<div class="raw-html-embed"> Kennen Sie schon unseren Geschäftskundenservice? <a href="/fuer-geschaeftskunden">Wir beraten Sie gerne</a>.</div>

NL_Doormat: Hintergrundfarbe des Newsletter Banners unten in der Doormat. Mit # eingeben z.B. #1405BE

NL_Doormat: Verlinkung zur Newsletter Seite

Über uns

À propos de nous

Zahlung und Lieferung

Paiement et livraison

Nachhaltigkeit

Durabilité

Open Access

Datenschutz

Protection des données

Karriere

Carrière

Impressum

Mentions légales

LEXIA

LEXIA Arbeitsrecht

Was ist LEXIA?

C'est quoi LEXIA ?

LEXIA Familienrecht

Zeitschriften

Revues

recht

Pflegerecht

ZBJV

forumpoenale

ZStrR

Anwaltsrevue

Revue de l'avocat

RSAS

FamPra.ch

ASYL

Life Science Recht

BlAR

Sachbuch

Livres spécialisés

LOKI

Semaphor

Fokusthemen

Focus

Thema

Recht studieren

Arbeitsrecht

Droit du travail

Studium

Études

Familienrecht

Droit de la famille

Sozialversicherungsrecht

Droit des assurances sociales

Strafrecht

Droit pénal

Publikationen

Publications

Literatur

Onlinemodule LEXIA

Modules en ligne LEXIA

Bücher

Livres

Buchreihen

Collections

Datenbanken

recht.ch

Studienliteratur

Littérature pour les études

Services

Dienstleistungen für

Corporate Books

Publishing Lösungen

Aktuelles

Geschäftskunden

Professionnels

Corporate Publishing

Content solutions

Buchhandlungen

Librairies

Veranstaltungen

Événements

Presse

Dozierende

Enseignants

Studierende

Étudiants

Inserierende

Annonceurs

Newsletter

Blog

Autorinnen/Autoren

Auteurs

Unsere Schreibenden

Hilfe

Unsere Autorinnen und Autoren

Liste

Autorenlounge

Espace des auteurs

Bei uns publizieren

Publier chez nous

Autorenstimmen

Témoignages

Verlag

Éditions

Themen

Mehr wissen

Mitarbeitende

Collaborateurs

Geschichte

Histoire

Vision und Mission

Vision et mission

Unser Magazin

Notre magazine

Unternehmenskultur

Culture d'entreprise

Partner

Partenaires

Kontakt

Contact

Shop

Schweizer Recht

Ausländisches Recht

Über unseren Shop

Neuerscheinungen

Nouveautés

Sortiment und Funktionen

Assortiment et recherche

Vorankündigungen

À paraître

Nach Rechtsgebiet

Par domaine juridique

Kommentare

Commentaires

A rich reappraisal of a key Black American modernist through a lens of cross-cultural engagement

A rich reappraisal of a key Black American modernist through a lens of cross-cultural engagement

Sargent Claude Johnson

The Extraordinary Life of Gala Dali

Surreal

Clark Studies in the Visual Arts

An examination of how engagement with the nuances of Caribbean intellectual thought could reshape art history

Seeing Art History from the Caribbean

Beyond Boundaries

New Ceramics

The Art of Making Pottery On The Wheel

Throwing Clay

A comprehensive presentation of the Yale University Art Gallery's collection of Italian paintings from the thirteenth to the fifteenth century &nbsp; The collection of Italian paintings at the Yale University Art Gallery is one of the largest and richest in the world. The first of four volumes on the collection, this sumptuously illustrated book features over seventy-five works dating from 1230 to 1420 by artists such as Taddeo Gaddi, Andrea di Cione (better known as Orcagna), Lippo Memmi, Pietro and Ambrogio Lorenzetti, and Lorenzo Monaco. In addition to discussions of each painting's meaning, function, and significance, entries provide published references, provenance, full technical notes, and detailed conservation histories. An introduction by Laurence Kanter chronicles the history of the collection, from the James Jackson Jarves Collection that was assembled in the nineteenth century-the earliest formed collection of Italian paintings in any American museum-to more recent gifts by Louis and Hannah Rabinowitz and Richard Feigen. While many of the works are from Florence and Siena, the volume also includes examples from Bologna, Rimini, Venice, and more. Through its wide-ranging holdings, the Gallery's collection provides a remarkable sense of the diverse visual culture of the time. &nbsp; Distributed for the Yale University Art Gallery

Volume 1: 1230-1420

Italian Paintings at the Yale University Art Gallery

Considers the enduring legacy of California Conceptualism, known for its lax approaches to creating, writing about, and exhibiting art. Moving away from making objects, and turning instead to staging scenes, the artists associated with California Conceptualism--including Eleanor Antin, John Baldessari, David Lamelas, Tony Ramos, Ilene Segalove, and William Wegman--behaved indifferently toward their art, denied making it and knowing what it was about, and displayed a lack of concern for its future. Their casual attitude and aesthetic transformed relationships between artists, critics, and viewers, separating those who could recognize these practices from those who could not. Contemporary artists have continued this trajectory, finding new ways to act casually through their "stance." In the humanities, this term is often taken to mean the beliefs, values, and intentions of authors, and it has offered a useful way to think about how artists position themselves toward their work and audiences. Jacob Stewart-Halevy builds on recent social theory to show how artists, critics, and other members of the art world wield stance to make sense of artworks and their social circumstances, arguing that, through the rise of conceptual art, stance has come to supplement--and in some cases replace--the aesthetic quality of artworks.

