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Ghríofa D: Said the Dead

Said the Dead

The #1 Irish Times bestseller from the author of A Ghost in the Throat

Anthem Critical Introductions

A history of immigration law as a legal discipline: how it has been constrained and unconstrained by developments in migration policy, international law, constitutional law and legal theory.

An Intellectual History of Migration Law and Policy c.1535-2020

What I've Learnt from Extraordinary People

Rules to Live By

A workbook designed to guide the bereaved through grief using a clinically-informed, structured storytelling method, this book gives readers the ability to disclose their suffering and work toward healing and reconcile with their loss using narrative writing. Based upon her research and the 'expressive storytelling' method she created, Linita Eapen Mathew calls upon her own experiences losing her father along with carefully structured narrative exercises to teach readers how they can write, re-examine, revise, and re-write their grief story to work towards a point of clarity and release. Leaning into grief theory and trauma-informed and therapeutic writing research, Writing Through Grief allows readers to create a complete and consistent account of their experiences to help them process events that unfolded, release trauma, and relieve the intense reactions and responses to the loss of both the living and the deceased. With each chapter combining Eapen's personal narrative with expressive storytelling exercises alongside discussion of the research behind them for context, this book offers readers a creative, productive but emotionally sensitive approach to handling grief. Whether guided by a trained psychologist, a workshop instructor or writing in the comfort of a personal space, writers can disclose their suffering and work toward healing and reflection through creative writing.

An Expressive Storytelling Workbook

Narrating Your Grief

This extraordinary memoir by Concha Lombardo de Miramón is the only known autobiography written by a nineteenth-century Mexican woman. In it she recounts her life from her birth in Mexico City to the beginning of her long European exile following her husband's execution for supporting Maximilian, the ill-fated Austrian prince who established an empire in Mexico. Now available for the first time in English, translated and edited by Silvia Marina Arrom, it offers rich insight into Mexico's past from a female perspective. Concha provides not only eyewitness accounts of Mexico's bitter civil wars and leading political figures, but also lively anecdotes of daily life that both confirm and question stereotypes about women and gender. Readers will enjoy, and relate to, her accounts of family secrets, childhood mischief, possessive boyfriends, marital spats, practical jokes, daring escapades, and, finally, a love story that ends in tragedy.

The Memoir of Concha Lombardo de Miramón, 1835–1869

A Feisty Woman

Routledge Studies in the History of the Americas

Structures and Practices in the Making of Latin American Elites

Destined to Rule

Entrepreneurs like Booker T. Washington and Madam C.J. Walker are familiar figures in the history of Black business. But from the hopeful dawn of emancipation to the crucible of Jim Crow, from rural Mound Bayou, Mississippi, to the bustling blocks of Harlem, many others built extraordinary businesses in pursuit of prosperity and freedom. Nevertheless, their efforts to pursue the American Dream were steadily undermined by people intent on profiting on their innovations and reining in their opportunities. Award-winning historian Shennette Garrett-Scott reveals the everyday genius of the people who refused to accept exclusion as identity: former slaves turned cotton mill owners, washerwomen turned financiers, and self-taught visionaries who built banks, real estate empires, and grocery store chains. Their successes were real, but ventures that promised economic independence often provoked backlash as white elites, politicians, and vigilantes tried to contain Black success. Even the boldest dreams often buckled under the combined weight of limited resources and state obstruction.A daring tale, lyrically told, The Business of Freedom reveals the history, strengths, and weaknesses of Black capitalism as a strategy for both individual and collective empowerment and shows why free enterprise alone could never deliver the freedom its champions promised.

The Golden Age of Black Capitalism

The Business of Freedom

Coal-Mining in South-West Wales

The Black Mystery

“Here is a writer with a rare gift for appreciation and for reminding us of all we have to celebrate in our fractured world.”&nbsp;—Pico Iyer, author of 
The Half Known Life Behind the scenes of a globe-spanning career in freelance journalism Foreword by Tim Cahill A Crooked Line celebrates an age when print journalism changed lives and made the world a better place. That era may be winding down, but this perceptive book makes the case for why incisive writing will always matter. Over the course of his 40-year career, Michael Shapiro has reported from more than 20 countries, writing for National Geographic, The Washington Post, The Los Angeles Times and many other top publications. But the itinerant writer’s life, while rewarding, has never been easy.
 
Shapiro worked as an investigative reporter and staff writer for San Francisco Bay Area newspapers before letting go of a regular paycheck and setting out to share stories of people and places worldwide. The exhilarations of the open road, “afoot and light-hearted” as Whitman wrote, were tempered by the challenges of freelancing, from making a living to working with heavy-handed editors.
 
His stories put people first: For a feature about Puerto Rico’s recovery after Hurricane Maria, he visited farmers who spoke of shifting from exporting produce to growing food for local people. His profile of a Yosemite photographer, who climbed Half Dome after being diagnosed with cancer, brought the man’s big-hearted humanity to the fore.
 
