<div class="raw-html-embed"> <a href="https://staempflirecht.ch/schweizerische-zivilprozessordnung-art-1352-zpo-sowie-art-400408-zpo/ean-9783727222108">
 Jetzt bestellen
</a>
: Schweizerische Zivilprozessordnung (Art. 1–352 ZPO sowie Art. 400–408 ZPO)</div>

Über uns

À propos de nous

Nachhaltigkeit

Durabilité

Open Access

Karriere

Carrière

Datenschutz

Protection des données

Impressum

Mentions légales

Zahlung und Lieferung

Paiement et livraison

LEXIA

LEXIA Arbeitsrecht

Was ist LEXIA?

C'est quoi LEXIA ?

LEXIA Familienrecht

Zeitschriften

Revues

recht

Pflegerecht

ZBJV

forumpoenale

ZStrR

Anwaltsrevue

Revue de l'avocat

RSAS

FamPra.ch

ASYL

Life Science Recht

BlAR

Sachbuch

Livres spécialisés

LOKI

Semaphor

Fokusthemen

Focus

Thema

Recht studieren

Arbeitsrecht

Droit du travail

Studium

Études

Familienrecht

Droit de la famille

Sozialversicherungsrecht

Droit des assurances sociales

Strafrecht

Droit pénal

Publikationen

Publications

Literatur

Onlinemodule LEXIA

Modules en ligne LEXIA

Bücher

Livres

Buchreihen

Collections

Datenbanken

recht.ch

Studienliteratur

Littérature pour les études

Services

Dienstleistungen für

Corporate Books

Publishing Lösungen

Aktuelles

Geschäftskunden

Professionnels

Corporate Publishing

Content solutions

Buchhandlungen

Librairies

Veranstaltungen

Événements

Presse

Dozierende

Enseignants

Studierende

Étudiants

Inserierende

Annonceurs

Newsletter

Blog

Autorinnen/Autoren

Auteurs

Unsere Schreibenden

Hilfe

Unsere Autorinnen und Autoren

Liste

Autorenlounge

Espace des auteurs

Bei uns publizieren

Publier chez nous

Autorenstimmen

Témoignages

Verlag

Éditions

Themen

Mehr wissen

Mitarbeitende

Collaborateurs

Geschichte

Histoire

Vision und Mission

Vision et mission

Unser Magazin

Notre magazine

Unternehmenskultur

Culture d'entreprise

Partner

Partenaires

Kontakt

Contact

Shop

Schweizer Recht

Ausländisches Recht

Über unseren Shop

Neuerscheinungen

Nouveautés

Unsere Funktionen

Nos fonctions

Vorankündigungen

À paraître

Nach Rechtsgebiet

Par domaine juridique

Kommentare

Commentaires

Gesamtkatalog

Catalogue complet

Moore L: Set Me Free

Set Me Free

The Good News of God's Relentless Pursuit (Poetry and Essays)

The first major book about an artist of powerful significance to twentieth-century Black and American art The artist Allan Rohan Crite (1910–2007) was a community leader, mentor, and tireless recorder of the people and places of Boston, where he lived for the better part of a century. Before the age of forty, he had exhibited at the Museum of Modern Art, sold work to the important collector Duncan Phillips, and earned the respect of fellow Black artists around the country. But Crite’s decision to stay in Boston and his commitment to depicting middle class Black life and religious subjects relegated him to the margins of art histories that put the Harlem Renaissance at the center. Allan Rohan Crite: Neighborhood Liturgy, the first major book dedicated to this important artist, is a richly illustrated and wide-ranging celebration of a figure whose vast body of work deserves a much broader audience. Crite trained at the School of the Museum of Fine Arts in Boston and became a self-described “artist-reporter,” drawing and painting vivid scenes of everyday life in Roxbury, the South End, and other Boston neighborhoods, while grappling with the ways they were transformed in the second half of the century by “urban renewal,” gentrification, and changing demographics. Working in oil, watercolor, lithography, book illustration, and beyond, he incorporated spiritual themes in his work throughout his career, blurring the secular and the sacred. Featuring essays by leading scholars of African American art, Black intellectual history, and urban studies, as well as oral histories by contemporary artists and Crite’s friends, Allan Rohan Crite reveals the radical power of Crite’s art and its profound influence on generations of artists, activists, and community leaders. Distributed for the Isabella Stewart Gardner Museum Exhibition Schedule Isabella Stewart Gardner Museum, Boston October 23, 2025–January 19, 2026 Boston Athenaeum October 15, 2025–January 24, 2026 Zimmerli Art Museum, Rutgers University, New Brunswick, New Jersey February 4, 2026–July 31, 2026

Neighborhood Liturgy

Allan Rohan Crite

Considers Boult's interpretations of Elgar's major works by drawing on their correspondence, Boult's annotated scores, broadcast performances, commercial recordings and press reviews, ranging from the composer's lifetime to Boult's final public appearances.

