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Seidel Frederick: So What

So What

Picador Collection

Say Something Back &amp; Time Lived, Without Its Flow, Denise Riley's exacting meditations on loss, grief, and life thereafter, are published together for the first time.

Say Something Back and Time Lived, Without Its Flow

The Bonfire Party

SHORTLISTED FOR THE PRIZE FOR POETRY, 2024 VICTORIAN PREMIER'S LITERARY AWARDS SHORTLISTED FOR THE UTS GLENDA ADAMS AWARD FOR NEW WRITING, 2024 NSW PREMIER'S LITERARY AWARDS 'I keep looking at the stars to see the universe, but the joke is I am the universe.' the body country is an evocative exploration of a world that too often marginalises and the power of a land that can offer connection. A meditation of wandering and wondering on Country, inviting the reader to understand the complexities and changing forms of self and love. A Wergaia and Wemba Wemba woman, Susie Anderson captures profound meaning in moments often lost in the busyness of a day, encouraging us all to stop and allow ourselves the space to notice. To notice the shape of a mouth as it says goodbye; the colour of the sky as you fall in love; the way a steering wheel is turned carelessly after many wines; the crunch of dry ground after drought; the smell of fire on the wind; the movement of ants before rain; the power a word, a dress, a piece of art can give to run towards something new. These are poems that take us across rural and urban settings; from the personal to the universal, from looking inward to mapping the land and always bringing us back to the Country that connects us all. 'Anderson pays attention to the moments that slip through the cracks and hands them straight to you in a way that can momentarily stun' Harper's Bazaar 'The Body Country is an evocative exploration of a world that too often marginalises and the power of a land that can offer connection. Susie captures profound meaning in moments often lost in the busyness of a day, encouraging us all to stop and allow ourselves the space to notice' Wimmera Mail Times 'Powerful' Who Magazine

SHORTLISTED FOR THE PRIZE FOR POETRY, 2024 VICTORIAN PREMIER'S LITERARY AWARDS SHORTLISTED FOR THE UTS GLENDA ADAMS AWARD FOR NEW WRITING, 2024 NSW PREMIER'S LITERARY AWARDS 'I keep looking at the stars to see the universe, but the joke is I am the universe.' the body country is an evocative exploration of a world that too often marginalises and the power of a land that can offer connection. A meditation of wandering and wondering on Country, inviting the reader to understand the complexities and changing forms of self and love. A Wergaia and Wemba Wemba woman, Susie Anderson captures profound meaning in moments often lost in the busyness of a day, encouraging us all to stop and allow ourselves the space to notice. To notice the shape of a mouth as it says goodbye; the colour of the sky as you fall in love; the way a steering wheel is turned carelessly after many wines; the crunch of dry ground after drought; the smell of fire on the wind; the movement of ants before rain; the power a word, a dress, a piece of art can give to run towards something new. These are poems that take us across rural and urban settings; from the personal to the universal, from looking inward to mapping the land and always bringing us back to the Country that connects us all. 'Anderson pays attention to the moments that slip through the cracks and hands them straight to you in a way that can momentarily stun' Harper's Bazaar 'The Body Country is an evocative exploration of a world that too often marginalises and the power of a land that can offer connection. Susie captures profound meaning in moments often lost in the busyness of a day, encouraging us all to stop and allow ourselves the space to notice' Wimmera Mail Times 'Powerful' Who Magazine

the body country

Now in paperback! With over 60,000 hardcover copies in print, the astonishing collection about interconnectedness-between the human and nonhuman, ancestors and ourselves-from U.S. Poet Laureate and MacArthur Fellow Ada Limón."I have always been too sensitive, a weeper / from a long line of weepers," writes Limón. "I am the hurting kind." What does it mean to be the hurting kind? To be sensitive not only to the world's pain and joys, but to the meanings that bend in the scrim between the natural world and the human world? To divine the relationships between us all? To perceive ourselves in other beings-and to know that those beings are resolutely their own, that they "do not / care to be seen as symbols"?With Limón's remarkable ability to trace thought, The Hurting Kind explores those questions-incorporating others' stories and ways of knowing, making surprising turns, and always reaching a place of startling insight. These poems slip through the seasons, teeming with horses and kingfishers and the gleaming eyes of fish. And they honor parents, stepparents, and grandparents: the sacrifices made, the separate lives lived, the tendernesses extended to a hurting child; the abundance, in retrospect, of having two families.Along the way, we glimpse loss. There are flashes of the pandemic, ghosts whose presence manifests in unexpected memories and the mysterious behavior of pets left behind. But The Hurting Kind is filled, above all, with connection and the delight of being in the world. "Slippery and waddle thieving my tomatoes still / green in the morning's shade," writes Limón of a groundhog in her garden, "she is doing what she can to survive.

