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Vuillard Eric: Sorrow of the Earth

Sorrow of the Earth

Buffalo Bill, Sitting Bull and the Tragedy of Show Business

Rome's Age of Revolution

Mothers make history. But what it has meant for mothers to do the physical and emotional work of mothering has, for centuries, been neglected in the stories of the past. Patriarchal control of motherhood has relegated the acts of growing, birthing, nurturing and loving to the sidelines, and deemed it unimportant, women's work. Now, through the voices of the women themselves, Elinor Cleghorn reclaims and retells the history of motherhood, showcasing the mothers, othermothers, midwives, activists, community leaders and more who have shaped the course of history. Beginning in the ancient world, we encounter a figurine made for a childbirth ritual over three-thousand years ago. We meet extraordinary writers and poets, like Anne Bradstreet and Elizabeth Jocelin, who were expressing their innermost feelings about motherhood. During the seventeenth century, in the streets of London we encounter unmarried mothers struggling against stigma and shame, and the women who strove to help them. Later, pioneers like Mary Wollstonecraft laid the intellectual foundations for the liberation of motherhood from male control, and the abhorrent treatment of enslaved mothers was brought to public attention by courageous activists like Sojourner Truth. These and many other brave characters lobbied for mothers of all classes and circumstances to be valued, respected, and supported - not as reproductive vessels, but as people. A Woman's Work is a powerful, inspiring and ground-breaking new history for anyone who has ever mothered.

A History of Motherhood

A Woman’s Work

Routledge Medieval Translations

The Sermons of Chromatius of Aquileia

Religion in Politics and Society Today

Exploring the Issues

Black Religious Activism

Extraordinary Valor is the true story of American Special Forces officer John Duffy, and South Vietnamese paratrooper, Le Van Me, as they fight to defend Charlie Hill, a key to holding Vietnam's Central Highlands during North Vietnam's 1972 Easter Offensive. The battalion has received the order to "Fight to the death" on Charlie Hill, and many of them do in fact die, as they make a last stand.

The Fight for Charlie Hill in Vietnam

Extraordinary Valor

Bloomsbury Neo-Latin Series: Early Modern Texts and Anthologies

On June 13, 1753 the Irene set sail from London to New York. One of her passengers was Christian Wedsted, a Moravian missionary headed to his post in Bethlehem, Pennsylvania. While many travelers would chronicle their transatlantic journeys, Wedsted chose to recount his in 200 lines of Latin poetry, imitating the preferred form of the ancient Roman poet Ovid. This poem is one of about 45 Latin poems that Wedsted composed in Germany, England, and Pennsylvania, all of which are presented here together for the first time alongside translations into English. A critical introduction and commentary provide historical, literary, and religious context for Wedsted's poetry, across an oeuvre containing birthday poems, impassioned religious verses, and personal anecdotes about life in colonial Pennsylvania. At around 1200 lines, the poems make up one of the largest extant collections of 18th-century Latin poetry from the Americas. Moravian piety is central to Wedsted's identity, and he exchanges poems with important Moravian personalities, weaving together classical material and Christian material to create an original and unique project in colonial America. Many of the poems are experiments in genre that put ancient models and meters to work in new contexts. Half of the poems were written after his arrival in America, and as such they offer a rare window into life on the colonial frontier.

The Latin Poems of Christian Wedsted

A thrilling follow-up to Felice and the Wailing Woman by Diana López that explores the Texas-Mexico border myth of the Dancing Devil. The magical town of Tres Leches, home to the figures of Texas–Mexico border lore, has been through a lot. Most recently, the town was released from a curse that kept La Llorona, the wailing woman, haunting the shores of their river. But just when the townsfolk were preparing to return to sunny riverside picnics and barbecues, the children of Tres Leches mysteriously began to go missing. The town suspects another monstruo, the Dancing Devil, is luring kids to &nbsp;El Camarón Dance Hall &amp; Arcade. The Dancing Devil’s son, Rooster, who has a foot in both the human and monster worlds, feels compelled to lead the search for the missing children with the help of his friends, Ava (the daughter of La Lechuza) and Felice (the daughter of La Llorona). Their journey takes them to an old gothic mansion with a twisted family history and a pull so powerful that it’s nearly impossible to resist. Picking up where Felice and the Wailing Woman left off, Rooster and the Dancing Diablo brims with magic, adventure, and Mexican folklore, and is perfect for fans of fantasy adventure series like Paola Santiago by&nbsp;Tehlor Kay Mejia&nbsp;and&nbsp;the Jumbies by Tracey Baptiste.