Downplaying Art Since California Conceptualism

The Casual

Working with Bone China and Porcelain Paperclay

Luminous Clay

Bollingen Series

Its Mythology and Transformations, Volume 1 (Text)

The Art of Indian Asia

The first major biography on artist Louise Bourgeois brings the life and work of an iconic twentieth-century artist into sharp focus &nbsp; Louise Bourgeois (1911–2010) was one of the most important artists of the twentieth century. She is known for a body of work that spans sculpture, painting, and printmaking but eludes any aesthetic classification. Her life and art were so intertwined that it is often difficult to tell them apart. In her own words: “Sculpture is the body. My body is the sculpture.” &nbsp; Marie-Laure Bernadac’s biography of Bourgeois traces the career of a great artist, her training, and her influences, as it tells the story of an exceptional woman’s life. Featuring personal photographs as well as reproductions of her work, this landmark publication is the first major biography to draw on the artist’s unpublished personal archives, including diaries, correspondence, and psychoanalytic writings, as well as the many interviews she gave and the reminiscences of those who knew her. Bernadac elucidates Bourgeois’s friendships and rivalries with other major figures, including sculptor Louise Nevelson and Museum of Modern Art director Alfred H. Barr Jr. She also draws on Bourgeois’s well-known fascination with psychoanalysis to explore the deeply autobiographical nature of her artwork. This erudite and keenly insightful biography pays tribute to the talent of the artist and the complexity of the person.

The Life of Louise Bourgeois

Knife-Woman

Russian Shorts

Beginning with the 1881 Itinerant Art Exhibition, this book examines the history of modern Russia through the paintings of Vasily Surikov and Viktor Vasnetsov, two of the most important Russian painters of the period. By placing specific paintings and their artists alongside the historical myths and legends depicted in the art, Stephen M. Norris explores in highly readable prose how paintings helped to bring obscure, half-forgotten historical events into the public imagination in the 19th century.

Russia's History Painters reveals how Russian history and national identity came to include Kievan princes, Orthodox Christian knights, Cossacks and Peter the Great, among many others. It also analyzes how critics and commentators interpreted these canvases as living entities, encouraging viewers to immerse themselves into the pasts captured on them, and in doing so, to assimilate notions of honour, bravery, and love for the motherland. 

Analysing 11 pivotal artworks in depth, this accessible book explores how painting has defined Russian history and nationhood up to the present day.

Beginning with the 1881 Itinerant Art Exhibition, this book examines the history of modern Russia through the paintings of Vasily Surikov and Viktor Vasnetsov, two of the most important Russian painters of the period. By placing specific paintings and their artists alongside the historical myths and legends depicted in the art, Stephen M. Norris explores in highly readable prose how paintings helped to bring obscure, half-forgotten historical events into the public imagination in the 19th century.

Russia's History Painters reveals how Russian history and national identity came to include Kievan princes, Orthodox Christian knights, Cossacks and Peter the Great, among many others. It also analyzes how critics and commentators interpreted these canvases as living entities, encouraging viewers to immerse themselves into the pasts captured on them, and in doing so, to assimilate notions of honour, bravery, and love for the motherland. 

Analysing 11 pivotal artworks in depth, this accessible book explores how painting has defined Russian history and nationhood up to the present day.

Vasily Surikov, Viktor Vasnetsov, and the Remaking of the Past

Russia's History Painters

A Portrait of John Singer Sargent

Beyond Beauty

Ceramic Masterpieces: Art, Structure andTechnology was first published by the Free Press in 1986. It won a publisher's award for art (American Publishers' Association, Scholarly and Technical, Honorable Mention, 1986). The copyright is held by David Kingery's son, William D. Kingery, Jr., who about 11 years ago signed over to the American Ceramic Society the rights to publish a second edition of the book. This second edition is divided into four parts. In the introductory section, it states: "The appearance of a ceramic is determined by its internal structure, which is in turn determined by the technology of its manufacture. Revolutionary new methods of study and analysis have advanced out understanding of ceramics. This book applies these new methods, connecting visual impact, internal structure, and technology for a deeper appreciation of ceramic masterpieces." Each chapter outlines the transformative art and structure of a ceramic material by providing a general outline of history, artistic value, antecedent technologies, manufacture of the particular dated example, analysis of macrostructure, then microstructure, then composition, then firing, variability and its relation to appearance, and finally significance of technology and its contribution to art and culture. In the ceramic technology section, the sequences and variability of processing, exemplified in the case studies, is inventoried with emphasis on structure and transformation.

Art, Structure and Technology

Ceramic Masterpieces

The Art of Collecting Books

Tsundoku

Sargent Claude Johnson

Inhalt

Bibliografische Angaben

Schlagworte

Inhalt

Bibliografische Angaben

Schlagworte

Weitere Titel zum Thema