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Pender R: Stephen Sondheim’s Sweeney
Todd

Stephen Sondheim’s Sweeney Todd

Behind the Bloody Musical Masterpiece

The Petersburg Noverre is an account of Marius Petipa's career in Russia that focuses on the description and reception of his ballets.

The Petersburg Noverre is an account of Marius Petipaâ€™s career in Russia that focuses on the description and reception of his ballets.

Marius Petipa in Russia

The Petersburg Noverre, Volume: 1

Since its founding by Joseph Papp in the 1950s, The Public Theater has been an American artistic leader defined by its breadth of programming, from Hair and A Chorus Line to Free Shakespeare in the Park. With the recent critical and financial success of Fun Home and Hamilton, and its emphasis on new play development, The Public's contemporary history has been equally remarkable, even as world crises and social changes have tested the mettle of its foundation of accessible and "radically inclusive" theater for all. One Public presents the broader organization, its creative methodology, and its enormous growth over the past twenty years. Framed by the tenure and leadership of its current artistic director Oskar Eustis, the book tells the contemporary story, recorded over many interviews with iconic practitioners and performers, ranging from Diane Paulus, Tony Kushner, and Lynn Nottage to Kevin Kline, Chelsea Clinton, and Lin-Manuel Miranda. Case study-driven, One Public uses oral history accounts and authorial experience to illuminate The Public Theater, Eustis, and their cultural influence on the city of New York and the greater United States. The story highlights the successes and challenges of an institution at once espousing a mission of inclusive and community-based arts creation, while also developing Broadway hits and international fame.

New York’s Public Theater in the Era of Oskar Eustis

One Public

Reimagining the American Musical

Opening Doors

Warum haben wir Menschen Musik?&nbsp;Die komplett überarbeitete Neuauflage des erfolgreichen Sachbuchs, jetzt mit zwei neuen Kapiteln zur Musiktherapie und zur Evolution der Musik:&nbsp;Wie entfaltet Musik ihre Wirkung? Was geht dabei in unserem Gehirn vor? Fördert Musik die Intelligenz? Dient sie dem Gruppenzusammenhalt? Teilt Musik Emotionen mit? Macht Musik gesund? Dieses Buch erklärt die zahlreichen Wirkungen von Musik auf Fühlen und Denken, auf die Organisation von Gruppen sowie auf unsere körperliche und geistige Gesundheit. Im ersten Teil des Werkes werden die evolutionären Grundlagen der Musikwahrnehmung und des Musizierens dargestellt. Die faszinierenden neuen Erkenntnisse zu den positiven, aber auch den negativen Auswirkungen intensiven Musizierens auf das Nervensystem werden in den folgenden Kapiteln geschildert. Glücklicherweise macht Musik nur selten krank – viel wichtiger sind die bislang noch gar nicht ausgeschöpften heilenden Potenziale und die große Macht der positiven Emotionen, die durch Musik ausgelöst werden. Mit diesen erfreulichen und zukunftsweisenden Aspekten schließt das Buch, das jeden ansprechen wird, der eine Liebe zur Musik empfindet, sei es als Musizierender oder als Hörer.&nbsp; Der Autor&nbsp;Eckart Altenmüller&nbsp;ist Direktor des Instituts für Musikphysiologie und Musiker-Medizin der Hochschule für Musik, Theater und Medien Hannover. Der mehrfach preisgekrönte forschende und praktizierende Neurologe und Konzertflötist zählt zu den weltweit renommiertesten Forschern im Bereich der Musikermedizin und Neuromusikologie.

Warum haben wir Menschen Musik?&nbsp;Die komplett überarbeitete Neuauflage des erfolgreichen Sachbuchs, jetzt mit zwei neuen Kapiteln zur Musiktherapie und zur Evolution der Musik: Wie entfaltet Musik ihre Wirkung? Was geht dabei in unserem Gehirn vor? Fördert Musik die Intelligenz? Dient sie dem Gruppenzusammenhalt? Teilt Musik Emotionen mit? Macht Musik gesund? Dieses Buch erklärt die zahlreichen Wirkungen von Musik auf Fühlen und Denken, auf die Organisation von Gruppen sowie auf unsere körperliche und geistige Gesundheit. Im ersten Teil des Werkes werden die evolutionären Grundlagen der Musikwahrnehmung und des Musizierens dargestellt. Die faszinierenden neuen Erkenntnisse zu den positiven, aber auch den negativen Auswirkungen intensiven Musizierens auf das Nervensystem werden in den folgenden Kapiteln geschildert. Glücklicherweise macht Musik nur selten krank – viel wichtiger sind die bislang noch gar nicht ausgeschöpften heilenden Potenziale und die große Macht der positiven Emotionen, die durch Musik ausgelöst werden. Mit diesen erfreulichen und zukunftsweisenden Aspekten schließt das Buch, das jeden ansprechen wird, der eine Liebe zur Musik empfindet, sei es als Musizierender oder als Hörer.&nbsp;

Warum der Mensch ohne Musik nicht leben kann

Vom Neandertal in die Philharmonie

This book explores the vibrant intersection of sports and arts as a powerful medium for cultural exchange between the United Kingdom and China. It includes approximately one hundred works by contemporary British and Chinese artists, and vividly captures the dynamic synergy of athleticism and creativity. Integrated with international art/sport festival programmes, the book offers a fresh perspective on community interaction and engagement, highlighting the unique value of sports and art in modern life. This sports and arts fusion serve not only as a bridge for human civilisation but also as a driving force and inspiration for sustainable development.

