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Sanguinetti A: Some say Ice

Some say Ice

Pedlars, Poseurs and Performers is a compelling insight into the world of the Portobello Street market. Fifty years of photographs, which go beyond the stalls, shops and cafés normally associated with it. Each picture features, where possible, the subject's name and the date the picture was taken. Some of the characters shared their stories with Brian Jaquest while being photographed in his studio.The non-conformist approach to the layout of the book represents the chaotic experience of a street market. The photographs and texts describe each category in the book's title: pedlars, poseurs and performers.This book is not only a visual record of the characters who have made the Portobello Street market famous over generations but is also a collection of fascinating photographs taken from the point of view of an insider. Pedlars, Poseurs and Performers is an in-depth photographic history which takes the reader into the ticking heart of the Portobello Road.

My Portobello Road

Pedlars, Poseurs and Performers

Aperture Ideas

The first English-language volume of Takuma Nakahira's influential writings on photography. Takuma Nakahira was a crucial figure within the history of Japanese photography, best known outside of Japan as a founding member of Provoke, the experimental magazine of photographs, essays, and poetry, first published in Tokyo in 1968. Through Provoke, Nakahira deepened his artistic and personal connection to Daido Moriyama, with whom he developed a signature style of harsh and grainy black-and-white photography. He would eventually break with this style, and over the course of his decades-long career, maintain an experimental approach to photography. And yet, beyond his photographic practice, Nakahira was also a committed critic, writing on a range of topics hardly limited to photography: art, film, journalism, radical politics, television, and jazz. As a whole, the essays offer insight into the evolution of Nakahira's thinking. As the curator Matthew S. Witkovsky notes, "Nakahira's incisive writing cut apart standing views in literature, film, politics, and especially photography, and he published both articles and photographs at a feverish rate."

Selected writings by Takuma Nakahira

Takuma Nakahira: At the Limits of the Gaze

Routledge History of Photography

By entering and critically re-activating the Zionist photographic archive established by the Division of Journalism and Propaganda of the Jewish National Fund, this research examines its rippling impact on civil landscapes prior to 1948 in Palestine, and its lasting impact on the region to date.

Pre-State Photographic Archives and the Zionist Movement

A collection of extraordinary nineteenth-century portraits that radically shift our understanding of the presence and identities of the Black subject in Victorian Britain.

Photography, Race and Difference in Victorian Britain

Black Chronicles

"From taxi window to dog's eye view, from near and only slightly afar, Jeremy's is a quixotic, idiosyncratic and quite extraordinary eye." -Robin MuirJeremy Hackett (born 1953) is a quintessentially British fashion designer and business entrepreneur known for his menswear brand Hackett, which opened its first store on London's Kings Road in 1983. He is widely considered an authoritative voice on men's classic fashion, and in addition to regularly contributing to magazines such as Men's Health and Forbes, Hackett has published a book of anecdotal critiques of men's style entitled Mr Classic. In this latest artistic endeavor and departure from fashion, Hackett, a born-and-bred Londoner, presents a photo diary of the city he knows and loves so well. From morning walks with his dogs to fly-on-the wall observations and brief encounters with interesting, immaculately dressed characters to architectural motifs and classic cars in unusual locations, My London is a singular window into Hackett's unique view of the British capital.

My London

Examining the history of photography and the medium's uses beyond fine artSince photography's beginnings in the 19th century, the medium has constantly evolved-in its purpose, its audiences, its collectors and its technology. Reframing Photography: Multiple Histories surveys photography's past, present and future transformations through thematic groupings pulled from the preeminent collection at the Museum of Fine Arts, Boston. The diverse selection of objects explores images made not just for a fine art context but also for documentation, the printed page, science, architecture, surveys, publicity and more. Photographers revealing these multiple narratives include Southworth and Hawes, Julia Margaret Cameron, Lewis Hine, James Van Der Zee, Richard Avedon, Irving Penn, Margaret Bourke-White, Robert Capa, Catherine Opie, Gohar Dashti, Martine Gutierriez and Alejandro Cartagena. This publication celebrates the centennial anniversary of Alfred Steiglitz's founding gift to the museum's photography collection.

