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The Anthony Hecht Lectures in the Humanities Series

A powerful exploration of the human capacity for renewal, as seen through Shakespeare and Freud

Greenblatt S: Second Chances

Second Chances

Shakespeare and Freud

“James Martin—arguably our greatest writer-priest—has penned a genius meditation on the Raising of Lazarus. I came away with a renewed hope that grace alone can call me out of whatever tomb I’ve buried myself in.” —Mary Karr, author of The Liar’s Club and Lit: A MemoirOne of America’s most beloved spiritual leaders and the New York Times bestselling author of The Jesuit Guide to (Almost) Everything and Learning to Pray examines one of the most intriguing events in the New Testament—the biblical story of Jesus raising Lazarus from the dead—and explains its significance for us today.In this wise and compassionate work of Christian spirituality, Father James Martin, SJ explores the story of Jesus’s greatest miracle from the Gospel of John—the raising of Lazarus from the dead—and what Jesus means when he calls each of us to “come forth.” Meditatively and carefully, Martin leads us through a verse-by-verse analysis, offering profound reflections on Jesus’s lessons on love, family, sadness, frustration, fear, anger, freedom, and joy. Come Forth combines:<ul><li>Compelling analysis of the biblical text</li><li>Insights about the historical setting of the story</li><li>Spiritual lessons for today’s readers</li><li>Meditations on Lazarus in art and the larger culture</li><li>Stories from Martin’s travels through the Holy Land</li></ul>As he explores these strands in depth, Martin helps us let go of the limiting beliefs that prevent us from experiencing God’s presence in our lives. We need only to open ourselves to the transformative story of Lazarus and trust that God can use it to free us to experience, like Lazarus, new life and spiritual freedom.

“James Martin—arguably our greatest writer-priest—has penned a genius meditation on the Raising of Lazarus. I came away with a renewed hope that grace alone can call me out of whatever tomb I’ve buried myself in.” —Mary Karr, author of The Liar’s Club and Lit: A MemoirOne of America’s most beloved spiritual leaders and the New York Times bestselling author of The Jesuit Guide to (Almost) Everything and Learning to Pray examines one of the most intriguing events in the New Testament—the biblical story of Jesus raising Lazarus from the dead—and explains its significance for us today.In this wise and compassionate work of Christian spirituality, Father James Martin, SJ explores the story of Jesus’s greatest miracle from the Gospel of John—the raising of Lazarus from the dead—and what Jesus means when he calls each of us to “come forth.” Meditatively and carefully, Martin leads us through a verse-by-verse analysis, offering profound reflections on Jesus’s lessons on love, family, sadness, frustration, fear, anger, freedom, and joy. Come Forth combines:<ul><li>Compelling analysis of the biblical text</li><li>Insights about the historical setting of the story</li><li>Spiritual lessons for today’s readers</li><li>Meditations on Lazarus in art and the larger culture</li><li>Stories from Martin’s travels through the Holy Land</li></ul>As he explores these strands in depth, Martin helps us let go of the limiting beliefs that prevent us from experiencing God’s presence in our lives. We need only to open ourselves to the transformative story of Lazarus and trust that God can use it to free us to experience, like Lazarus, new life and spiritual freedom.

The Promise of Jesus's Greatest Miracle

Come Forth

Arden Performance Editions

Richard III is one of Shakespeare's enduring villains as the troubled and troubling figure at the heart of this popular succession drama. Traversing the familiar terrain of scheming plots, proposals, betrayals and kingly power, this edition is presented in an easy to read format with notes for performance and rehearsal by directors and actors. It is edited by academic and director, Abigail Rokison-Woodall and the leading Shakespearean actor, Sir Simon Russell Beale. Arden Performance Editions are ideal for anyone engaging with a Shakespeare play in performance. With clear facing-page notes giving definitions of words, easily accessible information about key textual variants, lineation, metrical ambiguities and pronunciation, each edition has been developed to open the play's possibilities and meanings to actors and students. Designed to be used and to be useful, each edition has plenty of space for personal annotations and the well-spaced text is easy to read and to navigate. Each edition offers:- Short, clear definitions of words- Information about key textual variants- Notes on pronunciation of difficult names and unfamiliar words- An easy to read layout with space to write your own notes- A short introduction to the play

