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The second irresistible adventure in the Compass and Blade trilogy, full of intrigue, sizzling romance, dark magic and monstrous beings.

Greenlaw R: Shadow and Tide / B

Shadow and Tide

What nobody tells you about power, money, and winning in business There is a moment most executives recognize but rarely talk about. You're sitting in a meeting where the language is polite, the slide deck is professional, and everyone in the room knows someone is about to get destroyed. The budget. The team. The product. The career. They call it a strategic review. What it actually is? A knife fight with better lighting. Business isn't fair. Meritocracy is largely a fiction. The people who talk like sages are usually improvising behind the scenes, and the gap between the official version of how companies work and what actually happens inside them is exactly where careers are built-or quietly ended. The Trick Is Not Minding That It Hurts is the book that lives in that gap. It is a blunt, unsentimental field guide to how the system actually works and how to survive it without losing your sanity. After two decades inside the world's most competitive environments-including senior leadership roles at Facebook, Alibaba, and Expedia, followed by years in the private equity trenches-Lee McCabe has seen how power is built, how decisions are really made, and why the "official story" is often the most dangerous one to believe. If you are ready to stop being naive and start navigating the real world of business, this is your guide.

What Nobody Tells You About Power, Money, and Winning in Business

The Trick Is Not Minding That It Hurts

Eight stories. Eight writing activities. One author: YOU! This bright and quirky book shows you how to plan a story, add twists and turns, a moral message and funny, intriguing characters. You'll also learn about toilet humour, how to record observations, change the normal rules of nature in a story... and write a follow-up! Flip open your notepad. Sharpen your pencils. Those silly stories won't write themselves!

Eight Zany Tales to Inspire Your Creativity!

SILLY STORIES – And How to Write Them!

Anthem Environment and Sustainability Initiative

When Economic and Climate Goals Collide

The Green Squeeze

El periplo desnudo y descarnado de un marinero a la deriva. Y el relato que le costó el exilio a Gabriel García Márquez. 'Mi libro preferido, y el primero que escribí.' Gabriel García Márquez Con este libro, Gabriel García Márquez se descubrió a sí mismo como un narrador. Sin embargo, la intención primera era escribir un reportaje sobre un hombre, Luis Alejandro Velasco, que estuvo diez días a la deriva en una balsa mecida por el mar Caribe. El futuro Nobel de Literatura y entonces joven reportero que era García Márquez escuchó el relato de los hechos de boca de su protagonista y los transformó, tal vez sin pretenderlo, en un prodigioso ejercicio literario, una narración escueta y vigorosa donde late el pulso de un gran escritor. La publicación por entregas del reportaje en El Espectador de Bogotá supuso un alboroto político considerable -se revelaba la existencia de contrabando ilegal en un buque de la Armada colombiana, lo que costó la vida de siete marineros y el naufragio, más afortunado, de Velasco- y el exilio para su autor. 'El 22 de febrero nos anunció que regresaríamos a Colombia. Teníamos ocho meses de estar en Mobile, Alabama, Estados Unidos, donde el A.R.C. Caldas fue sometido a reparaciones electrónicas y de sus armamentos. En los días de franquicia hacíamos lo que hacen todos los marineros en tierra: íbamos al cine con la novia y nos reuníamos después en Joe Palooka, una taberna del puerto, donde tomábamos whisky y armábamos una bronca de vez en cuando.' La crítica dijo... 'Su narración más perfecta.' El País

El 28 de febrero de 1955 el destructor Caldas, que viajaba de Estados Unidos a Colombia, sufrió un accidente. Con la finalidad de rescatar a los náufragos, las fuerzas norteamericanas del canal de Panamá peinaron la zona cercana al siniestro. Después de cuatro días de búsqueda no encontraron ningún sobreviviente y se desistió de la búsqueda. Una semana más tarde apareció Luis Alejandro Velasco, quien después de pasar en las aguas del Caribe diez días a la deriva, logró llegar a tierra. &nbsp; Con este libro, Gabriel García Márquez se descubrió a sí mismo como un narrador. Sin embargo, la intención primera era la de escribir un reportaje sobre un hombre que estuvo diez días a la deriva en una balsa mecida por el mar Caribe. El futuro premio Nobel de literatura y entonces joven reportero que era García Márquez escuchó el relato de los hechos de boca de su protagonista, y lo transformó, tal vez sin pretenderlo, en un prodigioso ejercicio literario, una narración escueta y vigorosa donde late el pulso de un gran escritor. &nbsp; La publicación por entregas del reportaje en El espectador de Bogotá supuso un alboroto político considerable —se revelaba la existencia de contrabando ilegal en un buque de la Armada colombiana, lo que costó la vida de siete marineros y el naufragio, más afortunado, de Velasco— y el exilio para su autor, que se vio abocado a una nueva vida. ENGLISH DESCRIPTION The Story of a Shipwrecked Sailor is a work of non-fiction by Colombian writer Gabriel García Márquez. The novel is about a shipwrecked sailor "Velasques" who struggles for ten days to reach the coast. &nbsp;In 1955, Garcia Marquez was working for El Espectador, a newspaper in Bogota, when in February of that year eight crew members of the Caldas, a Colombian destroyer, were washed overboard and disappeared. Ten days later one of them turned up, barely alive, on a deserted beach in northern Colombia. This book, which originally appeared as a series of newspaper articles, is Garcia Marquez's account of that sailor's ordeal.