An astonishing collection about interconnectedness—between the human and nonhuman, ancestors and ourselves—from U.S. Poet Laureate and MacArthur Fellow Ada Limón.“I have always been too sensitive, a weeper / from a long line of weepers,” writes Limón. “I am the hurting kind.” What does it mean to be the hurting kind? To be sensitive not only to the world’s pain and joys, but to the meanings that bend in the scrim between the natural world and the human world? To divine the relationships between us all? To perceive ourselves in other beings—and to know that those beings are resolutely their own, that they “do not / care to be seen as symbols”?With Limón’s remarkable ability to trace thought, The Hurting Kind explores those questions—incorporating others’ stories and ways of knowing, making surprising turns, and always reaching a place of startling insight. These poems slip through the seasons, teeming with horses and kingfishers and the gleaming eyes of fish. And they honor parents, stepparents, and grandparents: the sacrifices made, the separate lives lived, the tendernesses extended to a hurting child; the abundance, in retrospect, of having two families.Along the way, we glimpse loss. There are flashes of the pandemic, ghosts whose presence manifests in unexpected memories and the mysterious behavior of pets left behind. But The Hurting Kind is filled, above all, with connection and the delight of being in the world. “Slippery and waddle thieving my tomatoes still / green in the morning’s shade,” writes Limón of a groundhog in her garden, “she is doing what she can to survive.”

Poems

The Hurting Kind

Girl, Swooning

Yevgeny Onegin

Weaving together literary and archaeological evidence, Emily Hauser illuminates the rich, intriguing lives of the real women behind Homer's Iliad and Odyssey. Achilles. Agamemnon. Odysseus. Hector. The lives of these and many other men in the greatest epics of ancient Greece have been pored over endlessly in the past three millennia. But these are not just tales about heroic men. There are scores of women as well--complex, fascinating women whose stories have gone unexplored for far too long. In Penelope's Bones, award-winning classicist and historian Emily Hauser pieces together compelling evidence from archaeological excavations and scientific discoveries to unearth the richly textured lives of women in Bronze Age Greece - the era of Homer's heroes. Here, for the first time, we come to understand the everyday lives and experiences of the real women who stand behind the legends of Helen, Briseis, Cassandra, Aphrodite, Circe, Athena, Hera, Calypso, and Penelope. In this captivating journey through Homer's world, Hauser explains era-defining discoveries, such as the excavation of Troy and the decipherment of Linear B tablets that uncover thousands of captive women and their children; more recent finds like the tomb of the Griffin Warrior at Pylos, whose tomb contents challenge traditional gender attributes; DNA evidence showing that groups of warriors buried near the Black Sea with their weapons and steeds were, in fact, Amazon-like female fighters; a prehistoric dye workshop on Crete that casts fresh light on "women's work" of dyeing, spinning, and weaving textiles; and a superbly preserved shipwreck off the coast of Turkey whose contents tell of the economic and diplomatic networks crisscrossing the Bronze Age Mediterranean. Essential reading for fans of Madeline Miller or Natalie Haynes, this riveting new history reveals the women of the Bronze Age Aegean as never before, offering a ground-breaking reassessment of the ancient world.

A New History of Homer's World Through the Women Written Out of It

Penelope's Bones

Leading poet and activist John Kinsella brings together a
major international collection of contemporary and historical poetry that speaks
to the rights and welfare of animals.

