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Elmer J: Slay: Ancient legends of female
slayers and the hidden mythology of dra

Slay: Ancient legends of female slayers and the hidden mythology of dragons

"An absolute must-read for anyone interested not just in big tech, but in what it takes to not lose your soul in modern-day America." —Naomi Fry, staff writer at The New YorkerA whip-smart, darkly funny, and timely memoir of one woman’s twelve years inside Google and her transformation from insider to dissenter as the company’s ideals begin to unravel from within.When Claire Stapleton joined Google in 2007, it felt like stepping into a worldview as much as a job. The company offered not just a career, but a moral project. In the heady early years of Big Tech and when Google’s in-house slogan was “Don’t be evil,” it was easy to believe that technology wasn’t just changing the world—it was going to fix it.Stapleton quickly became known as the “Bard of Google,” pulled into the rooms where the company narrated itself—writing speeches, blog posts, and executive communications for leaders including Larry Page. As she rose through increasingly rarefied roles, from the storied Creative Lab to YouTube marketing, she helped shape the myth from the inside.But as the gap between Google’s ideals and its reality widened, the dissonance became impossible to ignore. In 2018, amid outrage over the company’s handling of sexual harassment, Stapleton helped organize the 20,000-employee Google Walkout—a defining rupture in Silicon Valley’s self-image that The New York Times called a “watershed moment in tech.” Overnight, she became a public face of employee revolt—and no longer someone the company could neatly fold back into its story.Sharp, witty, and unsparing, Don’t Be Evil is an insider’s account of how power actually works—and a deeper reckoning with the stories we tell about work, purpose, and ourselves. In a culture that collapses identity into work, and as tech elites blur the line between private authority and public life, it asks: how much can you change from within—and when is it time to walk away?

"An absolute must-read for anyone interested not just in big tech, but in what it takes to not lose your soul in modern-day America." —Naomi Fry, staff writer at The New YorkerA whip-smart, darkly funny, and timely memoir of one woman’s twelve years inside Google and her transformation from insider to dissenter as the company’s ideals begin to unravel from within.When Claire Stapleton joined Google in 2007, it felt like stepping into a worldview as much as a job. The company offered not just a career, but a moral project. In the heady early years of Big Tech and when Google’s in-house slogan was “Don’t be evil,” it was easy to believe that technology wasn’t just changing the world—it was going to fix it.Stapleton quickly became known as the “Bard of Google,” pulled into the rooms where the company narrated itself—writing speeches, blog posts, and executive communications for leaders including Larry Page. As she rose through increasingly rarefied roles, from the storied Creative Lab to YouTube marketing, she helped shape the myth from the inside.But as the gap between Google’s ideals and its reality widened, the dissonance became impossible to ignore. In 2018, amid outrage over the company’s handling of sexual harassment, Stapleton helped organize the 20,000-employee Google Walkout—a defining rupture in Silicon Valley’s self-image that The New York Times called a “watershed moment in tech.” Overnight, she became a public face of employee revolt—and no longer someone the company could neatly fold back into its story.Sharp, witty, and unsparing, Don’t Be Evil is an insider’s account of how power actually works—and a deeper reckoning with the stories we tell about work, purpose, and ourselves. In a culture that collapses identity into work, and as tech elites blur the line between private authority and public life, it asks: how much can you change from within—and when is it time to walk away?

Bad Bosses, Fake Promises, and My Escape from Big Tech

Don't Be Evil

'Sensational' - Daily Mail Published for her centenary, Elizabeth II is a brilliant new portrait of the late Queen, full of fresh revelations. From the Sunday Times number one bestselling author of Charles III, it is the essential story of her life and record-breaking reign. Biographer and royal commentator Robert Hardman has had unique access to the world of the late Queen - including family, staff, advisers and even the last state visitor of her record-breaking reign, President Donald Trump himself. As daughter, wife, mother and sovereign, Elizabeth lived fascinating parallel lives, both in private and in public. But she remained something of a mystery - beloved, even revered, modest yet daunting, naturally shy but globally recognizable, inscrutable and also authentic. She was grand but so familiar that we felt we knew her. Yet we would always be left asking the same question: 'What's she really like?' The only biographer to have interviewed all the senior members of the Royal Family, some of them several times, no one has written more authoritatively on Queen Elizabeth II than Robert Hardman. Here he has crafted a gripping story of drama, devotion, triumph, tragedy, humour and conflict; of an outwardly stoical, inwardly complex woman whose love of family, love of country and duty to the Crown might have pulled her in different directions but never derailed her; a global stateswoman who wielded her great authority with charm and understatement. Elizabeth II will explain why the Queen was not merely the most famous woman in the world. She was one of history's all-time greats. 'If you read one biography on Elizabeth II, this is the one . . . magnificent' - Simon Sebag Montefiore, author of The World: A Family History