A thrilling follow-up to Felice and the Wailing Woman by Diana López that explores the Texas-Mexico border myth of the Dancing Devil. The magical town of Tres Leches, home to the figures of Texas–Mexico border lore, has been through a lot. Most recently, the town was released from a curse that kept La Llorona, the wailing woman, haunting the shores of their river. But just when the townsfolk were preparing to return to sunny riverside picnics and barbecues, the children of Tres Leches mysteriously began to go missing. The town suspects another monstruo, the Dancing Devil, is luring kids to &nbsp;El Camarón Dance Hall &amp; Arcade. The Dancing Devil’s son, Rooster, who has a foot in both the human and monster worlds, feels compelled to lead the search for the missing children with the help of his friends, Ava (the daughter of La Lechuza) and Felice (the daughter of La Llorona). Their journey takes them to an old gothic mansion with a twisted family history and a pull so powerful that it’s nearly impossible to resist. Picking up where Felice and the Wailing Woman left off, Rooster and the Dancing Diablo brims with magic, adventure, and Mexican folklore, and is perfect for fans of fantasy adventure series like Paola Santiago by&nbsp;Tehlor Kay Mejia&nbsp;and&nbsp;the Jumbies by Tracey Baptiste.

Los Monstruos: Rooster and the Dancing Diablo

PRE-ORDER THE HEARTFELT TALE OF ONE WOMAN'S JOURNEY TO UNCOVER A FAMILY HISTORY BURIED BY SECRETS OF WAR AND TRAGEDY IN PAPERBACK NOW---------------------------------I would learn that when families tell stories, what they leave out re-defines what they keep in. With my family, these were not secrets intentionally withheld. Just truths too painful to confront. In the last years of her life, Teresa Lim's mother, Violet Chang, had copies of a cherished family photograph made for those in the portrait who were still alive. The photo is mounted on cream card with the name of the studio stamped at the bottom in Chinese characters. The place and date on the back: Hong Kong, 1935. Teresa would often look at this photograph, enticed by the fierceness and beauty of her great-aunt Fanny looking back at her. But Fanny never seemed to feature in the told and retold family stories. Why? she wondered. This photograph set Teresa on a journey to uncover her family's remarkable history. Through detective work, serendipity, and the kindness of strangers, she was guided to the fascinating, ordinary, extraordinary life of her great-aunt and her world of sworn spinsters, ghost husbands and the working-class feminists of 19th century south China. But to recover her great-aunt's past, we first must get to know Fanny's family, the times and circumstances in which they lived, and the momentous yet forgotten conflicts that would lead to war in Singapore and, ultimately, a long-buried family tragedy. The Interpreter's Daughter is a beautifully moving record of an extraordinary family history. For fans of Wild Swans, The Hare With Amber Eyes, and Falling Leaves this is the next classic in the making.

