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Brings together Shakespearean performance, audio drama studies and media history to offer the first detailed examination of Shakespeare productions on British radio.

Brings together Shakespearean performance, audio drama studies and media history to offer the first detailed examination of Shakespeare productions on British radio.

Smith A: Shakespeare on the Radio

Shakespeare on the Radio

A Century of BBC Plays

A rich exploration of the many ways women shaped the economic and cultural life of the eighteenth and nineteenth century.

This collection redefines the role of women in the development of modern capitalism, revealing their active participation as investors, entrepreneurs, theorists, and cultural producers between 1770 and 1914. Drawing on archival research and literary analysis, the essays uncover how women shaped financial systems, navigated market constraints, and leveraged sentiment, education, and capital to assert economic agency.


Bridging literary studies with social and economic history, Women, Money and Markets challenges the conventional portrayal of the marketplace as a purely rational domain, highlighting instead the emotional and relational dynamics that underpinned women's economic lives. From shareholder lists to fictional representations, contributors explore how women influenced the financialisation of the economy and contested their marginalisation in both historical records and cultural narratives.


Featuring fresh readings of authors like Wollstonecraft and Gaskell alongside lesser-known voices, this volume offers a plural and nuanced account of women's economic engagement, and its representation, across diverse contexts. It is essential reading for scholars of literature, history, gender studies, and anyone interested in the invisible hands that helped shape the modern world.

EMMA NEWPORT is Senior Lecturer in English at the University of Sussex.
JOYCE GOGGIN is Associate Professor of Literature at the University of Amsterdam.

Representing the Invisible Hands of the Economy

Women, Money and Markets, 1770-1914

Addressing the transition from pre-university to undergraduate Shakespeare studies, this introductory critical guide examines 16 key plays. Each chapter focuses on modern theoretical methods, close reading skills, early modern contexts, and productions from stage and screen spanning several decades. You will gain insights into each play, develop skills of analysis and be introduced to a diverse range of critical approaches that are central to the study of English today. Suggestions for further reading are included at the end of each chapter, together with examples of Shakespearean adaptation across genres, media and time. New to the second edition: * A revised and expanded introduction * Two additional plays and further critical approaches are covered: As You Like It and Titus Andronicus * Revised chapters on Othello and Twelfth Night * Updates to each chapter with wider reading and extended Afterlives sections * New links between chapters to aid study * A preface to the revised edition * An appendix featuring recommended open access online resources * Glossary of critical terms used in this book

The Arden Guide to Text and Interpretation

Essential Shakespeare

Explores a full spectrum of Gothic works broadly understood as queer, from the eighteenth century to today

Explores a full spectrum of Gothic works broadly understood as queer, from the eighteenth century to today

An Edinburgh Companion

Queer Gothic

Let the Sunday Timesbestselling authors and hosts of Two Mr Ps in a Pod(cast) lead you through the school year...Does the phrase 'back to school' fill you with dread? Or does it bring delight ... until you see the size of your September to-do list? Can you really be expected to keep track of next Thursday's swimming, spelling and singing club? Not to mention the PTA-sponsored bounce!From the autumn harvest festival to the summer sports day, the academic year is a non-stop frenzy of planning, preparation and potential chaos, whichever side of the school gates you find yourself. But now Britain's best-loved teachers and podcast hosts Lee and Adam Parkinson are here to make it all that little bit easier as they share the hilarious trials, tribulations and tomfoolery going on inside our primary schools.Whether you're a fatigued parent or a frazzled teacher - or just want a good laugh! - grab your back-to-school essentials, find your desk and get ready to learn what NOT to do in the year ahead.Don't just survive the school year - thrive!

An Essential Guide for Stressed-out Grown-Ups

How to Survive the School Year

The works of Shakespeare have become staples of literature. They are everywhere, from our early schooling to the lecture rooms of academia, from classic theatre to modern adaptations on stage and screen. But how well do we really know his plays? In this witty, iconoclastic book, the bestselling author Fintan O'Toole examines four of Shakespeare's most enduring tragedies: Hamlet, Macbeth, Othello and King Lear. He shows how their tragic heroes have been over-simplified and moulded to fit restrictive, conservative values, and restores the true heart and spirit of the classics. 'I've never read a book like this before: it's challenging, irreverent and funny.' Roddy Doyle

Shakespeare is Hard, but so is Life

Uncovers the central and leading roles of women in the development of organised consumer activism in the UK and the USA between 1885 and 1920

Women's Activism in the Transatlantic Consumers' Leagues, 1885-1920

Brighten the holiday season with five classic tales from the master of Christmastime fiction. Charles Dickens's most famous holiday story is the 1843 publication&nbsp;A Christmas Carol, but he was a prolific writer in the yuletide genre and a great contributor to many now-prevalent traditions of the holiday itself. In the year following the release of&nbsp;A Christmas Carol, Dickens released&nbsp;The Chimes: A Christmas Story of Some Bells That Rang an Old Year Out and a New Year In. This story combined his enduring sympathy for the poor with the notion that we must always strive to live in nobler ways. In 1845 came&nbsp;The Cricket on the Hearth, a novella that, in its time, surpassed even&nbsp;A Christmas Carol&nbsp;in popularity for stage productions. The years 1846 and 1848 respectively brought&nbsp;The Battle of Life&nbsp;and&nbsp;The Haunted Man and the Ghost’s Bargain. Given this wealth of Christmas-themed works, it is no wonder that Dickens is sometimes&nbsp;referred to as “the man who invented Christmas.”