Richard III is one of Shakespeare's enduring villains as the troubled and troubling figure at the heart of this popular succession drama. Traversing the familiar terrain of scheming plots, proposals, betrayals and kingly power, this edition is presented in an easy to read format with notes for performance and rehearsal by directors and actors. It is edited by academic and director, Abigail Rokison-Woodall and the leading Shakespearean actor, Sir Simon Russell Beale. Arden Performance Editions are ideal for anyone engaging with a Shakespeare play in performance. With clear facing-page notes giving definitions of words, easily accessible information about key textual variants, lineation, metrical ambiguities and pronunciation, each edition has been developed to open the play's possibilities and meanings to actors and students. Designed to be used and to be useful, each edition has plenty of space for personal annotations and the well-spaced text is easy to read and to navigate. Each edition offers: - Short, clear definitions of words - Information about key textual variants - Notes on pronunciation of difficult names and unfamiliar words - An easy to read layout with space to write your own notes - A short introduction to the play

Richard III: Arden Performance Edition

Requiem of the Rose King: Die Königin und der Ritter der Rose

Die junge Margaret von Anjou tritt die Reise nach England an, um die Frau von Heinrich VI zu werden. Kann dieser politischen Ehe doch die Liebe entspringen? Enthält eine Geschichte über die junge Königin Margaret, die in REQUIEM OF THE ROSE KING den Thron der Lancaster blutig verteidigte, sowie zwei weitere Geschichten mit Richard und Buckingham.&nbsp;
 
 
 Eine weitere Geschichte um das Drama und das Schicksal einer Person, die im Bann des güldenen Rings lebt - der Krone Englands.
 
 
 Die Prequelgeschichte zu REQUIEM OF THE ROSE KING, inspiriert von den historischen Ereignissen und Shakespeares Erzählungen um die Zeit der Rosenkriege. Perfekt für Fans von »Game of Thrones«, »The Tudors« und »Reign«!
 
 
 Weitere Informationen:
 
 - Abschlussband
 
 - Empfohlen für Leser*innen ab 14 Jahren

Im Schatten der Krone – Liebe und Intrigen im mittelalterlichen England
 Die junge Margaret von Anjou tritt die Reise nach England an, um die Frau von Heinrich VI zu werden. Kann dieser politischen Ehe doch die Liebe entspringen? Enthält eine Geschichte über die junge Königin Margaret, die in REQUIEM OF THE ROSE KING den Thron der Lancaster blutig verteidigte, sowie zwei weitere Geschichten mit Richard und Buckingham.&nbsp;
 
 Eine weitere Geschichte um das Drama und das Schicksal einer Person, die im Bann des güldenen Rings lebt – der Krone Englands.
 <ul><li>Abgeschlossen in 3 Bänden</li><li>Empfohlen für Leser*innen ab 14 Jahren</li></ul>Dies ist Band 3 der Serie.Die Prequelgeschichte zu REQUIEM OF THE ROSE KING, inspiriert von den historischen Ereignissen und Shakespeares Erzählungen um die Zeit der Rosenkriege. Perfekt für Fans von »Game of Thrones«, »The Tudors« und »Reign«!

Requiem of the Rose King: Die Königin und der Ritter der Rose 3

Oxford World's Classics

'Vengeance is in my heart, death in my hand, Blood and revenge are hammering in my head.' In Shakespeare's first tragedy, Titus Andronicus, the Roman general Titus incurs the wrath of the Queen of the Goths when he enslaves her and kills one of her sons. The shocking violence of her revenge and his retaliation earn Titus its reputation as Shakespeare's bloodiest play. This New Oxford Shakespeare edition offers a range of critical approaches to the play, considering its initial popularity in the theatre, the authors' engagement with narrative sources and Roman history, and the ongoing problems scholars and theatremakers have had with the play's presentation of violence, rape, and racial difference. Throughout, it incorporates up-to-date scholarship and close readings of a number of landmark productions to consider the play's place in Shakespeare's canon and to illustrate Titus Andronicus's enduring value in interrogating some of wider culture's darkest and most challenging concerns. The New Oxford Shakespeare offers authoritative editions of Shakespeare's works with introductory materials designed to encourage new interpretations of the plays and poems. Using the text from the landmark The New Oxford Shakespeare Complete Works: Modern Critical Edition, these volumes offer readers the latest thinking on the authentic texts (collated from all surviving original versions of Shakespeare's work) alongside innovative introductions from leading scholars. The texts are accompanied by a comprehensive set of critical apparatus to give readers the best resources to help understand and enjoy Shakespeare's work. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

'Vengeance is in my heart, death in my hand,
Blood and revenge are hammering in my head.'

