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A colourful and concise telling of the fascinating story behind Richard Wagner's extraordinary masterpiece, Ring of the Nibelung.

Downes Michael: Story of the Century

Story of the Century

Wagner and the creation of The Ring

Maria La Divina

In einem Universum, das nur von Gewalt und Geld regiert wird, besitzen die sieben Magno-Bankiers die absolute Macht. Um diese Macht zu erhalten, löschen sie auch schonmal die Bevölkerungen ganzer Planeten aus. Skrupel müssen sie sich dabei nicht leisten. Doch als der berüchtigte Attentäter Xar-Cero herausfindet, dass er&nbsp;für eine&nbsp;der grausamsten Operationen verantwortlich ist, die je im Namen der Sieben ausgeführt wurden, fürchten die Magno-Bankiers seine Rache. Und so beschließen sie, Xar-Cenos Gedächtnis zu löschen&nbsp;- eine Entscheidung mit&nbsp;einschneidenden Konsequenzen!&nbsp;
&nbsp;
In dieser grandiosen Space-Opera erzählt Science-Fiction-Mastermind Alejandro Jodorowsky die eindringliche Geschichte einer intimen Vendetta, die Raum, Zeit und jegliche Vorstellungskraft sprengt!&nbsp;

In einem Universum, das nur von Gewalt und Geld regiert wird, besitzen die sieben Magno-Bankiers die absolute Macht. Um diese Macht zu erhalten, löschen sie auch schonmal die Bevölkerungen ganzer Planeten aus. Skrupel müssen sie sich dabei nicht leisten. Doch als der berüchtigte Attentäter Xar-Cero herausfindet, dass er&nbsp;für eine&nbsp;der grausamsten Operationen verantwortlich ist, die je im Namen der Sieben ausgeführt wurden, fürchten die Magno-Bankiers seine Rache. Und so beschließen sie, Xar-Cenos Gedächtnis zu löschen&nbsp;– eine Entscheidung mit&nbsp;einschneidenden Konsequenzen!&nbsp;
&nbsp;
In dieser grandiosen Space-Opera erzählt Science-Fiction-Mastermind Alejandro Jodorowsky die eindringliche Geschichte einer intimen Vendetta, die Raum, Zeit und jegliche Vorstellungskraft sprengt!&nbsp;

Kosmopiraten

Folkwang Studien

Beiträge zum Schaffen von Charles Tournemire

Poesie und Mystik

'Captures that era of Hong Kong music with such warmth and clarity... Transcendent and transportive' Angela Hui 'A wondrous thing: fresh, evocative, self-aware, fantastically light of touch and wholly original' Sarah Howe A story of music, fandom and identity, from the acclaimed singer-songwriter Emma-Lee Moss (a.k.a. Emmy the Great) For 11-year-old Emma-Lee, the sound of Hong Kong in the summer of 1995 is Cantopop. The Cantopop stars she idolises are everywhere - their images are on every billboard and their music spills from shop speakers onto the streets. When she and her family move to England later that year, Emma-Lee's love of Cantopop will be pushed underground - the sound and symbol of her secret childhood identity. My Cantopop Nights is the story of how Emma-Lee found herself in a Hong Kong bar twenty years later, listening to a Cantopop song and realising that this music was her inheritance. It's about suffering an identity crisis just as the city's post-colonial tensions erupt into protests. It's a story of uncanny coincidences, magical thinking and a quest to reconcile the different sides of her heritage: Hong Konger and British, Cantopop and indie. It's a story of falling in love with a city, its people and its music, while trying to find your own place to belong. 'An author of exceptional vision... for anyone seeking to understand how complicated, tender histories unfurl in our present - and how art emerges to help us through' Jessica J. Lee 'Prepare to meet your new favourite playlist' Dan Schreiber

A Memoir in Songs

My Cantopop Nights

The Making of a Modern Pop Icon: The Unauthorized Biography

Rosalía

From his early work with The Birthday Party to the future sounds of Ghosteen, Nick Cave has rewritten the language of rock 'n' roll. Darker with the Dawn uncovers the history and deeper meanings behind Nick Cave and The Bad Seeds' most well-known songs from "Tupelo", "The Mercy Seat", "Red Right Hand", "Stagger Lee", "Into My Arms", to "Higgs Boson Blues" and beyond. The book explores Nick Cave's life in music drawing upon his inspirations of the Bible, Greek myth, and literature, as well as his enduring passion for gospel, blues, and progressive rock. Steiner reflects upon Cave's journey from his childhood in Australia, struggles with drug addiction, his young fascination with the nightmare landscapes of America's wild west and the southern gothic towards a reckoning with his own sense of Christian spirituality. In a career spanning four decades Cave's songwriting has moved from the saints and sinners of the traditional murder ballad to piano-based heartbreak songs, deconstructed garage rock and ambient fever dreams delivered through minimalist electronica. Adam Steiner dives into the world of a complex songwriter who, in his universal expressions of love and death, continues to speak to us of the light and shade of humanity.

