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: Schweizerische Zivilprozessordnung (Art. 1–352 ZPO sowie Art. 400–408 ZPO)</div>

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Moore L: Set Me Free

Set Me Free

The Good News of God's Relentless Pursuit (Poetry and Essays)

Joy Is My Middle Name

Die offene Zukunft der Kirchen lässt nach ihrem Ort zwischen Staat, Markt und Zivilgesellschaft fragen. Denn Kirchen bewegen sich in einem religionspolitischen Rahmen, unterliegen Bewirtschaftungslogiken und agieren innerhalb zivilgesellschaftlicher Öffentlichkeiten. Aus sozialwissenschaftlichen und theologischen Perspektiven werden sie in diesem trisektoralem Feld analysiert und verstärkt dem Bereich der Zivilgesellschaft zugeordnet. So wird deutlich, wie die Kirchen als zivilgesellschaftliche Akteurinnen ihre religiöse Identität im Dienst des Gemeinwohls zur Geltung bringen können. Ihr Beitrag muss sich immer wieder neu im Spannungsfeld von theologischer Identität, gesellschaftlicher Offenheit und demokratischer Teilhabe bewähren.

 

 [Church and Civil Society in Transition. Between State, Market and Public Responsibility] 
 

 The uncertain future of churches raises questions about their position between the state, the market and civil society. Churches operate within a religious-political framework, are subject to economic logic and act within civil society. From social science and theological perspectives, they are analysed in this trisectoral field and increasingly assigned to the sphere of civil society. This highlights how churches, as civil society actors, can assert their religious identity in the service of the common good. Their contribution must continually prove itself in the tension between theological identity, social openness and democratic participation.

Zwischen Staat, Markt und öffentlicher Verantwortung

Kirche und Zivilgesellschaft im Wandel

Der Wein ist wohl so alt wie die Kulturgeschichte der Menschheit und gleichzeitig auch ein bedeutender Teil eben jener Kultur. Anekdoten und Mythen, die sich um das Thema Wein ranken, gaben die Anregung zu heiteren, skurrilen und besinnlichen Versen.

(Meist) heitere Verse zum Thema Wein

Ist der Wein wirklich rein?

BTS - Das ultimative Kreativbuch für Super-Fans
 
 BTS ist ein Phänomen! Die 
 sieben Jungs aus Korea
 begeistern mit ihrer Musik und ihren Messages weltweit die Massen und haben es sogar zu einer eigenen&nbsp;
 A.R.M.Y.
 gebracht. Nachdem alle Bandmitglieder nun ihren Militärdienst absolviert haben, steht einer Reunion der Band nichts mehr im Wege - und das feiern wir!
 
 In diesem SUPER FAN-tastischen Kreativbuch erwarten dich 
 über 35 Ausmal-Seiten
 , spannende 
 Tests zu deinem Fan-Wissen
 sowie lustige und herausfordernde 
 Spiele und Rätsel
 . Von 
 Finde-den-Unterschied-Bilderrätseln
 über 
 Wortsuchen
 bis hin zu kniffligen Aufgaben - alles dreht sich um BTS und ihre 
 Bandgeschichte
 . Zusätzlich bekommst du interessante 
 Fakten zu jedem Bandmitglied
 und zur Entwicklung der Band - perfekt für alle, die BTS lieben und mehr über ihre Idole erfahren möchten.
 Das erwartet dich:
 <ul><li>über 35 Ausmal-Seiten rund um BTS und die Bandmitglieder
 </li><li>spannende Tests zu deinem Fan-Wissen
 </li><li>lustige und herausfordernde Spiele, Rätsel und Wortsuchen
 </li><li>Finde-den-Unterschied-Bilderrätsel mit BTS-Motiven
 </li><li>interessante Fakten über die Bandmitglieder und die Geschichte von BTS
 </li><li>perfekt als Geschenk für alle Fans von BTS und K-Pop
 </li>
 </ul>

BTS: Das inoffizielle Ausmal- & Kreativbuch

A rallying, celebratory essay about Sylvia Plath, Taylor Swift and unbridled female ambition by the beloved author of Bluets and The Argonauts In The Slicks, Maggie Nelson positions culture-dominating pop superstar Taylor Swift and feminist cult icon Sylvia Plath as twin hosts of the female urge towards wanting hard, working hard and pouring forth - and as twinned targets of patriarchy's ancient urge to disparage, trivialise and demonise such prolific, intimate output. A heady and rallying melding of popular culture and literary criticism, The Slicks is an inspired and unexpected assessment of two iconic female artists by one of the most revered and influential critics of her generation. PRAISE FOR MAGGIE NELSON: 'Her words come as though from a great distance and strike incredibly close' Anne Enright 'Among the sharpest and most supple thinkers of her generation' Olivia Laing 'Always brilliant' Geoff Dyer 'One of the most unique voices in non-fiction: enquiring, political, lyrically dazzling, empathetic' Sinéad Gleeson