Edward Elgar and Adrian Boult

Der Wein ist wohl so alt wie die Kulturgeschichte der Menschheit und gleichzeitig auch ein bedeutender Teil eben jener Kultur. Anekdoten und Mythen, die sich um das Thema Wein ranken, gaben die Anregung zu heiteren, skurrilen und besinnlichen Versen.

(Meist) heitere Verse zum Thema Wein

Ist der Wein wirklich rein?

Caprices

Der verwegenste Komponist des 20. Jahrhunderts: Mit Pistole im Schulterhalfter und frechem Humor sprengte George Antheil die Grenzen der Musik, während er mit Joyce, Pound und Picasso durch das Paris der 1920er feierte.

Wenn Flügel von der Decke hängen und Flugzeugpropeller den Konzertsaal in Aufruhr versetzen, wenn Erik Satie "Quel précision!" ruft, während das Publikum Stühle wirft - dann bist du mitten in George Antheils turbulenter Welt. Rainer Peters führt dich durch ein Leben voller unglaublicher Begegnungen, von Thomas Manns literarischen Anleihen bis zur Erfindung des Funkwechsel-Torpedos mit Hollywood-Diva Hedy Lamarr.

Diese faszinierende Destillation von Antheils legendärer Autobiografie "Bad Boy of Music" entlarvt die Grenzen zwischen Dichtung und Wahrheit in einem Leben, das selbst wie eine grandiose Komposition wirkt - voller Überraschungen, Skandale und genialer Einfälle.

Für Musik- und Kulturliebhaber*innen, die das wilde Herz der künstlerischen Avantgarde des 20. Jahrhunderts erleben möchten.

George Antheils Leben und Autobiographie

A Shorter Bad Boy of Music

"One of the most important and original poets of the twentieth century, May Swenson (1913-1989) was born in Utah to Swedish immigrant parents. After graduating from Utah State University and working briefly as a reporter, she moved to New York City in the mid-1930s and began her life as a poet. She took various office jobs to support herself, including time with the Federal Writers' Project and, later, as a manuscript reader for New Directions in the 1950s. Swenson went on to publish seven collections of poetry (with several more collections published posthumously), and three poetry books for children. Swenson's work is often compared to the poetry of E. E. Cummings and Elizabeth Bishop, with whom Swenson corresponded for decades. Her many awards include the Shelley Memorial Award, the Bollingen Prize, and the Award in Literature from the National Institute of Arts and Letters. She was a Chancellor of the Academy of American Poets from 1980 to 1989. This book provides an account of Swenson's life that draws on her extensive diaries, which have never been made available to the public. The narrative concentrates on Swenson's life from 1935 to 1959, a period that encompasses her departure from Utah, her personal and professional struggles before her first breakthrough publications, and her early years of literary success. The poet expresses her anxieties and aspirations as she experiments with her sexuality, extricates herself from a sheltered Mormon upbringing, and begins a new life in New York at the height of the Depression. The author traces Swenson's struggles with poverty, anonymity, and predatory men; her romantic relationships, primarily with women; the people she met, books she read, and the work she produced, offering a unique portrait of the times, the place, and a poet who resisted labels throughout her life"--

May Swenson, A Writer's Life

The Key to Everything

Experience a powerful journey of transformation and self-love, told through the evocative words of a trans woman reclaiming her identity and joy. Trans poet Parker Lee (author of the bestselling coffee days whiskey nights) returns with an all new collection of poetry, prose, and aphorisms. This is a journey from hopelessness through to self-discovery, self-love, and romantic love presented in three sections: moonrise, sunrise, and stardust. In moonrise, you’ll follow Parker as she copes with various struggles, including alcohol abuse, disordered eating, gender dysphoria, and mental health. In sunrise, Parker finds herself coming to terms with and accepting her identity as a woman, and everything that comes with being trans in today’s current political and social climate. Through that struggle, Parker comes out on the other side in stardust, dedicated to self-love, sapphic love, and trans joy. With raw vulnerability and unwavering strength, The Starlight She Becomes is a testament to the resilience of the human spirit and the beauty found in embracing one's true self.

Poems

The Starlight She Becomes

With an interactive cover, 17 pop-ups and hands-on activities throughout, Alphabet in Motion is an immersive introduction unlike any other to the history of typography and letter shapesEver wonder how we ended up with so many different styles of letters? Open any text editor, email client or design app and you will immediately be bombarded with a buffet of typographic choices. Serif or sans serif? Display or text? Classical or contemporary? Formal or casual? Featuring 17 stunning interactive pop-ups, this ABC pop-up book explains--as well as demonstrates--the technologies and philosophies that have shaped letterforms through the ages. Readers will learn about '60s psychedelic type by projecting light through a phototypesetting pop-up; how screen technology shaped letterforms by turning on and off anti-aliasing; or the aesthetics of typographic modularity by reconfiguring the puzzle pieces of Josef Albers' Kombinations-Schrift. Type history is often technical and always visual. It is therefore challenging to fully explain in text or in diagrams alone. The book's interactive features provide a sensory inroad for curious general readers to grasp how typography has transformed through history (and how lettering can convey a point of view or philosophical stance). A 128-page companion essay section includes an essay further contextualizing each pop-up. Alphabet in Motion puts the reader's hands, eyes and minds in touch with the meanings behind the typography that surrounds us in our homes, on our screens and on our streets. If you look carefully, you can see the history of the world--from the Bronze Age to the Information Age--in the microcosm of type. Kelli Anderson is a graphic designer, paper engineer, educator and author who uses design magic to connect people with the hidden talents of everyday things. Her previous publications include This Book Is a Camera (MoMA, 2015)--which transforms into a working camera--and This Book Is a Planetarium (Chronicle, 2017)--which houses paper devices (including a planetarium) and has sold more than 100,000 copies.