In Shakespeare's first tragedy, Titus Andronicus, the Roman general Titus incurs the wrath of the Queen of the Goths when he enslaves her and kills one of her sons. The shocking violence of her revenge and his retaliation earn Titus its reputation as Shakespeare's bloodiest play. This New Oxford Shakespeare edition offers a range of critical approaches to the play, considering its initial popularity in the theatre, the authors' engagement with narrative sources and Roman history, and the ongoing problems scholars and theatremakers have had with the play's presentation of violence, rape, and racial difference. Throughout, it incorporates up-to-date scholarship and close readings of a number of landmark productions to consider the play's place in Shakespeare's canon and to illustrate Titus Andronicus's enduring value in interrogating some of wider culture's darkest and most challenging concerns.

The New Oxford Shakespeare offers authoritative editions of Shakespeare's works with introductory materials designed to encourage new interpretations of the plays and poems. Using the text from the landmark The New Oxford Shakespeare Complete Works: Modern Critical Edition, these volumes offer readers the latest thinking on the authentic texts (collated from all surviving original versions of Shakespeare's work) alongside innovative introductions from leading scholars. The texts are accompanied by a comprehensive set of critical apparatus to give readers the best resources to help understand and enjoy Shakespeare's work.

ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

The New Oxford Shakespeare

Titus Andronicus

Literalität und Liminalität

Das Verhältnis von Literatur und Psychoanalyse ist Gegenstand zahlreicher kritischer Diskussionen. Bereits die Arbeiten Sigmund Freuds zur Literatur haben ein kontroverses Echo hervorgerufen, da sie meist nur zur Bestätigung eigener Thesen herangezogen wurden. Achim Geisenhanslüke kehrt den Blick darauf um: Ausgehend von der Literatur fokussiert er auf die Theorie und Kritik der Psychoanalyse bei Freud sowie bei Jacques Lacan, Shoshana Felman, Julia Kristeva und Jean Laplanche. So entstehen neue Perspektiven auf die 'unheimliche Nähe' zweier Disziplinen, die sich nicht einfach aufeinander reduzieren lassen.

Literatur und Psychoanalyse

Unheimliche Nähen

Studien zur Literaturvermittlung

Der interdisziplinäre Sammelband erkundet erstmals das dynamische Zusammenspiel von Literatur und Podcast – einem bislang kaum erforschten Gegenwartsphänomen. Im Fokus stehen Podcasts als neue Bühnen literarischer Kritik, Erzählung und Vermittlung: Verschiedene auditive Formate inszenieren Literatur als Performance, erzählen Autor*innenleben in fiktionalisierter Form, literarisieren True-Crime-Stoffe und stoßen neue Kanonisierungsprozesse ebenso an wie innovative Formen von Wissenschaftskommunikation. Der Band vereint literatur- und medienwissenschaftliche sowie literaturdidaktische Perspektiven mit Analysen konkreter Podcast-Formate und zeigt, wie sich das Medium als neuer Gatekeeper im Literaturbetrieb der Gegenwart etabliert hat.

Inszenierungsformen – Rezeptionsmodelle – Wissenskommunikation

Literatur und Podcast

This unique collection of essays and images explores a series of objects in the Royal Collection as a means of assessing the interrelated histories of the British royal family and the Shakespearean afterlife across four centuries. Between the beginning of the eighteenth century and the late twentieth, Shakespeare became entrenched as the English national poet. Over the same period, the monarchy sought repeatedly to demonstrate its centrality to British nationhood. By way of close analysis of a selection of objects from the Royal Collection, this volume argues that the royal family and the Shakespearean afterlife were far more closely interwoven than has previously been realized. The chapters map the mutual development over time of the relationship between members of the British royal family and Shakespeare, demonstrating the extent to which each has gained sustained value from association with the other and showing how members of the royal family have individually and collectively constructed their identities and performed their roles by way of Shakespearean models. Each chapter is inspired by an object in (or formerly in) the Royal Collection and explores two interconnected questions: what has Shakespeare done for the royal family, and what has the royal family done for Shakespeare? The chapters range across the fields of art, theatre history, literary criticism, literary history, court studies and cultural history, showing how the shared history of Shakespeare and the royal family has been cultivated across media and across disciplines.