In Private. In Public. The Inside Story

Elizabeth II

Black Women and Sartorial Choice after Enslavement

The Will to Adorn

The first comprehensive history of mothers and mothering from antiquity to today, by the acclaimed author of UNWELL WOMEN 'Cleghorn's aim is to reclaim mothering as a radical, intentional act - not purely a biological function, devoid of thought, creativity, or labour . . . Engrossing' OBSERVER 'An essential history' LEAH HAZARD 'This is the book we need right now . . . powerful and astonishing' MARIANNE LEVY 'Thoughtful, smart, and, sadly, really bloody urgent' CLAIRE LYNCH Mothers make history. For centuries, motherhood has sparked social and political change. Yet the acts of growing, birthing and nurturing children - and the power they hold - have been pushed to the margins, overlooked in our narratives of the past. In A Woman's Work, Elinor Cleghorn reveals the mothers, othermothers, midwives, activists, and community leaders who have shaped this extraordinary history. They include Hildegard of Bingen, the medieval nun and mystic with pioneering views about the maternal body; Mary Wollstonecraft, who laid the intellectual groundwork to release motherhood from male control; and Sojourner Truth, who drew attention to the abhorrent treatment of mothers under chattel slavery. Beginning in the ancient world, we learn how in each era, the patriarchy constructed its own idealised notion of motherhood - from the misogynistic dogma of the early church and the stigmatisation of single mothers in 17th century England all the way through to the post-war myth of the perfectly contented housewife. But we also learn how mothers of all classes and circumstances fought back, and lobbied to be valued, respected and supported - not as reproductive vessels, but as people. A Woman's Work is a radical and inspiring new history of mothering, and a timely reminder that the fight for reproductive freedom is far from over.

The first comprehensive history of mothers and mothering from antiquity to today, by the acclaimed author of UNWELL WOMEN

Reclaiming the Radical History of Mothering

A Woman’s Work

A giant of the political left, Rosa Luxemburg is one of the foremost minds in the canon of revolutionary socialist thought. But she was much more than just a thinker. She made herself heard in a world inimical to the voices of strong-willed women. She overcame physical infirmity and the prejudice she faced as a Jew to become an active revolutionary whose philosophy enriched every corner of an incredibly productive and creative life—her many friendships, her sexual intimacies, and her love of science, nature and art. Always opposed to the First World War, when others on the German left were swept up on a tide of nationalism, she was imprisoned and murdered in 1919 fighting for a revolution she knew to be doomed. In this beautifully drawn work of graphic biography, writer and artist Kate Evans has opened up her subject’s intellectual world to a new audience, grounding Luxemburg’s ideas in the realities of an inspirational and deeply affecting life.

A Graphic Biography of Rosa Luxemburg

Red Rosa

The Car Wash Way

Um 83 v. Chr. geboren, lebte Fulvia zur Zeit von Cäsar und Kleopatra – und gehörte zu den ganz wenigen Frauen des römischen Reiches, die enorm viel Macht und Einfluss hatten. Bekannt ist sie zwar aus antiken Quellen, doch fast immer als Zerrbild durch die Feder ihrer männlichen Feinde: habgierig, grausam, eigensinnig, unweiblich. Ein Ruf, der sich über Jahrhunderte festgesetzt hat, bis hin zu der Legende, sie habe nach Ciceros Tod seine Zunge mit Haarnadeln durchstochen.Die britische Historikerin Jane Draycott spürt der Fulvia hinter den Diffamierungen nach. Sie liest die Texte von Fulvias Gegnern kritisch, ordnet sie politisch ein und lässt dabei das alte Rom auferstehen. Sie erzählt von Fulvias Aufstieg an die Spitze der Macht, von ihren strategischen Bündnissen und ihrem außergewöhnlichen Charisma.So entsteht das faszinierende Porträt einer Frau, die nicht gefallen wollte, sondern ihr Leben und ihren Aufstieg selbst gestaltete: vielleicht hart, sicher klug – und politisch gefährlich genug, um bis heute missverstanden zu werden.