How Letters Get Their Shape

Alphabet in Motion

In winter of 1912, Henri Matisse—forty-two, nearing mid-career, and yet to find lasting critical acceptance, public admiration, or financial security since exploding to the forefront of the avant-garde in 1905 with his iconoclastic Fauve paintings—was struggling. Once the vanguard leader, the Parisian avant-garde now considered him passé. His important early collectors, including Gertrude and Leo Stein, had stopped buying his work and were fully championing Picasso, and he had exhibited little in the last few years. In the face of Cubism that was now dominating the art scene, Matisse needed to get away from Paris in order to advance his distinctive artistic vision. Almost on a whim, he went to Tangier. Matisse had already been profoundly inspired by Islamic art, and was primed for his arrival in the Moroccan city where such art was integrated into everyday life. Despite the challenges of rain, insomnia, depression, and finding models, the sojourn was such a success he returned the following winter, which would lead to even greater artistic triumph. Matisse in Morocco tells the story of the artist's groundbreaking time in Tangier and how it altered Matisse’s development as a painter and indelibly marked his work for the next four decades. Through Koehler's research and travel, we experience Matisse's time in Tangier, the paintings and their subjects, his relationships with his wife Amélie and his two important collectiors, and then come to understand the impact Morocco—its light, colors, culture, and artistic traditions—had on his art. From Landscape Viewed From a Window, to Zorah on the Terrace, from Kasbah Gate to the dream-like tableau Moroccan Café, these works from Morocco are now recognized as some of the most significant and dazzling of Matisse’s illustrious career.

A Journey of Light and Color

Matisse in Morocco

A rallying, celebratory essay about Sylvia Plath, Taylor Swift and unbridled female ambition by the beloved author of Bluets and The Argonauts In The Slicks, Maggie Nelson positions culture-dominating pop superstar Taylor Swift and feminist cult icon Sylvia Plath as twin hosts of the female urge towards wanting hard, working hard and pouring forth - and as twinned targets of patriarchy's ancient urge to disparage, trivialise and demonise such prolific, intimate output. A heady and rallying melding of popular culture and literary criticism, The Slicks is an inspired and unexpected assessment of two iconic female artists by one of the most revered and influential critics of her generation. PRAISE FOR MAGGIE NELSON: 'Her words come as though from a great distance and strike incredibly close' Anne Enright 'Among the sharpest and most supple thinkers of her generation' Olivia Laing 'Always brilliant' Geoff Dyer 'One of the most unique voices in non-fiction: enquiring, political, lyrically dazzling, empathetic' Sinéad Gleeson

On Sylvia Plath and Taylor Swift

The Slicks

Yale Series of Younger Poets

The twentieth-anniversary edition of the influential first poetry collection by Richard Siken &nbsp; An Atlantic choice for “Best American Poetry of the 21st Century (So Far)” &nbsp; Since winning the 2004 Yale Series of Younger Poets competition, Crush has become a modern classic. This twentieth-anniversary edition includes a new introduction by award-winning poet Dana Levin and a new afterword by the author.

Twentieth Anniversary Edition

Crush

Explores the commemoration and memorialisation of the Canterbury martyr in visual and material culture.

Explores the commemoration and memorialisation  of the Canterbury martyr in visual and material culture.

The Uses and Reception of a Celebrity Saint

Images of Thomas Becket in the Middle Ages and Beyond

"Samplers reflected female education in the south and how those views changed over time. The majority of samplers documented by Jennifer Core and Janet Hasson are from the 1830s through the 1850s and feature a signature band including the maker's name and the date of completion. They reflect Tennessee's three grand divisions as well. For instance, the samplers of East Tennessee bear a striking resemblance to Virginia's samplers while West Tennessee's samplers are fewer in number and vary in size and format, reflecting the less settled region. Core and Hasson argue that this snapshot of Tennessee as seen through girl's education and craft informs our understanding of women's history prior to the Civil War as, after all, if an unmarried woman died prior to 1850, her sampler may have been the only proof of her existence"--

This study of samplers—embroideries that are “first attempts at a new technique, color combination, or unusual material”—provides vivid descriptions of this nineteenth-century Tennessee art form in its many varieties. An authoritative record of the material culture produced in the daily routine of school rooms.

Female Education and Domestic Arts, 1800-1900

Tennessee Samplers

Set Me Free

Weitere Titel zum Thema