PRE-ORDER THE HEARTFELT TALE OF ONE WOMAN'S JOURNEY TO UNCOVER A FAMILY HISTORY BURIED BY SECRETS OF WAR AND TRAGEDY IN PAPERBACK NOW --------------------------------- I would learn that when families tell stories, what they leave out re-defines what they keep in. With my family, these were not secrets intentionally withheld. Just truths too painful to confront. In the last years of her life, Teresa Lim's mother, Violet Chang, had copies of a cherished family photograph made for those in the portrait who were still alive. The photo is mounted on cream card with the name of the studio stamped at the bottom in Chinese characters. The place and date on the back: Hong Kong, 1935. Teresa would often look at this photograph, enticed by the fierceness and beauty of her great-aunt Fanny looking back at her. But Fanny never seemed to feature in the told and retold family stories. Why? she wondered. This photograph set Teresa on a journey to uncover her family's remarkable history. Through detective work, serendipity, and the kindness of strangers, she was guided to the fascinating, ordinary, extraordinary life of her great-aunt and her world of sworn spinsters, ghost husbands and the working-class feminists of 19th century south China. But to recover her great-aunt's past, we first must get to know Fanny's family, the times and circumstances in which they lived, and the momentous yet forgotten conflicts that would lead to war in Singapore and, ultimately, a long-buried family tragedy. The Interpreter's Daughter is a beautifully moving record of an extraordinary family history. For fans of Wild Swans, The Hare With Amber Eyes, and Falling Leaves this is the next classic in the making.

A remarkable true story of feminist defiance in 19th Century Singapore

The Interpreter's Daughter

From the best-selling author of The End of Your Life Book Club comes a warm, funny, irresistible book that follows an improbable and life-changing friendship over the course of forty years. 'Moving. Salted with intelligence and empathy' New York Times Book Review 'A page-turner' New Yorker 'Really shines' San Francisco Chronicle 'Gorgeous' Sebastian Junger ------------- Imagine a secret society which pairs you with your polar opposite. You meet regularly. What would you talk about? Could you become friends? Will is bookish, quiet, gay, manning AIDS helplines. Maxey is loud, a wrestler, a Jock, intent on a military life. But paired together - over dinner, beers, pool games - they forge an extraordinary and resilient bond. We Should Not Be Friends is an account of their odd-couple relationship, its ups and downs, twists and turns, the misunderstandings and the trust built over forty turbulent years. ------------- 'A rare view of male friendship . . . succeeds because Maxey comes across as a great character, a warm and devoted friend' NPR 'Schwalbe has an uncanny ability to use his personal experience as a springboard for universal truths' Los Angeles Times 'A charming read with plenty of surprises. Celebrates not only an unlikely friendship, but the strange turns a life can take' Wall Street Journal 'Schwalbe's memoir shines. Written like a true friend' Daily Mail

PRE-ORDER THE PAPERBACK NOW From the best-selling author of The End of Your Life Book Club comes a warm, funny, irresistible book that follows an improbable and life-changing friendship over the course of forty years. 'Moving' NEW YORK TIMES ''Schwalbe's memoir shines...Written like a true friend' DAILY MAIL ------------- in his last year of university, Will thought he knew everyone he cared to know. A per-haired, out gay young man, working at an AIDS helpline in the early days of the crisis, Will found community amongst the theatre students, artists and writers. He also knew who he wanted to avoid: the jocks. Wearing sporty clothes and moving in boisterous packs, the jocks seemed to be a different species entirely, one Will might encounter only at his own peril. All this changed dramatically when Will was brought into a secret society at Yale, aimed to bring together a group of opposites. On his first day, he was faced with Chris Maxey - a physically imposing, loud, star wrestler who seemed to be uncomfortable around Will and embodied everything he disliked and feared. But through months of mandated dinners, and many beers, the two swapped life-stories and forged an unexpected bond that became a ballast in each other's lives for forty years. A real-life The Breakfast Club story, We Should Not Be Friends is a testament to the miracle of human connection, if only we see past our differences.

The Story of An Unlikely Friendship

We Should Not Be Friends

Michael Mann Project 2

HarperCollins Children’s Modern Classics

This beautiful HarperCollins Children's Modern Classics edition is perfect for every bookshelf.

This beautiful HarperCollins Children's Modern Classics  edition is perfect for every bookshelf.

Street Child

Black Adolescent Development is the first text to provide a comprehensive overview of contemporary black adolescents in the United States¿from social, psychological, economic, educational, medical, historical, and comparative perspectives.

Black Adolescent Development is the first text to provide a comprehensive overview of contemporary black adolescents in the United Statesâ€”from social, psychological, economic, educational, medical, historical, and comparative perspectives.

Black Adolescent Development

Sorrow of the Earth

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