Examining the history of photography and the medium’s uses beyond fine artSince photography’s beginnings in the 19th century, the medium has constantly evolved—in its purpose, its audiences, its collectors and its technology. Reframing Photography: Multiple Histories surveys photography’s past, present and future transformations through thematic groupings pulled from the preeminent collection at the Museum of Fine Arts, Boston. The diverse selection of objects explores images made not just for a fine art context but also for documentation, the printed page, science, architecture, surveys, publicity and more. Photographers revealing these multiple narratives include Southworth and Hawes, Julia Margaret Cameron, Lewis Hine, James Van Der Zee, Richard Avedon, Irving Penn, Margaret Bourke-White, Robert Capa, Catherine Opie, Gohar Dashti, Martine Gutierriez and Alejandro Cartagena. This publication celebrates the centennial anniversary of Alfred Steiglitz’s founding gift to the museum’s photography collection.

Multiple Histories

Reframing Photography

Icons, Legends, and Muses

Moments

Seoul Days & Nights

Drawing on an incredible archive of historic and contemporary imagery, former Imperial War Museum photo curator Hilary Roberts charts over 150 years of photographic manipulation in the causes of national morale, subterfuge and control of the winning narrative.

Drawing on an incredible archive of historic and contemporary imagery, former Imperial War Museum photo curator Hilary Roberts charts over 150 years of photographic manipulation in the causes of national morale, subterfuge and control of the winning narrative. It is said that the camera never lies. But in the arena of war photography, its truth is subject to extreme distortion. Drawing on an incredible archive of historic and contemporary imagery, former Imperial War Museum photo curator Hilary Roberts charts over 150 years of photographic manipulation in the causes of national morale, subterfuge and control of the winning narrative. From the American civil war to the conflict in Gaza and Ukraine, this book delves into the to the practices of both professional and amateur conflict photographers - exploring the hows and whys of image distortion. By examining the consequences, Hilary also contemplates their enduring impact on our understanding of history, providing a nuanced perspective on the intricate interplay between images, truth, and the complexities of war.

150 years of weaponising photography

The Camera at War

Larry Fink: Hands On / A Passionate Life of Looking is a 424-page encapsulation of Larry Fink’s master photos accompanied by insightful essays from Lucy Sante, Stephen Shore, Graydon and Ash Carter, Yolanda Cuomo, Martha Posner, and publisher Daniel Power. Larry Fink: Hands On / A Passionate Life of Looking offers an unprecedented overview of Fink’s career and his profound influence in the Lisette Model world (under whom he was mentored) on photography and on broader American culture. Celebrated as a photographer of the people, Larry Fink is known for his impromptu, street-style black-and-white photographs that delve into societal complexities, class divides, and the essence of human connection. Throughout his career, which spanned from the 1950s to his passing in November 2023, Fink documented a broad spectrum of subjects, spanning from the glamorous scenes of Vanity Fair Oscar parties to the streets of impoverished Philadelphia neighborhoods. Throughout his life, he dedicated himself to authentically portraying the human experience across diverse communities. Larry Fink: Hands On / A Passionate Life of Looking presents a comprehensive exploration of Fink's remarkable career for the first time. Over his lifetime, Fink meticulously stored his images in boxes, where they often remained forgotten for months or even years. However, during the pandemic, Fink dedicated himself to combing through these boxes with the dream of creating a retrospective of his work: photographs and beat-style poetry. This endeavor gained momentum when Daniel Power, founder of powerHouse Books and a longtime collaborator of Fink, photographers Jonno Rattman and Jamie Cabreza, and art director Yolanda Cuomo joined Fink in his archival journey. They unearthed a trove of unseen treasures, resulting in a meticulously curated 424-page testament to Fink's unparalleled creativity alongside his trademark jazz poetry. Fink’s vast repertoire includes photographs of celebrities like Jay-Z and Meryl Streep, protesters marching down streets, and boxers in the ring (Including a look into his other books, Boxing (1998), Runway (2000), Social Graces (2001), Forbidden Pictures (2004), and The Beats (2014)). This book reaches even further by including non-human subjects like intimate portraits of insects in their natural habitat and dead animals grotesquely displayed. Larry Fink's distinctive signature – his raw and experimental approach, his spontaneity, his interest in class commentary, and his intimate perspective – are presented in a manner unprecedented in his body of work, applied to subject matter viewers have rarely seen Fink tackle. Each image, painstakingly selected, offers a poignant insight into Fink's unwavering commitment to his craft and insatiable curiosity about the world.