On Sylvia Plath and Taylor Swift

The Slicks

The Best American Poetry series

Guest edited by Terence Winch—NEA Fellow and editor of the “pick of the week” on the Best American Poetry blog—the 2025 edition marks a poignant farewell to series editor David Lehman, celebrating more than three decades of poetic excellence. For thirty-eight years, The Best American Poetry series has won widespread acclaim as the nation’s most influential and vital poetry anthology. BAP, which has inspired similar ventures abroad, has garnered plaudits for its ability to capture the zeitgeist of American poetry. This year’s anthology is guest edited by the esteemed poet and songwriter Terence Winch, who brings to the task his work as a musician and poetry editor as well as his many years of experience as head of publications at the Smithsonian’s National Museum of the American Indian. Winch, known for his inspired selections on the Best American Poetry blog, curates a vibrant array of compelling voices. The Best American Poetry 2025 is a landmark edition that not only showcases the finest contemporary American poetry but also honors David Lehman’s achievement as the anthology’s founding editor. “The list of editors is a who’s who of US poetry elites,” writes Oxford professor of poetry A. E. Stallings. “And behind it all, the poet David Lehman, the series editor, has labored quietly and diligently ensuring its continuity and continued relevance.” Lehman’s vision and dedication have shaped these collections into much-anticipated annual events, sparking lively discussion, controversy on occasion, and always a jubilant affirmation of modern American poetry. This year’s edition stands as a testament to David Lehman’s legacy—and to the enduring power of poetry.

The Best American Poetry 2025

Experience a powerful journey of transformation and self-love, told through the evocative words of a trans woman reclaiming her identity and joy. Trans poet Parker Lee (author of the bestselling coffee days whiskey nights) returns with an all new collection of poetry, prose, and aphorisms. This is a journey from hopelessness through to self-discovery, self-love, and romantic love presented in three sections: moonrise, sunrise, and stardust. In moonrise, you’ll follow Parker as she copes with various struggles, including alcohol abuse, disordered eating, gender dysphoria, and mental health. In sunrise, Parker finds herself coming to terms with and accepting her identity as a woman, and everything that comes with being trans in today’s current political and social climate. Through that struggle, Parker comes out on the other side in stardust, dedicated to self-love, sapphic love, and trans joy. With raw vulnerability and unwavering strength, The Starlight She Becomes is a testament to the resilience of the human spirit and the beauty found in embracing one's true self.

Poems

The Starlight She Becomes

'This book is urgent, essential, accessible and it needs to be on every art history reading list' BERNARDINE EVARISTO 'Thorough, accessible, essential' KATY HESSEL 'Bold, eloquent, personal and clear-eyed, Akinkugbe is a major new voice in writing about art' DAN HICKS 'A gift of knowledge and an ode to those whose creative expressions give us much to be inspired by today' SOFIA AKEL Since the inception of mainstream art history, Blackness has been distinctly ignored. In Reframing Blackness, art historian and founder of @ABlackHistoryOfArt, Alayo Akinkugbe challenges this void. Exploring the presentation of Black figures in Western art, as well as Blackness in museums, in feminist art movements and in the curriculum, Alayo unveils an overlooked but integral part of our collective art history. Refreshing and accessible, this promises to start a much-needed conversation in culture and education.

What’s Black about “History of Art”?

Reframing Blackness

100 Jahre Theologinnenkonvent sind Grund, dies mit einer Festschrift zu feiern. Der Konvent ist ein Zusammenschluss von Theologinnen aller evangelischen Landeskirchen in Deutschland. Erstmals bündelt diese Publikation Beiträge zu den Entwicklungen der Frauenordination in den Nachbarländern, präsentiert Darstellungen aus dem freikirchlichen und katholischen Kontext in Deutschland und enthält eine Übersicht zum Stand der Theologinnenforschung in den Landeskirchen. 

