troubled hard rock bassists and girl-band burnouts, The Rejects takes an intimate, thoughtful look at people who've been kicked out of bands, what they experienced and what came afterwards. Coming from a writer with twenty years' music industry experience, The Rejects is a sympathetic study of some of music's most fascinating characters, and what happens when the dream comes crashing to an end. The result is a compelling alternative history of popular music.

An Alternative History of Popular Music

The Rejects

Electronic Dreams, Desiring Machines and Tomorrow’s Music Today

Futuromania

'In Liverpool everybody wanted to be in a band. On every street corner and in every cellar there were young fellas practising with guitars. But it was rare to see any girls on the new Merseybeat scene. It was inevitable that we would find each other . . .' In the early '60s, four friends from Liverpool formed a band. But this is not the 'fab four' story we know. Mary, Sylvia, Valerie and Pamela - also known as The Liverbirds - were one of the world's first all-female rock'n'roll bands. At an early gig, backstage at the Cavern Club, a young John Lennon told them that 'girls don't play guitars'. But they took that as a challenge. Despite the early scepticism, they won over tough crowds, toured stadiums, recorded two hit albums, and played with the Kinks, Rolling Stones and Chuck Berry - all in the space of just five years. Now, the two surviving members of the band tell their incredible story in full for the first time - capturing a lost era of liberation and rock'n'roll, as they thrived in the vibrant Merseybeat music scene and formed a friendship that has endured through the decades. * 'A ton of Liverpudlian grit, good sense and wry humour.' - Daily Mail 'Warm and vivid . . . Stories like this one are vital to keep.' - Telegraph 'A powerful story, one that dances to its own distinctive beat.' - The Sunday Times

Our life in Britain's first female rock 'n' roll band

The Other Fab Four

Minnesang ist eine zentrale Gattung der mittelhochdeutschen Literatur und dazu - wegen der Kürze der Gattung der überschaubaren Textlage ein sehr beliebtes Prüfungsthema.

Minnesang ist eine zentrale Gattung der mittelhochdeutschen Literatur und dazu – wegen der Kürze der Gattung der überschaubaren Textlage ein sehr beliebtes Prüfungsthema.

Eine Einführung

Minnesang

Elements in England in the Early Medieval World

This Element shows why entertainment and festivity had important functions, in ritual, in community, in assuming power, and in resistance to power of early English life. The activities are child's play; drinking and feasting; music, dance, and performance; the pleasures of literature, festivals and celebrations; hunting and sport; and games.

This Element shows why entertainment and festivity had important functions, in ritual, in community, in assuming power, and in resistance to power of early English life. The activities are child's play; drinking and feasting; music, dance, and performance; the pleasures of literature, festivals and celebrations; hunting and sport; and games.

Entertainment, Pleasure, and Meaning in Early England

It's the early 1990s in Glasgow, and Stephen - music loving romantic - has emerged from a lengthy hospital stay diagnosed with chronic fatigue syndrome, a little-understood disease that has robbed him of any prospects of work, a social life or independent living.

'Empathetic, funny and heartwarming.' Buzz Magazine

Nobody's Empire

An Intimate History of Rough Trade

Document And Eyewitness

The strange tale of the death, life and legacy of the hugely successful band - updated with new material for the 10th anniversary of publication

The strange tale of the death, life and legacy of the hugely successful band - updated with new material for the 10th anniversary of publication

Chaos, Magic and the Band who Burned a Million Pounds

The KLF

Ashgate Contemporary Thinkers on Critical Musicology Series

This collection of studies represents the range of Rosand's contribution to the history and criticism of music of the seventeenth and eighteenth centuries. Varied in focus and scope, each of these studies is directed toward developing an understanding of the ways in which music works. Taken together, the articles demonstrate how Rosand has opened entirely new prospects on seventeenth-century music and offered new insight into the more canonical repertoire of the eighteenth century.

This collection of studies by Ellen Rosand represents the range of her contribution to the history and criticism of music of the seventeenth and eighteenth centuries.  Varied in focus and scope, each of these studies is directed toward developing an understanding of the ways in which music works--from its function in representing the ideals of the Republic of Venice through its essential role in the emerging genre of opera, from the expressive mechanics of Monteverdi and Cavalli to those of Handel and Vivaldi.  With methodological flexibility, Rosand's analyses are responsive to the works themselves.  Exploring the mimetic significance of particular formal motifs and scenic conventions, the intimate relationship of music and text, or a composer's dramatic choices, discovering a new musical personality (Barbara Strozzi) or the historical and cultural circumstances, the practical and creative dynamics of an emerging dramatic art (opera in Venice), she has opened entirely new prospects on seventeenth-century music and offered new insight into the more canonical repertoire of the eighteenth century.