The Uncollected Animals is a unique anthology of poetry
based around all non-human animal life, with the welfare and rights of animals
at the forefront. The anthology includes over forty commissioned poems, and
other poems provided by poets specifically for the anthology. These are set
against an historical context of animal-referencing poems that range in time
from ancient Greece to the 21st century. Kinsella’s introduction offers
insights into the eternal relationship of poetry to animals, and the creative
arrangement of the poems yields startling contrasts and alliances that will
draw readers into a powerful relationship with the work.The book includes 160 poems representing some sixteen
countries and many different cultures. Together, this collective utterance
respects and conserves a great variety of perspectives. Writing in a full range
of styles, the diverse voices found inside include poets from Aristophanes,
Blake, Coleridge, Du Fu, Melville, and Wordsworth to Anne Carson, CA Conrad,
Kimiko Hahn, Paul Laurence Dunbar, D.H. Lawrence, Sylvia Plath, Maya Angelou, Rita
Dove, and Marianne Moore, to important young voices, to performer/lyricists
such as Sonic Youth’s Thurston Moore. At all times, animals, their rights, and
their welfare are at the fore, be they invertebrates, bird, mammal, reptile,
amphibian, or fish. In a time of human-induced mass extinctions and rapid
human-induced climate change, this subject could not be more vital and
necessary for all of us to consider, embrace, and act on with empathy.

Leading poet and activist John Kinsella brings together a
major international collection of contemporary and historical poetry that speaks
to the rights and welfare of animals.

The Uncollected Animals is a unique anthology of poetry
based around all non-human animal life, with the welfare and rights of animals
at the forefront. The anthology includes over forty commissioned poems, and
other poems provided by poets specifically for the anthology. These are set
against an historical context of animal-referencing poems that range in time
from ancient Greece to the 21st century. Kinsella’s introduction offers
insights into the eternal relationship of poetry to animals, and the creative
arrangement of the poems yields startling contrasts and alliances that will
draw readers into a powerful relationship with the work.The book includes 160 poems representing some sixteen
countries and many different cultures. Together, this collective utterance
respects and conserves a great variety of perspectives. Writing in a full range
of styles, the diverse voices found inside include poets from Aristophanes,
Blake, Coleridge, Du Fu, Melville, and Wordsworth to Anne Carson, CA Conrad,
Kimiko Hahn, Paul Laurence Dunbar, D.H. Lawrence, Sylvia Plath, Maya Angelou, Rita
Dove, and Marianne Moore, to important young voices, to performer/lyricists
such as Sonic Youth’s Thurston Moore. At all times, animals, their rights, and
their welfare are at the fore, be they invertebrates, bird, mammal, reptile,
amphibian, or fish. In a time of human-induced mass extinctions and rapid
human-induced climate change, this subject could not be more vital and
necessary for all of us to consider, embrace, and act on with empathy.

Poems for Our Nonhuman Kin

The Uncollected Animals

The Margellos World Republic of Letters

From a trailblazing poet, a trilingual narrative in verse that bears witness to a devastating crime and testifies to the power of collective defiance &nbsp; In 2007, Mexican soldiers raped and left for dead a seventy-three-year-old Indigenous Nahua woman, Ernestina Ascencio Rosario, as she worked on her farm. Despite extensive evidence to the contrary, including eyewitness accounts, the courts ruled that Ascencio had died of natural causes. When journalists began to investigate, they discovered that there were numerous girls in the community who also had been raped by soldiers—girls as young as twelve who were already mothers. The reports sparked outrage throughout Latin America over violence against women and girls, violence against Indigenous communities, and military impunity. &nbsp; Stolen Flower, a contemporary classic originally written in Didxazá (Isthmus Zapotec), is Irma Pineda’s powerful sequence of poems memorializing the events and their ramifications. The poems, which appear here in Didxazá, Spanish, and English, are told through a chorus of fictionalized voices: of Ascencio herself, of the field where the rape occurred, of the forest that has seen generations of Indigenous villagers, of the village grappling with the terror. It is at once a lament and a call to arms, refashioning the testimonio into a tribute to Mexico’s Indigenous peoples and their lands, cultures, languages, and dignity.

Stolen Flower

Leckie SNAP Revision

Exam Board: SQALevel: N5/HigherSubject: EnglishUpdated to include the poems from the Scottish set text list for 2025/26 onwards.

Revision Guide for the Sqa English Exams

National 5/Higher English Revision: Poetry by Norman MacCaig

Later Life Letter

The Wickedest

So What

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