Christmas Carol and Other Holiday Treasures

The multifaceted, cubist, and comprehensive perspective of Forty-Three Ways of Looking at Hemingway appears on the fortieth anniversary of Meyers's magisterial biography of Hemingway. This approach has never before been used to illustrate the complexity of his character, the range of his interests, and the brilliance of his work. This authoritative book uses sources in Italian, Spanish, French, and German. It reveals his reading of literature and history, his transformation of friends into fiction, his personal battles and mythic stature, his persona and ever-growing legend. This work analyzes his name and background, early work, friendships, relations with artists, connections to contemporary writers, description of historical figures and events, war reporting, military experience, life in Cuba, links with Hollywood, wives and lovers as well as the novels that influenced The Sun Also Rises and the background of "The Short Happy Life of Francis Macomber." It also considers Hemingway's feasts, humor, quarrels, self-condemnation, Nobel Prize, unwritten works, suicide, and lasting achievements.

Forty-Three Ways of Looking at Hemingway

Arden Performance Editions

One of Shakespeare's last plays, The Winter's Tale provides tragedy and comedy in equal measure. The King of Sicily, Leontes, accuses Queen Hermione, his wife, of adultery and sets off a series of events driven by royal betrayal, jealousy and the possibility of pastoral love that builds to a fantastical ending. Arden Performance Editions are ideal for anyone engaging with a Shakespeare play in performance. With clear facing-page notes giving definitions of words, easily accessible information about key textual variants, lineation, metrical ambiguities and pronunciation, each edition has been developed to open the play's possibilities and meanings to actors and students. Designed to be used and to be useful, each edition has plenty of space for personal annotations and the well-spaced text is easy to read and to navigate. Each edition offers: - Short, clear definitions of words - Information about key textual variants - Notes on pronunciation of difficult names and unfamiliar words - An easy to read layout with space to write your own notes - A short introduction to the play

One of Shakespeare’s last plays, The Winter’s Tale provides tragedy and comedy in equal measure. The King of Sicily, Leontes, accuses Queen Hermione, his wife, of adultery and sets off a series of events driven by royal betrayal, jealousy and the possibility of pastoral love that builds to a fantastical ending. 

Arden Performance Editions are ideal for anyone engaging with a Shakespeare play in performance. With clear facing-page notes giving definitions of words, easily accessible information about key textual variants, lineation, metrical ambiguities and pronunciation, each edition has been developed to open the play’s possibilities and meanings to actors and students.

Designed to be used and to be useful, each edition has plenty of space for personal annotations and the well-spaced text is easy to read and to navigate.

Each edition offers:
- Short, clear definitions of words
- Information about key textual variants
- Notes on pronunciation of difficult names and unfamiliar words
- An easy to read layout with space to write your own notes
- A short introduction to the play

The Winter's Tale: Arden Performance Editions

Penguin Clothbound Classics

The theme of the great Shakespearean tragedies is a hero's fall from grace due to a fatal character flaw. Whether it is the ruthless ambition of Macbeth or the folly of Lear, the irresolution of Hamlet or the suspicion of Othello, the cause of the tragedy - even when it is the murder of a king - is trifling compared to the calamity that it unleashes. Despite their flawed natures, however, the tragic protagonists all have a nobility that emphasizes the greatness of humanity. From this paradox the audience is brought to a greater understanding of - and sympathy with - suffering. The four tragedies in this collection are accompanied by notes and an introduction to each text.

Hamlet, Othello, King Lear, Macbeth

Four Tragedies

Inhaltsverzeichnis:

I Uns geht es nicht gut (I)

II Geblähter Nationalstolz 

III Vom unscheinbaren, entscheidenden "und"

IV Von der Abneigung gegen Politik

V Wo die Welt ist, kann kein Friede sein

VI Lieber unpolitisch?

VII Ausweichmanöver

VIII Was also tun? 

IX Uns geht es nicht gut (II)

X Konsequent konservativ 

XI Konsequent fortschrittlich

XII Uns geht es nicht gut (III)

XIII Schatten und Spiegel

XIV Wie es uns nun geht? Etwas besser

Wie wir von Thomas Mann lernen können, uns gegen das Unheil zu wappnen. Eine Betrachtung rund um 'Mario und der Zauberer'r

Kampf der Zauberer

In Shakespeare, memory, and modern Irish literature, Nicholas Taylor-Collins charts the ways that the modern Irish nation is underwritten by Irish writers whose own cultural agency is improved by their engagement with William Shakespeare. Through a wide-ranging theoretical approach, Taylor-Collins privileges forms of intertextual memory that avoid the obvious quotation or explicit reference: this innovating proposal for a 'dismemorial' intertextuality allows readers to read both Shakespeare and the Irish writers with renewed understanding of their craft. In the Introduction, Taylor-Collins establishes the grounds for comparison: both early modern England and modern/contemporary Ireland deploy a commemorative practice reliant on the theatre as a locus. Thereafter Taylor-Collins proceeds to examine the Shakespeare-Ireland connection through ghosts, bodies, and the land. In the first section, an exploration of Hamlet's hauntology enhances readings of J. M. Synge's Playboy of the Western World, James Joyce's Ulysses, and John Banville's Ghosts. The second section explores first how antitheatrical corporal economies in Coriolanus and Ben Jonson's satires re-emerge in Beckett's Three Novels, before moving on to Caithleen in Edna O'Brien's The Country Girls Trilogy as she borrows from 'hysterical' forebears in Othello, The Taming of the Shrew, and The Winter's Tale. The final section explores W. B. Yeats's infatuation with the surface of the land via King Lear and As You Like It, before finishing with Seamus Heaney's rootedness in the land via Hamlet's jumping into Ophelia's grave. For scholars and students of Shakespeare and modern/contemporary Irish literature alike, this book will also appeal to continental theorists.

Shakespeare, Memory, and Modern Irish Literature

Shakespeare on the Radio

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