Hands On/A Passionate Life of Looking

Larry Fink

The Shankill, a roughly mile long road in Belfast Northern Ireland, is home to a working class, Protestant community. Their history is complex and troubled and yet they have survived with pride and resilience. During the thirty years of sectarian violence, many stories of this community have been told. A Peace Agreement was signed in 1998 and most journalists and photographers packed their bags and left before the ink had dried. But it is still a fragile peace that remains. The Shankill: A Portrait of Pride and Resilience depicts a proud community defined by their traditions, hoping to move beyond their past. It is a portrait of today.

A Portrait of Pride and Resiliance

The Shankill

Lament&nbsp;connects the tangibility of history and the geography of memory in the American South. Through contemporary photographs, personal stories, essays, and quotes, Linda Foard Roberts's latest book connects the tangibility of history and the landscape (or geography) of memory to a greater understanding of the palpable presence of our shared past in everyday life.&nbsp;Roberts sees her photographic efforts as an ongoing contribution to truth-seeking by bearing witness to the silent stories encoded in our surroundings.&nbsp;Her work examines life, death, fundamental human rights, and excavations of narratives invisibly embedded in our lives.&nbsp;She has seen how such endeavors have the capacity to create opportunities for change, compassion, action, and justice.&nbsp;Lament&nbsp;is designed in two volumes housed in a cloth-covered slipcase. The first volume focuses on her images, while the second volume comprises a texts by renowned scholars and a poem.&nbsp;
For this project, Roberts employed Civil War-era equipment—an 8x10-inch view camera with a Darlot brass barrel lens—and visited sites across the American South where devastating events in social history took place. This use of historical equipment invokes the temporal merging she seeks to capture in her work—the overlap of the evidence of our past with the present.&nbsp;Lament&nbsp;is designed in two volumes housed in a cloth-covered slipcase. The first volume focuses on her images, while the second volume comprises texts by scholars Henry Louis Gates Jr., Ph.D., Cheryl Finley, Ph.D., Michelle Lanier, and Jennifer Sudul Edwards, Ph.D., and a poem by E. Ethelbert Miller.
Lament&nbsp;is designed in two volumes housed in a cloth-covered slipcase. The first volume focuses on her images, while the second volume comprises texts by scholars Henry Louis Gates Jr., Ph.D., Cheryl Finley, Ph.D., Michelle Lanier, and Jennifer Sudul Edwards, Ph.D., and a poem by E. Ethelbert Miller.&nbsp;Roberts's artwork is held in the collections of the Bechtler Museum of Modern Art (Charlotte, NC), Center for Creative Photography (Tucson, AZ), Gregg Museum of Art and Design (Raleigh, NC), Harry Ransom Center (Austin, TX), Mint Museum of Art (Charlotte, NC), Museum of Photographic Arts San Diego, New Orleans Museum of Art, Norton Museum of Art (Palm Beach, FL), North Carolina Museum of Art, and The Ogden Museum of Southern Art (New Orleans, LA).&nbsp;

Linda Foard Roberts: Lament | A Photographic Geography of Black History in the American South

Some say Ice

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