Nick Cave's Songs of Love and Death

Darker with the Dawn

People say to me, if you could do it all again, knowing what you know now, would you change anything? I'm like, f*** no. If I'd been clean and sober, I wouldn't be Ozzy. If I'd done normal, sensible things, I wouldn't be Ozzy. Look, if it ends tomorrow, I can't complain. I've been all around the world. Seen a lot of things. I've done good... and I've done bad. But right now, I'm not ready to go anywhere. At the age of sixty-nine, Ozzy Osbourne was on a triumphant farewell tour, playing to sold-out arenas and rave reviews all around the world. Then disaster. In a matter of just a few weeks, he went from being hospitalised with a finger infection to having to abandon his tour - and all public life - as he faced near-total paralysis from the neck down. Last Rites is the shocking, bitterly hilarious, never-before-told story of Osbourne's descent into hell. Along the way, he reflects on his extraordinary life and career - including his turbulent marriage to wife Sharon, his regrets over Black Sabbath's reunion, his friendships with Slash and Zakk Wylde, and the harrowing final moments he spent with Motorhead's Lemmy Kilmister. Unflinching but surprisingly life-affirming, Last Rites demonstrates once again why Ozzy has transcended his status as 'The Godfather of Metal' and 'The Prince of Darkness' to become a modern-day folk hero and national treasure.

Never-before-told stories of a legendary life from the rock 'n' roll hellraiser

Last Rites

33 1/3 Europe

A portrait and analysis of East German band Silly's popular music masterpiece, Februar, that mirrors the collapse of socialism. In early 1989, nine months before the fall of the Berlin Wall, the band Silly released Februar, one of the most important albums in the history of rock music in the GDR. The record was both-an artistic masterpiece, and an eloquent sign of the times, with lyrics that commented on the political erosion afoot in East Europe and anticipated the collapse of socialism. That the words were able to overcome the hurdles typically set by censorship in the GDR owed in part to the extraordinary origins of the album. Februar was the only large-scale popular music coproduction between East and West Germany, jointly realized by Amiga in socialist East Germany and Ariola in the capitalist West. Ariola assumed the costs for the album, assuring itself the final say. Recorded in West Berlin, the album was released in both Germanies. Yet just as the song sequence and narrative of the record varied considerably from East to West, so too did its presentation and reception. Februar illustrated the divergent meanings rock music held in the rival societies, confirming its special power in the GDR. Differently from what black-white interpretations suggest, rock in East Germany developed along lines marked by unexpected possibilities, productive contradictions, and constant negotiations between artists and the state. This is the subject of this book. It portrays Februar as the culmination of a long-process of self-empowerment, throughout which Silly gained increasing artistic and political leeway.

Silly's Februar

ONE OF THE GUARDIAN'S 'BEST BOOKS TO DIP INTO THIS SUMMER' 'The Bowie you thought you knew is recast completely' The Spectator 'A transfixing look at David Bowie's life through a spiritual lens... fresh and revealing' Publishers Weekly How David Bowie's search for meaning inspired him to write the music that defined a generation. In this wide-ranging biography, Peter Ormerod explores the quest for spirituality that powered David Bowie's creativity from his earliest recordings to his death-defying final album. Bowie's genre-expanding, era-crossing genius had an extraordinary impact on popular culture but his life-long search for spiritual truth and enlightenment has been overlooked. From Bowie's first musical encounters as a choirboy, this book traces his spiritual obsessions over the years. As a young musician at the start of his career, he was enraptured by Tibetan Buddhism. It was the first step in a spiritual journey that would generate his most profound lyrics and music. From the Kabbalah-influenced tracks of Station to Station to Ziggy Stardust's messiah complex and the profound affinity between Heroes and Christian thought, Ormerod sheds new light on the spiritual traditions behind Bowie's genius. Taking Bowie's spiritual explorations and faith seriously, Ormerod shows us how this quest for meaning propelled him through his darkest moments and biggest successes, lending his music a timelessness and depth that has spoken to so many people across the world. Whether experiencing a dark night of the soul in LA during his occult phase or reciting the Lord's prayer in front of thousands of concertgoers, Bowie was always searching for that universal truth that lies beyond everyday reality.