Selected Essays

Baroque Resonances

The Fleury Playbook has been justly celebrated as the most comprehensive extant collection of medieval music-dramas, containing in a single manuscript examples of non-biblical miracle plays, and settings of the Nativity and Resurrection stories, together with accounts of the conversion of Paul and Mary Magdalene. In this the first full-length monograph on the Playbook, Wyndham Thomas places the collection in its historical, cultural and musical context. Each of the 10 plays is treated to a close dramatic and musical analysis and placed in its broader context of musical life in the twelfth century.

2018 will mark the 800th anniversary of the consecration of the Abbey of St BenoÃ®t-sur-Loire - or Fleury Abbey - the previous home and namesake of the Fleury Playbook, a collection of 10 medieval music-dramas that has long held been a source of fascination, and not a little perplexity, for scholars in a variety of disciplines: history, music history, literary studies, art history in particular. The Fleury Playbook has been justly celebrated as the most comprehensive extant collection of medieval music-dramas, containing in a single manuscript examples of non-biblical miracle plays, and settings of the Nativity and Resurrection stories, together with accounts of the conversion of Paul and Mary Magdalene.  In this the first full-length monograph on the Playbook, Wyndham Thomas places the collection in its historical, cultural and musical context. The first three chapters introduce and then explore the issues raised by the collection: following an introduction, chapter 2 is devoted to the history and traditions of the Abbey, making a persuasive argument for that institution as the original home of the collection, and perhaps the venue in which the plays were first performed. Chapter 3 discusses medieval saints’ cults, placing the dramas, and particularly the four devoted to St Nicholas, in this context. The remaining chapters are devoted to a close musical and dramatic analysis of the 10 plays themselves.

The Fleury Playbook in Context

Medieval Music-Drama

Music Theory in Britain, 1500–1700: Critical Editions

The critical edition of John Playford's Introduction to the Skill of Musick (1672, Sixth edition) represents the contents of Playford's seminal pedagogical treatise in the middle of its development. Although Playford's Introduction was one of the most famous music texts of the period, a satisfactory modern edition of its contents has not yet been published. This is due, in part, to the fact that the interior contents of the Introduction changed markedly throughout its publication run from 1654 to 1730 (though post-1694 changes are minimal). This edition addresses this issue by presenting not only the transcription of the 1672 edition, but detailed contents of the entire publication run to better understand the shifting contents of the major sections of the work from its beginnings to the turn of the century. The contents include an introductory essay concerning the development of the series, divided according to the main sections of the text: The Grounds and Rules of Musick, Instructions and Lessons for the Bass Viol, and The Art of Descant. The body is a full transcription of the 1672 edition with images. Two appendices contain 1) critical notes on the text and a comparison of the major changes-section changes, major wording and style changes, repertoire lists, along with significant codicological amendments-between editions using 1672 as the model, and 2) a list of all of the music in the different editions of the Introduction, including information regarding in which editions the pieces may be found and a reference to modern editions on those works.

The critical edition of John Playford’s Introduction to the Skill of Musick (1672, Sixth edition) represents the contents of Playford’s seminal pedagogical treatise in the middle of its development. Although Playford’s Introduction was one of the most famous music texts of the period, a satisfactory modern edition of its contents has not yet been published. This is due, in part, to the fact that the interior contents of the Introduction changed markedly throughout its publication run from 1654 to 1730 (though post-1694 changes are minimal). This edition addresses this issue by presenting not only the transcription of the 1672 edition, but detailed contents of the entire publication run to better understand the shifting contents of the major sections of the work from its beginnings to the turn of the century.The contents include an introductory essay concerning the development of the series, divided according to the main sections of the text: The Grounds and Rules of Musick, Instructions and Lessons for the Bass Viol, and The Art of Descant. The body is a full transcription of the 1672 edition with images. Two appendices contain 1) critical notes on the text and a comparison of the major changes-section changes, major wording and style changes, repertoire lists, along with significant codicological amendments-between editions using 1672 as the model, and 2) a list of all of the music in the different editions of the Introduction, including information regarding in which editions the pieces may be found and a reference to modern editions on those works.

John Playford’s Introduction to the Skill of Musick, 1672

California Series in Hip Hop Studies

"In recent decades, Morocco has emerged as a key player in the global music scene, not least in hip hop. Moving effortlessly between street-level ethnography of the rap scene and analysis of the political economy of transnational cultural flows, Kendra Salois offers a keenly observed, historically grounded, and eminently readable history of Moroccan hip hop."--Hisham Aidi, author of Rebel Music: Race, Empire, and the New Muslim Youth Culture "Guided by her steady refusal to dismiss Moroccan hip hop artists and their fans as complicit with the state, as sell-outs to the market, or alternatively as resistant, Salois's caring world of neoliberal subject making is alive with improvisations, debate, ethics, human dilemmas, fortitude, music, and young people having fun."--Louise Meintjes, author of Dust of the Zulu: Ngoma Aesthetics after Apartheid

Complicity, Sincerity, and Hip Hop in Contemporary Moroccan Life

Values That Pay

Strategies of Micro-Enterprises in the Recording Industry

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