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Moore L: Set Me Free

Set Me Free

The Good News of God's Relentless Pursuit (Poetry and Essays)

For the first time, the Band's legendary Richard Manuel's compositions and performances are analyzed with expert commentary while shining a light on his contributions to all of his bands--and on the undeniable impact he had on rock music.

For the first time, the Band's legendary Richard Manuel’s compositions and performances are analyzed with expert commentary while shining a light on his contributions to all of his bands—and on the undeniable impact he had on rock music.

His Life and Music, from the Hawks and Bob Dylan to the Band

Richard Manuel

Sunbreak: Notes on Hope, from breakout social media poet Donovan Beck, is a rousing collection of poetry and prose written in an effort to create a world in which poetry books are not just expressions of grief or loss but also ones of optimism and light. Led by deep curiosity, Sunbreak by Donovan Beck aims to give real and poetic reflections on beautiful moments of hope that can be found even in a challenging world. Donovan Beck is a multi-hyphenate storyteller dedicated to redefining how we talk about ourselves and the world around us, especially online; Sunbreak: Notes on Hope is a perfect encapsulation of his mission. Like sitting up late at night with your friends thinking about the meaning of life, Sunbreak is warm, hopeful, and full of sunlit potential for good.

Sunbreak: Notes on Hope, from breakout social media poet Donovan Beck, is a rousing collection of poetry and prose written in an effort to create a world in which poetry books are not just expressions of grief or loss but also ones of optimism and light.

Notes on Hope

Sunbreak

*2025 NATIONAL BOOK AWARD Finalist*I Do Know Some Things is a brave book, both in content and method.It is brave to write about childhood scars and the heartbreak the dead leave behind. It is brave to reconfigure one’s life in the aftermath of a stroke. Richard Siken presents these subjects directly, without ornament, and with nothing to hide behind, confronting the fact that he can no longer manipulate the constructions of form, or speak lies that tell the truth. In spite of these limitations, Siken chooses to write these poems and release them into a dangerous world. Each image, each sentence, is as direct as the American artist Jasper Johns’s shooting targets. Each poem is like a small room in a house, a room where you will be punched in the throat. As he claws himself back into a self, into a body, Siken has written a book that is unsettling and autobiographical by necessity, and its seventy-seven prose poems invite the reader to risk a difficult intimacy in search of yet deeper truths.

I Do Know Some Things

Corinne A. Kratz examines exhibition design as communication, analyzing how the multiple media combined and orchestrated through exhibit design create a platform through which visitors forge meanings and values during their exhibit encounters.

Exhibition Design and Communication in Museums and Beyond

Rhetorics of Value

A poignant, unflinching study of black grief as a form of elegy found in visual art, music, literature—everywhere, if you know how to see it. In Black Elegies, Kimberly Juanita Brown examines the form of the elegy and its unique capacity to convey the elongated grief borne of sustained racial violence. Structured around the sensorial, the book moves through sight, sound, and touch to reveal what Okwui Enwezor calls the “national emergency of black grief.” With her characteristic literary skill, Brown analyzes the work of major figures including Toni Morrison, Carrie Mae Weems, Audre Lorde, and Marvin Gaye, among others. Brown contemplates recognizable sites of mourning: forced migration and enslavement, bodily violations, imprisonment and death. And she examines sites that do not register immediately as archives of grief: the landscape of southern U.S. slave plantations, a spontaneous street party, a quilt constructed out of the clothing worn by a loved one, a dance performance to hold the memory of history, and an aeolian harp installed at an institute of European art, among others. In this, the book offers a framework of mourning while black, within the parameters of contemporary artistic production. Brown asks: How do you mourn those you are not supposed to see? And where does the grief go? She shows us that grief is everywhere: “It spills out of photographs and modulates music. It hovers in the tenor and tone of cinematic performances. It resides in the body like an inspired concept, waiting for its articulation.” Black Elegies is the second title of On Seeing, a new publication series devoted to visual literacy. Publications foreground the political agency, critical insight, and social impact inscribed in visuality and representation. The MIT Press will publish each On Seeing volume as a print book, ebook, and open access digital edition created by Brown University Digital Publications. The URL for this publication is https://on-seeing-black-elegies.org.

