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Art in the City

Haseler T: Sketching in the City

Sketching in the City

Tools and Techniques for the Urban Artist

Linocut Printmaking in the City

Character Design Quarterly (CDQ) is a lively, creative magazine bringing inspiration, expert insights, and leading techniques from professional illustrators, artists, and character art enthusiasts worldwide.&nbsp;Each issue provides detailed tutorials on creating diverse characters, enabling you to explore the processes and decision making that go into creating amazing characters. Learn new ways to develop your own ideas, and discover from the artists what it is like to work for prolific animation studios such as Disney, Warner Bros., and DreamWorks.&nbsp;The cover for issue 35 is by&nbsp;Maxine Vee (313K Instagram followers), a freelance illustrator based in Canada. Her cosy, fantasy-inspired characters and environments have led to work with Walt Disney Studios, Penguin Random House, Bloomsbury, and many more. She takes readers step by step through the creation of her stunning cover art, then answers our questions on her career journey and current creative projects.Another great feature in this issue is an in-depth look at using Risograph to create characters. Natalie Andrewson, an American freelance illustrator and author (based in Los Angeles) speaks to us about how she came to work in this unique medium and creates a brand-new character, walking us through her process. Her work has featured in graphic novels, animation, gallery shows, and more. She has 193K followers on Instagram.

Character Design Quarterly 35

How to draw botanicals & reconnect with nature

Rewild Your Drawing

Cute & Cosy

How to Draw Cuddly Things

The Primacy of Drawing

Pop Manga Paint and Ink Coloring Book

Radical Lives

Gladys Hynes

A Guide to Making Beautiful Layered Art

Gel Plate Printing

A Project Guide to Drawing with Confidence

Sketch

A Global History of Art

The Story of Printmaking

Lessons from the Great Master

How to Draw Like Hokusai

Resplendent watercolors of the 19th-century world by New England native Winslow Homer"You will see," said American artist Winslow Homer, "in the future I will live by my watercolors." From his early forays into pastoral landscapes to his more mature works encompassing the maritime scenes for which he is best known, Homer's watercolors are most remarkable for their reverence of nature and the people who thrive within its conditions--sketches that are both quaint and sublime in scope. Boasting one of the most significant collections of Homer's watercolors in the United States, the Museum of Fine Arts, Boston, presents a luminous collection of nearly 50 works that demonstrate the artist's mastery of the medium. Readers will be transported to the rugged Maine coast, the rivers and streams of the Adirondacks, the weathered shores of seaside England and the bright beaches of the Caribbean. The many facets of these environments--ecological, artistic, social and economic--are reflected in Homer's thoughtful compositions that, though more than 100 years old, shine with a modern effervescence. Winslow Homer (1836-1910) was born in Boston and apprenticed to a commercial lithographer. He taught himself painting while working as a freelance illustrator for Harper's and other magazines. In 1883 he moved into his permanent home and studio in Prouts Neck, Maine, but continued to find inspiration in his travels to Canada, Cuba, the Bahamas, Key West and the Adirondacks.

Winslow Homer in Watercolor

Große Klassiker zum kleinen Preis

Ungekürzte Originalausgabe

Max und Moritz

Sketching in the City

Bibliografische Angaben

Schlagworte

Bibliografische Angaben

Schlagworte

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