Relato de un náufrago / The Story of a Shipwrecked Sailor

Harriman House Essentials

How To Live An Extraordinary Life

The 5 Laws to Reclaim Your Time, Protect Your Energy and Build a Life That Fits You

Create a Life on Your Terms

A Practical Guide to Part III MFPA 1984 Claims

Financial Relief After Foreign Divorce

What I've Learnt from Extraordinary People

Rules to Live By

Little Clothbound Classics

Little Clothbound Classics: irresistible, mini editions of short stories, novellas, and essays from the world’s greatest writers, designed by the award-winning Coralie Bickford-Smith. In these elegant and devastating tales of deception, desire, and social intrigue, Edith Wharton exposes the brittle veneer of civility that masks human ambition and longing. From the sunlit terraces of Rome to the drawing rooms of New York, Wharton’s characters navigate a world bound by class and convention yet charged with emotional undercurrents they barely understand. In “Roman Fever,” two middle-aged women confront the unspoken rivalries that have shadowed their friendship for decades; in “Mrs. Manstey’s View,” a lonely widow’s cherished glimpse of life beyond her window becomes the stage for a quiet tragedy; and in “After Holbein,” the elaborate pretenses of two aging New Yorkers reveal the haunting persistence of vanity and illusion. These Wharton works are the latest to join the Little Clothbound Classic series designed by Coralie Bickford-Smith.

Little Clothbound Classics: irresistible, mini editions of short stories, novellas, and essays from the world’s greatest writers, designed by the award-winning Coralie Bickford-Smith. In these elegant and devastating tales of deception, desire, and social intrigue, Edith Wharton exposes the brittle veneer of civility that masks human ambition and longing. From the sunlit terraces of Rome to the drawing rooms of New York, Wharton’s characters navigate a world bound by class and convention yet charged with emotional undercurrents they barely understand. In “Roman Fever,” two middle-aged women confront the unspoken rivalries that have shadowed their friendship for decades; in “Mrs. Manstey’s View,” a lonely widow’s cherished glimpse of life beyond her window becomes the stage for a quiet tragedy; and in “After Holbein,” the elaborate pretenses of two aging New Yorkers reveal the haunting persistence of vanity and illusion. These Wharton works are the latest to join the Little Clothbound Classic series designed by Coralie Bickford-Smith.

Roman Fever

What if the biggest obstacle to solving our problems is nothing more than a failure to believe that we can?Rick Caruso has spent his life stepping optimistically into places where other people see no way forward by asking a deceptively simple question: What can we do to make this better? From his appointment as Commissioner to the Los Angeles Department of Water and Power and later the City's troubled Police Department, to the creation of his bold and innovative real estate ventures including L.A.'s world-renowned retail center The Grove, Caruso built a reputation for finding steadfast solutions even in the face of staunch adversity. By employing the great teachers of experience and curiosity, he continues to do what he can to improve Los Angeles, the city he loves, and in Breaking New Ground, he shares lessons learned along the way--while offering us all a path forward to a better future.Again and again, Caruso discovered that breakthroughs rarely come from knowing everything at the outset. They come from asking better questions, bringing the right people into the room, listening without ego, separating ideology from reality, and refusing to give up until workable solutions emerge. Ultimately, they require a steadfast dedication to the belief that there is always a solution and that defeat is not an option.Breaking New Ground is the story of how his philosophy was forged--from the examples of immigrant grandparents and a father who lost one fortune and built another, to Caruso's own successes, failures, public battles, family life, faith, and unexpected turns through business and government.Caruso is less interested in prescribing a formula for becoming successful than in exploring how successful problem-solvers think: how they distinguish what matters from what merely makes noise; how they balance conviction with compromise; how they recognize when conventional wisdom has stopped working; and how they remain fearless enough to see difficult decisions through.Part memoir, part argument, and part blueprint for action, Breaking New Ground offers a timely proposition for anyone confronting a problem that feels too complicated, entrenched, or divisive to solve.There is always another way forward. Sometimes you simply have to be willing to build it.

