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Society Is Nix

Gleeful Anarchy at the Dawn of the American Comic Strip 1895-1915 Revised Edition

A new compass for global reading: looking at the world from the far southern latitudes A northern viewpoint is most often the default, while the south—the far southern latitudes occupied by Australia, New Zealand, Argentina and southern Africa, among others—seems far away and ignorable. In Southern Imagining, Elleke Boehmer offers an alternative perspective, using literary, scientific and cultural material to explore how we look at the world from the south. Reading, she argues, is a transformative means of reversing our usual planetary perspective and rearranging our perceptual geography. Boehmer examines writing from across southern continents and islands, considering how we imaginatively inhabit the farthest reaches of our planet. Writers ranging from the Portuguese epic poet Luís de Camöes to Samuel Taylor Coleridge, Charles Darwin, Katherine Mansfield, Jorge Luis Borges and ancient Indigenous scribes, Boehmer finds, capture the edgy and austere experiences of the far south. Boehmer argues that imaginative work stimulates and shapes our phenomenological understanding. Southerners often see themselves as if far away from where things count, as outsiders, internalising the wider global sense of their relative insignificance. Conversely, when northerners read or hear legends, narratives, songs and poems from the south, it is as if they are located in the south, at least for the duration of the reading or listening. Boehmer suggests that the south-tilted world map, re-centred through song and story, invites us to claim a more involved sense of belonging to our planet, both its north and its south. The writers of the south disrupt conventional ways of seeing and invite us to inhabit our globe differently.

A Literary and Cultural History of the Far Southern Hemisphere

Southern Imagining

The Black Poet in Washington, DC

"No More Worlds to Conquer"

Bloomsbury Adaptation Histories

Noted scholar Imelda Whelehan looks at key adaptations released during this period and considers the impact of social change, film consumption and film tastes, as well as noting the most popular genres at this time. The latter part of the 20th century saw cinema becoming increasingly significant as an art-form, even while its status as 'art' was still openly contested. This installment in the Bloomsbury Adaptation Histories series discusses a rich and exciting period of cinema history: Hollywood in the latter stages of its golden age, releasing masterpiece adaptations such as It's A Wonderful Life (1946), The Treasure of the Sierra Madre (1948), The Third Man (1949), All About Eve (1950), Rear Window (1954), The Night of the Hunter (1955) and Vertigo (1958).

The latter part of the 20th century saw cinema becoming increasingly significant as an art-form, even while its status as 'art' was still openly contested. This installment in the Bloomsbury Adaptation Histories series discusses a rich and exciting period of cinema history: Hollywood in the latter stages of its golden age, releasing masterpiece adaptations such as It's A Wonderful Life (1946), The Treasure of the Sierra Madre (1948), The Third Man (1949), All About Eve (1950), Rear Window (1954), The Night of the Hunter (1955) and Vertigo (1958). Noted scholar Imelda Whelehan looks at key adaptations released during this period and considers the impact of social change, film consumption and film tastes, as well as noting the most popular genres at this time.

1946-59

Post-war Adaptations

Noted scholar Imelda Whelehan looks at key adaptations released during this period and considers the impact of social change, film consumption and film tastes, as well as noting the most popular genres at this time. The latter part of the 20th century saw cinema becoming increasingly significant as an art-form, even while its status as 'art' was still openly contested. This installment in the Bloomsbury Adaptation Histories series discusses a rich and exciting period of cinema history: Hollywood in the latter stages of its golden age, releasing masterpiece adaptations such as It's A Wonderful Life (1946), The Treasure of the Sierra Madre (1948), The Third Man (1949), All About Eve (1950), Rear Window (1954), The Night of the Hunter (1955) and Vertigo (1958).

The Selected Writings of David Williams Vol 3

Humanidades Digitales y Big Data en Iberoamérica / Digital Humanities and Big Data in Ibero-America

Society Is Nix

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