A spiritual meditation on his music and creativity

David Bowie and the Search for Life, Death and God

FEATURING AN EXCLUSIVE NEW INTERVIEW WITH SIR PAUL McCARTNEY 'An astonishing amount of research' NEW YORK TIMES 'An easy and addictive read' MOJO ¿¿¿¿¿ THE TELEGRAPH 'Meticulously [and] lovingly told in this delightful history' JANN WENNER Persuasive, captivating and bursting with insight, this dual biography by acclaimed journalist Jim Windolf dives into the surprisingly supportive, occasionally rivalrous, always fertile relationship between Bob Dylan and the Beatles. Few artists have shaped pop culture as profoundly as the Beatles and Bob Dylan. In Where the Music Had to Go, Jim Windolf offers a new, persuasive interpretation of how two of the twentieth century's greatest recording artists influenced one another - and reveals how their apprenticeships, accomplishments and legacies are uncannily intertwined. From Dylan's early dismissal of the Beatles as being for 'teenyboppers' to his rapid acknowledgment of their talent, the book captures the pivotal moments that pushed Dylan to 'go electric' and inspired the Beatles to deepen their lyrics. Packed with vivid anecdotes (the Beatles rehearsing Dylan songs; Dylan spending hours at Lennon's childhood home), the book paints a picture of a relationship full of camaraderie, rivalry and mutual evolution. Windolf's meticulous research uncovers hidden gems, peeling back layers of history to reveal the stories fans didn't even know they were missing. From Lennon's and McCartney's lyrical transformations to George Harrison's growth as a songwriter, the book showcases the ripple effects of the Beatles-Dylan connection. More than a music biography, this is a front-row seat to the forces that shaped the sound of a generation.

How Bob Dylan and The Beatles Changed Each Other – and the World

Where the Music Had to Go

THE INSTANT SUNDAY TIMES TOP 5 BESTSELLER 'This affecting exploration of the troubled genius's impact is packed with anecdote, sharp analysis and social context' - The Guardian 'A beautiful, frequently extraordinary book. Part biography, part social commentary and part love letter, it somehow does full justice to the magnificent man it examines' - James O'Brien 'Happy Publication Day to this deeply-felt book. It's written not just from the perspective of a social historian but with such heart, too' - Nigella Lawson He wrote one of the biggest hits of our age in 'about an hour' in his childhood bedroom. He would go on to collaborate with some of the greatest musicians of all time, from Aretha Franklin to Stevie Wonder. He was a pop star who bleached his hair blonde, wore tiny shorts and, at the same time, critiqued his own image mercilessly. He lived through the AIDS crisis and one of the most homophobic periods of British history and yet when he finally came out, he did so boldly and unapologetically. Wham! were the first Western pop group to play in Communist China and he repeatedly broke boundaries in music too. Ten years after his death, George Michael is still everywhere: the annual success of 'Last Christmas', new covers of his songs, and endless memes on social media. Tonight the Music Seems So Loud is at once a kaleidoscopic portrait of one of Britain's most beloved musicians and an account of a strange and turbulent period of British history. In his unconventional and enthralling book, Sathnam Sanghera, the bestselling author of Empireland explores the connection between music and politics, exposes what secrecy does to the soul, and reveals how fame rots the sense of self. Throughout, Sanghera captures, joyfully and poignantly, one of Britain's greatest artists in all his musical glory. 'Heartfelt and joyful. Hard recommend' - Caitlin Moran Hugely enjoyable' - The i 'Far more than a biography of a pop icon' - Sadiq Khan 'A nerdy, passionate, extraordinary book' - The Spectator 'Thoughtful and thought-provoking' - Daily Mail 'A very personal exploration of a very unusual artist' - Dorian Lynskey

The Meaning of George Michael

Tonight the Music Seems So Loud

'Hepworth is a genuinely great writer, with a winning turn of phrase' Guardian'Reads like a series of rich, fast-paced and immensely funny short stories' The Oldie'Offers solid insights into the compulsions and drives that keep bands reforming' Sunday Times'May be his best yet...recommended to anyone for whom pop music means anything at all' Daily Mail'The book is destined to become the go-to text on a subject we never thought we'd have to survey' Literary Review___________From the author of Abbey Road comes the story of how enduring rock icons like Pink Floyd, Bruce Springsteen and many more have remained in the ever changing music game. When Paul McCartney closed Live Aid in July 1985 we thought he was rock's Grand Old Man. He was forty-three years old. As the forty years since have shown he - and many others of his generation - were just getting started. This was the time when live performance took over from records. The big names of the 60s and 70s exploited the age of spectacle that Live Aid had ushered in to enjoy the longest lap of honour in the history of humanity, continuing to go strong long after everyone else had retired. Hence this is a story without precedent, a story in which Elton John plays a royal funeral, Mick Jagger gets a knighthood, Bob Dylan picks up the Nobel Prize, the Beatles become, if anything, bigger than the Beatles and it's beginning to look as though all of the above will, thanks to the march of technology, be playing Las Vegas for ever. ___________Praise for David Hepworth'Such a clever writer' Spectator'Hepworth's writing is sublime' Daily Mail'A refreshingly independent thinker' Daily Telegraph'Hepworth's knowledge and understanding of rock history is prodigious' Sunday Times

Why rock stars never retire

Hope I Get Old Before I Die

Story of the Century

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