Sports and Arts in British-Sino Cultural Exchange

Unity in Motion

This book posits a novel framework for sense-making and meaning-making in the play of video games. Extending an audience-inclusive philosophy of artistic meaning generation, the book grapples with how to critically examine video games as artistic artifacts that do not have set, predetermined, standardized forms until live play is enacted.

Theory, Practice, and Aesthetics

The Fundamentals of Video Game Literacy

Revelations on Stage

Bliss and Dance

Many of us consider making and consuming art to be a hobby, or even a luxury. But what if arts engagement - from classical music to salsa, poetry to pop concerts, galleries to graffiti - was in fact one of our most powerful tools for unlocking health and happiness? What if art could help you live longer - and even save your life?In Art Cure, Professor Daisy Fancourt reveals the life-changing power of the arts. Engaging in the arts improves the functioning of every major organ system in the body: songs support the architectural development of children's brains; creative hobbies help our brains to stay resilient against dementia; visual art and music act just like drugs to reduce depression, stress, and pain; dancing and drumming affect neurotransmitters, hormones, cells, proteins, even the expression of our genes; going to live music events, museums, exhibitions, and the theatre decreases our risk of future loneliness and frailty. Informed by the ground-breaking results of decades of scientific studies, and with practical advice that gives you the tools to write your own 'arts prescription', Art Cure will fundamentally change the way you value and engage with arts in your daily life. The arts not only helps us to survive, they allow us to thrive and flourish.

How the arts can save your life

Art Cure

Discover John Kander and Fred Ebb, the most artistically and commercially successful musical theatre writing team since Rodgers and Hammerstein, in a brand new way. Identifying the theatrical approach that renders their musical dramaturgy unique, this book explores their importance within, and contribution to, musical theatre history. Through their biggest hits, Cabaret (1966) and Chicago (1975), Kander and Ebb have been performed on the stage more times both within and outside of the USA than any other American musical theatre writers. Unlike Sondheim, whose work from 1964 increasingly aspired towards the avant-garde, Kander and Ebb located their projects in a nexus between art and commercial entertainment, seeking to deconstruct popular forms in order to expose their ideological function. This book investigates the full range of Kander and Ebb's collaboration from the pure comic entertainment of 70, Girls, 70 (1971) and Curtains (2006) to more overtly serious musicals such as Kiss of the Spiderwoman (1992), The Scottsboro Boys (2010) and The Visit (2014), which were less commercially successful precisely because they addressed disturbing subjects. It explores how the difficult material inspired beautiful, though challenging, scores. It also probes how the ironic counterpointing of luscious music with witty and demotic lyrics challenges the desire of a Broadway audience for escapist entertainment, devoid of critical self-reflection, in order to create complex, yet popular, masterpieces of the genre. This is the first volume to explicitly analyse the recurrent theatrical tropes and dramaturgical forms in Kander and Ebb's musicals, offering an in-depth introduction to their oeuvre.

Discover John Kander and Fred Ebb, the most artistically and commercially successful musical theatre writing team since Rodgers and Hammerstein, in a brand new way. Identifying the theatrical approach that renders their musical dramaturgy unique, this book explores their importance within, and contribution to, musical theatre history. Through their biggest hits, Cabaret (1966) and Chicago (1975), Kander and Ebb have been performed on the stage more times both within and outside of the USA than any other American musical theatre writers. Unlike Sondheim, whose work from 1964 increasingly aspired towards the avant-garde. Kander and Ebb located their projects in a nexus between art and commercial entertainment, seeking to deconstruct popular forms in order to expose their ideological function. This book investigates the full range of Kander and Ebb's collaboration from the pure comic entertainment of 70, Girls, 70 (1971) and Curtains (2006) to more overtly serious musicals such as The Kiss of the Spiderwoman (1992), The Scottsboro Boys (2010) and The Visit (2014), which were less commercially successful precisely because they addressed disturbing subjects. It explores how the difficult material inspired beautiful, though challenging, scores. It also probes how the ironic counterpointing of luscious music with witty and demotic lyrics makes complex demands of a Broadway audience, challenging its desire for escapist entertainment, devoid of critical self-reflection, to becomes complex, yet popular, masterpieces of the genre. This is the first volume to explicitly analyse the recurrent theatrical tropes and dramaturgical forms in Kander and Ebb's musicals, offering an in-depth introduction to their oeuvre.

The Theatre of Kander and Ebb

Slow Train Coming is both for those who love Bob Dylan and for those who love Broadway. An oral history of the Bob Dylan and Conor McPherson musical Girl from the North Country, this first-hand behind-the-scenes account documents what it takes to build a new commercial musical against the backdrop of a pandemic.

Slow Train Coming is both for those who love Bob Dylan and for those who love Broadway. An oral history of the Bob Dylan and Conor McPherson musical Girl from the North Country, this first-hand behind-the-scenes account documents what it takes to build a new commercial musical against the backdrop of a pandemic.

Slow Train Coming: Bob Dylan’s Girl From the North Country and Broadway's Rebirth

Every writer dreams of creating their own game world and telling their own stories. If you're writing for Star Wars or Assassin's Creed or the Marvel Universe, the groundwork has already been laid for you. But what if you are the person who has to lay that groundwork?

Stephen Sondheim’s Sweeney Todd

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