Die Frau, die im alten Rom alle Regeln brach | Historische Richtigstellung eines über Jahrtausende verzerrten Bildes über eine der mächtigsten Römerinnen im 1. Jahrhundert v. Chr

Fulvia

The Business of Freedom tells the story of Black enterprise through the lives of the people who built it. Some, like Booker T. Washington and Madam C. J. Walker, are familiar figures in the history of Black business. But many are lesser-known strivers whose ambitions briefly illuminated the possibilities of the age. From the hopeful dawn of emancipation to the bustle of Harlem, award-winning historian Shennette Garrett-Scott follows Black entrepreneurs who carved opportunity out of exclusion to build banks, grocery stores, cotton mills, and real estate empires. Their successes were real, but so were the limits imposed by segregation, unequal access to capital, and the violence that shadowed Black prosperity. The Business of Freedom reveals Black capitalism as a strategy for both individual and collective empowerment-and shows why free enterprise alone could never deliver the freedom its champions promised.

The Golden Age of Black Capitalism

The Business of Freedom

This open access book offersa cultural history of lawsuits that traces the development of French performance rights from la Belle Époque, throughthe Roaring Twenties, and into thePost-War period. It does so by analysing the ways in which performers, composers, and playwrights took to French courtrooms, sought attention in mass media, and participated in political debates to claim their rights to create and control musical and theatrical performance. In 19th-century France, composers and playwrights organised in member-run societies that successfully used authors' rights legislation to curb the power of theatre managers. By the turn of the 20th century, these so-called collective management organisations had transformed French cultural industries by building out structures of royalty collection and improving litigation practices. From the café-concert culture in 19th-century Montmartre and the rise of modern celebrity culture, to mass media and radio entertainment, the book traces precedent-setting litigation that defined who creates and controls performance. The book challenges previous narratives that centre the individualisation of authors in the expansion of the international copyright regime while neglecting performers. Instead, it reveals the ways in which the personality and individuality of performers have played a constitutive role in discourses about genius, technology, and legal categories. Performance as Intellectual Property is for anyone interested in the emergence of modern European cultural industries and the relationships between intellectual property systems, creativity, and art. The ebook editions of this book are available open access under a CC BY-NC-ND 4.0 licence on bloomsburycollections.com Open access was funded by the European Research Council.

The Rights of Performers, Composers and Playwrights in France 1890-1950

Performance as Intellectual Property

'Fun, rooted in science... May this book give all women strength for the times we now live in.' Cat Bohannon A myth-busting vindication of women's physical strengths For decades, Starre Vartan - like most women - was told that having a woman's body meant being weaker than men. Like many women, she mostly believed it. Not anymore. Following a half decade of research into the newest science, Vartan shows in The Stronger Sex that women's bodies are incredibly powerful, flexible, and resilient in ways men's bodies aren't. Tossing aside the narrow notion of the tall, muscular man as the measure of strength, Vartan reveals the ways that women surpass men in endurance, flexibility, immunity, pain tolerance, and the ultimate test of any human body: longevity. In interviews with dozens of researchers from biology, anthropology, physiology, and sports science, plus in-depth conversations with runners, swimmers, wrestlers, woodchoppers, thru-hikers, firefighters, and more, The Stronger Sex squashes outdated ideas about women's bodies. It's a celebration of female strength that doesn't argue "down with men" but "up with us all."

The Power of the Female Body

The Stronger Sex

'A beautifully woven tale with brilliant, confident writing, [Heywood] has illuminated the stories of ladies too often relegated to the role of villain or damsel' CLAIRE M ANDREWSThe King of Tyre is dead, his final words anointing his clever and strong-willed daughter, Elissa, as the new queen until his young son, Pygmalion, comes of age. But betrayal and danger soon haunt Elissa, and she is forced to flee the kingdom - exiled with a band of loyal followers and a broken heart.After an arduous search for a new home, Elissa and her people settle in North Africa, and she is crowned Queen Dido: the ferocious and devoted ruler of her newly established city of Carthage. Soon a powerful trading hub, Carthage thrives under Dido's governance.But when a band of Trojan survivors, led by the valiant Aeneas, washes up on a nearby shore, Queen Dido is reminded of a promise she made long ago, never to trust or to love another again. Can Dido overcome her past and open herself - and her city - up to Aeneas, or is their love doomed to burn everything to the ground?