Explores the extent to which members of the royal family have appropriated the creative legacy of Shakespeare, from the mid-eighteenth century to the mid-twentieth century, in order to shore up royal and national ideologies and to assert the legitimacy of the monarchy.

Dynasty, Ideology, and National Culture

Shakespeare's Afterlife in the Royal Collection

Studien zum Theater in der Römischen Kaiserzeit

Tragedy and comedy were part of diverse discourses in the late Republican and Imperial Roman Empire. They were not only effective on stage, but also in the interplay of various media, from performances and literary texts to images and objects. Interdisciplinary research focuses on topics such as the subject matter and forms of expression of relevant contributions to the discourse, as well as the reception processes involved.

Welche Rolle spielen Tragödie und Komödie in / für jeweilige zeitgenössische Diskurse im Römischen Reich? Grundsätzlich hat das Theater das Potential für weit mehr als reine Unterhaltung, denn es zieht an, stößt ab, regt zu Diskussionen und Nachdenken an oder kann der Selbstdarstellung dienen. Dabei entfaltet es seine Wirkung über mehrere, vielfältig aufeinander Bezug nehmende Medientypen (Performanzen, Texte, Bilder, Objekte) und kann sich in verschiedene Handlungskontexte (Haus, Grab, öffentlicher Raum) einfügen. Doch wurde bislang noch wenig erforscht, wie die im Theaterzusammenhang formulierten Diskursbeiträge konkret im Einzelnen gestaltet wurden oder inwiefern sich die Gestaltung in verschiedenen Medien, Gattungen oder Kontexten unterscheidet. Ebenso fehlt eine ausführliche Auseinandersetzung mit dem theoretischen Analyserahmen. In diesem ersten von mehreren dem Thema gewidmeten Bänden beleuchten ArchäologInnen, HistorikerInnen und PhilologInnen diesen Fragenkomplex mittels 
 Case Studies
 aus verschiedenen Perspektiven, um grundlegende Potentiale und Probleme aufzufächern.

Theater und Schauspiel im Römischen Reich

Jenseits von Unterhaltung

'I see a man's life is a tedious one.' Set in Ancient Britain, Cymbeline is a play of deceit, disguise, banishment, and fidelity against the backdrop of a Roman invasion. When the King of Britain Cymbeline discovers his daughter's secret marriage, he banishes her husband to Rome, who then accuses Innogen of being unfaithful. Innogen must evade deadly plots and homicidal jealousy to restore her name. Long recognised as a response to James VI and I's project to unite England and Scotland, the play conjures ancient British history at a moment when that history was eroding, revealed as a medieval invention. This sense of historical endings is entangled with Cymbeline as a late play, and its numerous apparent callbacks across Shakespeare's career. The New Oxford Shakespeare offers authoritative editions of Shakespeare's works with introductory materials designed to encourage new interpretations of the plays and poems. Using the text from the landmark The New Oxford Shakespeare Complete Works: Modern Critical Edition, these volumes offer readers the latest thinking on the authentic texts (collated from all surviving original versions of Shakespeare's work) alongside innovative introductions from leading scholars. The texts are accompanied by a comprehensive set of critical apparatus to give readers the best resources to help understand and enjoy Shakespeare's work. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

'I see a man's life is a tedious one.'

Set in Ancient Britain, Cymbeline is a tragedy of deceit, disguise, banishment, and fidelity against the backdrop of a Roman invasion. When the King of Britain Cymbeline discovers his daughter's secret marriage, he banishes her husband to Rome, who then accuses Innogen of being unfaithful. Innogen must evade deadly plots and homicidal jealousy to restore her name. Long recognised as a response to James VI and I's project to unite England and Scotland, the play conjures ancient British history at a moment when that history was eroding, revealed as a medieval invention. This sense of historical endings is entangled with Cymbeline as a late play, and its numerous apparent callbacks across Shakespeare's career.

The New Oxford Shakespeare offers authoritative editions of Shakespeare's works with introductory materials designed to encourage new interpretations of the plays and poems. Using the text from the landmark The New Oxford Shakespeare Complete Works: Modern Critical Edition, these volumes offer readers the latest thinking on the authentic texts (collated from all surviving original versions of Shakespeare's work) alongside innovative introductions from leading scholars. The texts are accompanied by a comprehensive set of critical apparatus to give readers the best resources to help understand and enjoy Shakespeare's work.

ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

Cymbeline

'How many fond fools serve mad jealousy!' The Comedy of Errors is one of Shakespeare's most farcical plays, with not one but two sets of twins sliding past each other into mistakes, violence, and madness. An early romantic comedy, it's often considered an immature play but also a piece of dramatic experimentation. This New Oxford Shakespeare edition examines links between Shakespeare's play and its literary sources and analogues, but also situates it within performance traditions. Illuminating points of comparison between The Comedy of Errors and Shakespeare's other comedies, as well as it's consonances with Shakespeare's later plays of estrangement and loss, this edition provides readers with a nuanced exploration of Shakespeare's shortest play. The New Oxford Shakespeare offers authoritative editions of Shakespeare's works with introductory materials designed to encourage new interpretations of the plays and poems. Using the text from the landmark The New Oxford Shakespeare Complete Works: Modern Critical Edition, these volumes offer readers the latest thinking on the authentic texts (collated from all surviving original versions of Shakespeare's work) alongside innovative introductions from leading scholars. The texts are accompanied by a comprehensive set of critical apparatus to give readers the best resources to help understand and enjoy Shakespeare's work. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

'How many fond fools serve mad jealousy!'

The Comedy of Errors is one of Shakespeare's most farcical plays, with not one but two sets of twins sliding past each other into mistakes, violence, and madness. An early romantic comedy, it's often considered an immature play but also a piece of dramatic experimentation. This New Oxford Shakespeare edition examines links between Shakespeare's play and its literary sources and analogues, but also situates it within performance traditions. Illuminating points of comparison between The Comedy of Errors and Shakespeare's other comedies, as well as it's consonances with Shakespeare's later plays of estrangement and loss, this edition provides readers with a nuanced exploration of Shakespeare's shortest play.

The New Oxford Shakespeare offers authoritative editions of Shakespeare's works with introductory materials designed to encourage new interpretations of the plays and poems. Using the text from the landmark The New Oxford Shakespeare Complete Works: Modern Critical Edition, these volumes offer readers the latest thinking on the authentic texts (collated from all surviving original versions of Shakespeare's work) alongside innovative introductions from leading scholars. The texts are accompanied by a comprehensive set of critical apparatus to give readers the best resources to help understand and enjoy Shakespeare's work.

ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

The Comedy of Errors

Chaucer's Ethical Philosophy argues that Chaucer's fictions engage with the most urgent questions of modern political and moral philosophy. Close analysis of Troilus and Criseyde, the Canterbury Tales, and the Book of the Duchess reveals the ways in which Chaucer anticipates modern philosophical debates, using his fictions to explore the ethics of subjectivity and recognition, agency and moral responsibility; concerns that Chaucer experimentally formulated and discomposed across his works are amongst those that most animate and trouble contemporary ethical philosophy. This book places Chaucer in close dialogue not only with medieval philosophy and theology, and his great European literary sources (Boccaccio, Dante, Guillaume de Machaut), but with major figures and concepts of modern philosophical thought (Hegel, Levinas, Wittgenstein, Butler; recognition, subjectivity, gender). It illuminates his use of distinctively medieval forms of narrative to explore ideas and develop philosophies that we have been conditioned to think of as exclusively modern. In this he reveals both the essential nature of the questions, and the contingent, socially--and culturally--conditioned nature of our answers; and he shows us that medieval structures of thought remain central to our understandings of the world. In response to the fundamental ethical question-how should I treat another person?--Chaucer's fictional experiments are shown to be as philosophically complex and ethically powerful as anything in current thought.

Chaucer's Ethical Philosophy argues that Chaucer's fictions engage with the most urgent questions of modern political and moral philosophy. Close analysis of Troilus and Criseyde, the Canterbury Tales, and the Book of the Duchess reveals the ways in which Chaucer anticipates modern philosophical debates.

Chaucer’s Ethical Philosophy

Archetypal Coaching offers a transformative approach to personal growth, blending ancient Greek astrological foundations and dream work with modern coaching techniques, somatic awareness, and Jungian active imagination.

Creating Synergies Through Astrology and Dream Work

Archetypal Coaching

Second Chances

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