Shapiro is known as a travel writer, but his work goes far beyond global dispatches. In this book he shares stories of: <ul><li>saving Sunset magazine’s priceless archive of Western life (including photos made by Ansel Adams) after Time Inc. told staffers to toss everything into a dumpster</li><li>an investigation into the U.S. government’s attempt to conceal the circumstances of pro football star and soldier Pat Tillman’s death during the war in Afghanistan</li><li>writing a tribute about environmental hero Jane Goodall just hours after she died</li><li>how the Grateful Dead’s ecstatic songs celebrate the wonders of nature.</li></ul>Renowned for his books of conversations with writers and artists, A Sense of Place and The Creative Spark, Shapiro has interviewed David Sedaris, Amy Tan, Smokey Robinson, Joan Rivers, Frances Mayes and Peter Matthiessen. In this volume, he tells the story of how he convinced a reluctant Paul Theroux to agree to an interview and shares an in-depth dialogue with poet and philosopher David Whyte. A Crooked Line highlights Shapiro’s best journalism and includes behind-the-scenes anecdotes about how he pitched stories and got assignments worldwide. Postscripts detail what happened afterward; some include letters from people he wrote about, sharing what his coverage meant to them. Due to the dramatic changes in the journalistic landscape, a career like Shapiro’s couldn’t begin today. Yet the skills he honed as a journalist—empathetic listening, concise and evocative writing, and a keen sense of what matters—remain as relevant as ever. The tales and insights in A Crooked Line provide a timely affirmation of journalism’s enduring power to illuminate the human experience. This penetrating book reminds us that whatever life path we choose, it’s vital to make it our own.

The Perils and Rewards of a Life in Freelance Journalism

A Crooked Line

Leaving Care, a Memoir

Born Lucky

A manifesto in lectures about the material conditions and absurdities of being a writer and adjunct professor under capitalism-by turns funny, angry, despairing, and hopeful-from a writer who "has invented a new form" (Annie Ernaux). 
 
 In the spring of 2025, Heroines and Drifts author Kate Zambreno taught a weekly nonfiction "craft" lecture at Columbia University, thinking through the crises of the adjunct loop in the United States and the question of labor and writing in publishing and the university. This project became more absurd, and more urgent, as the Trump administration quickly turned to authoritarianism and the university became complicit with the administration, creating a dystopian and paranoid atmosphere in which students were kidnapped from university housing and student protestors were expelled. How can we study together and create under such conditions? 
 
 The resulting essays are funny, angry, often in despair, and somehow also full of optimism as to the future of writing, even amidst the collapse of the institutions meant to support writers and students. Zambreno engages with texts including Sofia Samatar's Opacities, Fred Moten and Stefano Harney's The Undercommons, Noémi Lefebvre's The Poetics of Work, Heike Geissler's Seasonal Associate, and Samuel Delaney's Times Square Red, Times Square Blue. 
 
 A craft book against a "craft" divorced from political and material realities, Against Nonfiction is for anyone trying to write and make art in impossible times.

Writing Through Capitalist Realisms

Against Nonfiction

Warum Kreativität schon immer die richtige Antwort auf alle Probleme warEinst war die Logik unser ganzer Stolz. Alles haben wir geplant und gemessen. Doch plötzlich verstehen wir die Welt nicht mehr. Wir haben uns verrechnet. Nun drängt auch noch Künstliche Intelligenz in unser Leben und auf unsere Bildschirme. Die Logik kennt keine Grenzen mehr. Die Zukunft scheint nicht länger eine Verheißung zu sein, sondern eine Zumutung. Controller denken: Der Mensch ist kostspielig, kompliziert und unkalkulierbar. Ihn zu ersetzen verspricht große Profitsprünge. Das ist Kapitalismus next level.&nbsp; 
Frank Dopheide findet, es ist höchste Zeit, sich auf das zu besinnen, was uns Menschen wirklich ausmacht. Wir sind schöpferische Wesen. Unser Einfallsreichtum kann Leben retten - und unseren Feierabend. Kreativität kann Menschen zum Weinen und Lachen bringen und ein ganzes Stadion zum Mitsingen. Kreativität ist kein Kurs in der Volkshochschule, sondern der Moment, in dem man Flügel bekommt und über sich hinauswächst. Geben wir den Menschen den Glauben an das Wunder der Kreativität zurück. Hier ist das Buch dazu. Zum Lesen, Staunen, Freuen, Mitmachen und Verschenken.&nbsp;

Warum Kreativität schon immer die richtige Antwort auf alle Probleme warEinst war die Logik unser ganzer Stolz. Alles haben wir geplant und gemessen. Doch plötzlich verstehen wir die Welt nicht mehr. Wir haben uns verrechnet. Nun drängt auch noch Künstliche Intelligenz in unser Leben und auf unsere Bildschirme. Die Logik kennt keine Grenzen mehr. Die Zukunft scheint nicht länger eine Verheißung zu sein, sondern eine Zumutung. Controller denken: Der Mensch ist kostspielig, kompliziert und unkalkulierbar. Ihn zu ersetzen verspricht große Profitsprünge. Das ist Kapitalismus next level.&nbsp; Frank Dopheide findet, es ist höchste Zeit, sich auf das zu besinnen, was uns Menschen wirklich ausmacht. Wir sind schöpferische Wesen. Unser Einfallsreichtum kann Leben retten – und unseren Feierabend. Kreativität kann Menschen zum Weinen und Lachen bringen und ein ganzes Stadion zum Mitsingen. Kreativität ist kein Kurs in der Volkshochschule, sondern der Moment, in dem man Flügel bekommt und über sich hinauswächst. Geben wir den Menschen den Glauben an das Wunder der Kreativität zurück. Hier ist das Buch dazu. Zum Lesen, Staunen, Freuen, Mitmachen und Verschenken.&nbsp;

Eine kurzweilige Geschichte der Kreativität

Den Verstand verlieren ist eine gute Idee

Said the Dead

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