Pionierinnen, die oftmals als Erste frische Spuren zogen und wichtige Impulse setzten, sowie frühere Konventsvorsitzende werden vorgestellt. Beiträge aus den regionalen Theologinnenkonventen in den Kirchen der EKD und zum Gesamtverband vertiefen die Konventsgeschichte. Bilder in zahlreichen Artikeln visualisieren das geschriebene Wort.
 

[100 years of the Women's Theological Convention in Germany. Women's Ordination - Pioneers - Convention History(ies)] 

100 years of the Convention of Women Theologians are reason enough to celebrate this with a commemorative publication. The Convention is an association of women theologians from all Protestant regional churches in Germany. For the first time, this publication brings together contributions on the development of women's ordination in neighboring countries, presents accounts from the free-church and Catholic context in Germany, and contains an overview of the state of research on women theologians in the regional churches. 

Pioneering women, who often paved the way and provided important impulses, as well as former convention chairs are presented. Contributions from the regional conventions of women theologians in the churches of the EKD and the general association deepen the history of the conventions. Pictures in numerous articles visualize the written word.

Frauenordination - Pionierinnen - Konventsgeschichte(n)

100 Jahre Theologinnenkonvent in Deutschland

Wie arbeiten Teams, in denen Fachkräfte aus verschiedenen Berufen gleichberechtigt in einer Kirchengemeinde oder Region eingesetzt sind? Nach welchen Prinzipien wird die Arbeit gestaltet und was bedeutet das für die Praxis? Diesen Fragen geht die empirische Studie in drei Landeskirchen nach. Sie bietet eine Analyse von gelingender Zusammenarbeit und konflikthaften Situationen. 
 

 Anhand von Fallrekonstruktionen werden Faktoren präsentiert, die für die Teamprozesse, Abläufe und Strukturen mehrberuflicher Zusammenarbeit relevant sind. Diskutiert werden die Handlungslogiken der zentralen Akteure, das Zusammenwirken von Haupt- und Ehrenamt, die Bedeutung von Berufsprofilen und Innovationspotenziale für die Kirche.

 

 [Multidisciplinary teamwork in the church. Cooperation between functional differentiation and shared responsibility] 
 

 How do teams work in which professionals from different occupations are employed on an equal footing in a parish or region? What principles govern the work and what does this mean in practice? These questions are explored in an empirical study conducted in three regional churches. It offers an analysis of successful cooperation and conflictual situations.
Based on case reconstructions, factors relevant to team processes, procedures and structures of multi-professional cooperation are presented. The study discusses the rationales behind the actions of key players, the interaction between full-time and voluntary work, the significance of professional profiles and innovation potential for the church.

Kooperation zwischen funktionaler Differenzierung und gemeinsamer Verantwortung

Multiprofessionelle Teamarbeit in der Kirche

The UK debut of a celebrated American poet whose work is as lyrical as it is radical.

Foxglovewise

A poignant, unflinching study of black grief as a form of elegy found in visual art, music, literature—everywhere, if you know how to see it. In Black Elegies, Kimberly Juanita Brown examines the form of the elegy and its unique capacity to convey the elongated grief borne of sustained racial violence. Structured around the sensorial, the book moves through sight, sound, and touch to reveal what Okwui Enwezor calls the “national emergency of black grief.” With her characteristic literary skill, Brown analyzes the work of major figures including Toni Morrison, Carrie Mae Weems, Audre Lorde, and Marvin Gaye, among others. Brown contemplates recognizable sites of mourning: forced migration and enslavement, bodily violations, imprisonment and death. And she examines sites that do not register immediately as archives of grief: the landscape of southern U.S. slave plantations, a spontaneous street party, a quilt constructed out of the clothing worn by a loved one, a dance performance to hold the memory of history, and an aeolian harp installed at an institute of European art, among others. In this, the book offers a framework of mourning while black, within the parameters of contemporary artistic production. Brown asks: How do you mourn those you are not supposed to see? And where does the grief go? She shows us that grief is everywhere: “It spills out of photographs and modulates music. It hovers in the tenor and tone of cinematic performances. It resides in the body like an inspired concept, waiting for its articulation.” Black Elegies is the second title of On Seeing, a new publication series devoted to visual literacy. Publications foreground the political agency, critical insight, and social impact inscribed in visuality and representation. The MIT Press will publish each On Seeing volume as a print book, ebook, and open access digital edition created by Brown University Digital Publications. The URL for this publication is https://on-seeing-black-elegies.org.

Black Elegies

Set Me Free

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