An enchanting feminist retelling of the story of fierce Queen Dido and her tragic love affair with Prince Aeneas from the bestselling author of The Daughters of Sparta

The Wandering Queen

HarperCollins American Classics

THE CLASSIC NATIONAL BESTSELLER"A wonderful, splendid book—a book that should be read by every American, student or otherwise, who wants to understand his country, its true history, and its hope for the future." —Howard FastIn celebration of the 250th anniversary of the United States, HarperCollins is proud to present this library of American classics drawn from our storied catalog. A People’s History of the United States, the brilliant national bestseller by historian Howard Zinn, chronicles American history from the bottom up, throwing out the official narrative taught in schools—with its emphasis on great men in high places—to focus on the street, the home, and the workplace.Known for its lively, clear prose and scholarly research, A People's History of the United States, is the only volume to tell America's story from the point of view of—and in the words of—America's women, factory workers, African-Americans, Native Americans, the working poor, and immigrant laborers. As Zinn shows, many of our country's greatest battles—the fights for a fair wage, an eight-hour workday, child-labor laws, health and safety standards, universal suffrage, women's rights, racial equality—were carried out at the grassroots level, against bloody resistance.Covering Christopher Columbus's arrival through President Clinton's first term, A People's History of the United States features insightful analysis of the most important events in our history. This edition also includes an introduction by Anthony Arnove, who wrote, directed, and produced The People Speak with Zinn and who coauthored Voices of a People’s History of the United States. <ul><li>A BEAUTIFUL PACKAGE WITH FLAPS: Featuring French flaps and a unique vivid cover design, each book in the collection is published as a deluxe trade paperback that is a part of a stunning series look.</li><li>HARPER COLLINS AMERICAN CLASSICS: This series includes timeless novels, poetry, children’s books, and groundbreaking nonfiction that has shaped American thought, literature, and identity across generations.</li><li>AMERICA’S PUBLISHER: Since its founding in 1817, no American publisher has been so entwined in the history of American letters. Our books enrich, challenge, and defined the American spirit.</li><li>AMERICA 250: The HarperCollins American Classics arrive in time for America’s 250th anniversary celebrations.</li></ul>

THE CLASSIC NATIONAL BESTSELLER"A wonderful, splendid book—a book that should be read by every American, student or otherwise, who wants to understand his country, its true history, and its hope for the future." —Howard FastIn celebration of the 250th anniversary of the United States, HarperCollins is proud to present this library of American classics drawn from our storied catalog. A People’s History of the United States, the brilliant national bestseller by historian Howard Zinn, chronicles American history from the bottom up, throwing out the official narrative taught in schools—with its emphasis on great men in high places—to focus on the street, the home, and the workplace.Known for its lively, clear prose and scholarly research, A People's History of the United States, is the only volume to tell America's story from the point of view of—and in the words of—America's women, factory workers, African-Americans, Native Americans, the working poor, and immigrant laborers. As Zinn shows, many of our country's greatest battles—the fights for a fair wage, an eight-hour workday, child-labor laws, health and safety standards, universal suffrage, women's rights, racial equality—were carried out at the grassroots level, against bloody resistance.Covering Christopher Columbus's arrival through President Clinton's first term, A People's History of the United States features insightful analysis of the most important events in our history. This edition also includes an introduction by Anthony Arnove, who wrote, directed, and produced The People Speak with Zinn and who coauthored Voices of a People’s History of the United States. <ul><li>A BEAUTIFUL PACKAGE WITH FLAPS: Featuring French flaps and a unique vivid cover design, each book in the collection is published as a deluxe trade paperback that is a part of a stunning series look.</li><li>HARPER COLLINS AMERICAN CLASSICS: This series includes timeless novels, poetry, children’s books, and groundbreaking nonfiction that has shaped American thought, literature, and identity across generations.</li><li>AMERICA’S PUBLISHER: Since its founding in 1817, no American publisher has been so entwined in the history of American letters. Our books enrich, challenge, and defined the American spirit.</li><li>AMERICA 250: The HarperCollins American Classics arrive in time for America’s 250th anniversary celebrations.</li></ul>

A People's History of the United States American Classics Edition

Slay: Ancient legends of female slayers and the hidden mythology of dragons

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