It’s Not too Late to Build Toward a Better Future!

The Power of Finding Steadfast Solutions

Breaking New Ground

Anthem Advances in Defence and Security Studies

Explores how cultural heritage has been exploited and weaponised by both state and non-state actors throughout history and in contemporary conflicts, revealing how monuments, traditions and historical narratives are manipulated for political, military and ideological gain, while also highlighting the resilience of communities striving to protect and reclaim their heritage against such attacks.

Cultural Arsenal: The Weaponisation of Heritage in Armed Conflict addresses head-on a dark and often overlooked aspect of cultural heritage: its weaponisation by both state and non-state actors. This new book is intended to show how cultural heritage has been used as a tool or weapon in contemporary conflict and geopolitical competition and how heritage has been manipulated and exploited throughout history to achieve strategic goals. The role of propaganda in the weaponisation of cultural heritage is also explored by examining how state actors use media and education to shape narratives around cultural heritage, often to justify territorial claims or suppress minority cultures. Within the context of International Humanitarian Law, these tactics highlight the importance of protecting cultural heritage during conflicts, as its loss can have profound and lasting impacts on communities, as well as the limits of international law in addressing the manipulation and exploitation of cultural heritage and its meaning. The book is therefore intended to explain - and set out - the exploitation of cultural heritage by both state and non-state actors to achieve military, economic, information, diplomatic and political advantage. By explaining this, the Editors aim to show how heritage has been weaponised in the past, and in the present, to achieve ideological successes as a component of advancing long-term interests. The narrative includes historical and current case-study examples, illustrating how empires and nations have used cultural heritage as a tool of propaganda. From political iconoclasm during the Ancient Egyptian Amarna period, to the aggressive program of Indigenous sequestration of Native American cultural practices in the nineteenth century, the book highlights how cultural heritage has been co-opted to serve strategic agendas across the Euro-Atlantic, Africa and the Middle East and the Indo-Pacific. Throughout the book, the contributors emphasise the resilience of communities in the face of such attacks. Stories of cultural preservation and resistance offer a glimmer of hope, showing how people strive to protect and reclaim their heritage despite the odds. This book is intended to be a thought-provoking and timely exploration of the intersection between culture and conflict. It calls for greater awareness and action to protect cultural heritage from being weaponised, urging readers to recognise the profound importance of preserving our shared history for future generations.

The Weaponisation of Heritage in Armed Conflict

Cultural Arsenal

An in-depth exploration of the network of agencies involved in policing child pornography—and what the future of security and care looks like. Facing the Child investigates the technocratic expertise in the policing of child sexual abuse material (CSAM). Mitali Thakor argues that CSAM has come to be framed as primarily a digital problem, to be resolved digitally, thereby unleashing a new form of corporatized policing helmed by global technology companies. Ambitious in scope, this multi-sited global ethnography draws on 4 years of original fieldwork and interviews with technology companies in the US, the United Nations in Bangkok, Thai and Dutch NGOs, and law enforcement in the US and the Netherlands. The book argues that in the 2010s, a network of technology companies, NGOs, and law enforcement created the notion of a “virtual child” in need of techno-solutionist saving to justify a vast expansion of surveillance technologies. The book examines how pervasive myths of child abuse online were exploited to serve the aims of seemingly disparate groups, from Christian neo-abolitionists to NGOs conducting virtual sting operations. It is this complex relationship between the care and securitization needed to fix the child victim as an object of data, concern, and rescue that the book explores.

An in-depth exploration of the network of agencies involved in policing child pornography—and what the future of security and care looks like. Facing the Child investigates the technocratic expertise in the policing of child sexual abuse material (CSAM). Mitali Thakor argues that CSAM has come to be framed as primarily a digital problem, to be resolved digitally, thereby unleashing a new form of corporatized policing helmed by global technology companies. Ambitious in scope, this multi-sited global ethnography draws on four years of original fieldwork and interviews with technology companies in the US, the United Nations in Bangkok, Thai and Dutch NGOs, and law enforcement in the US and the Netherlands. The book argues that in the 2010s, a network of technology companies, NGOs, and law enforcement created the notion of a “virtual child” in need of techno-solutionist saving to justify a vast expansion of surveillance technologies. The book examines how pervasive myths of child abuse online were exploited to serve the aims of seemingly disparate groups, from Christian neo-abolitionists to NGOs conducting virtual sting operations. It is this complex relationship between the care and securitization needed to fix the child victim as an object of data, concern, and rescue that the book explores.

Surveillance, Care, and the Policing of Violent Digital Images

Facing the Child

Shadow and Tide

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