A poignant, unflinching study of black grief as a form of elegy found in visual art, music, literature—everywhere, if you know how to see it. In Black Elegies, Kimberly Juanita Brown examines the form of the elegy and its unique capacity to convey the elongated grief borne of sustained racial violence. Structured around the sensorial, the book moves through sight, sound, and touch to reveal what Okwui Enwezor calls the “national emergency of black grief.” With her characteristic literary skill, Brown analyzes the work of major figures including Toni Morrison, Carrie Mae Weems, Audre Lorde, and Marvin Gaye, among others. Brown contemplates recognizable sites of mourning: forced migration and enslavement, bodily violations, imprisonment and death. And she examines sites that do not register immediately as archives of grief: the landscape of southern U.S. slave plantations, a spontaneous street party, a quilt constructed out of the clothing worn by a loved one, a dance performance to hold the memory of history, and an aeolian harp installed at an institute of European art, among others. In this, the book offers a framework of mourning while black, within the parameters of contemporary artistic production. Brown asks: How do you mourn those you are not supposed to see? And where does the grief go? She shows us that grief is everywhere: “It spills out of photographs and modulates music. It hovers in the tenor and tone of cinematic performances. It resides in the body like an inspired concept, waiting for its articulation.” Black Elegies is the second title of On Seeing, a new publication series devoted to visual literacy. Publications foreground the political agency, critical insight, and social impact inscribed in visuality and representation. The MIT Press will publish each On Seeing volume as a print book, ebook, and open access digital edition created by Brown University Digital Publications. The URL for this publication is https://on-seeing-black-elegies.org.

Black Elegies

A fascinating look at John Singer Sargent’s formative years as a young painter in Paris, a city that helped forge his artistic identity and sparked his rise to the pinnacle of the nineteenth-century art world

Sargent and Paris

"A poet renowned for her "wit and complexity" (Poetry Foundation) explores the endless evolution and malleability of life on earth in her most curious, inventive collection to date Aren't we all shape-shifters? Is any animal, vegetable, or mineral-even a commonplace object-what it seems to be at any given moment? Who isn't juggling constant transformations, conflicting roles, changing loyalties, loves, perceptions, and selves, all while being pummeled by shifting devotions, emotions, and obsessions? Do even the dead continue to evolve in surprising ways? Reveling in these questions, Gerstler's latest protean poetry collection includes loose sonnets, shapely praise of Mae West, the lament of an actor who can't shed his costume, dramatic monologues, whiffs of gender slippage, a love lyric to the bride of Frankenstein, a lullaby for adults, and a ten-minute play"--

A poet renowned for her “wit and complexity”&nbsp;(Poetry Foundation) explores the endless evolution and malleability of life on earth in her most curious, inventive collection to date Aren’t we all shape-shifters? Is any animal, vegetable, or mineral—even a commonplace object—what it seems to be at any given moment? Who isn’t juggling constant transformations, conflicting roles, changing loyalties, loves, perceptions, and selves, all while being pummeled by shifting devotions, emotions, and obsessions? Do even the dead continue to evolve in surprising ways? Reveling in these questions, Gerstler’s latest protean poetry collection includes loose sonnets, shapely praise of Mae West, the lament of an actor who can’t shed his costume, dramatic monologues, whiffs of gender slippage, a love lyric to the bride of Frankenstein, and a ten-minute play.

Is This My Final Form?

In Ecstasy, Alex Dimitrov embraces a life on the edge in New York and the finely wrought poetry that can come out of it. He explores sex, drugs, parties, pleasure, and God in the 2020s, and looks back to a coming-of-age in the 1990s that still informs who his generation is and will be. His unabashed and drivingly musical poems are a call against repression, a rebuke of cultural norms and shame, and a celebration of human authenticity - even if to live under such philosophies is dangerous. In 'Today I Love Being Alive', we find the poet naked in his kitchen, eating a banana and obsessed with a new lover, declaring 'I don''t care about being remembered. / I care about . . . Strong men. Beautiful sentences. Italian leather'; in 'Poppers', he stands lightheaded in the bathroom at a bar, 'thinking of what to do / with the rest of my life', and issuing a warning to himself and us: 'Poetry / is not a self-help book.' Dimitrov is an iconographer of contemporary life, able to pin profound and timeless meaning to a fleeting encounter in the street. Ecstasy also engages with the poet's Christian upbringing, interrogating faith as both an enemy and valve of catharsis, and a bedfellow of what this book celebrates and courts: profound human ecstasy. ''Dimitrov is that rarest of creatures, a true poet and a truly contemporary poet. Thank god he''s here'' Michael Cunningham, author of The Hours

Ecstasy

sonnets

frank

Abba-Legende. Pionierin. Mensch

Agnetha Fältskog. Wie ein Wind

Joy Is My Middle Name

"Teaches the reader how to add details like armor, different types of clothing, weapons, and accessories to drawings of their rpg (role-playing game) fantasy characters, including how to draw a selection of creature companions, like a wyvern, unicorn, and owlbear, with over 500 step-by-step illustrations"--

Video game artist Chrissa Barton’s How to Draw Your RPG Character taught you how to draw your fantasy role; now learn how to customise your character with armour, weapons, accessories, and so much more!

Customize Your Fantasy Character Step by Step

How to Draw Your RPG Character: Armor, Weaponry & Creature Companions - Guide to Drawing Clothing, Armor, Swords, and Dragons for Role-Playing Elves, Orcs, Druids, Sorcerers, and More

Set Me Free

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